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Sicko
Songs like
Sicko
by
CLOVES
Based on a tempo of (+/- 10%) and a similar genre
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Michael Kiwanuka
Love & Hate
170 bpm • G min • 07:07 • -7.85db
65% Popularity • 28% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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David Gray
This Year's Love
166 bpm • G# Maj • 04:05 • -7.79db
63% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Aron Wright
You're the Last Thing on My Mind
170 bpm • G Maj • 03:27 • -14db
38% Popularity • 34% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Amber Run
I Found - Acoustic
171 bpm • G min • 04:19 • -11.17db
52% Popularity • 39% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Ursine Vulpine
Wicked Game
169 bpm • E Maj • 04:44 • -10.35db
54% Popularity • 13% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lily Kershaw
Soft Dark Nothing
172 bpm • G# Maj • 03:17 • -14db
41% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Young Summer
Propeller
172 bpm • F min • 03:39 • -7.81db
29% Popularity • 48% Danceability • 59% Energy • 12% Liveness
27% Instrumentalness • 36% Positiveness
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Rihanna
Love On The Brain
172 bpm • E min • 03:44 • -4.83db
85% Popularity • 51% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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KALEO
Way down We Go
163 bpm • A# min • 03:33 • -8.02db
85% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Amber Run
Fickle Game
172 bpm • E min • 04:23 • -9.36db
48% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Jessie Ware
Say You Love Me
174 bpm • G Maj • 04:17 • -8.95db
60% Popularity • 39% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Lord Huron
The Night We Met
174 bpm • A Maj • 03:29 • -11.11db
68% Popularity • 42% Danceability • 36% Energy • 63% Liveness
18% Instrumentalness • 12% Positiveness
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Agnes Obel
It's Happening Again
173 bpm • A# Maj • 04:20 • -14.22db
50% Popularity • 14% Danceability • 31% Energy • 61% Liveness
39% Instrumentalness • 9% Positiveness
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Aquilo
Sorry
175 bpm • D Maj • 04:15 • -11.36db
46% Popularity • 32% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Fink
Looking Too Closely
175 bpm • D Maj • 05:10 • -12.46db
64% Popularity • 48% Danceability • 52% Energy • 9% Liveness
75% Instrumentalness • 10% Positiveness
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Taylor Swift
So Long, London
160 bpm • A Maj • 04:22 • -11.42db
84% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Aron Wright
Heartbeats
176 bpm • G Maj • 03:28 • -12.18db
37% Popularity • 43% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Young Summer
Waves That Rolled You Under
160 bpm • G# Maj • 04:17 • -9.31db
38% Popularity • 58% Danceability • 49% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
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CLOVES
Kiss Me In The Dark
159 bpm • D Maj • 03:30 • -6.6db
25% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Jack Garratt
Surprise Yourself
159 bpm • G# Maj • 04:20 • -12.19db
50% Popularity • 35% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Hozier
Arsonist's Lullabye
178 bpm • F# min • 04:26 • -9.07db
62% Popularity • 28% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 18% Positiveness
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Taylor Swift
Down Bad
160 bpm • B Maj • 04:21 • -10.38db
85% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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LÉON
Surround Me
178 bpm • F Maj • 03:52 • -7.87db
56% Popularity • 53% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Dean Lewis
Waves
157 bpm • B min • 04:00 • -7.19db
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Howard
Promise
157 bpm • D Maj • 06:24 • -15.74db
62% Popularity • 37% Danceability • 19% Energy • 36% Liveness
43% Instrumentalness • 18% Positiveness
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Keaton Henson
You
158 bpm • G# min • 04:42 • -14.48db
47% Popularity • 30% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Ruelle
Find You
181 bpm • E min • 04:33 • -9.03db
44% Popularity • 16% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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isaac gracie
reverie
155 bpm • G# Maj • 05:43 • -11.17db
48% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
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Hozier
Shrike
154 bpm • G min • 04:58 • -8.46db
63% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Katie Garfield
Not Mine
154 bpm • A min • 03:12 • -11.25db
28% Popularity • 34% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Michael Malarkey
Scars
153 bpm • C# min • 06:32 • -12.36db
42% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sia
Deer In Headlights
184 bpm • F Maj • 04:25 • -7.75db
46% Popularity • 21% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Sleeping At Last
All Through the Night
185 bpm • D# Maj • 03:17 • -11db
51% Popularity • 31% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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CLOVES
Dreams
152 bpm • F Maj • 02:13 • -8.38db
28% Popularity • 51% Danceability • 62% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
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Angus Powell
Hole in My Heart
151 bpm • B min • 02:49 • -16db
25% Popularity • 50% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Kodaline
All I Want
187 bpm • C Maj • 05:05 • -9.73db
81% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
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Ruelle
Where Do We Go From Here
150 bpm • A min • 03:16 • -7.9db
46% Popularity • 26% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Raining Jane
Love Is a Battlefield
150 bpm • E min • 04:05 • -13.28db
32% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Agnes Obel
Run Cried the Crawling
188 bpm • G# Maj • 04:26 • -14.84db
47% Popularity • 50% Danceability • 34% Energy • 10% Liveness
49% Instrumentalness • 35% Positiveness
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Taylor Swift
Florida!!!
150 bpm • C Maj • 03:35 • -7.1db
83% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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CLOVES
Everybody's Son
150 bpm • G Maj • 03:26 • -7db
33% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Rupert Pope
Catch Me
150 bpm • B min • 03:47 • -9.94db
20% Popularity • 30% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Aron Wright
Don't Play Games
150 bpm • E Maj • 04:22 • -11.41db
28% Popularity • 33% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Human Touch
Promise Not to Fall
149 bpm • A min • 03:25 • -6.72db
40% Popularity • 47% Danceability • 58% Energy • 7% Liveness
4% Instrumentalness • 11% Positiveness
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Tom Rosenthal
It's Ok
148 bpm • G# min • 03:11 • -15.11db
68% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
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The Cinematic Orchestra
To Build A Home
149 bpm • A Maj • 06:11 • -15.4db
76% Popularity • 26% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 7% Positiveness
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Allman Brown
Sons and Daughters
148 bpm • F min • 03:36 • -9.47db
47% Popularity • 51% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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SHEL
When the Sky Fell
148 bpm • F# min • 02:59 • -13.94db
30% Popularity • 47% Danceability • 25% Energy • 10% Liveness
44% Instrumentalness • 25% Positiveness
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Ruelle
War Of Hearts
148 bpm • A min • 03:46 • -6.34db
71% Popularity • 48% Danceability • 78% Energy • 10% Liveness
55% Instrumentalness • 26% Positiveness
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CLOVES
Don’t You Wait
191 bpm • A Maj • 04:06 • -8.03db
21% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Imaginary Future
Everything We Need
147 bpm • F# min • 03:30 • -9.41db
20% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Amy Stroup
Tough
146 bpm • E Maj • 02:16 • -13.24db
29% Popularity • 47% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Aron Wright
Look After You
146 bpm • C# min • 03:11 • -10.74db
55% Popularity • 40% Danceability • 29% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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Ruelle
Deep End
147 bpm • A min • 05:00 • -8.65db
49% Popularity • 42% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Amber Run
5AM
146 bpm • C Maj • 04:17 • -11.52db
53% Popularity • 36% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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CLOVES
One Big Nothing
147 bpm • D# min • 04:38 • -8db
21% Popularity • 51% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Joy Downer
In The Water (Music from the Netflix Ori...
145 bpm • C Maj • 01:45 • -15db
42% Popularity • 32% Danceability • 27% Energy • 19% Liveness
70% Instrumentalness • 38% Positiveness
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Florence + The Machine
Never Let Me Go
145 bpm • A Maj • 04:30 • -3.21db
68% Popularity • 45% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Adele
When We Were Young
144 bpm • D# Maj • 04:50 • -5.94db
78% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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nilu
Hollow Hands
144 bpm • F# Maj • 03:40 • -15db
34% Popularity • 27% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Demons Of Ruby Mae
Beneath the Surface
144 bpm • C Maj • 03:33 • -8.98db
44% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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CLOVES
Good Try
144 bpm • B min • 03:09 • -10.26db
25% Popularity • 40% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Bishop Briggs
Hi-Lo (Hollow)
144 bpm • A# min • 04:11 • -8.38db
46% Popularity • 65% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Norma Jean Martine
I Want You To Want Me
144 bpm • C Maj • 03:44 • -6.48db
17% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Soko
We Might Be Dead By Tomorrow
144 bpm • G Maj • 02:41 • -16.56db
53% Popularity • 39% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Unions
Bury
144 bpm • G Maj • 03:29 • -13.3db
35% Popularity • 50% Danceability • 18% Energy • 5% Liveness
8% Instrumentalness • 12% Positiveness
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Gin Wigmore
I Will Love You
201 bpm • A min • 04:46 • -8.32db
23% Popularity • 41% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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CLOVES
Up And Down
144 bpm • C# min • 04:08 • -7.56db
23% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Sleeping At Last
Ruby Blue
206 bpm • C min • 03:11 • -11.68db
37% Popularity • 29% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Agnes Obel
Riverside
198 bpm • A min • 03:48 • -13.45db
63% Popularity • 44% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Sara Jackson-Holman
Come By Fire
206 bpm • G# Maj • 02:05 • -16.15db
27% Popularity • 21% Danceability • 12% Energy • 9% Liveness
51% Instrumentalness • 4% Positiveness
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