Songs like Side by Side by Collin Miller & the Brother Nature
Based on a tempo of (+/- 10%) and a similar genre
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The Savants
Honey Child (FAME Studios)
172 bpm • D# Maj • 03:03 • -4.45db
20% Popularity • 50% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 50% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Bernard "Pretty" Purdie
Deep in Love
172 bpm • G Maj • 03:51 • -7.51db
30% Popularity • 61% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 61% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Collin Miller & the Brother Nature
Side by Side
172 bpm • D Maj • 05:34 • -9.02db
35% Popularity • 45% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 45% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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The California Honeydrops
Live Learn
172 bpm • B Maj • 04:35 • -6.62db
50% Popularity • 60% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 60% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Dojo Cuts
Crazy Good
172 bpm • F# min • 03:51 • -11.13db
35% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Maktub
Say You Will
172 bpm • E Maj • 04:12 • -7.95db
12% Popularity • 51% Danceability • 52% Energy • 18% Liveness
1% Instrumentalness • 32% Positiveness
12% Popularity • 51% Danceability • 52% Energy • 18% Liveness
1% Instrumentalness • 32% Positiveness
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Aubrey Haddard
Charley
171 bpm • F# min • 02:33 • -6db
31% Popularity • 40% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 40% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Leon Bridges
Daisy Mae
171 bpm • E min • 02:56 • -7.87db
46% Popularity • 48% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 48% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Dip
Slow Sipper
174 bpm • D# Maj • 03:00 • -8db
56% Popularity • 56% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
56% Popularity • 56% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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The Magnolia
First Time
173 bpm • A Maj • 04:13 • -5db
43% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Dojo Cuts
This Life
173 bpm • C Maj • 03:21 • -9.89db
28% Popularity • 54% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 64% Positiveness
28% Popularity • 54% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 64% Positiveness
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Eddie 9V
Little Black Flies
170 bpm • E Maj • 03:13 • -4.68db
40% Popularity • 40% Danceability • 78% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 40% Danceability • 78% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
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Kat Wright
By My Side
170 bpm • C# Maj • 03:51 • -5.97db
40% Popularity • 60% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 80% Positiveness
40% Popularity • 60% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 80% Positiveness
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Sir Woman
All I Need
170 bpm • A Maj • 04:41 • -8.28db
26% Popularity • 56% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 56% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Nigel Hall
Lay Away
170 bpm • A Maj • 05:55 • -8.05db
23% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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T Bird and the Breaks
Livin' with Love
170 bpm • C min • 04:02 • -4.92db
29% Popularity • 63% Danceability • 90% Energy • 61% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 63% Danceability • 90% Energy • 61% Liveness
0% Instrumentalness • 64% Positiveness
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Galactic
Going Straight Crazy
170 bpm • C# min • 03:27 • -4.76db
36% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Dip
O.P. Jebediah
169 bpm • G Maj • 04:02 • -6.57db
55% Popularity • 45% Danceability • 61% Energy • 66% Liveness
2% Instrumentalness • 70% Positiveness
55% Popularity • 45% Danceability • 61% Energy • 66% Liveness
2% Instrumentalness • 70% Positiveness
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The Electric Peanut Butter Company
Going in Circles
175 bpm • A# min • 02:58 • -5.13db
32% Popularity • 45% Danceability • 60% Energy • 57% Liveness
79% Instrumentalness • 72% Positiveness
32% Popularity • 45% Danceability • 60% Energy • 57% Liveness
79% Instrumentalness • 72% Positiveness
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Sir Woman
Party City
174 bpm • D Maj • 04:24 • -6db
37% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Smile High
Special
174 bpm • F Maj • 02:33 • -7.21db
29% Popularity • 56% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 56% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Mt. Joy
Phenomenon
169 bpm • F min • 02:53 • -9db
50% Popularity • 55% Danceability • 66% Energy • 12% Liveness
72% Instrumentalness • 65% Positiveness
50% Popularity • 55% Danceability • 66% Energy • 12% Liveness
72% Instrumentalness • 65% Positiveness
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Neal Francis
How Have I Lived
169 bpm • B Maj • 04:06 • -6.46db
30% Popularity • 61% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
30% Popularity • 61% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
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Durand Jones & The Indications
Long Way Home
175 bpm • G Maj • 03:21 • -4.43db
48% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Motenko
On Your Level
176 bpm • C Maj • 02:43 • -6.39db
20% Popularity • 44% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 44% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Sonny Cleveland
If It Ain't Broke
168 bpm • C Maj • 03:27 • -6.23db
44% Popularity • 75% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 75% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Aaron Taylor
Breakfast
176 bpm • C Maj • 03:10 • -4db
44% Popularity • 77% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 77% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Sex on Toast
Oh, Loretta!
176 bpm • G Maj • 04:29 • -6.9db
43% Popularity • 66% Danceability • 55% Energy • 12% Liveness
10% Instrumentalness • 70% Positiveness
43% Popularity • 66% Danceability • 55% Energy • 12% Liveness
10% Instrumentalness • 70% Positiveness
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Johnny Burgos
Love Bird
166 bpm • E min • 03:09 • -5.42db
36% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Funkmammoth
A Happy Song
178 bpm • F min • 02:55 • -7.88db
41% Popularity • 55% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 55% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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The Suffers
I Think I Love You
166 bpm • C# Maj • 02:37 • -4.9db
18% Popularity • 70% Danceability • 73% Energy • 16% Liveness
2% Instrumentalness • 65% Positiveness
18% Popularity • 70% Danceability • 73% Energy • 16% Liveness
2% Instrumentalness • 65% Positiveness
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Bahamas
Trick To Happy
178 bpm • D Maj • 03:24 • -9.66db
56% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
56% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Melt
Sour Candy
178 bpm • F Maj • 04:55 • -8.08db
49% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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St. Paul & The Broken Bones
Half the City
179 bpm • G min • 03:17 • -6db
50% Popularity • 55% Danceability • 68% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
50% Popularity • 55% Danceability • 68% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
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Hollyy
Miss the Feeling
165 bpm • F# min • 04:30 • -7.7db
13% Popularity • 31% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 31% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Why These Coyotes
Bennie and the Jets
180 bpm • G# min • 03:56 • -7.03db
26% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Lake Street Dive
My Speed
164 bpm • F# Maj • 04:50 • -8db
37% Popularity • 65% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 65% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Lettuce
Everybody Wants to Rule the World
180 bpm • B min • 04:51 • -6.84db
39% Popularity • 46% Danceability • 74% Energy • 12% Liveness
25% Instrumentalness • 39% Positiveness
39% Popularity • 46% Danceability • 74% Energy • 12% Liveness
25% Instrumentalness • 39% Positiveness
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Mingo Fishtrap
Mason Jar
180 bpm • G# Maj • 03:08 • -8.65db
29% Popularity • 51% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 51% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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St. Paul & The Broken Bones
Broken Bones and Pocket Change
179 bpm • A min • 03:47 • -6.24db
41% Popularity • 30% Danceability • 66% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
41% Popularity • 30% Danceability • 66% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
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Nigel Hall
Don't Change for Me
164 bpm • G Maj • 03:45 • -6.98db
34% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Devon Gilfillian
All I Really Wanna Do
164 bpm • F min • 03:42 • -7.02db
44% Popularity • 69% Danceability • 71% Energy • 8% Liveness
6% Instrumentalness • 76% Positiveness
44% Popularity • 69% Danceability • 71% Energy • 8% Liveness
6% Instrumentalness • 76% Positiveness
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Lake Street Dive
Hypotheticals - Edit
164 bpm • C# Maj • 03:10 • -6.12db
42% Popularity • 70% Danceability • 69% Energy • 23% Liveness
9% Instrumentalness • 72% Positiveness
42% Popularity • 70% Danceability • 69% Energy • 23% Liveness
9% Instrumentalness • 72% Positiveness
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Eric Krasno
The Man in Me (SongAid)
164 bpm • F Maj • 03:29 • -8.02db
8% Popularity • 54% Danceability • 66% Energy • 15% Liveness
9% Instrumentalness • 79% Positiveness
8% Popularity • 54% Danceability • 66% Energy • 15% Liveness
9% Instrumentalness • 79% Positiveness
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The Dip
Atlas (OurVinyl Sessions)
164 bpm • A# Maj • 03:36 • -10.84db
46% Popularity • 44% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 44% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Brave Baby
Soothsayer
182 bpm • B Maj • 03:50 • -7db
40% Popularity • 58% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
40% Popularity • 58% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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Nigel Hall
I Can't Stand the Rain
164 bpm • F min • 04:06 • -8.76db
22% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Dojo Cuts
I Don't Want to Wait
182 bpm • A Maj • 03:34 • -9db
41% Popularity • 43% Danceability • 34% Energy • 12% Liveness
72% Instrumentalness • 68% Positiveness
41% Popularity • 43% Danceability • 34% Energy • 12% Liveness
72% Instrumentalness • 68% Positiveness
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Neal Francis
Can't Live Without Your Love
161 bpm • C Maj • 04:04 • -6.83db
22% Popularity • 46% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
22% Popularity • 46% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
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Eric Krasno
The Man In Me
164 bpm • F Maj • 03:29 • -10.55db
18% Popularity • 56% Danceability • 65% Energy • 18% Liveness
36% Instrumentalness • 79% Positiveness
18% Popularity • 56% Danceability • 65% Energy • 18% Liveness
36% Instrumentalness • 79% Positiveness
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The Dip
Atlas
162 bpm • A# Maj • 03:47 • -7db
52% Popularity • 44% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 44% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
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Durand Jones & The Indications
Make a Change
161 bpm • G Maj • 03:29 • -9.31db
42% Popularity • 66% Danceability • 67% Energy • 13% Liveness
44% Instrumentalness • 84% Positiveness
42% Popularity • 66% Danceability • 67% Energy • 13% Liveness
44% Instrumentalness • 84% Positiveness
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Phillip-Michael Scales
Better Than You
184 bpm • C min • 03:14 • -5.58db
32% Popularity • 46% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 46% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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The Main Squeeze
Payday
184 bpm • F min • 04:03 • -9.44db
22% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Lee Fields & The Expressions
Honey Dove
160 bpm • E min • 04:06 • -5.78db
50% Popularity • 49% Danceability • 50% Energy • 11% Liveness
17% Instrumentalness • 20% Positiveness
50% Popularity • 49% Danceability • 50% Energy • 11% Liveness
17% Instrumentalness • 20% Positiveness
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Sammy Rae & The Friends
Kick It to Me - Single Version
160 bpm • D Maj • 04:32 • -6.15db
42% Popularity • 69% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 69% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 94% Positiveness
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Oh He Dead
All Night
184 bpm • E min • 03:15 • -6.26db
30% Popularity • 66% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 66% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Wilder Woods
Supply & Demand
160 bpm • G# Maj • 03:16 • -5.05db
51% Popularity • 49% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 49% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Aaron Frazer
Leanin’ on Your Everlasting Love
186 bpm • D# Maj • 04:13 • -7db
31% Popularity • 39% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 39% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Neal Francis
This Time
186 bpm • C Maj • 04:54 • -7.43db
36% Popularity • 31% Danceability • 91% Energy • 10% Liveness
16% Instrumentalness • 86% Positiveness
36% Popularity • 31% Danceability • 91% Energy • 10% Liveness
16% Instrumentalness • 86% Positiveness
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Kendall Street Company
Expiration Date
186 bpm • G Maj • 03:34 • -7.86db
37% Popularity • 47% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 34% Positiveness
37% Popularity • 47% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 34% Positiveness
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Devon Gilfillian
Get Out And Get It
187 bpm • F# min • 02:56 • -5db
26% Popularity • 48% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 66% Positiveness
26% Popularity • 48% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 66% Positiveness
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Wild Child
1996
188 bpm • B min • 03:06 • -6.56db
45% Popularity • 63% Danceability • 56% Energy • 54% Liveness
9% Instrumentalness • 72% Positiveness
45% Popularity • 63% Danceability • 56% Energy • 54% Liveness
9% Instrumentalness • 72% Positiveness
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The Flying Stars Of Brooklyn NY
Live On (Mixed)
156 bpm • E min • 03:16 • -9.53db
26% Popularity • 54% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 54% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Sir Woman
Bitch
156 bpm • B min • 03:48 • -6.86db
30% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Cookin' On 3 Burners
More Than a Mouthful
155 bpm • F min • 04:00 • -6db
28% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Collin Miller & the Brother Nature
Everyday Lovers
155 bpm • F# min • 04:30 • -10.69db
4% Popularity • 79% Danceability • 38% Energy • 8% Liveness
22% Instrumentalness • 96% Positiveness
4% Popularity • 79% Danceability • 38% Energy • 8% Liveness
22% Instrumentalness • 96% Positiveness
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Matt Duncan
Soft Times
155 bpm • C Maj • 03:37 • -11.38db
36% Popularity • 78% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
36% Popularity • 78% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
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Nané
Clementine Tree
154 bpm • A Maj • 04:21 • -7.29db
19% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Flying Stars Of Brooklyn NY
Live On
155 bpm • E min • 04:09 • -8.84db
43% Popularity • 51% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 51% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Tomar and the FCs
Rise Above
192 bpm • F# Maj • 03:15 • -6.11db
37% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Rookie Season
Got a Feelin'
154 bpm • C min • 03:43 • -7.79db
40% Popularity • 69% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 69% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Champagne Lane
Feelin' It Out
154 bpm • C min • 04:08 • -3.07db
31% Popularity • 71% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 71% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Dojo Cuts
Rome
154 bpm • B Maj • 03:38 • -8.47db
61% Popularity • 78% Danceability • 50% Energy • 16% Liveness
6% Instrumentalness • 86% Positiveness
61% Popularity • 78% Danceability • 50% Energy • 16% Liveness
6% Instrumentalness • 86% Positiveness
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The Electric Peanut Butter Company
Dreams
152 bpm • A min • 03:01 • -4.69db
44% Popularity • 60% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 60% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Brad Goodall
Casa De Mel
152 bpm • C Maj • 04:23 • -9.72db
27% Popularity • 70% Danceability • 56% Energy • 8% Liveness
22% Instrumentalness • 56% Positiveness
27% Popularity • 70% Danceability • 56% Energy • 8% Liveness
22% Instrumentalness • 56% Positiveness
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The Suffers
Slow It Down
152 bpm • A# Maj • 03:09 • -4.38db
17% Popularity • 60% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 60% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Neal Francis
These Are The Days
150 bpm • C Maj • 03:40 • -5.69db
25% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Electrophunck
Blue Magnolia
150 bpm • E min • 04:44 • -8.39db
28% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Son Little
neve give up
150 bpm • G min • 03:41 • -9db
47% Popularity • 57% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
47% Popularity • 57% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
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Jesse Roper
Does Anybody Know
150 bpm • C# Maj • 03:28 • -6db
51% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Bosley
Golden Brown
150 bpm • F Maj • 04:17 • -5.76db
14% Popularity • 59% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 59% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Kelly Finnigan
Impressions of You
149 bpm • C Maj • 03:54 • -6.05db
35% Popularity • 32% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 32% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Crushed Velvet and the Velveteers
As Far As We Know
148 bpm • A min • 04:39 • -6.75db
5% Popularity • 54% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
5% Popularity • 54% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Main Squeeze
Sunday Morning
147 bpm • C# Maj • 03:49 • -8.4db
37% Popularity • 49% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 49% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Son Little
after all (i must be wrong)
148 bpm • G# Maj • 03:31 • -11.82db
22% Popularity • 66% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 66% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Bedon
Untitled
201 bpm • D Maj • 04:40 • -9.25db
32% Popularity • 37% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 62% Positiveness
32% Popularity • 37% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 62% Positiveness
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St. Paul & The Broken Bones
Tears in the Diamond
202 bpm • B Maj • 03:46 • -5.19db
27% Popularity • 48% Danceability • 69% Energy • 12% Liveness
5% Instrumentalness • 76% Positiveness
27% Popularity • 48% Danceability • 69% Energy • 12% Liveness
5% Instrumentalness • 76% Positiveness
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The Never Ending Fall
Trisha
147 bpm • G Maj • 04:32 • -6.77db
29% Popularity • 42% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 42% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Bahamas
Way With Words
146 bpm • F# min • 04:20 • -7db
55% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Vijay Strickland
You're So Distant
205 bpm • E min • 02:56 • -7.53db
36% Popularity • 56% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 56% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness