Songs like Sidekick (Reprise) by The Fortress of Solitude Original Cast Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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Will Reynolds
Great Interest
83 bpm • B min • 04:31 • -9.52db
14% Popularity • 50% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 50% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Telly Leung
With You
83 bpm • F# Maj • 03:13 • -14.47db
8% Popularity • 21% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 21% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Sydney Shepherd
The Forgetting
83 bpm • E min • 02:36 • -9.4db
8% Popularity • 46% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 46% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Brittain Ashford
Sonya & Natasha
83 bpm • C min • 04:12 • -8.61db
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Fortress of Solitude Original Cast Ensemble
Sidekick (Reprise)
83 bpm • D Maj • 00:36 • -20.86db
1% Popularity • 17% Danceability • 6% Energy • 13% Liveness
9% Instrumentalness • 7% Positiveness
1% Popularity • 17% Danceability • 6% Energy • 13% Liveness
9% Instrumentalness • 7% Positiveness
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Nunsense 30th Anniversary Cast
Growing Up Catholic
83 bpm • G# Maj • 02:38 • -13.84db
11% Popularity • 32% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 32% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Will Reynolds
The Truth Is
83 bpm • G min • 02:49 • -10.91db
15% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Sean Bell
Come to the Fatherland!
83 bpm • C Maj • 03:48 • -7.37db
17% Popularity • 79% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 79% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Brian D'Arcy James
Did Spring Come to Texas?
83 bpm • C Maj • 02:28 • -7.15db
10% Popularity • 43% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 43% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Neil Bartram
Footprint
82 bpm • G Maj • 05:59 • -15.67db
20% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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James Royal Valcq
The Colors of Paradise
82 bpm • E min • 04:09 • -7.61db
13% Popularity • 41% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 41% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Nunsense 30th Anniversary Cast
So You Want to Be a Nun
82 bpm • A Maj • 04:07 • -17db
10% Popularity • 63% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 63% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Will Reynolds
At the Plaza
83 bpm • A Maj • 03:33 • -10.49db
23% Popularity • 32% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 32% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Liam Tamne
A Very Good Day
82 bpm • B min • 03:51 • -14.37db
6% Popularity • 40% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 40% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Ellie Fishman
See You on the Other Side
82 bpm • C min • 04:18 • -8.8db
12% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Alison Luff
It Could Totally Happen
84 bpm • B Maj • 03:27 • -6.27db
8% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Jim Walton
Marry Me / A Quiet Thing
82 bpm • G# Maj • 04:04 • -23db
7% Popularity • 31% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 31% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Julia Cassandra
Who Are You With?
85 bpm • D Maj • 02:28 • -8.93db
10% Popularity • 53% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 53% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Kelly McIntyre
I Fell In Love In Juvie Hall!
81 bpm • D# Maj • 03:12 • -6.89db
9% Popularity • 32% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 32% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Rebecca Naomi Jones
Love's a Gun
81 bpm • A min • 03:42 • -10db
16% Popularity • 54% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 54% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Gaby Alter
Back of the Bus
81 bpm • A# Maj • 02:48 • -9.09db
12% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Patti Murin
The Rut
81 bpm • D Maj • 01:00 • -13.69db
11% Popularity • 34% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 34% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Liv Andrusier
Ride The Moment
85 bpm • D Maj • 03:45 • -6.52db
14% Popularity • 48% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 48% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Liz Callaway
What Could Be Better?
85 bpm • C Maj • 03:52 • -15.21db
9% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Kat Ronney
Sixteen
85 bpm • F Maj • 04:53 • -7.86db
10% Popularity • 52% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 52% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Kooman & Dimond
Walking Without You
81 bpm • F Maj • 04:05 • -8.09db
13% Popularity • 20% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 20% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Georgie Westall
Down, Down into the Dark
81 bpm • F Maj • 02:09 • -3.52db
8% Popularity • 62% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 62% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Roger Rees
Welcome to the World
85 bpm • C Maj • 02:06 • -16db
10% Popularity • 34% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 34% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Caesar Samayoa
Terminaly Human
85 bpm • G# Maj • 02:59 • -12.99db
16% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Enrico Rodriguez
Do You Know What It's Like?
81 bpm • E Maj • 04:20 • -11db
9% Popularity • 59% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 59% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Santino Fontana
Talk To Me Dorothy
81 bpm • A# Maj • 03:01 • -12.65db
14% Popularity • 36% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 36% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Ato Blankson-Wood
Tell Her
81 bpm • G# Maj • 02:18 • -10.25db
20% Popularity • 58% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 58% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Jeanine Tesori
Promise Me, Violet (Reprise)
80 bpm • G Maj • 03:16 • -13.32db
7% Popularity • 40% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 40% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Liv Andrusier
The Charmed Existence of Fred Rose
86 bpm • C# Maj • 03:01 • -9.15db
12% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Tituss Burgess
My Best Friend
86 bpm • A Maj • 04:21 • -12.02db
8% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Pippa Cleary
Pieces of My Heart
80 bpm • D# Maj • 02:49 • -14.59db
8% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Hunter Foster
Something from a Dream
86 bpm • D Maj • 02:53 • -9.28db
16% Popularity • 44% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 44% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Rob Rokicki
Down and Under
80 bpm • D Maj • 03:21 • -7.38db
14% Popularity • 61% Danceability • 59% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 61% Danceability • 59% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
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Lauren Kennedy
I Don't Wanna Miss a Thing
80 bpm • E Maj • 03:16 • -8db
7% Popularity • 73% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 73% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Grace McLean
In The Green
86 bpm • A# Maj • 02:56 • -16.76db
15% Popularity • 63% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 63% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Christian Borle
Show Me The Stage
80 bpm • C# min • 02:46 • -7.86db
13% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Amelia Fei
Today Is (Part 1)
86 bpm • C# Maj • 04:01 • -7.52db
22% Popularity • 43% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 43% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Cast Recording
Queen Mab
86 bpm • E min • 02:45 • -17.2db
19% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Sierra Boggess
Good Luck, Bonne Chance
86 bpm • B Maj • 05:39 • -9.82db
9% Popularity • 54% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 54% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Ramin Karimloo
Finale Act II
87 bpm • A# Maj • 05:29 • -14.37db
14% Popularity • 37% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 37% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Megan McGinnis
I Have Torn You from My Heart
87 bpm • A Maj • 01:56 • -13db
20% Popularity • 40% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 40% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Michael John La Chuisa
Wild Party - Original Broadway Cast/2000
79 bpm • A# Maj • 04:34 • -14.01db
9% Popularity • 48% Danceability • 29% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 48% Danceability • 29% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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Lauren Kennedy
The Argument
87 bpm • D# Maj • 02:01 • -11.14db
8% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Mykal Kilgore
King of the World
79 bpm • C Maj • 04:42 • -6.59db
15% Popularity • 43% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 43% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Dean Chisnall
The Mason
87 bpm • A# Maj • 02:45 • -14db
11% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Original London Cast Of The Wind In The Willows
To Be a Woman
79 bpm • B min • 04:12 • -6.7db
14% Popularity • 44% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 44% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Darlesia Cearcy
Getting Ready for the Dance
87 bpm • F Maj • 03:33 • -9.53db
18% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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"Calendar Girls" Original London Cast
Time Passing
79 bpm • A# Maj • 02:01 • -12.3db
11% Popularity • 43% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 43% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Jeanine Tesori
Hard to Say Goodbye
88 bpm • G Maj • 02:20 • -9.65db
8% Popularity • 41% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 41% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Patti Murin
It's Not a Good Idea
87 bpm • C Maj • 03:19 • -8.61db
14% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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James Royal Valcq
Forgotten Lullaby
79 bpm • D min • 01:48 • -14.38db
11% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Bertie Carvel
It's Hard To Speak My Heart
79 bpm • E Maj • 03:18 • -9.94db
9% Popularity • 40% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 40% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Caesar Samayoa
The How-Tos
88 bpm • F Maj • 03:59 • -9.04db
18% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Christian Borle
When The Earth Stopped Turning
79 bpm • E Maj • 04:00 • -15.92db
9% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Original London Cast Of The Wind In The Willows
A Place to Come Back To
78 bpm • C Maj • 03:48 • -10.93db
13% Popularity • 27% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 27% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Patti Murin
I Don't Need Love
88 bpm • B Maj • 01:31 • -18db
11% Popularity • 47% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 47% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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The Betty Blue Eyes Company
Finale Ultimo / Confessions
78 bpm • G Maj • 08:18 • -11.09db
7% Popularity • 51% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 51% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
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Nick Blaemire
Rhapsody
88 bpm • C Maj • 05:32 • -11.92db
7% Popularity • 44% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 44% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Carner & Gregor
Bonus Track: Waiting
78 bpm • D# Maj • 04:14 • -14.45db
9% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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'[title of show]' Original Cast
Nine People's Favorite Thing
88 bpm • C Maj • 04:39 • -8.39db
19% Popularity • 57% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 57% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Neil Bartram
Julie's Song
88 bpm • C Maj • 03:03 • -11db
17% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Sam Primack
Weatherman
78 bpm • A Maj • 03:01 • -8.16db
12% Popularity • 71% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 71% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Ato Blankson-Wood
Tell Her - Reprise
78 bpm • C# Maj • 01:07 • -17.54db
13% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Enrico Rodriguez
I Think We Got Love
78 bpm • G Maj • 03:24 • -10.36db
8% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Christine Allado
Clockwork
78 bpm • A min • 05:00 • -9.08db
21% Popularity • 39% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 39% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Chanler-Berat
At Least I'll Know I Tried
78 bpm • E Maj • 05:13 • -6.15db
12% Popularity • 31% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 31% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Jeanine Tesori
Bring Me to Light
78 bpm • A Maj • 03:26 • -9.4db
19% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Solea Pfeiffer
Dare to Dream
78 bpm • A Maj • 03:27 • -6.59db
12% Popularity • 39% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 39% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Janet Metz
Times Like This
89 bpm • B Maj • 03:35 • -16db
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Maria Thayer
Hey Boys
89 bpm • A# min • 01:07 • -5db
18% Popularity • 71% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 71% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
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Hunter Foster
Favorite Places
77 bpm • E Maj • 03:48 • -13.98db
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Roger Rees
A Man of No Importance
89 bpm • C Maj • 08:17 • -13db
11% Popularity • 50% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 50% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Dana Steingold
Don'tcha Think?
77 bpm • E min • 02:28 • -7.58db
8% Popularity • 66% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 66% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Jeremy Jordan
Apple-Picking Song
77 bpm • G Maj • 03:07 • -10.14db
14% Popularity • 62% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 62% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Disaster! Original Broadway Cast
25 or 6 to 4
77 bpm • C# Maj • 01:48 • -5.79db
13% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Katie Rose Clarke
I Oughta Go
77 bpm • F Maj • 01:35 • -11.04db
12% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Bonnie Milligan
How to Wash a Check (Reprise)
77 bpm • C Maj • 01:00 • -9.49db
23% Popularity • 64% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 64% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
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Carmen Cusack
Flying Over Sunset
77 bpm • E min • 05:18 • -9.88db
8% Popularity • 25% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 25% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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"Calendar Girls" Original London Cast
Protect Me Less
77 bpm • G min • 02:59 • -8.46db
15% Popularity • 65% Danceability • 30% Energy • 61% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 65% Danceability • 30% Energy • 61% Liveness
0% Instrumentalness • 80% Positiveness
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Daphne Rubin-Vega
Dance with Me
90 bpm • A Maj • 02:15 • -6.59db
7% Popularity • 56% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 56% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Nikki M. James
Viola’s Soliloquy - 2nd Reprise
77 bpm • B Maj • 01:51 • -15.25db
13% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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James Royal Valcq
Shine
77 bpm • A Maj • 04:55 • -11.65db
12% Popularity • 33% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 33% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Haaz Sleiman
Put out the Light
90 bpm • G# Maj • 04:15 • -9.73db
10% Popularity • 38% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 38% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Carner & Gregor
I'll Take It All
90 bpm • A min • 03:19 • -12db
7% Popularity • 77% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 77% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jenn Colella
Number 5 with a Bullet
90 bpm • A min • 04:46 • -6db
10% Popularity • 58% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 58% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Farah Alvin
Coffee
90 bpm • A# Maj • 03:08 • -12.21db
8% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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John Bucchino
Taking the Wheel
91 bpm • G Maj • 04:05 • -6.5db
8% Popularity • 49% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 49% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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James Royal Valcq
A Ring Around the Moon
76 bpm • C Maj • 06:59 • -12.31db
13% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Nunsense 30th Anniversary Cast
Playing Second Fiddle
91 bpm • B min • 02:01 • -16.08db
11% Popularity • 67% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 67% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Andy Mientus
Goes Away
76 bpm • D min • 03:23 • -9.59db
9% Popularity • 59% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 59% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Carner & Gregor
Make It Here
91 bpm • C# Maj • 03:08 • -11db
7% Popularity • 49% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 49% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Daniel Breaker
The King's Sonnet
76 bpm • F# Maj • 02:11 • -8.19db
8% Popularity • 36% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 36% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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'[title of show]' Original Cast
Untitled Opening Number
91 bpm • D Maj • 02:15 • -8.98db
17% Popularity • 63% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 63% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness