Songs like Sieben Wochen nach Bombay by Rex Gildo
Based on a tempo of (+/- 10%) and a similar genre
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Juliane Werding
Stimmen im Wind
116 bpm • E Maj • 04:18 • -7db
49% Popularity • 61% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 61% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Bernhard Brink
Lieder an die Liebe
116 bpm • C Maj • 03:26 • -6.77db
40% Popularity • 66% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 66% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Conny Froboess
Mariandl
116 bpm • B Maj • 02:28 • -9.47db
25% Popularity • 38% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 38% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Peggy March
Mit 17 hat man noch Träume
116 bpm • C Maj • 02:46 • -5.09db
38% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Robert Stolz
Auch du wirst mich einmal betrügen
116 bpm • B Maj • 02:21 • -12.6db
1% Popularity • 74% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 74% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Wencke Myhre
Oh No No
116 bpm • F# Maj • 03:57 • -8db
23% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Rex Gildo
Sieben Wochen nach Bombay
116 bpm • G Maj • 02:27 • -6.8db
5% Popularity • 63% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 72% Positiveness
5% Popularity • 63% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 72% Positiveness
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Bata Illic
Komm auf das Schiff meiner Träume
116 bpm • F Maj • 02:57 • -10db
32% Popularity • 65% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 65% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Jonny Hill
Ruf Teddybär eins-vier
117 bpm • F# Maj • 04:47 • -15.15db
39% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Cindy Berger
Spaniens Gitarren
115 bpm • G Maj • 02:57 • -2.63db
20% Popularity • 55% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 55% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Gus Backus
Ich steh an der Bar und habe kein Geld
117 bpm • D Maj • 02:34 • -6.14db
29% Popularity • 78% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 78% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Roger Whittaker
Eloisa
115 bpm • A# Maj • 03:29 • -7.34db
40% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Bernd Clüver
Mexican Girl
115 bpm • C Maj • 03:32 • -6.98db
31% Popularity • 64% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 64% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Bata Illic
Schwarze Madonna
115 bpm • G# Maj • 03:18 • -13db
37% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Kristina Bach
Fliegst du mit mir zu den Sternen
115 bpm • C Maj • 03:53 • -4.59db
33% Popularity • 82% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 82% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Brunner & Brunner
Shanana (Lass uns leben) (Neuaufnahme)
115 bpm • G Maj • 03:45 • -4db
25% Popularity • 62% Danceability • 94% Energy • 21% Liveness
2% Instrumentalness • 87% Positiveness
25% Popularity • 62% Danceability • 94% Energy • 21% Liveness
2% Instrumentalness • 87% Positiveness
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Gitte Hænning
Hey-Hey, Olé
117 bpm • G# Maj • 02:42 • -11.02db
2% Popularity • 57% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
2% Popularity • 57% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Peter Alexander
Hier ist ein Mensch
115 bpm • D# Maj • 03:34 • -6.66db
22% Popularity • 61% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 61% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Hanne Haller
Weil du ein zärtlicher Mann bist
117 bpm • A# Maj • 03:42 • -11.91db
29% Popularity • 81% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 81% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Vicky Leandros
Weisst Du woraus die Träume sind
117 bpm • C Maj • 03:31 • -11db
33% Popularity • 44% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 44% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
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Peggy March
Mit 17 hat man noch Träume - Re-Recordi...
115 bpm • C Maj • 02:49 • -21.58db
17% Popularity • 55% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 55% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Brunner & Brunner
Shananana (Lass uns leben)
115 bpm • G Maj • 03:44 • -7db
36% Popularity • 68% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 68% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Roy Black
Schön ist es auf der Welt zu sein
115 bpm • F Maj • 03:23 • -10db
43% Popularity • 68% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 68% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Cindy Berger
Aber am Abend da spielt der Zigeuner
114 bpm • G Maj • 02:55 • -2.54db
23% Popularity • 64% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 64% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Roger Whittaker
Lass mich bei dir sein
114 bpm • C Maj • 03:34 • -10.22db
37% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Katja Ebstein
Es war einmal ein Jäger
118 bpm • B Maj • 03:15 • -8db
36% Popularity • 73% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 73% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Hazy Osterwald And The Entertainers
Der Fahrstuhl
118 bpm • G Maj • 03:30 • -12db
10% Popularity • 76% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 76% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Siw Inger
Komm und spiel mit mir
114 bpm • D Maj • 03:24 • -9db
22% Popularity • 79% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 79% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Conny Froboess
Verliebt, verlobt, verheiratet
114 bpm • D Maj • 02:28 • -9.69db
30% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Ulli Martin
Ich träume mit offenen Augen von dir
114 bpm • C Maj • 03:37 • -10.96db
30% Popularity • 33% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 33% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Roger Whittaker
Ein bisschen Aroma - DAS ORIGINAL
118 bpm • B min • 03:57 • -8.49db
48% Popularity • 76% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
48% Popularity • 76% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Fernando Express
Der rote Mond von Agadir
118 bpm • A# min • 03:29 • -4.22db
35% Popularity • 74% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 74% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Gaby Baginsky
Der Rum von Barbados
114 bpm • B min • 03:00 • -6db
28% Popularity • 78% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 78% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Bata Illic
Dich Erkenn' Ich Mit Verbundenen Augen
114 bpm • G Maj • 03:13 • -10.28db
35% Popularity • 61% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 61% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Nicole
Ein bisschen Frieden
118 bpm • F# Maj • 03:01 • -8.67db
46% Popularity • 62% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 62% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Kristina Bach
Und die Erde steht still
118 bpm • A Maj • 03:39 • -8.48db
38% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Klostertaler
Ha-le-lu-ja
118 bpm • F Maj • 03:19 • -5.43db
33% Popularity • 79% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 79% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Fernando Express
Die versunkene Stadt
118 bpm • F Maj • 04:21 • -11db
33% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Lena Valaitis
Johnny Blue
114 bpm • F Maj • 03:01 • -9.18db
40% Popularity • 63% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 63% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Roger Whittaker
Wir sind jung (Oh Maria)
114 bpm • C Maj • 03:35 • -7db
36% Popularity • 60% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 60% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Bata Illic
Komm Auf Das Schiff Meiner Träume
118 bpm • F Maj • 03:00 • -9.65db
35% Popularity • 64% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
35% Popularity • 64% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
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Andreas Martin
Du bist alles
114 bpm • D Maj • 03:56 • -7db
30% Popularity • 72% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 72% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Mo
Ich kauf' mir lieber einen Tirolerhut
114 bpm • C# Maj • 02:27 • -13db
27% Popularity • 62% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 62% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Drafi Deutscher
Welche Farbe hat die Welt - Version 1987
118 bpm • C Maj • 04:25 • -13db
31% Popularity • 67% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 67% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Peter Alexander
Aus Böhmen kommt die Musik
118 bpm • E Maj • 02:42 • -13.45db
33% Popularity • 66% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 66% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Michael Holm
My Lady of Spain
114 bpm • A Maj • 02:43 • -10db
18% Popularity • 57% Danceability • 64% Energy • 65% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 57% Danceability • 64% Energy • 65% Liveness
0% Instrumentalness • 94% Positiveness
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Rex Gildo
Das Ende der Liebe (Tell Laura I Love He...
113 bpm • A Maj • 02:42 • -9.05db
12% Popularity • 65% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 65% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Daliah Lavi
Ich wollt' nur mal mit dir reden
113 bpm • D Maj • 04:16 • -9db
29% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Wencke Myhre
Lass mein Knie, Joe
118 bpm • C Maj • 03:14 • -9.38db
27% Popularity • 69% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 69% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Nicki
Weil i immer no an Engerl glaub
119 bpm • A Maj • 03:53 • -15.07db
39% Popularity • 66% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 66% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Nockis
Und über Rhodos küss ich dich
119 bpm • A# Maj • 03:36 • -9db
33% Popularity • 55% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 55% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Conny Froboess
Yes, My Darling
119 bpm • G Maj • 02:49 • -15.04db
0% Popularity • 71% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 71% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Rex Gildo
Hast Du heut schon mal gelebt - Neuaufna...
119 bpm • D Maj • 03:34 • -7db
29% Popularity • 62% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 62% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Mara Kayser
Ich wünsch Dir alles Gute
113 bpm • A Maj • 02:53 • -6db
40% Popularity • 83% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 83% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Gitte Hænning
Jetzt dreht die Welt sich nur um dich - ...
119 bpm • A# Maj • 02:14 • -9.46db
4% Popularity • 64% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
4% Popularity • 64% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Nicki
Wenn i mit dir tanz
113 bpm • G# Maj • 03:34 • -5.07db
47% Popularity • 55% Danceability • 97% Energy • 5% Liveness
22% Instrumentalness • 87% Positiveness
47% Popularity • 55% Danceability • 97% Energy • 5% Liveness
22% Instrumentalness • 87% Positiveness
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Gus Backus
Sauerkraut Polka
119 bpm • D# Maj • 02:07 • -7db
22% Popularity • 65% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 65% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Drafi Deutscher
Heute male ich dein Bild, Cindy Lou (The...
112 bpm • A Maj • 02:05 • -9db
29% Popularity • 52% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 52% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Rex Gildo
Jetzt dreht die Welt sich nur um Dich
119 bpm • A# Maj • 02:12 • -7db
29% Popularity • 64% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 64% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Bruce Low
Es hängt ein Pferdehalfter an der Wand
120 bpm • A Maj • 03:28 • -12.33db
15% Popularity • 49% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 49% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Bata Illic
Solange Ich Lebe
120 bpm • F Maj • 03:11 • -10.67db
34% Popularity • 71% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 71% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Nicki
I bin a bayrisches Cowgirl
112 bpm • B Maj • 03:58 • -8.82db
36% Popularity • 58% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
36% Popularity • 58% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
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Fernando Express
Jambo Jambo
120 bpm • C min • 02:50 • -10db
33% Popularity • 68% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 68% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Rudy Giovannini
Bella Italia
120 bpm • G# Maj • 03:21 • -2.58db
20% Popularity • 68% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 68% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Rex Gildo
Yes, My Darling
119 bpm • G Maj • 02:46 • -9.4db
4% Popularity • 71% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
4% Popularity • 71% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Helene Fischer
Und morgen früh küss ich dich wach
120 bpm • C Maj • 03:48 • -4.39db
56% Popularity • 77% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 77% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Bernd Clüver
Der Junge mit der Mundharmonika ('94er V...
112 bpm • D Maj • 03:16 • -9.41db
45% Popularity • 50% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 50% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Nina & Mike
No Me Hables
120 bpm • B Maj • 03:39 • -10db
38% Popularity • 70% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 70% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Fernando Express
Die Sonne Von Capri
120 bpm • D# Maj • 03:39 • -2.53db
34% Popularity • 73% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 73% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Judith & Mel
Mein Hawaii heisst Norderney
112 bpm • D Maj • 03:02 • -4db
14% Popularity • 69% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 69% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Roger Whittaker
Schön war die Zeit
112 bpm • F# Maj • 04:12 • -8.3db
36% Popularity • 68% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 68% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Bata Illic
Judy, I Love You
120 bpm • A# Maj • 02:49 • -9db
33% Popularity • 71% Danceability • 50% Energy • 57% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 71% Danceability • 50% Energy • 57% Liveness
0% Instrumentalness • 89% Positiveness
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Howard Carpendale
Samstag Nacht
112 bpm • G Maj • 03:45 • -11db
46% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Die Stoakogler
Steirermen san very good
112 bpm • F# Maj • 02:28 • -6db
37% Popularity • 83% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
37% Popularity • 83% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Vico Torriani
Capri Fischer
120 bpm • G# Maj • 03:27 • -11.46db
32% Popularity • 55% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 55% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Nicole
Allein in Griechenland
120 bpm • G Maj • 03:14 • -8db
41% Popularity • 68% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 68% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Freddy Breck
Rosamunde
112 bpm • A# Maj • 03:15 • -8.61db
16% Popularity • 70% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 70% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Robert Stolz
Ungeküsst sollst du nicht schlafen gehn...
120 bpm • C Maj • 02:18 • -13.32db
1% Popularity • 38% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
1% Popularity • 38% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Rex Gildo
Mexikanische Nacht
120 bpm • A Maj • 03:21 • -10db
13% Popularity • 60% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 60% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Howard Carpendale
Das Schöne Mädchen Von Seite 1
112 bpm • F Maj • 02:22 • -11db
39% Popularity • 76% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 99% Positiveness
39% Popularity • 76% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 99% Positiveness
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Wencke Myhre
Eine Mark für Charly
112 bpm • A# Maj • 02:59 • -11db
30% Popularity • 70% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 70% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Roger Whittaker
Albany - German Version
121 bpm • A Maj • 04:48 • -7.5db
45% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Conny Froboess
Yes, my Darling
120 bpm • G Maj • 02:47 • -8.73db
2% Popularity • 64% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 64% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Peter Alexander
Rosamunde
121 bpm • D# Maj • 03:29 • -14db
28% Popularity • 70% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 70% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Rex Gildo
Bist du einsam heut Nacht
120 bpm • E Maj • 03:45 • -11.72db
7% Popularity • 71% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 71% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Alexandra
Zigeunerjunge
111 bpm • C Maj • 03:08 • -9.25db
37% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Holm
Das kannst du mir nicht verbieten
121 bpm • D Maj • 02:36 • -9.35db
28% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Karel Gott
Fang das Licht
121 bpm • C Maj • 03:33 • -10.25db
40% Popularity • 53% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 53% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Conny Froboess
Drei Musketiere
111 bpm • A Maj • 02:23 • -10.88db
30% Popularity • 72% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 72% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Bata Illic
Mit verbundenen Augen
111 bpm • G Maj • 03:17 • -14db
27% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Vico Torriani
Gefangen in Maurischer Wüste
111 bpm • G# Maj • 04:41 • -7db
24% Popularity • 63% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 63% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Roger Whittaker
Das Lied von Aragon
122 bpm • C Maj • 04:34 • -6.22db
36% Popularity • 65% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 65% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Rex Gildo
Wenn Du mich brauchst
122 bpm • C Maj • 04:14 • -6.53db
3% Popularity • 72% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
3% Popularity • 72% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Claudia Jung
Atemlos
122 bpm • A Maj • 03:47 • -8db
36% Popularity • 73% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 73% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Semino Rossi
Komm' und küss mich Corazon
122 bpm • G# Maj • 03:09 • -2.78db
36% Popularity • 69% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 69% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Die Tahiti Tamoures
Wini-Wini
122 bpm • C Maj • 02:13 • -8db
25% Popularity • 44% Danceability • 89% Energy • 63% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 44% Danceability • 89% Energy • 63% Liveness
0% Instrumentalness • 65% Positiveness
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Nina & Mike
Big Bamboo
122 bpm • C Maj • 03:40 • -10.72db
20% Popularity • 69% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 69% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Roger Whittaker
Wenn es dich noch gibt
122 bpm • F Maj • 03:33 • -9.73db
40% Popularity • 79% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 79% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
