Songs like Sieben Worte (1982): 1. Vater, vergib ihnen, denn sie wissen nicht, was sie tun by Sofia Gubaidulina
Based on a tempo of (+/- 10%) and a similar genre
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Olivier Messiaen
Preludes: Le nombre leger (The Light Num...
68 bpm • B Maj • 01:44 • -26db
29% Popularity • 30% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 30% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Galina Ustvolskaya
Twelve Preludes For Piano (1953): I
68 bpm • D min • 02:56 • -40db
10% Popularity • 57% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 71% Positiveness
10% Popularity • 57% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 71% Positiveness
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Elliott Carter
2 Thoughts About the Piano: No. 2. Caten...
68 bpm • F# Maj • 03:48 • -24db
8% Popularity • 30% Danceability • 25% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
8% Popularity • 30% Danceability • 25% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
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György Ligeti
Ligeti: Hamburg Concerto: V. Spectra
68 bpm • E Maj • 02:32 • -22db
8% Popularity • 17% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Arvo Pärt
Lamentate: Pregando
68 bpm • C# min • 05:59 • -34.05db
8% Popularity • 12% Danceability • 0% Energy • 8% Liveness
33% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 0% Energy • 8% Liveness
33% Instrumentalness • 3% Positiveness
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Charles Ives
The Unanswered Question
68 bpm • C Maj • 05:55 • -31.37db
19% Popularity • 6% Danceability • 1% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 6% Danceability • 1% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Orpheus - Ballet in 3 Scenes / 1st scene...
68 bpm • C Maj • 02:28 • -39db
9% Popularity • 13% Danceability • 0% Energy • 9% Liveness
66% Instrumentalness • 6% Positiveness
9% Popularity • 13% Danceability • 0% Energy • 9% Liveness
66% Instrumentalness • 6% Positiveness
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George Crumb
A Little Midnight Music: VII. Blues in t...
68 bpm • F# Maj • 03:27 • -43db
11% Popularity • 29% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 29% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Iannis Xenakis
Metastaseis
68 bpm • A min • 07:40 • -21db
20% Popularity • 13% Danceability • 19% Energy • 4% Liveness
16% Instrumentalness • 4% Positiveness
20% Popularity • 13% Danceability • 19% Energy • 4% Liveness
16% Instrumentalness • 4% Positiveness
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Sofia Gubaidulina
Sieben Worte (1982): 1. Vater, vergib ih...
68 bpm • D Maj • 04:14 • -26.97db
1% Popularity • 17% Danceability • 2% Energy • 57% Liveness
1% Instrumentalness • 4% Positiveness
1% Popularity • 17% Danceability • 2% Energy • 57% Liveness
1% Instrumentalness • 4% Positiveness
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Brian Ferneyhough
Cassandra's Dream Song
67 bpm • B min • 09:31 • -24db
8% Popularity • 32% Danceability • 3% Energy • 7% Liveness
20% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 3% Energy • 7% Liveness
20% Instrumentalness • 4% Positiveness
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Alban Berg
Four Pieces For Clarinet And Piano, Op. ...
67 bpm • C Maj • 01:00 • -35db
22% Popularity • 20% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Toru Takemitsu
Lento in due movimenti: II. Lento mister...
67 bpm • D Maj • 04:48 • -25db
12% Popularity • 48% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 48% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Le Sacre du Printemps - Revised version ...
69 bpm • G Maj • 03:18 • -27.41db
29% Popularity • 16% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Isobell Makkar
Into the Bridge
67 bpm • F min • 01:35 • -43.17db
13% Popularity • 26% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 21% Positiveness
13% Popularity • 26% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 21% Positiveness
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Sofia Gubaidulina
The Light of the End - Pt. 5
67 bpm • G# Maj • 02:10 • -21.65db
1% Popularity • 19% Danceability • 24% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
1% Popularity • 19% Danceability • 24% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Aurelio Scotto
Emma at the park
67 bpm • G Maj • 02:03 • -21.5db
9% Popularity • 32% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 15% Positiveness
9% Popularity • 32% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 15% Positiveness
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George Crumb
Black Angels: III. Return
69 bpm • D# min • 07:16 • -37.18db
10% Popularity • 15% Danceability • 4% Energy • 32% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 4% Energy • 32% Liveness
2% Instrumentalness • 4% Positiveness
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György Ligeti
Sonata For Solo Cello: I. Dialogo: Adagi...
69 bpm • G Maj • 03:59 • -22.27db
22% Popularity • 10% Danceability • 4% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
22% Popularity • 10% Danceability • 4% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
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Arvo Pärt
Lamentate: I. Minacciando
69 bpm • G# Maj • 03:21 • -27.2db
10% Popularity • 17% Danceability • 3% Energy • 62% Liveness
72% Instrumentalness • 12% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 62% Liveness
72% Instrumentalness • 12% Positiveness
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Lera Auerbach
Lonely Suite - Ballet for a Lonely Violi...
67 bpm • C# Maj • 01:05 • -43.77db
8% Popularity • 15% Danceability • 0% Energy • 26% Liveness
98% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 0% Energy • 26% Liveness
98% Instrumentalness • 4% Positiveness
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Sofia Gubaidulina
Stimmen Verstummen, "Symphony in Twelve ...
67 bpm • G Maj • 01:38 • -38.83db
1% Popularity • 23% Danceability • 1% Energy • 30% Liveness
14% Instrumentalness • 4% Positiveness
1% Popularity • 23% Danceability • 1% Energy • 30% Liveness
14% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
69 bpm • E min • 01:38 • -32.76db
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
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Hans Abrahamsen
Let Me Tell You, Pt. III: I Know You Are...
69 bpm • D# Maj • 01:01 • -32db
13% Popularity • 11% Danceability • 1% Energy • 8% Liveness
10% Instrumentalness • 6% Positiveness
13% Popularity • 11% Danceability • 1% Energy • 8% Liveness
10% Instrumentalness • 6% Positiveness
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Arnold Schoenberg
Schoenberg: 6 Little Piano Pieces, Op. 1...
69 bpm • A min • 01:14 • -35db
31% Popularity • 40% Danceability • 0% Energy • 7% Liveness
81% Instrumentalness • 13% Positiveness
31% Popularity • 40% Danceability • 0% Energy • 7% Liveness
81% Instrumentalness • 13% Positiveness
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Béla Bartók
Erdélyi tánc
67 bpm • D Maj • 02:07 • -17db
14% Popularity • 40% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 38% Positiveness
14% Popularity • 40% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 38% Positiveness
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Einojuhani Rautavaara
Harp Concerto: II. Adagietto
67 bpm • G# Maj • 05:17 • -34db
12% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Sofia Gubaidulina
St. John Passion: II. Fusswaschung
70 bpm • A# Maj • 13:07 • -33.74db
2% Popularity • 11% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 11% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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György Ligeti
Chamber Concerto for 13 instrumentalists...
70 bpm • G# Maj • 05:04 • -35db
7% Popularity • 16% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Arvo Pärt
Lamentate: Minacciando
70 bpm • G# Maj • 02:38 • -32.26db
18% Popularity • 20% Danceability • 2% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
18% Popularity • 20% Danceability • 2% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
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Alban Berg
Violin Concerto "To the Memory of an Ang...
70 bpm • G Maj • 11:20 • -27db
20% Popularity • 23% Danceability • 5% Energy • 22% Liveness
49% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 5% Energy • 22% Liveness
49% Instrumentalness • 4% Positiveness
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György Kurtág
Játékok / 5.: 9. Aus der Ferne
66 bpm • G min • 01:54 • -45db
19% Popularity • 30% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
19% Popularity • 30% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: I. Con gra...
70 bpm • G Maj • 09:52 • -21.87db
13% Popularity • 19% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Sofia Gubaidulina
Piano Quintet: III. Larghetto sensibile
70 bpm • A min • 10:14 • -28.9db
0% Popularity • 13% Danceability • 3% Energy • 7% Liveness
25% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 3% Energy • 7% Liveness
25% Instrumentalness • 4% Positiveness
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Paul Hindemith
Trauermusik: IV. Choral (Arr. for Saxoph...
70 bpm • B min • 01:54 • -22.08db
26% Popularity • 20% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Arvo Pärt
Symphony No. 3: II
66 bpm • F Maj • 05:48 • -23.94db
19% Popularity • 7% Danceability • 5% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 7% Danceability • 5% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Die Geschichte Eines Unbekannten Schausp...
70 bpm • F Maj • 02:44 • -36.48db
29% Popularity • 11% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
29% Popularity • 11% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
String Quartet No. 7 in F-Sharp Minor, O...
66 bpm • D Maj • 02:36 • -37.33db
9% Popularity • 22% Danceability • 1% Energy • 14% Liveness
22% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 1% Energy • 14% Liveness
22% Instrumentalness • 7% Positiveness
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Christian Lindberg
Black Sorrow
65 bpm • F# min • 02:11 • -28.63db
18% Popularity • 16% Danceability • 10% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 10% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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Sofia Gubaidulina
Ten Preludes for Cello Solo (1974): 9. P...
66 bpm • C# Maj • 02:53 • -40.44db
1% Popularity • 20% Danceability • 0% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 0% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Unsuk Chin
Violin Concerto No. 1: II.
71 bpm • D Maj • 06:34 • -25.65db
33% Popularity • 25% Danceability • 15% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
33% Popularity • 25% Danceability • 15% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
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Toru Takemitsu
Umi e (Toward the Sea): I - The Night
71 bpm • F# Maj • 03:35 • -33db
23% Popularity • 17% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Turangalîla Symphonie: 4. Chant d'amour...
71 bpm • E Maj • 11:02 • -24.74db
11% Popularity • 18% Danceability • 17% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 17% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: 5 Orchestral Pieces, Op. 16:...
72 bpm • A Maj • 03:58 • -43db
14% Popularity • 6% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
14% Popularity • 6% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Thomas Adès
Arcadiana, Op. 12: VI. O Albion
72 bpm • D# Maj • 02:43 • -41db
34% Popularity • 23% Danceability • 0% Energy • 8% Liveness
62% Instrumentalness • 3% Positiveness
34% Popularity • 23% Danceability • 0% Energy • 8% Liveness
62% Instrumentalness • 3% Positiveness
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Sofia Gubaidulina
Dialog: Ich und Du - Pt. 4
70 bpm • G# Maj • 02:05 • -28.15db
3% Popularity • 18% Danceability • 10% Energy • 16% Liveness
8% Instrumentalness • 9% Positiveness
3% Popularity • 18% Danceability • 10% Energy • 16% Liveness
8% Instrumentalness • 9% Positiveness
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Arvo Pärt
Lamentate: Spietato
72 bpm • E Maj • 03:33 • -14.79db
16% Popularity • 33% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
16% Popularity • 33% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Morton Feldman
Samoa (1968) for flute, horn, trumpet, h...
72 bpm • C Maj • 02:14 • -28db
17% Popularity • 17% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
17% Popularity • 17% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Olivier Messiaen
Preludes: Chan d'extase dans une paysage...
72 bpm • C# min • 07:14 • -30.5db
15% Popularity • 37% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
15% Popularity • 37% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Lera Auerbach
24 Preludes for Violin and Piano, Op. 46...
72 bpm • G# Maj • 01:36 • -41.6db
25% Popularity • 12% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Jean Sibelius
Vattendroppar, JS 216
64 bpm • G Maj • 01:47 • -47.95db
8% Popularity • 45% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
8% Popularity • 45% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
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Sofia Gubaidulina
Sieben Worte (1982): 3. Wahrlich, ich sa...
70 bpm • A# min • 03:50 • -21.94db
1% Popularity • 15% Danceability • 14% Energy • 16% Liveness
62% Instrumentalness • 3% Positiveness
1% Popularity • 15% Danceability • 14% Energy • 16% Liveness
62% Instrumentalness • 3% Positiveness
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Iannis Xenakis
6 Chansons: No. 4. Trois moines cretois�...
72 bpm • A min • 01:58 • -31db
16% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
16% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
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Thomas Adès
Adès: Traced Overhead, Op. 15: I. Sursu...
73 bpm • C Maj • 00:45 • -44.73db
23% Popularity • 20% Danceability • 2% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
23% Popularity • 20% Danceability • 2% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
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Erwin Schulhoff
5 Pieces for String Quartet: No. 4, Alla...
73 bpm • G Maj • 03:52 • -20.83db
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
66% Instrumentalness • 24% Positiveness
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
66% Instrumentalness • 24% Positiveness
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Toru Takemitsu
Umi e (Toward the Sea): III - Cape Cod
73 bpm • G# Maj • 03:34 • -34.14db
20% Popularity • 27% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
20% Popularity • 27% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
Bartók / Arr. Székely: 3 Hungarian Fol...
73 bpm • D min • 01:36 • -24db
9% Popularity • 19% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
9% Popularity • 19% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
► Preview
Sofia Gubaidulina
The Wrath of God - Pt. 6
71 bpm • F# Maj • 01:47 • -19.91db
2% Popularity • 22% Danceability • 17% Energy • 60% Liveness
98% Instrumentalness • 7% Positiveness
2% Popularity • 22% Danceability • 17% Energy • 60% Liveness
98% Instrumentalness • 7% Positiveness
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Return Of Dream
Mother Nature
73 bpm • A min • 02:03 • -50.02db
7% Popularity • 22% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Mira Solvato
Con Fuoco Fantasy
73 bpm • C min • 02:01 • -23.56db
13% Popularity • 15% Danceability • 10% Energy • 35% Liveness
3% Instrumentalness • 19% Positiveness
13% Popularity • 15% Danceability • 10% Energy • 35% Liveness
3% Instrumentalness • 19% Positiveness
► Preview
Henri Dutilleux
Dutilleux: The Shadows of Time: I. Les h...
74 bpm • C# min • 03:13 • -21.18db
5% Popularity • 17% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Toru Takemitsu
Umi e (Toward the Sea): II - Moby Dick
74 bpm • C# Maj • 04:10 • -34.75db
10% Popularity • 18% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
74 bpm • C Maj • 03:18 • -26.45db
8% Popularity • 10% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Sofia Gubaidulina
Sieben Worte (1982): 2. Weib, siehe, das...
71 bpm • G Maj • 03:51 • -23.94db
1% Popularity • 20% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
1% Popularity • 20% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
György Kurtág
Officium breve in memoriam Andreae Szerv...
62 bpm • C Maj • 01:25 • -33.17db
37% Popularity • 16% Danceability • 0% Energy • 13% Liveness
15% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 0% Energy • 13% Liveness
15% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Eine Alpensinfonie, Op. 64, TrV 233: No....
62 bpm • A# min • 03:36 • -23.5db
8% Popularity • 8% Danceability • 2% Energy • 66% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 2% Energy • 66% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Arvo Pärt
Fratres (Version for Wind Octet & Percus...
75 bpm • D Maj • 08:10 • -30.22db
8% Popularity • 7% Danceability • 1% Energy • 10% Liveness
77% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 1% Energy • 10% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
György Ligeti
Ligeti: Hamburg Concerto: I. Praeludium
75 bpm • C min • 02:45 • -24db
12% Popularity • 20% Danceability • 0% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 0% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Charles Ives
3 Places in New England: No. 1 The "St. ...
75 bpm • A min • 09:00 • -34.51db
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Sofia Gubaidulina
Jetzt immer Schnee: 1. Ty maya tishyna
64 bpm • G# Maj • 07:25 • -35.95db
0% Popularity • 13% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Luca Schettino
Hornpipe for Orchestra Extended Version
75 bpm • C# min • 03:56 • -18.37db
8% Popularity • 52% Danceability • 19% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
8% Popularity • 52% Danceability • 19% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
► Preview
Igor Stravinsky
3 Pieces for String Quartet: No. 2
75 bpm • D min • 02:11 • -26db
11% Popularity • 48% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 48% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33b, T...
75 bpm • G min • 02:32 • -27.96db
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
► Preview
György Ligeti
Ligeti: Hamburg Concerto: II. Signale, T...
75 bpm • C Maj • 01:35 • -26db
12% Popularity • 22% Danceability • 1% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 1% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Unsuk Chin
Violin Concerto No. 1: I.
75 bpm • G Maj • 08:52 • -20.01db
24% Popularity • 26% Danceability • 25% Energy • 13% Liveness
82% Instrumentalness • 22% Positiveness
24% Popularity • 26% Danceability • 25% Energy • 13% Liveness
82% Instrumentalness • 22% Positiveness
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Sofia Gubaidulina
Dialog: Ich und Du - Pt. 7
72 bpm • A# Maj • 01:35 • -27.95db
2% Popularity • 14% Danceability • 6% Energy • 13% Liveness
20% Instrumentalness • 3% Positiveness
2% Popularity • 14% Danceability • 6% Energy • 13% Liveness
20% Instrumentalness • 3% Positiveness
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Alban Berg
Lyrische Suite: I. Allegretto giovale
76 bpm • A# min • 03:11 • -21.58db
10% Popularity • 17% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
10% Popularity • 17% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Igor Stravinsky
Three Japanese Lyrics: III. Tsaraiuki
75 bpm • A Maj • 01:30 • -26.59db
11% Popularity • 14% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: III. Molto...
76 bpm • C min • 03:06 • -19db
13% Popularity • 26% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 19% Positiveness
13% Popularity • 26% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 19% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VIII. Loua...
76 bpm • E Maj • 07:23 • -24.35db
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: II....
76 bpm • E Maj • 04:56 • -18.93db
25% Popularity • 10% Danceability • 18% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 18% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
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Sofia Gubaidulina
Chaconne
64 bpm • G Maj • 08:33 • -24.59db
1% Popularity • 25% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
1% Popularity • 25% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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John Cage
Apartment House 1776: Harmony No. 2, Man...
76 bpm • F# Maj • 01:25 • -27db
12% Popularity • 26% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 26% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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György Ligeti
Ligeti: Hamburg Concerto: VII. Hymnus
61 bpm • E Maj • 01:18 • -25db
10% Popularity • 19% Danceability • 3% Energy • 5% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 5% Liveness
93% Instrumentalness • 3% Positiveness
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Iannis Xenakis
Herma
76 bpm • C Maj • 10:04 • -19db
9% Popularity • 37% Danceability • 23% Energy • 7% Liveness
41% Instrumentalness • 27% Positiveness
9% Popularity • 37% Danceability • 23% Energy • 7% Liveness
41% Instrumentalness • 27% Positiveness
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Alexander von Zemlinsky
String Quartet No. 4, Op. 25, "Suite": I...
76 bpm • D# min • 03:10 • -26db
15% Popularity • 7% Danceability • 3% Energy • 12% Liveness
66% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 3% Energy • 12% Liveness
66% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Six Little Piano Pieces, Op. 19: Leicht,...
76 bpm • G Maj • 01:25 • -30db
18% Popularity • 43% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
18% Popularity • 43% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Sofia Gubaidulina
Serenade
76 bpm • G Maj • 03:12 • -27.32db
1% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
1% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Kaija Saariaho
7 Papillons: No. 5. —
61 bpm • D Maj • 01:31 • -28db
31% Popularity • 34% Danceability • 19% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
31% Popularity • 34% Danceability • 19% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Sinfonietta No. 2: I. Notturno: Adagio
76 bpm • A# min • 03:15 • -31db
10% Popularity • 7% Danceability • 0% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 0% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Luciano Berio
Folk Songs: I. Black is the Colour...
77 bpm • D min • 02:50 • -26.41db
9% Popularity • 32% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 32% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Philip Glass
Echorus - Edit
60 bpm • F Maj • 01:51 • -33.44db
9% Popularity • 21% Danceability • 2% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
9% Popularity • 21% Danceability • 2% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51 (arr. Rogal-Levitsky): ...
77 bpm • D# Maj • 03:56 • -37db
16% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Sofia Gubaidulina
The Light of the End - Pt. 4
74 bpm • F# min • 03:32 • -22.09db
2% Popularity • 22% Danceability • 12% Energy • 60% Liveness
6% Instrumentalness • 4% Positiveness
2% Popularity • 22% Danceability • 12% Energy • 60% Liveness
6% Instrumentalness • 4% Positiveness
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John Adams
Must the Devil Have All the Good Tunes?:...
60 bpm • F Maj • 07:07 • -25db
9% Popularity • 31% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 5% Positiveness
9% Popularity • 31% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 5% Positiveness
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Thomas Adès
Arcadiana, Op. 12: VI. O Albion
77 bpm • D# Maj • 03:15 • -37db
34% Popularity • 11% Danceability • 1% Energy • 14% Liveness
74% Instrumentalness • 3% Positiveness
34% Popularity • 11% Danceability • 1% Energy • 14% Liveness
74% Instrumentalness • 3% Positiveness
► Preview
Anton Webern
Symphony, Op. 21: I. Ruhig, schreitend
78 bpm • G Maj • 07:34 • -36db
15% Popularity • 18% Danceability • 0% Energy • 17% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 0% Energy • 17% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Arvo Pärt
Symphony No. 2: II
78 bpm • C# Maj • 02:14 • -17.35db
7% Popularity • 30% Danceability • 46% Energy • 33% Liveness
86% Instrumentalness • 27% Positiveness
7% Popularity • 30% Danceability • 46% Energy • 33% Liveness
86% Instrumentalness • 27% Positiveness
