Songs like Siegfried, WWV 86C / Act 1: "Notung heißt ein neidliches Schwert" - Live In Bayreuth / 1967 by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Giuseppe Verdi
La traviata / Act III: "Prendi, quest'è...
88 bpm • C# Maj • 03:51 • -20.94db
25% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 / Act I: "Zu dir wal...
88 bpm • G min • 05:57 • -28db
5% Popularity • 14% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
5% Popularity • 14% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
87 bpm • C min • 06:30 • -24db
27% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
27% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
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Paul Hindemith
Mathis Der Maler, 6th Tableau, Scene 1: ...
87 bpm • G min • 03:34 • -22.76db
30% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: Der He...
88 bpm • D# Maj • 04:28 • -16.72db
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
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Richard Wagner
Der fliegende Holländer, WWV 63 / Act I...
88 bpm • A# Maj • 08:09 • -20.09db
3% Popularity • 22% Danceability • 12% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 22% Danceability • 12% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto / Act III: "Bella figlia dell'...
89 bpm • C# Maj • 04:15 • -14.82db
29% Popularity • 26% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 26% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 24% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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AntonÃn Dvořák
Requiem, Op. 89, B. 165, Pt. 1: III. Die...
87 bpm • A# min • 02:11 • -16db
8% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Jacques Offenbach
La vie parisienne: Overture
89 bpm • F Maj • 05:18 • -17db
21% Popularity • 35% Danceability • 43% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
21% Popularity • 35% Danceability • 43% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: "Di r...
89 bpm • C# Maj • 03:03 • -13db
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 2: "Eins...
89 bpm • F# Maj • 02:35 • -22.48db
14% Popularity • 24% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 3% Positiveness
14% Popularity • 24% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "LÃ ci dar...
89 bpm • A Maj • 03:12 • -21.6db
39% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto / Act 2: Cortigiani, vil razza...
86 bpm • C# Maj • 04:27 • -14.86db
23% Popularity • 26% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
23% Popularity • 26% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Richard Wagner
Parsifal, WWV 111 / Act 1: "He! Ho! Wald...
88 bpm • G# Maj • 05:12 • -26.52db
5% Popularity • 18% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 10% Positiveness
5% Popularity • 18% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 2: "Do...
90 bpm • A# Maj • 07:11 • -15.16db
9% Popularity • 22% Danceability • 19% Energy • 39% Liveness
20% Instrumentalness • 8% Positiveness
9% Popularity • 22% Danceability • 19% Energy • 39% Liveness
20% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
16% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 4 in F Minor, Op. 36: II. A...
85 bpm • C# Maj • 09:21 • -25.65db
14% Popularity • 9% Danceability • 2% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 2% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Si ridesta in ciel...
91 bpm • G# Maj • 01:37 • -15.2db
35% Popularity • 38% Danceability • 42% Energy • 12% Liveness
38% Instrumentalness • 37% Positiveness
35% Popularity • 38% Danceability • 42% Energy • 12% Liveness
38% Instrumentalness • 37% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 2: "O si...
85 bpm • G# Maj • 05:05 • -17db
2% Popularity • 19% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
2% Popularity • 19% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620: Overture
85 bpm • D# Maj • 06:05 • -20.46db
30% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
30% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Qu...
91 bpm • B min • 01:33 • -15db
28% Popularity • 44% Danceability • 45% Energy • 46% Liveness
87% Instrumentalness • 32% Positiveness
28% Popularity • 44% Danceability • 45% Energy • 46% Liveness
87% Instrumentalness • 32% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Requiem: I. Requiem Aeternam
85 bpm • A min • 09:09 • -29db
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
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Hans Hotter
Der Ring des Nibelungen: Das Rheingold: ...
84 bpm • D# Maj • 03:47 • -28db
8% Popularity • 14% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Johannes Brahms
Symphony No. 4 in E Minor, Op. 98: IV. A...
84 bpm • E min • 09:11 • -19.19db
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
84 bpm • C# Maj • 06:20 • -22.6db
4% Popularity • 11% Danceability • 7% Energy • 18% Liveness
6% Instrumentalness • 3% Positiveness
4% Popularity • 11% Danceability • 7% Energy • 18% Liveness
6% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Dell'invito trasco...
85 bpm • A Maj • 04:34 • -18.74db
35% Popularity • 48% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 48% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg, WWV 96:...
92 bpm • C Maj • 09:43 • -14.82db
23% Popularity • 21% Danceability • 25% Energy • 40% Liveness
93% Instrumentalness • 33% Positiveness
23% Popularity • 21% Danceability • 25% Energy • 40% Liveness
93% Instrumentalness • 33% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: II. Variatio...
92 bpm • F Maj • 05:23 • -22db
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Brahms
Violin Concerto in D Major, Op. 77: III....
84 bpm • D Maj • 08:30 • -17db
29% Popularity • 31% Danceability • 21% Energy • 39% Liveness
7% Instrumentalness • 35% Positiveness
29% Popularity • 31% Danceability • 21% Energy • 39% Liveness
7% Instrumentalness • 35% Positiveness
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Richard Strauss
Intermezzo, Op. 72, TrV 246: Symphonic I...
84 bpm • G# Maj • 07:57 • -17.13db
8% Popularity • 15% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Witches' Chorus. Che fac...
92 bpm • A min • 07:46 • -19.66db
16% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Der fliegende Holländer, WWV 63, Act II...
92 bpm • F Maj • 03:22 • -18db
7% Popularity • 34% Danceability • 30% Energy • 51% Liveness
12% Instrumentalness • 26% Positiveness
7% Popularity • 34% Danceability • 30% Energy • 51% Liveness
12% Instrumentalness • 26% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
83 bpm • F Maj • 02:08 • -19.25db
18% Popularity • 41% Danceability • 28% Energy • 12% Liveness
83% Instrumentalness • 58% Positiveness
18% Popularity • 41% Danceability • 28% Energy • 12% Liveness
83% Instrumentalness • 58% Positiveness
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Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: Intermezzo
93 bpm • E Maj • 03:26 • -23.2db
21% Popularity • 11% Danceability • 7% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
21% Popularity • 11% Danceability • 7% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: "No...
94 bpm • F Maj • 05:34 • -21.33db
6% Popularity • 36% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
6% Popularity • 36% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
Requiem: X. Lacrymosa
83 bpm • A# min • 05:38 • -28.91db
26% Popularity • 11% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Prelude
83 bpm • G Maj • 03:26 • -17.9db
12% Popularity • 14% Danceability • 30% Energy • 38% Liveness
94% Instrumentalness • 11% Positiveness
12% Popularity • 14% Danceability • 30% Energy • 38% Liveness
94% Instrumentalness • 11% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: IV. A...
83 bpm • C Maj • 10:50 • -13.36db
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
82 bpm • D# Maj • 02:41 • -18db
34% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
34% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Giuseppe Verdi
Requiem: V. Quid Sum Miser
82 bpm • C min • 03:36 • -33.63db
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tristan und Isolde / Act 1: "Frisch weht...
94 bpm • C Maj • 09:27 • -21.18db
22% Popularity • 30% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: I. Prelude
95 bpm • A# Maj • 01:29 • -22db
25% Popularity • 17% Danceability • 9% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 9% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: III. ...
82 bpm • G# Maj • 05:09 • -20.73db
37% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
37% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
► Preview
Giacomo Puccini
Turandot / Act 3: "So il tuo nome!"
82 bpm • F# Maj • 02:13 • -11.05db
11% Popularity • 20% Danceability • 37% Energy • 19% Liveness
2% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 37% Energy • 19% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
82 bpm • C Maj • 05:12 • -22db
17% Popularity • 35% Danceability • 11% Energy • 6% Liveness
8% Instrumentalness • 18% Positiveness
17% Popularity • 35% Danceability • 11% Energy • 6% Liveness
8% Instrumentalness • 18% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
82 bpm • C Maj • 08:28 • -24db
28% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90 / Act II: "O ...
88 bpm • G# Maj • 04:49 • -17.61db
8% Popularity • 20% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 12. Anda...
82 bpm • A# Maj • 03:29 • -29db
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Giuseppe Verdi
Requiem: XVI. Libera Me, Dies Irae, Requ...
81 bpm • A# min • 07:24 • -24.62db
24% Popularity • 18% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
38% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
81 bpm • F Maj • 01:38 • -18.94db
34% Popularity • 46% Danceability • 12% Energy • 31% Liveness
85% Instrumentalness • 56% Positiveness
34% Popularity • 46% Danceability • 12% Energy • 31% Liveness
85% Instrumentalness • 56% Positiveness
► Preview
Richard Wagner
Lohengrin, WWV 75 / Act 3: Mein lieber S...
81 bpm • D Maj • 08:27 • -16db
14% Popularity • 23% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Johann Strauss II
Perpetuum mobile, Op. 257
81 bpm • D# Maj • 02:51 • -25.52db
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Giuseppe Verdi
La forza del destino: Overture (Sinfonia...
80 bpm • E min • 07:21 • -15.07db
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
80 bpm • D# Maj • 04:46 • -13db
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
80 bpm • F min • 09:35 • -15db
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
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Richard Wagner
Die Walküre / Erster Aufzug: Siegmund h...
87 bpm • E min • 03:42 • -9.94db
0% Popularity • 21% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 21% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
47% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
47% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Giuseppe Verdi
Nabucco / Act I: Gli arredi festivi giù...
80 bpm • E Maj • 05:41 • -16.03db
26% Popularity • 14% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
26% Popularity • 14% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • E min • 01:17 • -19db
36% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
36% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Richard Wagner
Die Walküre - Erster Tag des Bühnenfes...
89 bpm • G Maj • 07:45 • -16.14db
9% Popularity • 26% Danceability • 26% Energy • 83% Liveness
1% Instrumentalness • 15% Positiveness
9% Popularity • 26% Danceability • 26% Energy • 83% Liveness
1% Instrumentalness • 15% Positiveness
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Franz Liszt
A Dante Symphony, S.109: Alternative con...
80 bpm • E Maj • 00:57 • -13.06db
17% Popularity • 39% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
17% Popularity • 39% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: IV. A...
80 bpm • A Maj • 08:01 • -16db
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
79 bpm • E Maj • 03:59 • -24.32db
9% Popularity • 34% Danceability • 7% Energy • 16% Liveness
18% Instrumentalness • 4% Positiveness
9% Popularity • 34% Danceability • 7% Energy • 16% Liveness
18% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90 / Act II: "Do...
87 bpm • G# Maj • 02:11 • -21db
6% Popularity • 20% Danceability • 17% Energy • 14% Liveness
10% Instrumentalness • 4% Positiveness
6% Popularity • 20% Danceability • 17% Energy • 14% Liveness
10% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
19% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
19% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Alexander Borodin
Prince Igor / Act 2: Dance of the Polovt...
100 bpm • F Maj • 02:10 • -25db
18% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness