Songs like Silent Noon (No. 2 from The House of Life) by Ralph Vaughan Williams
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Borodin
String Quartet No. 2 in D major: III. No...
84 bpm • A Maj • 07:54 • -24.49db
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
84 bpm • C# Maj • 03:39 • -26db
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu No. 5 in ...
84 bpm • B min • 03:07 • -28db
41% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Frank Bridge
Berceuse (Arr. For viola and piano)
84 bpm • A# Maj • 03:34 • -35.15db
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
On Wenlock Edge: Is my team ploughing?
84 bpm • C Maj • 04:07 • -22db
14% Popularity • 17% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Percy Grainger
Harvest Hymn
84 bpm • D Maj • 03:41 • -19.07db
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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César Franck
リート FWV 83
83 bpm • G Maj • 01:38 • -29.74db
38% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
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Reynaldo Hahn
Chansons grises: V. L'heure exquise
83 bpm • D Maj • 03:32 • -37db
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Prelude: 49th Parallel
85 bpm • G Maj • 02:39 • -17db
27% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Edvard Grieg
2 Elegiac Melodies, Op. 34: II. The Last...
85 bpm • G Maj • 04:43 • -27.23db
15% Popularity • 14% Danceability • 3% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
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Béla Bartók
6 Romanian Folk Dances, BB 68, Sz. 56: 4...
83 bpm • D Maj • 02:49 • -14db
16% Popularity • 13% Danceability • 18% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 18% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda
83 bpm • F min • 02:59 • -39.45db
13% Popularity • 19% Danceability • 0% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 0% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: A la manière de... Borodine, M. ...
83 bpm • F# Maj • 01:45 • -26.89db
41% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Edward Elgar
The Music Makers, Op. 69: II. We Are the...
83 bpm • A# min • 02:08 • -22.74db
30% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
From the Bohemian Forest, Op. 68, B. 133...
85 bpm • C# Maj • 05:58 • -26db
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Dona Nobis Pacem: Agnus Dei
85 bpm • G min • 03:26 • -23db
19% Popularity • 18% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Charles Villiers Stanford
Eight Part Songs, Op. 115: III. The Blue...
83 bpm • F# Maj • 03:56 • -37.71db
36% Popularity • 17% Danceability • 0% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 0% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Come, Sweet Death, BWV 478 (Arr. for 5 C...
86 bpm • C min • 03:17 • -20.73db
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
83 bpm • G Maj • 01:46 • -30db
35% Popularity • 17% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
35% Popularity • 17% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
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Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Romeo & Juliet, Op. 64, Act I: No. 19, B...
86 bpm • C# Maj • 03:18 • -31.25db
17% Popularity • 10% Danceability • 0% Energy • 12% Liveness
37% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 0% Energy • 12% Liveness
37% Instrumentalness • 4% Positiveness
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Frederick Delius
2 Aquarelles: No. 2. Gaily, but not quic...
86 bpm • G Maj • 01:55 • -20db
24% Popularity • 15% Danceability • 15% Energy • 10% Liveness
80% Instrumentalness • 8% Positiveness
24% Popularity • 15% Danceability • 15% Energy • 10% Liveness
80% Instrumentalness • 8% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
The Lark Ascending
83 bpm • E min • 15:33 • -32.3db
55% Popularity • 9% Danceability • 1% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
55% Popularity • 9% Danceability • 1% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
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Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Aaron Copland
Appalachian Spring: II. Allegro
82 bpm • F Maj • 02:42 • -13db
32% Popularity • 43% Danceability • 38% Energy • 19% Liveness
83% Instrumentalness • 20% Positiveness
32% Popularity • 43% Danceability • 38% Energy • 19% Liveness
83% Instrumentalness • 20% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor: IV. Ada...
82 bpm • F Maj • 08:30 • -31db
11% Popularity • 11% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
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George Butterworth
Fantasia (completed by K. Russman)
82 bpm • F Maj • 08:45 • -20.65db
13% Popularity • 9% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
40% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Five Variants of "Dives and Lazarus"
85 bpm • B min • 13:04 • -24.08db
22% Popularity • 9% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 13% Positiveness
22% Popularity • 9% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 13% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
41% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Henning Kraggerud
Hjertets melodier (Melodies of the Heart...
86 bpm • A min • 01:38 • -29db
48% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
48% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
34% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante
82 bpm • E Maj • 08:42 • -29db
20% Popularity • 10% Danceability • 3% Energy • 10% Liveness
45% Instrumentalness • 3% Positiveness
20% Popularity • 10% Danceability • 3% Energy • 10% Liveness
45% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Concerto accademico (Concerto for violin...
82 bpm • C Maj • 06:43 • -24db
12% Popularity • 10% Danceability • 7% Energy • 14% Liveness
81% Instrumentalness • 7% Positiveness
12% Popularity • 10% Danceability • 7% Energy • 14% Liveness
81% Instrumentalness • 7% Positiveness
► Preview
AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Ottorino Respighi
Suite No. 2, P. 138: IV. Bergamasca: All...
86 bpm • D Maj • 05:38 • -20.78db
22% Popularity • 34% Danceability • 5% Energy • 9% Liveness
69% Instrumentalness • 32% Positiveness
22% Popularity • 34% Danceability • 5% Energy • 9% Liveness
69% Instrumentalness • 32% Positiveness
► Preview
William Walton
2 Pieces for Strings from Henry V: No. 1...
86 bpm • E min • 03:07 • -30db
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Johann Sebastian Bach
Herz und Mund und Tat und Leben, Cantata...
82 bpm • G Maj • 04:18 • -33.2db
35% Popularity • 35% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
35% Popularity • 35% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Linden Lea
86 bpm • F Maj • 02:44 • -26.67db
17% Popularity • 40% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 40% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
Anatoly Lyadov
8 Russian Folk Songs: 6. Cradle Song
82 bpm • A min • 02:22 • -47.4db
34% Popularity • 13% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
34% Popularity • 13% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
82 bpm • G min • 07:56 • -19.81db
21% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
21% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Jules Massenet
La Vierge / Scene 4: The Assumption: Le ...
82 bpm • G Maj • 05:02 • -26.14db
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: Symphony No. 1 "A Sea ...
82 bpm • F Maj • 07:53 • -19.98db
2% Popularity • 15% Danceability • 22% Energy • 33% Liveness
57% Instrumentalness • 11% Positiveness
2% Popularity • 15% Danceability • 22% Energy • 33% Liveness
57% Instrumentalness • 11% Positiveness
► Preview
William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: IV. Ada...
87 bpm • F Maj • 10:59 • -33db
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Symphony No. 1, "a Sea Symphony": II. On...
82 bpm • C Maj • 10:25 • -22.32db
6% Popularity • 8% Danceability • 4% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
6% Popularity • 8% Danceability • 4% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Chant du menestrel for Cello and Orchest...
87 bpm • F# min • 04:01 • -33db
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Mikhail Glinka
Nocturne in E-Flat Major
81 bpm • D# Maj • 04:21 • -27.67db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Alexander Borodin
Les danses polovtsiennes (Extraits de l'...
87 bpm • A Maj • 01:25 • -32db
54% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
54% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
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RTE Concert Orchestra
3 Portraits From England Of Elizabeth: P...
87 bpm • A min • 06:45 • -25db
18% Popularity • 18% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
18% Popularity • 18% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Symphony No. 5 in D Major: III. Romanza:...
82 bpm • A min • 11:20 • -22.33db
14% Popularity • 12% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Frederick Delius
Delius: 2 Aquarelles: No. 1, Slow (Arr. ...
81 bpm • F Maj • 02:13 • -26db
26% Popularity • 15% Danceability • 5% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 5% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Coro a ...
81 bpm • A# Maj • 02:47 • -40.23db
27% Popularity • 18% Danceability • 0% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 0% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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John Ireland
In Summer Woods (arr. J. Lloyd Webber fo...
87 bpm • D Maj • 01:37 • -21.04db
31% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
81 bpm • C min • 06:37 • -30db
29% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
29% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
All People that on Earth Do Dwell ("Old ...
86 bpm • G Maj • 04:52 • -19.37db
17% Popularity • 11% Danceability • 16% Energy • 10% Liveness
32% Instrumentalness • 15% Positiveness
17% Popularity • 11% Danceability • 16% Energy • 10% Liveness
32% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:18 • -25db
19% Popularity • 18% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 8% Positiveness
19% Popularity • 18% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 8% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
87 bpm • A Maj • 07:06 • -30.53db
47% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
47% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
► Preview
Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: I. Prelude
86 bpm • F Maj • 04:01 • -33.89db
12% Popularity • 14% Danceability • 2% Energy • 11% Liveness
58% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 11% Liveness
58% Instrumentalness • 3% Positiveness
► Preview
AntonÃn Dvořák
String Quartet No. 12 in F Major, "Ameri...
87 bpm • D min • 06:25 • -24.06db
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
► Preview
RTE Concert Orchestra
49th Parallel Suite: Prelude
87 bpm • G Maj • 02:15 • -20db
38% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
38% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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George Butterworth
A Shropshire Lad (Rhapsody for Orchestra...
87 bpm • F min • 08:56 • -17.91db
2% Popularity • 18% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
