Songs like Silent Song by Daniel Rossen
Based on a tempo of (+/- 10%) and a similar genre
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Haruomi Hosono
Undercurrent (底流)
80 bpm • C Maj • 03:20 • -23.92db
31% Popularity • 49% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 49% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Ryan Lott
A Softer Blade
80 bpm • G Maj • 01:58 • -14.13db
14% Popularity • 27% Danceability • 30% Energy • 16% Liveness
40% Instrumentalness • 4% Positiveness
14% Popularity • 27% Danceability • 30% Energy • 16% Liveness
40% Instrumentalness • 4% Positiveness
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Nico Muhly
Opening Cards
80 bpm • G Maj • 01:53 • -18.66db
31% Popularity • 29% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
31% Popularity • 29% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Jimmie Fails
How I Met Mont
80 bpm • F min • 08:39 • -24.56db
15% Popularity • 58% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 58% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Alexis Grapsas
Salted Baguette
80 bpm • A Maj • 01:51 • -23db
16% Popularity • 53% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
16% Popularity • 53% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Son Lux
Rendezvous at the Premiere
80 bpm • F Maj • 01:25 • -19.3db
28% Popularity • 29% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
28% Popularity • 29% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Arcade Fire
Loneliness #4 (Other People's Letters)
80 bpm • F# min • 00:59 • -19.71db
41% Popularity • 8% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Laura Misch
Birdseye
80 bpm • D min • 02:24 • -21.1db
28% Popularity • 48% Danceability • 6% Energy • 11% Liveness
17% Instrumentalness • 7% Positiveness
28% Popularity • 48% Danceability • 6% Energy • 11% Liveness
17% Instrumentalness • 7% Positiveness
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Brad Oberhofer
Shadow Paintings
80 bpm • C# Maj • 01:40 • -25.16db
24% Popularity • 32% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
24% Popularity • 32% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Owen Pallett
A Cool Dad
80 bpm • B min • 01:50 • -23.16db
26% Popularity • 38% Danceability • 2% Energy • 11% Liveness
47% Instrumentalness • 15% Positiveness
26% Popularity • 38% Danceability • 2% Energy • 11% Liveness
47% Instrumentalness • 15% Positiveness
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Daniel Blumberg
Tallie
80 bpm • A# Maj • 03:18 • -22.64db
14% Popularity • 9% Danceability • 4% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
14% Popularity • 9% Danceability • 4% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
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Jerskin Fendrix
Victoria
79 bpm • F# Maj • 00:53 • -13.71db
42% Popularity • 34% Danceability • 2% Energy • 22% Liveness
98% Instrumentalness • 6% Positiveness
42% Popularity • 34% Danceability • 2% Energy • 22% Liveness
98% Instrumentalness • 6% Positiveness
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Daniel Rossen
Repeat The Pattern - Live in Santa Fe
81 bpm • D Maj • 03:47 • -11.14db
7% Popularity • 31% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 26% Positiveness
7% Popularity • 31% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 26% Positiveness
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M. Sage
A Belle Undressing
81 bpm • D Maj • 02:29 • -24.74db
36% Popularity • 28% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
36% Popularity • 28% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
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Brendan Eder Ensemble
QX 2021
79 bpm • F Maj • 04:52 • -15.79db
23% Popularity • 21% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
23% Popularity • 21% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Ann Annie
Riverside
81 bpm • G Maj • 01:36 • -14.16db
40% Popularity • 45% Danceability • 40% Energy • 12% Liveness
79% Instrumentalness • 11% Positiveness
40% Popularity • 45% Danceability • 40% Energy • 12% Liveness
79% Instrumentalness • 11% Positiveness
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Gia Margaret
April to April
81 bpm • G# Maj • 01:47 • -26.34db
33% Popularity • 33% Danceability • 6% Energy • 15% Liveness
95% Instrumentalness • 17% Positiveness
33% Popularity • 33% Danceability • 6% Energy • 15% Liveness
95% Instrumentalness • 17% Positiveness
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Nicholas Britell
The Children of Our Age
79 bpm • F Maj • 01:31 • -24db
37% Popularity • 25% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
37% Popularity • 25% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Jerskin Fendrix
"Poor Things" Finale and End Credits
79 bpm • G# Maj • 04:53 • -10.53db
46% Popularity • 18% Danceability • 33% Energy • 22% Liveness
84% Instrumentalness • 4% Positiveness
46% Popularity • 18% Danceability • 33% Energy • 22% Liveness
84% Instrumentalness • 4% Positiveness
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Emile Mosseri
Find It Every Time
81 bpm • G# Maj • 02:03 • -16.39db
37% Popularity • 32% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
37% Popularity • 32% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
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David Torn
in the forest
79 bpm • D# Maj • 01:16 • -17.34db
29% Popularity • 21% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 8% Positiveness
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Felix Rösch
In Memory Of A Honey Bee
81 bpm • G Maj • 02:55 • -17.24db
30% Popularity • 26% Danceability • 16% Energy • 23% Liveness
15% Instrumentalness • 22% Positiveness
30% Popularity • 26% Danceability • 16% Energy • 23% Liveness
15% Instrumentalness • 22% Positiveness
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Brad Oberhofer
Where the Mountain Meets the Ocean
79 bpm • D Maj • 01:24 • -29.98db
57% Popularity • 38% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
57% Popularity • 38% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Alex Somers
Let You Down
81 bpm • D Maj • 02:14 • -15.97db
16% Popularity • 18% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Daniel Rossen
Return To Form - Live in Santa Fe
81 bpm • F Maj • 03:05 • -11.39db
6% Popularity • 34% Danceability • 46% Energy • 22% Liveness
1% Instrumentalness • 52% Positiveness
6% Popularity • 34% Danceability • 46% Energy • 22% Liveness
1% Instrumentalness • 52% Positiveness
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Emile Mosseri
Outro
79 bpm • C# Maj • 02:53 • -17.16db
41% Popularity • 8% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Masakatsu Takagi
Marginalia #65
81 bpm • F min • 08:37 • -20.79db
44% Popularity • 22% Danceability • 14% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
44% Popularity • 22% Danceability • 14% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Nicolas Godin
Love Humans
78 bpm • G# Maj • 02:22 • -13.78db
25% Popularity • 17% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
25% Popularity • 17% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Brad Oberhofer
Sean's Birthday
81 bpm • A min • 01:10 • -31.67db
45% Popularity • 24% Danceability • 4% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 4% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Jon Brion
Reconcile
81 bpm • F Maj • 01:24 • -22.59db
49% Popularity • 19% Danceability • 14% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
49% Popularity • 19% Danceability • 14% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
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Nicholas Britell
Eden (Harlem)
82 bpm • A# Maj • 02:54 • -17.34db
44% Popularity • 8% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
44% Popularity • 8% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Jerskin Fendrix
Lisbon
78 bpm • C# Maj • 02:35 • -15.84db
41% Popularity • 34% Danceability • 15% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
41% Popularity • 34% Danceability • 15% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
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Masakatsu Takagi
Marginalia #48
78 bpm • C# Maj • 03:53 • -22.32db
38% Popularity • 23% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
38% Popularity • 23% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Colin Stetson
Nature is Timeless
82 bpm • C Maj • 02:42 • -12db
23% Popularity • 15% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Brad Oberhofer
Becoming a Cloud
78 bpm • F# Maj • 01:27 • -33.66db
43% Popularity • 20% Danceability • 0% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
43% Popularity • 20% Danceability • 0% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
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Oberhofer
Just When You Need Yourself Most
82 bpm • E min • 01:37 • -31.12db
52% Popularity • 26% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 32% Positiveness
52% Popularity • 26% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 32% Positiveness
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Trent Reznor and Atticus Ross
New Year’s Eve
78 bpm • G Maj • 02:15 • -28.64db
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
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Cate Le Bon
The Light
82 bpm • C Maj • 01:52 • -18db
36% Popularity • 68% Danceability • 10% Energy • 9% Liveness
96% Instrumentalness • 36% Positiveness
36% Popularity • 68% Danceability • 10% Energy • 9% Liveness
96% Instrumentalness • 36% Positiveness
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Patrick Jonsson
Scrapper
78 bpm • A Maj • 01:26 • -20.66db
24% Popularity • 42% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
24% Popularity • 42% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
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Daniel Rossen
Silent Song - Live in Pioneertown
82 bpm • G min • 04:35 • -10.52db
9% Popularity • 38% Danceability • 45% Energy • 89% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 38% Danceability • 45% Energy • 89% Liveness
0% Instrumentalness • 38% Positiveness
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Cristobal Tapia De Veer
What's Gonna Happen to Us?
78 bpm • A Maj • 02:05 • -21.47db
28% Popularity • 13% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
28% Popularity • 13% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Oliver Coates
Prairie
82 bpm • A Maj • 01:41 • -22db
38% Popularity • 28% Danceability • 15% Energy • 22% Liveness
88% Instrumentalness • 13% Positiveness
38% Popularity • 28% Danceability • 15% Energy • 22% Liveness
88% Instrumentalness • 13% Positiveness
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Jóhann Jóhannsson
A Prayer To The Dynamo: Part 3
82 bpm • F min • 08:51 • -14.23db
17% Popularity • 8% Danceability • 42% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 42% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Matthew Herbert
Thaumotrope
83 bpm • B Maj • 01:07 • -25.01db
31% Popularity • 9% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 3% Positiveness
31% Popularity • 9% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 3% Positiveness
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Dan Romer
They Want You to Come With Me
83 bpm • D Maj • 01:01 • -25.62db
24% Popularity • 22% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 5% Positiveness
24% Popularity • 22% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 5% Positiveness
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Jerskin Fendrix
Paris
77 bpm • B min • 03:03 • -15.76db
38% Popularity • 48% Danceability • 7% Energy • 34% Liveness
44% Instrumentalness • 18% Positiveness
38% Popularity • 48% Danceability • 7% Energy • 34% Liveness
44% Instrumentalness • 18% Positiveness
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Gia Margaret
Cinnamon
83 bpm • A min • 01:58 • -22.08db
32% Popularity • 19% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 52% Positiveness
32% Popularity • 19% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 52% Positiveness
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Masakatsu Takagi
Marginalia #68
83 bpm • A# Maj • 06:11 • -20.86db
20% Popularity • 10% Danceability • 14% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
20% Popularity • 10% Danceability • 14% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
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Ann Annie
Late Afternoon
77 bpm • F Maj • 02:13 • -15.04db
35% Popularity • 38% Danceability • 45% Energy • 37% Liveness
90% Instrumentalness • 20% Positiveness
35% Popularity • 38% Danceability • 45% Energy • 37% Liveness
90% Instrumentalness • 20% Positiveness
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Christopher Bear
An Immigrant and a Tourist
83 bpm • F# Maj • 02:22 • -11.87db
40% Popularity • 40% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
40% Popularity • 40% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Sharon Van Etten
Quiet Eyes
77 bpm • A min • 03:37 • -10.29db
46% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Richard Reed Parry
Symphony Brew Redux
83 bpm • F# Maj • 01:19 • -26.47db
23% Popularity • 44% Danceability • 4% Energy • 13% Liveness
89% Instrumentalness • 39% Positiveness
23% Popularity • 44% Danceability • 4% Energy • 13% Liveness
89% Instrumentalness • 39% Positiveness
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Balmorhea
Depth Serenade
83 bpm • F# Maj • 05:33 • -18.32db
16% Popularity • 11% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
16% Popularity • 11% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Aska Matsumiya
Mizuiro
83 bpm • C Maj • 03:50 • -19.84db
19% Popularity • 20% Danceability • 16% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 16% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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Daniel Rossen
Keeper and Kin
77 bpm • C Maj • 06:09 • -10.03db
20% Popularity • 27% Danceability • 61% Energy • 19% Liveness
6% Instrumentalness • 23% Positiveness
20% Popularity • 27% Danceability • 61% Energy • 19% Liveness
6% Instrumentalness • 23% Positiveness
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Disasterpeace
Paper Curtains
77 bpm • C Maj • 01:40 • -29.51db
23% Popularity • 22% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
23% Popularity • 22% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Emile Mosseri
Home For The Summer
84 bpm • B Maj • 03:55 • -15.02db
22% Popularity • 52% Danceability • 23% Energy • 11% Liveness
37% Instrumentalness • 11% Positiveness
22% Popularity • 52% Danceability • 23% Energy • 11% Liveness
37% Instrumentalness • 11% Positiveness
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Michael Brook
First Day
84 bpm • G Maj • 02:32 • -27.84db
28% Popularity • 13% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
28% Popularity • 13% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
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Jon Brion
More Hope
84 bpm • A Maj • 01:41 • -20db
25% Popularity • 41% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
25% Popularity • 41% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Owen Pallett
Planet Earth
84 bpm • F# Maj • 01:22 • -30.71db
35% Popularity • 18% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
35% Popularity • 18% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Kaitlyn Aurelia Smith
Green To You
76 bpm • B Maj • 03:25 • -15db
25% Popularity • 28% Danceability • 37% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 28% Danceability • 37% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Trent Reznor and Atticus Ross
Leaving Missouri
84 bpm • C# Maj • 04:16 • -21.93db
23% Popularity • 16% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Christopher Bear
Across The Ocean
84 bpm • G# min • 04:32 • -14.38db
41% Popularity • 44% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
41% Popularity • 44% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Department Of Eagles
In Ear Park
84 bpm • G Maj • 04:04 • -11db
31% Popularity • 47% Danceability • 36% Energy • 8% Liveness
74% Instrumentalness • 20% Positiveness
31% Popularity • 47% Danceability • 36% Energy • 8% Liveness
74% Instrumentalness • 20% Positiveness
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Emile Mosseri
Our Love
76 bpm • D# Maj • 02:05 • -22db
51% Popularity • 29% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
51% Popularity • 29% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Daniel Rossen
You're Crossing a River - Golden Suits C...
76 bpm • G Maj • 05:59 • -11db
22% Popularity • 33% Danceability • 40% Energy • 15% Liveness
29% Instrumentalness • 37% Positiveness
22% Popularity • 33% Danceability • 40% Energy • 15% Liveness
29% Instrumentalness • 37% Positiveness
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Cassandra Jenkins
Ambiguous Norway (instrumental)
84 bpm • E Maj • 01:42 • -18.86db
25% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 10% Positiveness
25% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 10% Positiveness
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Eiko Ishibashi
Drive My Car (The truth, no matter what ...
76 bpm • F# Maj • 02:07 • -28db
31% Popularity • 28% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 28% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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From The Mouth of The Sun
A Single Roof
76 bpm • G Maj • 02:15 • -17.11db
29% Popularity • 18% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Clint Mansell
Ghosts of Things to Come
84 bpm • D Maj • 01:33 • -27db
36% Popularity • 18% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
36% Popularity • 18% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Explosions In The Sky
The Adventures Of Alvin And Lance
76 bpm • F Maj • 01:50 • -15.51db
46% Popularity • 36% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Joe Hisaishi
Ask Me Why (Evacuation)
84 bpm • G Maj • 01:20 • -19.29db
48% Popularity • 33% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
48% Popularity • 33% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Jon Brion
Row
76 bpm • B Maj • 00:59 • -19.03db
46% Popularity • 63% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
46% Popularity • 63% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Arcade Fire
Loneliness #3 (Night Talking)
76 bpm • F# min • 03:25 • -23db
43% Popularity • 13% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
43% Popularity • 13% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Daniel Rossen
Repeat the Pattern
76 bpm • D Maj • 03:01 • -9.64db
18% Popularity • 21% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 21% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Reed Parry
Office Car Fantasy
75 bpm • D min • 02:48 • -22.62db
30% Popularity • 14% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
30% Popularity • 14% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Helena Deland
Moon Pith
76 bpm • E Maj • 01:36 • -30.25db
34% Popularity • 49% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 70% Positiveness
34% Popularity • 49% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 70% Positiveness
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Son Lux
Wang Family Portrait
85 bpm • A Maj • 01:47 • -24db
31% Popularity • 24% Danceability • 12% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 12% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Aska Matsumiya
Yang & Mika (A.I. Version)
75 bpm • F Maj • 03:40 • -27.58db
13% Popularity • 15% Danceability • 5% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 5% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Mary Lattimore
And Then He Wrapped His Wings Around Me
75 bpm • C Maj • 05:23 • -13.25db
31% Popularity • 20% Danceability • 29% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 20% Danceability • 29% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Lucinda Chua
An Avalanche
85 bpm • C min • 03:20 • -21db
31% Popularity • 53% Danceability • 4% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 53% Danceability • 4% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Antonio Pinto
A Moment You Like
85 bpm • D Maj • 01:08 • -16.6db
19% Popularity • 17% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Non commutative ring
Genesi del flusso
85 bpm • E min • 01:24 • -29.23db
37% Popularity • 9% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 9% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Brad Oberhofer
Watching Fireworks
75 bpm • C# Maj • 01:59 • -28.35db
46% Popularity • 35% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
46% Popularity • 35% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Elori Saxl
Moss II
75 bpm • D Maj • 05:01 • -17db
32% Popularity • 34% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
32% Popularity • 34% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Daniel Rossen
It's A Passage
75 bpm • F min • 03:58 • -8.28db
28% Popularity • 42% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 42% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Spencer Doran
The Road out of Caro
86 bpm • C Maj • 04:05 • -16.9db
8% Popularity • 10% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 10% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Emilie Levienaise-Farrouch
Can I Hug You Now?
75 bpm • G Maj • 02:08 • -18.03db
37% Popularity • 29% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 29% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Celia Hollander
In Plain Sight
75 bpm • C# Maj • 02:36 • -18.57db
35% Popularity • 29% Danceability • 15% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
35% Popularity • 29% Danceability • 15% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Joe Pera Talks With You
The Domes
75 bpm • C Maj • 02:21 • -18.87db
24% Popularity • 16% Danceability • 25% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
24% Popularity • 16% Danceability • 25% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
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North Americans
The River is Wide
74 bpm • F Maj • 03:23 • -20.35db
23% Popularity • 27% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
23% Popularity • 27% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Daniel Rossen
Shadow In The Frame - Live in Pioneertow...
86 bpm • F min • 04:36 • -10.82db
8% Popularity • 34% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 34% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Son Lux
In Another Life
86 bpm • D Maj • 02:24 • -15.66db
44% Popularity • 29% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
44% Popularity • 29% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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kwes.
Wave At Boats
74 bpm • C# Maj • 03:40 • -13.71db
17% Popularity • 43% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
17% Popularity • 43% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Emile Mosseri
Intro
74 bpm • C# Maj • 01:38 • -17db
45% Popularity • 14% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
45% Popularity • 14% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jerskin Fendrix
Bella, Max and God
74 bpm • D Maj • 01:35 • -18.6db
37% Popularity • 21% Danceability • 0% Energy • 7% Liveness
72% Instrumentalness • 13% Positiveness
37% Popularity • 21% Danceability • 0% Energy • 7% Liveness
72% Instrumentalness • 13% Positiveness
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Nico Muhly
Pottery Studio
74 bpm • G min • 01:45 • -13.15db
24% Popularity • 8% Danceability • 24% Energy • 11% Liveness
76% Instrumentalness • 21% Positiveness
24% Popularity • 8% Danceability • 24% Energy • 11% Liveness
76% Instrumentalness • 21% Positiveness
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Daniel Rossen
Made To Rise - Live in Pioneertown
86 bpm • C Maj • 03:02 • -11.96db
7% Popularity • 45% Danceability • 33% Energy • 60% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 45% Danceability • 33% Energy • 60% Liveness
0% Instrumentalness • 40% Positiveness
