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Silently Going Under
Songs like
Silently Going Under
by
Caitlin Evanson
Based on a tempo of (+/- 10%) and a similar genre
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Not For You
Again
100 bpm • D Maj • 03:08 • -12.71db
13% Popularity • 49% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 54% Positiveness
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Erin Hephzibah
Year Walking
100 bpm • A Maj • 05:43 • -18.39db
8% Popularity • 56% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Liz Graham
Rainy Day Friend
100 bpm • C Maj • 03:11 • -7.03db
17% Popularity • 67% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Chi Bumanglag Santos
I'll Be Alright
100 bpm • D Maj • 03:33 • -14.37db
20% Popularity • 55% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Sonya Heller
No Questions Asked
100 bpm • G Maj • 02:30 • -16.46db
24% Popularity • 45% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Claudia Hoyser
Summertime Song
100 bpm • G Maj • 04:00 • -14.61db
7% Popularity • 62% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Anjali Ray
Apple of My Eye
100 bpm • D Maj • 03:00 • -8.42db
25% Popularity • 77% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Caitlin Evanson
Silently Going Under
100 bpm • D Maj • 04:24 • -7.98db
0% Popularity • 45% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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nervously modern
fallin' walker
100 bpm • A Maj • 03:13 • -13.32db
27% Popularity • 49% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Danny Weinkauf
Toy Town
100 bpm • G Maj • 02:28 • -7db
15% Popularity • 64% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Blenda Nieto
Take Me Back
100 bpm • G# min • 02:20 • -7.65db
17% Popularity • 58% Danceability • 82% Energy • 46% Liveness
1% Instrumentalness • 76% Positiveness
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Abby Jayne Spades
Christopher Robin
100 bpm • D Maj • 03:54 • -10.54db
14% Popularity • 43% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Janet Sereno
Saved the Best for Last
101 bpm • C# Maj • 03:53 • -14.01db
12% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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rorie kelly
Saltwater
99 bpm • G Maj • 03:08 • -5.07db
8% Popularity • 63% Danceability • 86% Energy • 58% Liveness
0% Instrumentalness • 49% Positiveness
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Tasha Blackmore
Confessions by Candlelight
101 bpm • C# Maj • 03:22 • -11.77db
7% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Electro Duper
Carefree Whisper
101 bpm • A Maj • 01:01 • -15.91db
25% Popularity • 72% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Barbara Redford
I Go Crazy
101 bpm • F Maj • 03:28 • -8.45db
12% Popularity • 51% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Sean Muldoon
Down by the Lake
102 bpm • A Maj • 03:52 • -11.53db
13% Popularity • 59% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Annie Bacon & Her Oshen
California Heat
98 bpm • G# min • 02:17 • -13.72db
9% Popularity • 58% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Braidwood
The Roundy-Roundy Song
98 bpm • C Maj • 03:23 • -11.74db
18% Popularity • 38% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Andy and Suzanna
Skinnimarink
102 bpm • A Maj • 01:57 • -13.79db
7% Popularity • 68% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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McChicks
Little Lizzie
98 bpm • G Maj • 03:30 • -14.75db
11% Popularity • 59% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Cicci Landén
A Word Of Kindness
98 bpm • E Maj • 03:31 • -10.77db
17% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Pure Blarney
Shallow
98 bpm • C Maj • 02:22 • -10.65db
9% Popularity • 59% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Annie Bacon & Her Oshen
Two Way Street
98 bpm • A Maj • 05:02 • -6.98db
1% Popularity • 60% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Kerrie Chatelain
Million Miles Away
98 bpm • D Maj • 03:53 • -6.96db
7% Popularity • 41% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Jenah Ross Shank
Whoever Said
103 bpm • D Maj • 02:42 • -11.65db
11% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Sonya Heller
The Gates of Grace
97 bpm • A# Maj • 04:27 • -10.95db
16% Popularity • 64% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Karen Pyra
When All Else Fails
97 bpm • D Maj • 04:17 • -19.85db
8% Popularity • 62% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Alisa Ruby Bash
Back to Her Ways
103 bpm • D# Maj • 03:25 • -8.57db
12% Popularity • 69% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Liz Beebe
Blackbird
97 bpm • A Maj • 02:18 • -14.64db
10% Popularity • 54% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
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The Amanda Emblem Experiment
Turn the Light On
103 bpm • F Maj • 03:28 • -9db
17% Popularity • 70% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Laurie Keplin
Ride In The Rain
97 bpm • C Maj • 01:52 • -13.23db
27% Popularity • 49% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Woodrow Sally
Stream
96 bpm • G Maj • 05:11 • -14.43db
25% Popularity • 56% Danceability • 46% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Jessica Heine
Another Love
96 bpm • C Maj • 02:34 • -15.69db
7% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bygone Dave
This Is Goodnight
96 bpm • G min • 03:53 • -20.68db
8% Popularity • 62% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Maya Orr
Housewife
96 bpm • B min • 04:27 • -17.83db
11% Popularity • 67% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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The Northern Belle
Japanese
96 bpm • C# Maj • 01:41 • -13.77db
20% Popularity • 60% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Matilda Espmarker
Mary's Morning
104 bpm • B Maj • 02:36 • -10.42db
11% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Mackenzie Shivers
terracotta floors
105 bpm • D Maj • 04:26 • -8.59db
10% Popularity • 58% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
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Dana Dirksen
Under His Wings
95 bpm • C min • 01:34 • -16.54db
8% Popularity • 58% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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The Tambourine Social
Hey Little One
105 bpm • C Maj • 02:19 • -10.42db
13% Popularity • 71% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tanese Randall
Love Can Save Us
105 bpm • A min • 02:42 • -15.04db
12% Popularity • 49% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Jasmine Elyse
When we were young
105 bpm • E Maj • 03:26 • -16.06db
12% Popularity • 72% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jennifer Jane Niceley
Flight Patterns
95 bpm • F Maj • 04:02 • -11.59db
17% Popularity • 54% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Honey and The Bear
Stay With You
95 bpm • G# Maj • 03:59 • -12.75db
10% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jasmine Chadwick
Breakfast at Noon
105 bpm • A Maj • 04:13 • -10.22db
30% Popularity • 44% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Braidwood
Dandelion & Cupcake
95 bpm • C# Maj • 04:22 • -13.68db
16% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Shanins Music
Get To Me
105 bpm • D# Maj • 02:51 • -14.32db
15% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Galway Girls
Danny Boy
106 bpm • D Maj • 02:54 • -9.87db
11% Popularity • 36% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Madeline Hawthorne
Rara Avis
95 bpm • C# Maj • 03:49 • -12.54db
11% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Frances Wheatley
The Queen
106 bpm • A Maj • 04:03 • -12.81db
17% Popularity • 73% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Vanessa Forero
Some Kinda Grace
94 bpm • G Maj • 03:07 • -11.89db
13% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Lost Trades
Under the Hornbeam
107 bpm • E min • 03:03 • -10db
17% Popularity • 54% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Lisa Bastoni
Wish It Would Last
107 bpm • F Maj • 02:51 • -12.52db
15% Popularity • 56% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Spencer LaJoye
Shadow Puppets
93 bpm • D Maj • 04:23 • -9.71db
13% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Boy Meets Girl
Gone
93 bpm • G Maj • 02:43 • -15.23db
30% Popularity • 58% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Nelson Garnett
Ladder Up
93 bpm • D Maj • 03:13 • -13.3db
12% Popularity • 43% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Stina Nordskog
Feeling Allright
108 bpm • A# Maj • 03:21 • -11db
7% Popularity • 37% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 39% Positiveness
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Mishale
Spirits Don't Die
93 bpm • A# Maj • 04:30 • -18.81db
9% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lili Roquelin
Come as You Are
108 bpm • G# min • 03:52 • -11.44db
17% Popularity • 55% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Jasmine Chadwick
This Is Who I Am
108 bpm • G Maj • 03:51 • -7.15db
30% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Ella Mora
Apocalypse Love Song
108 bpm • G Maj • 02:53 • -7.92db
8% Popularity • 76% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Miranda Elloway
Aldonza
108 bpm • B Maj • 02:30 • -16.56db
18% Popularity • 72% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Martha Tilston
Nightjar
92 bpm • A# Maj • 06:52 • -14.97db
15% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Caitlin Evanson
Over the Rainfly
92 bpm • A# Maj • 02:53 • -13.94db
1% Popularity • 45% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Helen Counts
That Look
92 bpm • A# Maj • 03:28 • -12.05db
11% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sheri Watinski
Melody Rain
109 bpm • G Maj • 02:42 • -8.86db
7% Popularity • 52% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Kimmie Rhodes
Invisible Mary
109 bpm • G min • 03:47 • -12.43db
15% Popularity • 52% Danceability • 40% Energy • 35% Liveness
1% Instrumentalness • 43% Positiveness
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Gary T. Bell
Every Time You Go
92 bpm • G# Maj • 04:25 • -10db
15% Popularity • 52% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Mary Bue
Stop Draggin' My Heart Around
109 bpm • D min • 03:53 • -8.83db
8% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jerry Vandiver
No More Room in the Van
92 bpm • G Maj • 03:01 • -12.1db
1% Popularity • 52% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Jenah Ross Shank
Maker
92 bpm • G Maj • 05:12 • -12.86db
14% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Carrie Newcomer
The Only Through is In
109 bpm • F# Maj • 03:28 • -13.25db
11% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Ac Sapphire
Oblivion
110 bpm • D Maj • 02:41 • -5.8db
7% Popularity • 30% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 30% Positiveness
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Jean Ann Garrish
Choose Me
110 bpm • D Maj • 03:45 • -5.27db
9% Popularity • 63% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Susan Indest
Chalk on the Sidewalk
110 bpm • B Maj • 03:53 • -10db
8% Popularity • 61% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Kathryn the Grape
It's Okay to Cry
91 bpm • C Maj • 03:25 • -11.23db
7% Popularity • 58% Danceability • 33% Energy • 45% Liveness
0% Instrumentalness • 37% Positiveness
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Open Book
You Will Be Fine
110 bpm • D Maj • 03:39 • -12.02db
8% Popularity • 67% Danceability • 42% Energy • 14% Liveness
2% Instrumentalness • 64% Positiveness
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Jessie Beretta
When She Smiles
110 bpm • D Maj • 03:28 • -15.66db
16% Popularity • 67% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Outer Planets
Because We Can
110 bpm • F# min • 04:47 • -12.97db
11% Popularity • 75% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Kristina Train
Deadbeat
110 bpm • A Maj • 02:48 • -7.52db
10% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Molly Whuppie
My Grandfather's Clock
90 bpm • A# Maj • 04:42 • -11.97db
13% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Erin Hephzibah
Destroying Dandelions
111 bpm • E Maj • 03:47 • -16.17db
10% Popularity • 68% Danceability • 23% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
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The Red Roses
Long Way from Home
90 bpm • C min • 03:54 • -8.74db
15% Popularity • 64% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Justine Rose
The Other Side
90 bpm • A Maj • 03:08 • -10.18db
9% Popularity • 62% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Hello Ocean
Better Now
90 bpm • G# Maj • 03:03 • -8.65db
18% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Leningrad
Broadcaster
90 bpm • C Maj • 02:49 • -15.78db
13% Popularity • 56% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Muriel Anderson
Sailing Dream
111 bpm • A Maj • 03:43 • -11.2db
18% Popularity • 36% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 51% Positiveness
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Caitlin Evanson
Message
90 bpm • B Maj • 03:40 • -15.7db
0% Popularity • 57% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Jeannie K
Come To the Table
90 bpm • E Maj • 03:58 • -7.8db
8% Popularity • 41% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Tasmin Archer
Real Oh So Real
90 bpm • A min • 02:23 • -11.49db
8% Popularity • 56% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Rachael May Capp
Bloom and Beauty
90 bpm • D Maj • 05:46 • -11.59db
12% Popularity • 38% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Claudia Scott
Baby, Don't You Leave Me This Way
90 bpm • B Maj • 03:43 • -10.65db
8% Popularity • 48% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Rebekah Gilbert
What If It All Goes Right
112 bpm • C# Maj • 03:38 • -6.01db
17% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Annie Bacon & Her Oshen
There Is No Way
112 bpm • C Maj • 03:26 • -6.43db
8% Popularity • 57% Danceability • 59% Energy • 18% Liveness
3% Instrumentalness • 41% Positiveness
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FOOMESH
That the Way Line
112 bpm • F# min • 01:04 • -13.18db
13% Popularity • 69% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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SRI REJEKI WAVE
Family Harmony
112 bpm • A min • 03:12 • -11.17db
7% Popularity • 71% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Tina Shafer
Get Close
89 bpm • G Maj • 04:02 • -12.78db
18% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Betsy Palmer
When You Say Nothing At All
89 bpm • D# Maj • 03:48 • -8.31db
8% Popularity • 73% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Silently Going Under