Songs like Silus Mountain by NCSOUND
Based on a tempo of (+/- 10%) and a similar genre
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NCSOUND
The Morning of Crimson Peak
140 bpm • A Maj • 01:10 • -11.55db
21% Popularity • 44% Danceability • 46% Energy • 21% Liveness
22% Instrumentalness • 58% Positiveness
21% Popularity • 44% Danceability • 46% Energy • 21% Liveness
22% Instrumentalness • 58% Positiveness
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Doyle W. Donehoo
The Wages of Treason
140 bpm • D min • 03:19 • -13.6db
23% Popularity • 45% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
23% Popularity • 45% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Maxime Hervé
Ambush in the Dark
140 bpm • C# Maj • 02:47 • -16.03db
7% Popularity • 61% Danceability • 28% Energy • 14% Liveness
93% Instrumentalness • 25% Positiveness
7% Popularity • 61% Danceability • 28% Energy • 14% Liveness
93% Instrumentalness • 25% Positiveness
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Mitsugu
Abyss Of Hell
140 bpm • G Maj • 02:03 • -8.8db
11% Popularity • 50% Danceability • 73% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
11% Popularity • 50% Danceability • 73% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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David Arkenstone
Gallow's End
140 bpm • D min • 02:55 • -17.16db
33% Popularity • 44% Danceability • 15% Energy • 10% Liveness
46% Instrumentalness • 15% Positiveness
33% Popularity • 44% Danceability • 15% Energy • 10% Liveness
46% Instrumentalness • 15% Positiveness
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Ivan Duch
Baldur's Gate Siege
140 bpm • D Maj • 01:07 • -12.81db
35% Popularity • 64% Danceability • 53% Energy • 10% Liveness
88% Instrumentalness • 84% Positiveness
35% Popularity • 64% Danceability • 53% Energy • 10% Liveness
88% Instrumentalness • 84% Positiveness
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Jamie Christopherson
Battle at Sundown
140 bpm • G# min • 01:38 • -11db
33% Popularity • 41% Danceability • 76% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
33% Popularity • 41% Danceability • 76% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
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Ramin Djawadi
Aeternum
140 bpm • A min • 02:26 • -11.38db
18% Popularity • 36% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
18% Popularity • 36% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Cris Velasco
Edge of the Horizon
140 bpm • G min • 02:51 • -20.85db
9% Popularity • 16% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Thanos Papadellis
War
140 bpm • E min • 03:37 • -17.89db
11% Popularity • 48% Danceability • 30% Energy • 18% Liveness
92% Instrumentalness • 23% Positiveness
11% Popularity • 48% Danceability • 30% Energy • 18% Liveness
92% Instrumentalness • 23% Positiveness
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Taro Iwashiro
招かざる敵
140 bpm • G min • 07:59 • -11.22db
14% Popularity • 23% Danceability • 73% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
14% Popularity • 23% Danceability • 73% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
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NCSOUND
The Cursed Frontier
140 bpm • G min • 01:59 • -12.79db
9% Popularity • 26% Danceability • 47% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 47% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Jamie Christopherson
March of Heroes
140 bpm • D min • 01:32 • -16.09db
36% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
36% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
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Adam Skorupa
Dusk Of A Northern Kingdom
141 bpm • C Maj • 04:34 • -21db
35% Popularity • 24% Danceability • 13% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
35% Popularity • 24% Danceability • 13% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
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Jason Hayes
Teldrassil
139 bpm • D# Maj • 03:56 • -15.95db
40% Popularity • 17% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 17% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Travis Savoie
Winter Wizardry
140 bpm • A min • 03:03 • -13.82db
10% Popularity • 34% Danceability • 32% Energy • 5% Liveness
42% Instrumentalness • 20% Positiveness
10% Popularity • 34% Danceability • 32% Energy • 5% Liveness
42% Instrumentalness • 20% Positiveness
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Alessandro Gozzo
The Threat
139 bpm • C# Maj • 01:28 • -14.81db
10% Popularity • 38% Danceability • 55% Energy • 20% Liveness
56% Instrumentalness • 28% Positiveness
10% Popularity • 38% Danceability • 55% Energy • 20% Liveness
56% Instrumentalness • 28% Positiveness
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NCSOUND
Serene Forest
140 bpm • B min • 03:24 • -23.07db
15% Popularity • 28% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 28% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Brad Derrick
Grazelands Dawn
141 bpm • G min • 05:01 • -15.34db
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Chance Thomas
Shadow of the Argonath
141 bpm • G Maj • 03:08 • -18.64db
32% Popularity • 14% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Fanfares And Flowers
139 bpm • D min • 03:10 • -11db
45% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Hristo Hristov
Festival of Leaves
142 bpm • D# Maj • 02:41 • -25.02db
13% Popularity • 14% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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梁 邦彦
Wind of Destiny
142 bpm • C# Maj • 05:01 • -8.51db
7% Popularity • 21% Danceability • 64% Energy • 22% Liveness
87% Instrumentalness • 32% Positiveness
7% Popularity • 21% Danceability • 64% Energy • 22% Liveness
87% Instrumentalness • 32% Positiveness
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NCSOUND
Bamboo Village
139 bpm • D min • 02:37 • -13.49db
17% Popularity • 16% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
17% Popularity • 16% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Gareth Coker
The Observatory
142 bpm • C Maj • 03:04 • -15.81db
11% Popularity • 53% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
11% Popularity • 53% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Grandes Tardes
Planteamientos
142 bpm • B min • 02:14 • -19.04db
11% Popularity • 14% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
11% Popularity • 14% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
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Maxime Hervé
High Adventure
138 bpm • D Maj • 03:09 • -23.07db
9% Popularity • 26% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Joey Newman
The Tower of Chaos
138 bpm • F# Maj • 01:16 • -7.77db
10% Popularity • 15% Danceability • 43% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
10% Popularity • 15% Danceability • 43% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Josh Whelchel
Cicero's Theme
143 bpm • D min • 02:39 • -15.48db
29% Popularity • 28% Danceability • 24% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
29% Popularity • 28% Danceability • 24% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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Jamie Christopherson
The beginning of Gracia
137 bpm • G min • 03:38 • -10db
13% Popularity • 46% Danceability • 61% Energy • 15% Liveness
98% Instrumentalness • 10% Positiveness
13% Popularity • 46% Danceability • 61% Energy • 15% Liveness
98% Instrumentalness • 10% Positiveness
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ASKII
We Are Warriors
144 bpm • B min • 03:05 • -9.27db
20% Popularity • 50% Danceability • 70% Energy • 7% Liveness
64% Instrumentalness • 22% Positiveness
20% Popularity • 50% Danceability • 70% Energy • 7% Liveness
64% Instrumentalness • 22% Positiveness
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Niklas Wagner
Maleficium
137 bpm • F# min • 02:06 • -13.21db
13% Popularity • 45% Danceability • 37% Energy • 38% Liveness
90% Instrumentalness • 24% Positiveness
13% Popularity • 45% Danceability • 37% Energy • 38% Liveness
90% Instrumentalness • 24% Positiveness
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NCSOUND
Pinehill Temple
136 bpm • D min • 02:48 • -12.81db
15% Popularity • 39% Danceability • 30% Energy • 10% Liveness
44% Instrumentalness • 33% Positiveness
15% Popularity • 39% Danceability • 30% Energy • 10% Liveness
44% Instrumentalness • 33% Positiveness
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Kyle Hnedak
Obsidian Vale
144 bpm • C min • 04:00 • -26.12db
18% Popularity • 24% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
18% Popularity • 24% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Joey Newman
Against odds
136 bpm • G Maj • 02:38 • -12.5db
23% Popularity • 25% Danceability • 44% Energy • 15% Liveness
91% Instrumentalness • 11% Positiveness
23% Popularity • 25% Danceability • 44% Energy • 15% Liveness
91% Instrumentalness • 11% Positiveness
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Oleg Trocky
Circuit Cadence
144 bpm • E min • 01:53 • -31.57db
13% Popularity • 44% Danceability • 7% Energy • 17% Liveness
86% Instrumentalness • 30% Positiveness
13% Popularity • 44% Danceability • 7% Energy • 17% Liveness
86% Instrumentalness • 30% Positiveness
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Neal Acree
Jade Maple Paddock
136 bpm • G min • 02:15 • -14.14db
22% Popularity • 40% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 40% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Tumult Kollektiv
Mountainfoot
136 bpm • E min • 02:43 • -19.44db
12% Popularity • 15% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
12% Popularity • 15% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
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Jamie Christopherson
No Symphony from Me
145 bpm • D min • 03:03 • -16.27db
7% Popularity • 44% Danceability • 34% Energy • 13% Liveness
93% Instrumentalness • 34% Positiveness
7% Popularity • 44% Danceability • 34% Energy • 13% Liveness
93% Instrumentalness • 34% Positiveness
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Borislav Slavov
Symphony of the Void
145 bpm • F min • 03:29 • -14db
37% Popularity • 23% Danceability • 42% Energy • 14% Liveness
97% Instrumentalness • 10% Positiveness
37% Popularity • 23% Danceability • 42% Energy • 14% Liveness
97% Instrumentalness • 10% Positiveness
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Michael Sciabbarrasi
Just Behind the Enemy
145 bpm • C min • 03:05 • -11.82db
10% Popularity • 53% Danceability • 68% Energy • 51% Liveness
66% Instrumentalness • 16% Positiveness
10% Popularity • 53% Danceability • 68% Energy • 51% Liveness
66% Instrumentalness • 16% Positiveness
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Moshe Levi
Forever Nina
135 bpm • A min • 04:37 • -11.29db
28% Popularity • 34% Danceability • 49% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
28% Popularity • 34% Danceability • 49% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Gergely Buttinger
The Incredible Adventures
135 bpm • D Maj • 02:11 • -11db
12% Popularity • 64% Danceability • 70% Energy • 38% Liveness
92% Instrumentalness • 37% Positiveness
12% Popularity • 64% Danceability • 70% Energy • 38% Liveness
92% Instrumentalness • 37% Positiveness
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Sean Lorhish
Heroic Battle (Remix By Rick Knight)
145 bpm • C Maj • 02:49 • -13.18db
19% Popularity • 47% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
19% Popularity • 47% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Winifred Phillips
Safe Harbor
135 bpm • G# Maj • 02:07 • -16db
23% Popularity • 56% Danceability • 40% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 56% Danceability • 40% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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NCSOUND
Two Worlds: Inanna's Theme Inst. - Album...
135 bpm • A Maj • 04:00 • -11.03db
14% Popularity • 22% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Aakaash Rao
Expanse
135 bpm • D Maj • 02:48 • -10.53db
31% Popularity • 59% Danceability • 74% Energy • 8% Liveness
72% Instrumentalness • 20% Positiveness
31% Popularity • 59% Danceability • 74% Energy • 8% Liveness
72% Instrumentalness • 20% Positiveness
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Antti Martikainen
Snow Dancer
135 bpm • D min • 07:18 • -10.37db
27% Popularity • 36% Danceability • 62% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 36% Danceability • 62% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
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Tabletop Rpg Music
Wasteland War (combat)
135 bpm • C Maj • 02:03 • -14db
25% Popularity • 62% Danceability • 63% Energy • 10% Liveness
77% Instrumentalness • 57% Positiveness
25% Popularity • 62% Danceability • 63% Energy • 10% Liveness
77% Instrumentalness • 57% Positiveness
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Jamie Christopherson
The Enemy Warlord Appears
134 bpm • E min • 01:55 • -7.45db
31% Popularity • 44% Danceability • 73% Energy • 18% Liveness
94% Instrumentalness • 45% Positiveness
31% Popularity • 44% Danceability • 73% Energy • 18% Liveness
94% Instrumentalness • 45% Positiveness
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Brad Derrick
Recollection of Wars Long Lost
134 bpm • D min • 07:08 • -16.3db
38% Popularity • 16% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Trevor Morris
Escape From The Fade
147 bpm • G Maj • 01:14 • -13.39db
28% Popularity • 15% Danceability • 48% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 48% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Aakaash Rao
Dancing Shadows
134 bpm • D Maj • 02:04 • -18.38db
29% Popularity • 58% Danceability • 60% Energy • 11% Liveness
78% Instrumentalness • 38% Positiveness
29% Popularity • 58% Danceability • 60% Energy • 11% Liveness
78% Instrumentalness • 38% Positiveness
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Joey Newman
The Fog of Dawnlight
133 bpm • D Maj • 02:11 • -10.64db
17% Popularity • 16% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Luc St-Pierre
The Lady Misery
133 bpm • B min • 01:04 • -10.94db
16% Popularity • 49% Danceability • 64% Energy • 11% Liveness
83% Instrumentalness • 38% Positiveness
16% Popularity • 49% Danceability • 64% Energy • 11% Liveness
83% Instrumentalness • 38% Positiveness
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Bill Brown
Unicorn's Rest
133 bpm • C# Maj • 01:59 • -16db
48% Popularity • 16% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
48% Popularity • 16% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Tilman Sillescu
Every Ending Needs a Beginning
132 bpm • F# min • 01:57 • -12.42db
11% Popularity • 41% Danceability • 58% Energy • 16% Liveness
100% Instrumentalness • 44% Positiveness
11% Popularity • 41% Danceability • 58% Energy • 16% Liveness
100% Instrumentalness • 44% Positiveness
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Trevor Morris
Descent - Main Theme
133 bpm • C min • 02:58 • -14db
28% Popularity • 16% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
28% Popularity • 16% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Kyle Hnedak
Gaianslayer
148 bpm • A# Maj • 04:01 • -7.64db
10% Popularity • 36% Danceability • 79% Energy • 15% Liveness
91% Instrumentalness • 35% Positiveness
10% Popularity • 36% Danceability • 79% Energy • 15% Liveness
91% Instrumentalness • 35% Positiveness
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Joey Newman
Phantasmal Island
132 bpm • G min • 01:11 • -13.69db
28% Popularity • 31% Danceability • 31% Energy • 9% Liveness
98% Instrumentalness • 8% Positiveness
28% Popularity • 31% Danceability • 31% Energy • 9% Liveness
98% Instrumentalness • 8% Positiveness
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Paradox Interactive
...and Here's What Happened Since We Las...
132 bpm • A min • 03:27 • -17.09db
8% Popularity • 51% Danceability • 24% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
8% Popularity • 51% Danceability • 24% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Winds of Brightwood
149 bpm • G# Maj • 02:05 • -11.67db
15% Popularity • 29% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 47% Positiveness
15% Popularity • 29% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 47% Positiveness
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Alessandro Penna
Heaven Beyond the Horizon
131 bpm • G min • 02:09 • -15.4db
28% Popularity • 46% Danceability • 76% Energy • 19% Liveness
90% Instrumentalness • 29% Positiveness
28% Popularity • 46% Danceability • 76% Energy • 19% Liveness
90% Instrumentalness • 29% Positiveness
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Bill Brown
Hail the Victor
150 bpm • C# min • 01:30 • -10.56db
30% Popularity • 50% Danceability • 52% Energy • 22% Liveness
53% Instrumentalness • 53% Positiveness
30% Popularity • 50% Danceability • 52% Energy • 22% Liveness
53% Instrumentalness • 53% Positiveness
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Dell Johnston
Heroe's Return
150 bpm • C# Maj • 01:58 • -10.37db
9% Popularity • 49% Danceability • 45% Energy • 8% Liveness
81% Instrumentalness • 14% Positiveness
9% Popularity • 49% Danceability • 45% Energy • 8% Liveness
81% Instrumentalness • 14% Positiveness
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Kei
As I Become Your Wind - Noi Theme
150 bpm • C Maj • 04:31 • -5.8db
5% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Todd Masten
Whirling Dulcimer (Medieval Melody)
150 bpm • C# Maj • 03:18 • -15db
32% Popularity • 46% Danceability • 77% Energy • 11% Liveness
85% Instrumentalness • 68% Positiveness
32% Popularity • 46% Danceability • 77% Energy • 11% Liveness
85% Instrumentalness • 68% Positiveness
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Tabletop Rpg Music
The Grey Hunt (Epic Theme)
150 bpm • C min • 02:14 • -13.8db
12% Popularity • 67% Danceability • 68% Energy • 11% Liveness
95% Instrumentalness • 89% Positiveness
12% Popularity • 67% Danceability • 68% Energy • 11% Liveness
95% Instrumentalness • 89% Positiveness
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Glenn Stafford
Return to Arms
150 bpm • C# min • 03:52 • -14db
30% Popularity • 22% Danceability • 41% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
30% Popularity • 22% Danceability • 41% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Jason Hayes
Song of Elune
150 bpm • C# min • 02:15 • -12db
41% Popularity • 37% Danceability • 38% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
41% Popularity • 37% Danceability • 38% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
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Michiel van den Bos
The Highlander (Main Title)
150 bpm • D min • 04:37 • -21.04db
11% Popularity • 46% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
11% Popularity • 46% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Aakaash Rao
Escape from Astra
150 bpm • C# Maj • 01:52 • -17.35db
14% Popularity • 54% Danceability • 62% Energy • 20% Liveness
56% Instrumentalness • 29% Positiveness
14% Popularity • 54% Danceability • 62% Energy • 20% Liveness
56% Instrumentalness • 29% Positiveness
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NCSOUND
Beluslan Fortress
130 bpm • A min • 01:54 • -16db
11% Popularity • 21% Danceability • 23% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 23% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Tabletop Rpg Music
Magic Reborn (theme, combat)
150 bpm • G# Maj • 02:10 • -13.49db
12% Popularity • 53% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 34% Positiveness
12% Popularity • 53% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 34% Positiveness
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Synsnake
Instinct of the Blue Wings - Wyvern Them...
150 bpm • F min • 03:48 • -4.84db
5% Popularity • 37% Danceability • 95% Energy • 8% Liveness
28% Instrumentalness • 54% Positiveness
5% Popularity • 37% Danceability • 95% Energy • 8% Liveness
28% Instrumentalness • 54% Positiveness
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Kristian Brastein
Through the Mountains
130 bpm • A min • 03:16 • -15.86db
25% Popularity • 24% Danceability • 22% Energy • 10% Liveness
77% Instrumentalness • 7% Positiveness
25% Popularity • 24% Danceability • 22% Energy • 10% Liveness
77% Instrumentalness • 7% Positiveness
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Neal Acree
Into Battle
130 bpm • D min • 02:00 • -13.66db
8% Popularity • 52% Danceability • 74% Energy • 42% Liveness
83% Instrumentalness • 25% Positiveness
8% Popularity • 52% Danceability • 74% Energy • 42% Liveness
83% Instrumentalness • 25% Positiveness
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Russell Brower
The Wandering Isle
130 bpm • G min • 02:32 • -9.51db
31% Popularity • 33% Danceability • 60% Energy • 63% Liveness
71% Instrumentalness • 22% Positiveness
31% Popularity • 33% Danceability • 60% Energy • 63% Liveness
71% Instrumentalness • 22% Positiveness
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Chance Thomas
Horse Lords of Norcrofts
130 bpm • C# Maj • 02:50 • -13.16db
28% Popularity • 50% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
28% Popularity • 50% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Tabletop Rpg Music
Arcane Velocity (combat)
130 bpm • D min • 04:38 • -12.25db
13% Popularity • 61% Danceability • 78% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
13% Popularity • 61% Danceability • 78% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Ramin Djawadi
Ancient Guardians
130 bpm • G Maj • 02:09 • -13.82db
8% Popularity • 43% Danceability • 44% Energy • 36% Liveness
92% Instrumentalness • 16% Positiveness
8% Popularity • 43% Danceability • 44% Energy • 36% Liveness
92% Instrumentalness • 16% Positiveness
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Louis Viallet
Beautiful Horizon
130 bpm • C min • 03:59 • -10.73db
30% Popularity • 41% Danceability • 44% Energy • 6% Liveness
56% Instrumentalness • 4% Positiveness
30% Popularity • 41% Danceability • 44% Energy • 6% Liveness
56% Instrumentalness • 4% Positiveness
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NCSOUND
Winter Journey
129 bpm • E min • 01:15 • -16.21db
13% Popularity • 20% Danceability • 13% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 13% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
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Aakaash Rao
Ascension
130 bpm • C# Maj • 02:20 • -14.32db
39% Popularity • 22% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
39% Popularity • 22% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
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Chance Thomas
Rivendell
129 bpm • C# min • 02:03 • -15.23db
35% Popularity • 25% Danceability • 28% Energy • 54% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 28% Energy • 54% Liveness
1% Instrumentalness • 4% Positiveness
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Trevor Morris
Return To Skyhold
129 bpm • C Maj • 02:13 • -15.39db
31% Popularity • 22% Danceability • 26% Energy • 29% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 26% Energy • 29% Liveness
94% Instrumentalness • 4% Positiveness
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Jason Hayes
Temple
152 bpm • A# min • 01:04 • -14.27db
41% Popularity • 11% Danceability • 17% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
41% Popularity • 11% Danceability • 17% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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ASKII
Port Telvannis
128 bpm • B min • 02:53 • -15db
27% Popularity • 18% Danceability • 23% Energy • 8% Liveness
79% Instrumentalness • 8% Positiveness
27% Popularity • 18% Danceability • 23% Energy • 8% Liveness
79% Instrumentalness • 8% Positiveness
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Armin Haas
A Hero's Journey (A Hero's Journey)
128 bpm • A min • 01:48 • -18.71db
17% Popularity • 32% Danceability • 26% Energy • 16% Liveness
96% Instrumentalness • 29% Positiveness
17% Popularity • 32% Danceability • 26% Energy • 16% Liveness
96% Instrumentalness • 29% Positiveness
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Mario Busto Calderón
Sidecar Chase
128 bpm • C min • 01:00 • -18.67db
9% Popularity • 16% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
9% Popularity • 16% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Neal Acree
Weiyang Palace
127 bpm • D min • 01:59 • -14.79db
23% Popularity • 26% Danceability • 37% Energy • 18% Liveness
80% Instrumentalness • 19% Positiveness
23% Popularity • 26% Danceability • 37% Energy • 18% Liveness
80% Instrumentalness • 19% Positiveness
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Richard Tsutomu Williams
Stormblessed
126 bpm • D min • 02:05 • -11.67db
28% Popularity • 22% Danceability • 49% Energy • 11% Liveness
33% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 49% Energy • 11% Liveness
33% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Conquest
154 bpm • E min • 02:19 • -10.28db
20% Popularity • 24% Danceability • 57% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
20% Popularity • 24% Danceability • 57% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Niklas Wagner
The Arcane Master
156 bpm • B min • 01:46 • -13.56db
17% Popularity • 59% Danceability • 65% Energy • 10% Liveness
93% Instrumentalness • 84% Positiveness
17% Popularity • 59% Danceability • 65% Energy • 10% Liveness
93% Instrumentalness • 84% Positiveness
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Roman Heuser
Overworld (Light Side Field)
126 bpm • B min • 02:53 • -14.01db
11% Popularity • 40% Danceability • 41% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 40% Danceability • 41% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Bill Brown
Final Crisis
125 bpm • E min • 01:58 • -9db
32% Popularity • 29% Danceability • 76% Energy • 30% Liveness
60% Instrumentalness • 47% Positiveness
32% Popularity • 29% Danceability • 76% Energy • 30% Liveness
60% Instrumentalness • 47% Positiveness
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Cris Velasco
Warmaster
125 bpm • C# Maj • 02:09 • -17.87db
13% Popularity • 59% Danceability • 45% Energy • 12% Liveness
70% Instrumentalness • 32% Positiveness
13% Popularity • 59% Danceability • 45% Energy • 12% Liveness
70% Instrumentalness • 32% Positiveness
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Dmitry V. Silantyev
Crusaders' March
125 bpm • A Maj • 01:07 • -14.06db
28% Popularity • 37% Danceability • 46% Energy • 14% Liveness
98% Instrumentalness • 14% Positiveness
28% Popularity • 37% Danceability • 46% Energy • 14% Liveness
98% Instrumentalness • 14% Positiveness
