Songs like Silver Platter Club by John Grant
Based on a tempo of (+/- 10%) and a similar genre
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Jarvis Cocker
Baby's Coming Back To Me
170 bpm • C Maj • 04:11 • -11db
29% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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John Grant
Silver Platter Club
170 bpm • G# Maj • 04:10 • -8.26db
22% Popularity • 61% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 61% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Jesca Hoop
Seed of Wonder
170 bpm • A# Maj • 06:06 • -9.44db
17% Popularity • 54% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 54% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Calexico
Quattro - World Drifts in
169 bpm • B min • 04:37 • -10db
29% Popularity • 46% Danceability • 68% Energy • 14% Liveness
35% Instrumentalness • 78% Positiveness
29% Popularity • 46% Danceability • 68% Energy • 14% Liveness
35% Instrumentalness • 78% Positiveness
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Elbow
Six Words
168 bpm • G Maj • 05:06 • -9.96db
37% Popularity • 24% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 24% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Ellen Kristjánsdóttir
Veldu stjörnu
172 bpm • A# Maj • 04:32 • -7.62db
25% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Morphine
In Spite of Me
167 bpm • G Maj • 02:34 • -15db
49% Popularity • 43% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 49% Positiveness
49% Popularity • 43% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 49% Positiveness
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Marianne Faithfull
The Mistery of Love
172 bpm • E min • 03:51 • -7.92db
36% Popularity • 41% Danceability • 61% Energy • 12% Liveness
24% Instrumentalness • 26% Positiveness
36% Popularity • 41% Danceability • 61% Energy • 12% Liveness
24% Instrumentalness • 26% Positiveness
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Gaz Coombes
Turn The Car Around
167 bpm • C min • 03:47 • -5.18db
34% Popularity • 41% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 41% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Midlake
Bandits
176 bpm • G Maj • 04:00 • -12db
33% Popularity • 24% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 24% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Laura Marling
Don't Pass Me By
166 bpm • E min • 05:09 • -9.75db
26% Popularity • 55% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 48% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 48% Positiveness
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King Creosote
You Just Want
162 bpm • A# min • 07:25 • -10.51db
30% Popularity • 41% Danceability • 54% Energy • 11% Liveness
28% Instrumentalness • 74% Positiveness
30% Popularity • 41% Danceability • 54% Energy • 11% Liveness
28% Instrumentalness • 74% Positiveness
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PJ Harvey
Let England Shake
162 bpm • F Maj • 03:09 • -8.35db
38% Popularity • 36% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 36% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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BC Camplight
I'm Desperate
178 bpm • G# Maj • 04:09 • -6db
29% Popularity • 36% Danceability • 79% Energy • 30% Liveness
1% Instrumentalness • 23% Positiveness
29% Popularity • 36% Danceability • 79% Energy • 30% Liveness
1% Instrumentalness • 23% Positiveness
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Cherry Ghost
Thirst for Romance
179 bpm • F# min • 03:55 • -5db
28% Popularity • 32% Danceability • 80% Energy • 8% Liveness
23% Instrumentalness • 62% Positiveness
28% Popularity • 32% Danceability • 80% Energy • 8% Liveness
23% Instrumentalness • 62% Positiveness
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Rufus Wainwright
Beautiful Child
179 bpm • C Maj • 04:15 • -4.41db
26% Popularity • 17% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 17% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Eric Cantona
The Friends We Lost
179 bpm • A min • 03:32 • -8.23db
32% Popularity • 19% Danceability • 54% Energy • 14% Liveness
31% Instrumentalness • 15% Positiveness
32% Popularity • 19% Danceability • 54% Energy • 14% Liveness
31% Instrumentalness • 15% Positiveness
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Hamish Hawk
The Mauritian Badminton Doubles Champion...
160 bpm • A# Maj • 03:38 • -9.12db
35% Popularity • 41% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 41% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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The Czars
Goodbye
160 bpm • C# Maj • 04:24 • -12.91db
11% Popularity • 41% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
11% Popularity • 41% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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John Grant
Dandy Star
180 bpm • A# min • 06:55 • -9.28db
10% Popularity • 44% Danceability • 48% Energy • 9% Liveness
17% Instrumentalness • 12% Positiveness
10% Popularity • 44% Danceability • 48% Energy • 9% Liveness
17% Instrumentalness • 12% Positiveness
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John Bramwell
From the Shore
158 bpm • D Maj • 03:43 • -8.64db
19% Popularity • 33% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 33% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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PJ Harvey
The Words That Maketh Murder
158 bpm • D min • 03:45 • -8.84db
37% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Creep Show
Yawning Abyss
183 bpm • A# Maj • 03:45 • -7.31db
20% Popularity • 76% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 76% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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The National
Bloodbuzz Ohio
157 bpm • A Maj • 04:35 • -6.37db
56% Popularity • 40% Danceability • 84% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
56% Popularity • 40% Danceability • 84% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
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Isobel Campbell
Ballad of the Broken Seas
185 bpm • A min • 02:40 • -13.6db
28% Popularity • 26% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 32% Positiveness
28% Popularity • 26% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 32% Positiveness
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R.E.M.
E-Bow The Letter
155 bpm • D Maj • 05:24 • -8db
46% Popularity • 35% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 35% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Gaz Coombes
Walk The Walk
156 bpm • D Maj • 03:56 • -6.6db
43% Popularity • 55% Danceability • 89% Energy • 18% Liveness
75% Instrumentalness • 81% Positiveness
43% Popularity • 55% Danceability • 89% Energy • 18% Liveness
75% Instrumentalness • 81% Positiveness
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Kevin Morby
I Have Been to the Mountain
188 bpm • A# min • 03:14 • -5.71db
52% Popularity • 38% Danceability • 89% Energy • 13% Liveness
43% Instrumentalness • 57% Positiveness
52% Popularity • 38% Danceability • 89% Energy • 13% Liveness
43% Instrumentalness • 57% Positiveness
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Hamish Hawk
Caterpillar
154 bpm • D Maj • 05:36 • -11db
21% Popularity • 60% Danceability • 62% Energy • 18% Liveness
24% Instrumentalness • 61% Positiveness
21% Popularity • 60% Danceability • 62% Energy • 18% Liveness
24% Instrumentalness • 61% Positiveness
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Bill Callahan
Drover
154 bpm • B min • 05:24 • -11db
37% Popularity • 58% Danceability • 62% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
37% Popularity • 58% Danceability • 62% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
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Isobel Campbell
Come on Over (Turn Me On)
187 bpm • F min • 04:39 • -8.9db
38% Popularity • 26% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 24% Positiveness
38% Popularity • 26% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 24% Positiveness
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JúnÃus Meyvant
Color Decay
188 bpm • E Maj • 04:24 • -8.49db
38% Popularity • 41% Danceability • 73% Energy • 10% Liveness
38% Instrumentalness • 72% Positiveness
38% Popularity • 41% Danceability • 73% Energy • 10% Liveness
38% Instrumentalness • 72% Positiveness
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Tindersticks
Tiny Tears
153 bpm • E min • 05:45 • -16.63db
42% Popularity • 25% Danceability • 24% Energy • 18% Liveness
36% Instrumentalness • 10% Positiveness
42% Popularity • 25% Danceability • 24% Energy • 18% Liveness
36% Instrumentalness • 10% Positiveness
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Public Service Broadcasting
They Gave Me a Lamp
152 bpm • A Maj • 03:56 • -9.49db
29% Popularity • 48% Danceability • 73% Energy • 22% Liveness
5% Instrumentalness • 30% Positiveness
29% Popularity • 48% Danceability • 73% Energy • 22% Liveness
5% Instrumentalness • 30% Positiveness
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Liz Lawrence
None Of My Friends
152 bpm • B Maj • 02:46 • -9.67db
36% Popularity • 60% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
36% Popularity • 60% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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PJ Harvey
You Said Something
152 bpm • C Maj • 03:18 • -7db
53% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Turin Brakes
Isolation
152 bpm • C Maj • 04:34 • -8.98db
15% Popularity • 46% Danceability • 71% Energy • 6% Liveness
6% Instrumentalness • 50% Positiveness
15% Popularity • 46% Danceability • 71% Energy • 6% Liveness
6% Instrumentalness • 50% Positiveness
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Creep Show
Matinee
192 bpm • G Maj • 04:38 • -9.42db
15% Popularity • 62% Danceability • 87% Energy • 32% Liveness
45% Instrumentalness • 49% Positiveness
15% Popularity • 62% Danceability • 87% Energy • 32% Liveness
45% Instrumentalness • 49% Positiveness
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Kate Bush
King Of The Mountain
150 bpm • A# Maj • 04:53 • -12.14db
40% Popularity • 58% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 61% Positiveness
40% Popularity • 58% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 61% Positiveness
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Laura Marling
Gurdjieff's Daughter
150 bpm • C# min • 04:22 • -7.46db
22% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Owen Pallett
This Is The Dream Of Win & Regine
150 bpm • G min • 03:24 • -7.03db
31% Popularity • 65% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 65% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Fink
Pilgrim
150 bpm • F# min • 07:02 • -10.77db
41% Popularity • 54% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
41% Popularity • 54% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
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Villagers
Becoming A Jackal
150 bpm • C Maj • 03:21 • -10db
36% Popularity • 58% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 58% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The National
Slow Show
150 bpm • E Maj • 04:08 • -8.39db
52% Popularity • 57% Danceability • 70% Energy • 15% Liveness
86% Instrumentalness • 51% Positiveness
52% Popularity • 57% Danceability • 70% Energy • 15% Liveness
86% Instrumentalness • 51% Positiveness
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Ed Harcourt
Furnaces
150 bpm • C min • 03:53 • -5.46db
37% Popularity • 45% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 45% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Public Service Broadcasting
Progress
149 bpm • D# Maj • 03:25 • -9db
31% Popularity • 50% Danceability • 77% Energy • 10% Liveness
75% Instrumentalness • 51% Positiveness
31% Popularity • 50% Danceability • 77% Energy • 10% Liveness
75% Instrumentalness • 51% Positiveness
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The The
I WANT 2 B U
148 bpm • G# Maj • 03:20 • -9.71db
35% Popularity • 47% Danceability • 69% Energy • 15% Liveness
82% Instrumentalness • 41% Positiveness
35% Popularity • 47% Danceability • 69% Energy • 15% Liveness
82% Instrumentalness • 41% Positiveness
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Calexico
Sunken Waltz
148 bpm • C Maj • 02:27 • -9.08db
32% Popularity • 43% Danceability • 61% Energy • 41% Liveness
1% Instrumentalness • 60% Positiveness
32% Popularity • 43% Danceability • 61% Energy • 41% Liveness
1% Instrumentalness • 60% Positiveness
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Villagers
The Pact (I'll Be Your Fever)
150 bpm • G Maj • 03:28 • -12db
33% Popularity • 61% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 89% Positiveness
33% Popularity • 61% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 89% Positiveness
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The National
Demons
150 bpm • E min • 03:31 • -6.33db
46% Popularity • 54% Danceability • 77% Energy • 8% Liveness
86% Instrumentalness • 42% Positiveness
46% Popularity • 54% Danceability • 77% Energy • 8% Liveness
86% Instrumentalness • 42% Positiveness
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Baxter Dury
Prince of Tears
148 bpm • G# min • 03:05 • -8db
34% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Iraina Mancini
Undo The Blue
148 bpm • A# Maj • 03:58 • -5.25db
29% Popularity • 50% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 50% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Tindersticks
Can We Start Again?
148 bpm • B min • 03:51 • -12db
31% Popularity • 57% Danceability • 47% Energy • 9% Liveness
7% Instrumentalness • 85% Positiveness
31% Popularity • 57% Danceability • 47% Energy • 9% Liveness
7% Instrumentalness • 85% Positiveness
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Shearwater
You as You Were
148 bpm • F# Maj • 03:42 • -5.54db
30% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
30% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Drugstore
El President
148 bpm • G# Maj • 02:50 • -7.04db
34% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kings of Convenience
Toxic Girl
147 bpm • F# min • 03:09 • -15db
48% Popularity • 64% Danceability • 45% Energy • 9% Liveness
39% Instrumentalness • 89% Positiveness
48% Popularity • 64% Danceability • 45% Energy • 9% Liveness
39% Instrumentalness • 89% Positiveness
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Scott Matthews
Elusive
147 bpm • D Maj • 03:40 • -16.82db
36% Popularity • 48% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
36% Popularity • 48% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
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Arab Strap
The First Big Weekend
147 bpm • D Maj • 04:52 • -15db
37% Popularity • 71% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
37% Popularity • 71% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Charlotte Gainsbourg
5:55
146 bpm • C Maj • 04:52 • -8db
33% Popularity • 51% Danceability • 71% Energy • 14% Liveness
79% Instrumentalness • 51% Positiveness
33% Popularity • 51% Danceability • 71% Energy • 14% Liveness
79% Instrumentalness • 51% Positiveness
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Retro Bytes
Found
146 bpm • F# min • 01:50 • -11.93db
10% Popularity • 52% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 52% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Marlon Williams
Nobody Gets What They Want Anymore
146 bpm • E Maj • 04:59 • -8.15db
29% Popularity • 33% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 33% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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John Grant
Tc & Honeybear
146 bpm • F Maj • 05:06 • -7.54db
26% Popularity • 45% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
26% Popularity • 45% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Calexico
Woven Birds
146 bpm • A min • 03:46 • -14db
17% Popularity • 38% Danceability • 27% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 38% Danceability • 27% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Tindersticks
Another Night In
145 bpm • A# min • 05:12 • -13db
39% Popularity • 30% Danceability • 25% Energy • 39% Liveness
78% Instrumentalness • 33% Positiveness
39% Popularity • 30% Danceability • 25% Energy • 39% Liveness
78% Instrumentalness • 33% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Patrick Wolf
The Magic Position
145 bpm • B Maj • 03:52 • -8.15db
32% Popularity • 51% Danceability • 49% Energy • 14% Liveness
13% Instrumentalness • 47% Positiveness
32% Popularity • 51% Danceability • 49% Energy • 14% Liveness
13% Instrumentalness • 47% Positiveness
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The Leisure Society
We Were Wasted
145 bpm • C min • 02:55 • -14.23db
38% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
38% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
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Katy J Pearson
Talk Over Town
145 bpm • G min • 05:52 • -7.09db
28% Popularity • 59% Danceability • 80% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
28% Popularity • 59% Danceability • 80% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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Saint Saviour
Rock Pools
145 bpm • G Maj • 03:58 • -8.89db
41% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Lambchop
Something's Going On
145 bpm • E min • 02:45 • -13.06db
30% Popularity • 57% Danceability • 55% Energy • 15% Liveness
79% Instrumentalness • 42% Positiveness
30% Popularity • 57% Danceability • 55% Energy • 15% Liveness
79% Instrumentalness • 42% Positiveness
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Kristin Hersh
Your Ghost
145 bpm • G Maj • 03:16 • -14.15db
45% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Turin Brakes
Long Distance
144 bpm • A Maj • 04:27 • -5.53db
32% Popularity • 26% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 26% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Sunhouse
Crazy On The Weekend
202 bpm • A# Maj • 02:05 • -18.87db
32% Popularity • 35% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 35% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
