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Simon The Cellarer
Songs like
Simon The Cellarer
by
John Liptrot Hatton
Based on a tempo of (+/- 10%) and a similar genre
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John Stainer
The Crucifixion: Processional to Calvary...
79 bpm • C Maj • 10:07 • -21.07db
14% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Arthur Sullivan
O Taste and See How Gracious the Lord Is
79 bpm • F Maj • 03:00 • -24.1db
9% Popularity • 8% Danceability • 12% Energy • 24% Liveness
73% Instrumentalness • 4% Positiveness
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London Philharmonic Choir
All The People That On Earth Do Dwell
79 bpm • G Maj • 02:50 • -16.53db
13% Popularity • 20% Danceability • 21% Energy • 16% Liveness
8% Instrumentalness • 31% Positiveness
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Schola Cantorum de la Universidad Pontificia de Comillas
Responsorios: Animan mean (a 4 v.m.) - R...
79 bpm • E min • 04:58 • -14.56db
10% Popularity • 9% Danceability • 27% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
He Shall Feed His Flock
79 bpm • G Maj • 04:49 • -22db
9% Popularity • 8% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Nothing Is Here for Tears
79 bpm • C Maj • 02:25 • -16.57db
7% Popularity • 11% Danceability • 20% Energy • 10% Liveness
20% Instrumentalness • 12% Positiveness
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Leo Sowerby
Come, Risen Lord: Come, risen Lord
79 bpm • A# Maj • 03:06 • -26db
8% Popularity • 17% Danceability • 15% Energy • 7% Liveness
8% Instrumentalness • 9% Positiveness
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J. Ryan Garber
Joyful, Joyful, We Adore Thee
79 bpm • G Maj • 02:39 • -15.33db
9% Popularity • 14% Danceability • 6% Energy • 19% Liveness
90% Instrumentalness • 10% Positiveness
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Margaret Rizza
Thou Art All Things
79 bpm • G min • 04:27 • -26.27db
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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John Keys
Trumpet Tune
79 bpm • D Maj • 01:22 • -11.55db
9% Popularity • 24% Danceability • 26% Energy • 6% Liveness
65% Instrumentalness • 52% Positiveness
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Laestadian Lutheran Church
O Jesus, Thou My Comfort Sweet SHZ 496
79 bpm • B min • 03:14 • -18.89db
15% Popularity • 9% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Edward Elgar
The Music Makers, Op. 69: IV. We, in the...
79 bpm • F Maj • 04:17 • -20.02db
8% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: II. Psalm 23
79 bpm • D min • 02:51 • -20.14db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Robin Milford
The Holy Well
79 bpm • F Maj • 01:08 • -24.63db
16% Popularity • 21% Danceability • 4% Energy • 6% Liveness
54% Instrumentalness • 36% Positiveness
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Antonio Salieri
Justorum animae
79 bpm • A Maj • 03:13 • -21.46db
8% Popularity • 11% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: III. Cr...
79 bpm • A# Maj • 10:07 • -22.46db
12% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
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London Philharmonic Choir
O For The Wings Of A Dove
79 bpm • G Maj • 02:33 • -26.21db
12% Popularity • 8% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 5% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
78 bpm • D# Maj • 03:33 • -25db
12% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Laestadian Lutheran Church
Jesus Is My Friend Most Precious SHZ 281
78 bpm • F Maj • 03:39 • -18.97db
17% Popularity • 7% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 11% Positiveness
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Béla Bartók
27 2- and 3- Part Choruses, BB 111, Vol....
80 bpm • C min • 01:36 • -33.48db
23% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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水流之音聖樂團
主耶穌, 我是真愛你
80 bpm • A Maj • 05:16 • -16.85db
10% Popularity • 22% Danceability • 22% Energy • 75% Liveness
5% Instrumentalness • 8% Positiveness
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Jakarta Oratorio Society
God will Take Care of You
80 bpm • A# Maj • 02:43 • -25.84db
10% Popularity • 30% Danceability • 5% Energy • 11% Liveness
71% Instrumentalness • 31% Positiveness
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Ralph Vaughan Williams
A Song of Thanksgiving: Land of Our Birt...
78 bpm • D Maj • 03:39 • -20.87db
7% Popularity • 16% Danceability • 10% Energy • 8% Liveness
36% Instrumentalness • 6% Positiveness
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Leoš Janáček
Láska opravdivá, JW IV/8
78 bpm • G Maj • 01:54 • -37db
12% Popularity • 15% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
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Laudate Mennonite Ensemble
Crossing the Bar
78 bpm • F Maj • 03:30 • -25.56db
22% Popularity • 19% Danceability • 7% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
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J. Ryan Garber
Holy, Holy, Holy
80 bpm • D Maj • 04:12 • -16db
14% Popularity • 11% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 12% Positiveness
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Thomas Morley
Fyer, Fyer!
78 bpm • F Maj • 02:30 • -17db
8% Popularity • 28% Danceability • 23% Energy • 20% Liveness
98% Instrumentalness • 27% Positiveness
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Walter Garnet Picart Chambers
アンティグア・バーブーダ 麗...
78 bpm • A# Maj • 01:15 • -13.59db
15% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
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Johann Gottlob Schneider
Thema mit Variationen: Var. 12
78 bpm • A Maj • 01:26 • -35db
13% Popularity • 20% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
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John Stainer
Cross of Jesus, Cross of Sorrow
80 bpm • F Maj • 02:05 • -37db
8% Popularity • 17% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
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John Wells
Now Is the Hour
78 bpm • D# Maj • 02:24 • -25.74db
14% Popularity • 19% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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BBC Radio 4 Daily Service Singers
Abide With Me Fast Falls The Eventide
78 bpm • D# Maj • 03:28 • -22.12db
8% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Bob Chilcott
The Bread of Life: Our Father
78 bpm • A Maj • 04:04 • -27.64db
7% Popularity • 13% Danceability • 14% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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Melchior Vulpius
Oppstanden Er Vår Frelsermann
80 bpm • A# Maj • 00:59 • -21.3db
10% Popularity • 20% Danceability • 22% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
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James MacMillan
The Lord’s Prayer
80 bpm • D min • 01:58 • -25.75db
15% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 3, Op. 145: ...
78 bpm • A# Maj • 02:12 • -40.47db
15% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Elaine Hagenberg
Still With Thee
80 bpm • C# Maj • 03:43 • -21.57db
9% Popularity • 12% Danceability • 13% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
I Recall the Day of Rapture SHZ 315
78 bpm • G min • 03:22 • -22db
9% Popularity • 21% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Music For child Relax
Dormir Profundamente
80 bpm • G# Maj • 02:23 • -20.19db
10% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Jaakko Mäntyjärvi
Trinity Service: The Lord's Prayer
80 bpm • G# min • 02:35 • -17.54db
12% Popularity • 17% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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LeoRoads
Seraphic Whispers
80 bpm • F# min • 02:11 • -17.28db
12% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
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Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
9% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: II. Gloria
78 bpm • D Maj • 02:30 • -27.08db
17% Popularity • 19% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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San Francisco Girls Chorus
Ave Verum, Op. 65, No. 1
78 bpm • A# min • 03:44 • -34db
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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John Liptrot Hatton
To Anthea
78 bpm • B Maj • 01:37 • -19.42db
0% Popularity • 42% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Kenneth Tay
Ave Regina caelorum
80 bpm • A Maj • 03:19 • -23.95db
17% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Yves Castagnet
Castagnet: Guéris nos cœurs, Seigneur ...
77 bpm • G Maj • 03:56 • -15db
9% Popularity • 12% Danceability • 27% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Rejike
In the Lord
77 bpm • F# Maj • 02:25 • -14.84db
27% Popularity • 18% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Andreas Peter Berggreen
Kraften fra det høje (Pinse)
81 bpm • A Maj • 02:14 • -16.82db
8% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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John Liptrot Hatton
When Evening's Twilight
81 bpm • C# Maj • 02:59 • -22.21db
1% Popularity • 14% Danceability • 24% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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Debra Shafer
I Need Thee Every Hour
81 bpm • C# Maj • 01:03 • -30.9db
31% Popularity • 19% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 44% Positiveness
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Dora Garcidueñas
Sketch for Acappella (For Vocal Quartet)
77 bpm • A# min • 02:55 • -8.24db
9% Popularity • 17% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Sumphonia
Seraphim
77 bpm • C min • 02:13 • -21.23db
13% Popularity • 11% Danceability • 17% Energy • 13% Liveness
57% Instrumentalness • 7% Positiveness
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Henrik Rung
I al sin glans nu stråler solen
77 bpm • G Maj • 04:48 • -19db
9% Popularity • 23% Danceability • 11% Energy • 26% Liveness
20% Instrumentalness • 14% Positiveness
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Richard Shephard
A New Commandment
77 bpm • E Maj • 01:02 • -27.73db
14% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Michael John Trotta
Ubi Caritas
81 bpm • D Maj • 02:32 • -21.4db
13% Popularity • 12% Danceability • 11% Energy • 31% Liveness
44% Instrumentalness • 7% Positiveness
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Leonard Bernstein
MASS: No. 7, Prayer for the Congregation...
77 bpm • D Maj • 01:35 • -30.17db
15% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Kastalski Mixed Choir
Triptych 07: Divine Spirit
81 bpm • C Maj • 03:19 • -28.35db
8% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Chamber Choir Of Europe
Weltliche A-Cappella-Gesänge, Secular A...
81 bpm • G Maj • 01:50 • -18db
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Kim André Arnesen
Stabat Mater dolorosa
81 bpm • B min • 04:14 • -29.04db
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Alejandro D. Consolacion II
Misteryo ng Pananampalataya
77 bpm • C# Maj • 01:06 • -11.09db
8% Popularity • 18% Danceability • 31% Energy • 8% Liveness
19% Instrumentalness • 16% Positiveness
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Laestadian Lutheran Church
O Jesus, Dearest Friend to Me SHZ 320
77 bpm • E min • 04:02 • -17.52db
14% Popularity • 14% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Judith Weir
Drop down, ye heavens, from above
77 bpm • D min • 01:31 • -19.42db
7% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
26% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Orlande de Lassus
In monte Oliveti II
81 bpm • B min • 03:20 • -24.19db
7% Popularity • 25% Danceability • 10% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
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William Sterndale Bennett
When I Was in Trouble, I Called upon the...
81 bpm • G# min • 02:02 • -27.18db
10% Popularity • 28% Danceability • 13% Energy • 13% Liveness
5% Instrumentalness • 19% Positiveness
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George Malcolm
Ingrediente Domino
77 bpm • A# Maj • 02:48 • -19db
9% Popularity • 16% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
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John Lindberg
Pingst
77 bpm • F# Maj • 02:10 • -28.82db
8% Popularity • 20% Danceability • 5% Energy • 10% Liveness
42% Instrumentalness • 3% Positiveness
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Elben Schutte
Media Vita
81 bpm • G Maj • 03:01 • -17.62db
10% Popularity • 8% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Pierre de Manchicourt
Regina caeli: I. Regina caeli laetare
82 bpm • G# Maj • 02:30 • -18.19db
9% Popularity • 19% Danceability • 27% Energy • 10% Liveness
71% Instrumentalness • 18% Positiveness
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St. Michael's Singers
Guide Me, O Thou Great Redeemer
82 bpm • G# Maj • 03:03 • -10.45db
15% Popularity • 26% Danceability • 28% Energy • 16% Liveness
5% Instrumentalness • 23% Positiveness
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Karl-Erik Welin
Vårmorgonen
76 bpm • E min • 02:20 • -33.07db
12% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Benjamin Britten
Folk Song Arrangements: O Waly, Waly
76 bpm • A Maj • 03:22 • -28.3db
16% Popularity • 22% Danceability • 3% Energy • 9% Liveness
98% Instrumentalness • 5% Positiveness
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Sally Beamish
Seven Songs: I. I Have a Bird
76 bpm • G Maj • 01:55 • -30.34db
11% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
He Cometh Soon, My Jesus SHZ 144
82 bpm • F Maj • 05:22 • -18.78db
14% Popularity • 8% Danceability • 20% Energy • 10% Liveness
74% Instrumentalness • 8% Positiveness
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William Byrd
Prevent Us, O Lord, T 207
76 bpm • G# Maj • 02:37 • -30.56db
9% Popularity • 8% Danceability • 7% Energy • 11% Liveness
15% Instrumentalness • 9% Positiveness
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Anthony Glick
Go Tell John
82 bpm • D# Maj • 01:42 • -22.58db
11% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Judith Hancock (organ)
Introit And Kyrie
76 bpm • A# Maj • 06:06 • -24.83db
10% Popularity • 12% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Sumphonia
Zion, Sing! (Psalm 146)
76 bpm • D# Maj • 03:07 • -18.27db
9% Popularity • 12% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Jane Edwards
Schlichte Weisen, Op. 76: No. 52, Mariä...
76 bpm • F Maj • 02:01 • -21.19db
10% Popularity • 35% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Lyra Davidica
Jesus Christ is Risen Today (Desc. Phili...
76 bpm • C Maj • 02:39 • -16.97db
9% Popularity • 14% Danceability • 24% Energy • 13% Liveness
91% Instrumentalness • 9% Positiveness
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University Of Pretoria Camerata
Nkosi Sikelel iAfrika
82 bpm • D Maj • 01:55 • -15.39db
18% Popularity • 15% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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James Whitbourn
Annelies (chamber version): XII. The hop...
76 bpm • A# Maj • 05:08 • -19.3db
10% Popularity • 14% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
13% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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BBC Radio 4 Daily Service Singers
Be Still For The Presence Of The Lord (T...
76 bpm • D Maj • 03:09 • -28.27db
11% Popularity • 12% Danceability • 3% Energy • 9% Liveness
7% Instrumentalness • 5% Positiveness
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Frank Martin
Mass for unaccompanied double choir: V. ...
83 bpm • E min • 05:09 • -28.39db
12% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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Christopher Walker
Lord, Let Me Love You More and More
75 bpm • F# min • 03:08 • -20.5db
8% Popularity • 19% Danceability • 15% Energy • 15% Liveness
12% Instrumentalness • 4% Positiveness
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Matthew Camidge
Psalm 22: My God, my God, look upon me
83 bpm • E Maj • 07:14 • -20.29db
4% Popularity • 22% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Salt Lake Vocal Artists
Spaseniye Sodelal
83 bpm • D Maj • 03:22 • -19.2db
9% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
Oh, Day of Joy and Gladness SHZ 545
83 bpm • G Maj • 05:02 • -16.92db
15% Popularity • 13% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Robert Schumann
Romanzen, Book 2, Op. 91: No. 5. Der Ble...
75 bpm • G min • 04:12 • -35.33db
11% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
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Laudate Mennonite Ensemble
Jesus, Thy Blood and Righteousness
83 bpm • A# Maj • 02:20 • -20.83db
17% Popularity • 13% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Martin Malto
Te Deum - hobo kwartet
75 bpm • D Maj • 01:37 • -14.34db
7% Popularity • 52% Danceability • 15% Energy • 27% Liveness
87% Instrumentalness • 75% Positiveness
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Harmonious Chorale Ghana
Love Divine, All Loves Excelling
75 bpm • C Maj • 03:02 • -10.9db
18% Popularity • 15% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Gabriel Fauré
Ave Maria, Op. posth.
83 bpm • A Maj • 02:06 • -32db
11% Popularity • 12% Danceability • 3% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
6 Sprüche, Op. 79 (Ed. J. Jordan): No. ...
75 bpm • D min • 02:48 • -29.2db
12% Popularity • 16% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Jeronimas Kačinskas
Missa Brevis. Benedictus
75 bpm • D min • 01:07 • -18.12db
8% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Cantores in Ecclesia
Recordare, Domine
83 bpm • A Maj • 02:57 • -17db
14% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Simon The Cellarer