Songs like Simple Symphony for Strings, Op. 4: III. Sentimental Sarabande by Benjamin Britten
Based on a tempo of (+/- 10%) and a similar genre
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Gustav Mahler
Symphony No. 8, Erster Teil: I. Veni, cr...
64 bpm • D# Maj • 05:48 • -18db
24% Popularity • 13% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
24% Popularity • 13% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Francis Poulenc
Poulenc: Flute Sonata, FP 164: II. Canti...
64 bpm • A# min • 04:14 • -28db
27% Popularity • 14% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Rusalka, Op. 114 / Act 1: Overture
64 bpm • D# Maj • 04:21 • -24db
26% Popularity • 15% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
26% Popularity • 15% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Benjamin Britten
War Requiem, Op. 66: vii. Dies Irae - Li...
64 bpm • E Maj • 02:59 • -31.08db
10% Popularity • 15% Danceability • 1% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 2. Intermezzo: ...
64 bpm • C min • 03:19 • -28.39db
21% Popularity • 12% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
21% Popularity • 12% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Johannes Brahms
Brahms: Ein deutsches Requiem, Op. 45: I...
64 bpm • F Maj • 09:55 • -29.16db
24% Popularity • 6% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
24% Popularity • 6% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Fountains Of Rome, P. 106: 1. The Valle ...
63 bpm • C Maj • 04:14 • -36db
21% Popularity • 15% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: IV. Sanctus
64 bpm • D# Maj • 03:09 • -21db
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Francis Poulenc
Sonata for Horn, Trumpet and Trombone, F...
65 bpm • F min • 03:14 • -31db
12% Popularity • 17% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Benjamin Britten
Saint Nicolas, Op. 42: The Death Of Nico...
64 bpm • D Maj • 06:20 • -14.49db
1% Popularity • 23% Danceability • 30% Energy • 28% Liveness
12% Instrumentalness • 4% Positiveness
1% Popularity • 23% Danceability • 30% Energy • 28% Liveness
12% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: II. Pavane de la ...
63 bpm • E min • 02:21 • -43db
30% Popularity • 13% Danceability • 0% Energy • 16% Liveness
7% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 0% Energy • 16% Liveness
7% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Suite in A Major "American Suite", Op. 9...
63 bpm • A Maj • 04:48 • -23.86db
22% Popularity • 13% Danceability • 3% Energy • 10% Liveness
47% Instrumentalness • 7% Positiveness
22% Popularity • 13% Danceability • 3% Energy • 10% Liveness
47% Instrumentalness • 7% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: Vb. Songe ...
63 bpm • G min • 01:49 • -21.43db
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
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Gabriel Fauré
Requiem, Op. 48: II. Kyrie
65 bpm • A# Maj • 05:00 • -23.65db
38% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 6. Andan...
65 bpm • C Maj • 01:22 • -33db
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Benjamin Britten
Les Illuminations, Op. 18: VII. Being be...
65 bpm • G Maj • 04:04 • -20.67db
5% Popularity • 21% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
5% Popularity • 21% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: I. Pavane ...
65 bpm • A min • 01:52 • -40.34db
20% Popularity • 21% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
20% Popularity • 21% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Richard Strauss
Don Quixote, Op. 35: Theme - Don Quixote...
63 bpm • F Maj • 01:05 • -26db
39% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
39% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
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Wystan Hugh Auden
Funeral Blues
63 bpm • C min • 02:51 • -25.03db
1% Popularity • 40% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 40% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 18% Positiveness
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Claude Debussy
La Mer, L.109: 1. From Dawn Till Noon On...
61 bpm • F# Maj • 08:48 • -24db
17% Popularity • 6% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 6% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 4, Wher...
66 bpm • B min • 04:11 • -21db
18% Popularity • 27% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 27% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Francis Poulenc
Rapsodie Negre: I. Prélude
67 bpm • C min • 02:21 • -30db
15% Popularity • 18% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 13% Positiveness
15% Popularity • 18% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 13% Positiveness
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Béla Bartók
3 Hungarian Folksongs from the Csìk Dis...
62 bpm • F# min • 03:12 • -28db
26% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
26% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Benjamin Britten
Saint Nicolas, Op. 42: He Comes To Myra ...
68 bpm • G Maj • 06:50 • -15.53db
1% Popularity • 16% Danceability • 25% Energy • 19% Liveness
54% Instrumentalness • 8% Positiveness
1% Popularity • 16% Danceability • 25% Energy • 19% Liveness
54% Instrumentalness • 8% Positiveness
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Leoš Janáček
Lachian Dances, JW VI/17: No. 2. Pozehna...
60 bpm • F Maj • 02:12 • -21.79db
32% Popularity • 48% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
32% Popularity • 48% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Die Torrente in ...
68 bpm • B min • 04:15 • -25.14db
36% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Francis Poulenc
Oboe Sonata, FP 185: Elegie: Paisiblemen...
61 bpm • G Maj • 05:05 • -23db
14% Popularity • 16% Danceability • 2% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 2% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Frank Bridge
Bridge: The Sea: I. Seascape. Allegro be...
60 bpm • F# min • 06:21 • -20.1db
3% Popularity • 13% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
3% Popularity • 13% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Benjamin Britten
The Salley Gardens
68 bpm • F# Maj • 02:46 • -22db
18% Popularity • 20% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
18% Popularity • 20% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
60 bpm • E Maj • 02:12 • -20db
36% Popularity • 25% Danceability • 9% Energy • 65% Liveness
86% Instrumentalness • 16% Positiveness
36% Popularity • 25% Danceability • 9% Energy • 65% Liveness
86% Instrumentalness • 16% Positiveness
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Arthur Honegger
Pastorale d'été, H.31
68 bpm • A Maj • 08:08 • -23.8db
11% Popularity • 6% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
11% Popularity • 6% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14, H 48: V. ...
60 bpm • C min • 10:31 • -26.07db
34% Popularity • 29% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 10% Positiveness
34% Popularity • 29% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 5 in D, BWV 105...
69 bpm • D Maj • 05:36 • -25.71db
17% Popularity • 22% Danceability • 13% Energy • 12% Liveness
55% Instrumentalness • 24% Positiveness
17% Popularity • 22% Danceability • 13% Energy • 12% Liveness
55% Instrumentalness • 24% Positiveness
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Ottorino Respighi
La pentola magica, P. 129: Preludio
69 bpm • E Maj • 01:31 • -31db
35% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
35% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Igor Stravinsky
Le Sacre du Printemps - Revised version ...
69 bpm • G Maj • 03:18 • -27.41db
29% Popularity • 16% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
69 bpm • E min • 01:38 • -32.76db
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
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Benjamin Britten
Death in Venice, Op. 88 / Act 1: "Who's ...
69 bpm • F# Maj • 04:53 • -23.38db
6% Popularity • 24% Danceability • 12% Energy • 68% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 24% Danceability • 12% Energy • 68% Liveness
0% Instrumentalness • 13% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • D# Maj • 05:40 • -11db
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
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Anton Bruckner
Aequali No. 1, WAB 114
69 bpm • C min • 01:41 • -31.81db
19% Popularity • 16% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Vincent d'Indy
Karadec Suite, Op. 34: II. Chanson
70 bpm • D# Maj • 02:37 • -29db
30% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
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Aaron Copland
Billy the Kid Suite: I. Introduction. Th...
58 bpm • C min • 03:13 • -16.45db
28% Popularity • 22% Danceability • 16% Energy • 63% Liveness
90% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 16% Energy • 63% Liveness
90% Instrumentalness • 8% Positiveness
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Francis Poulenc
Concerto for 2 Pianos, FP 61: I. Allegro...
70 bpm • D# Maj • 08:00 • -18.97db
15% Popularity • 31% Danceability • 18% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
15% Popularity • 31% Danceability • 18% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
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Alexander Scriabin
Symphony No.1 in E Major, Op. 26: I. Len...
71 bpm • E Maj • 06:51 • -33db
13% Popularity • 15% Danceability • 1% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
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Richard Wagner
Wagner: Lohengrin, WWV 75: Prelude to Ac...
70 bpm • A Maj • 08:53 • -31db
15% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
70 bpm • D min • 01:06 • -27.22db
35% Popularity • 18% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
71 bpm • B min • 01:56 • -19.18db
30% Popularity • 14% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Robert Schumann
5 Stücke im Volkston, Op. 102: 3. Nicht...
71 bpm • A Maj • 05:38 • -25.99db
1% Popularity • 16% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
1% Popularity • 16% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
► Preview
Francis Poulenc
Gloria: 1. Gloria
72 bpm • G Maj • 02:26 • -18db
11% Popularity • 31% Danceability • 11% Energy • 24% Liveness
76% Instrumentalness • 14% Positiveness
11% Popularity • 31% Danceability • 11% Energy • 24% Liveness
76% Instrumentalness • 14% Positiveness
► Preview
Jean Sibelius
Pelléas et Mélisande, (Suite), Op. 46:...
72 bpm • A# Maj • 06:17 • -26.17db
14% Popularity • 14% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
14% Popularity • 14% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Anton Bruckner
Locus iste, WAB 23
71 bpm • C Maj • 03:03 • -28.15db
30% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Fauré: Requiem, Op. 48: I. Introït et ...
72 bpm • D min • 06:34 • -25.09db
27% Popularity • 12% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
72 bpm • F Maj • 10:08 • -22db
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
► Preview
Wystan Hugh Auden
Calypso
72 bpm • G# Maj • 02:08 • -30db
0% Popularity • 44% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 44% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Aaron Copland
3 Latin American Sketches: No. 2, Paisaj...
72 bpm • F# Maj • 03:23 • -34.95db
19% Popularity • 7% Danceability • 1% Energy • 16% Liveness
75% Instrumentalness • 5% Positiveness
19% Popularity • 7% Danceability • 1% Energy • 16% Liveness
75% Instrumentalness • 5% Positiveness
► Preview
Benjamin Britten
Britten: Four Sea Interludes from Peter ...
73 bpm • A min • 03:44 • -32db
13% Popularity • 7% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ferenc Fricsay
Petrouchka: Fête populaire de la semain...
73 bpm • A# Maj • 05:05 • -8db
10% Popularity • 26% Danceability • 52% Energy • 31% Liveness
89% Instrumentalness • 16% Positiveness
10% Popularity • 26% Danceability • 52% Energy • 31% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu (I)
72 bpm • A# Maj • 03:49 • -38.3db
26% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
7 Chansons, FP 81: No. 1. La blanche nei...
73 bpm • E min • 01:22 • -31.06db
16% Popularity • 24% Danceability • 5% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
16% Popularity • 24% Danceability • 5% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Danse Sacrée et Danse Profane, L. 103: ...
73 bpm • A Maj • 05:06 • -26.86db
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
► Preview
Benjamin Britten
Rejoice in the Lamb, Op. 30: For H is a ...
73 bpm • F Maj • 01:01 • -35db
12% Popularity • 17% Danceability • 0% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 0% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: I. Prel...
74 bpm • A Maj • 03:01 • -15.78db
22% Popularity • 30% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
► Preview
Anton Bruckner
Symphony No. 7 in E Major, WAB 107 (Ed. ...
74 bpm • F Maj • 10:11 • -15db
25% Popularity • 20% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
25% Popularity • 20% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Jean Sibelius
Karelia, JS 115: Tableau 4 - Karl Knutss...
75 bpm • A min • 09:13 • -32.14db
4% Popularity • 9% Danceability • 1% Energy • 7% Liveness
21% Instrumentalness • 6% Positiveness
4% Popularity • 9% Danceability • 1% Energy • 7% Liveness
21% Instrumentalness • 6% Positiveness
► Preview
Benjamin Britten
Britten: Peter Grimes, Op. 33, Prologue:...
73 bpm • D Maj • 03:19 • -28db
4% Popularity • 10% Danceability • 4% Energy • 54% Liveness
94% Instrumentalness • 4% Positiveness
4% Popularity • 10% Danceability • 4% Energy • 54% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
3 Corali, P. 167: No. 2, Andante con mot...
74 bpm • G Maj • 01:08 • -38.9db
20% Popularity • 38% Danceability • 0% Energy • 6% Liveness
39% Instrumentalness • 30% Positiveness
20% Popularity • 38% Danceability • 0% Energy • 6% Liveness
39% Instrumentalness • 30% Positiveness
► Preview
Arthur Rimbaud
Britten: Les illuminations, Op. 18: No. ...
75 bpm • F Maj • 00:55 • -32.74db
7% Popularity • 25% Danceability • 1% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 25% Danceability • 1% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Pulcinella, K 034: II. Serenata
75 bpm • C min • 02:52 • -34.13db
14% Popularity • 10% Danceability • 1% Energy • 10% Liveness
32% Instrumentalness • 16% Positiveness
14% Popularity • 10% Danceability • 1% Energy • 10% Liveness
32% Instrumentalness • 16% Positiveness
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Alban Berg
Lyrische Suite: I. Allegretto giovale
76 bpm • A# min • 03:11 • -21.58db
10% Popularity • 17% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
10% Popularity • 17% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Benjamin Britten
Rejoice in the Lamb, Op. 30: For the ins...
74 bpm • F Maj • 02:31 • -25.05db
11% Popularity • 21% Danceability • 3% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 3% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VIII. Loua...
76 bpm • E Maj • 07:23 • -24.35db
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Johannes Brahms
Variations on a Theme by Haydn, Op. 56a,...
76 bpm • A# Maj • 02:08 • -25.03db
38% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
38% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): X. Khoro...
76 bpm • B Maj • 04:42 • -35.3db
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Charles Dibdin
Tom Bowling
76 bpm • D# Maj • 04:27 • -20.45db
7% Popularity • 40% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 40% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
76 bpm • D# Maj • 04:23 • -27.17db
14% Popularity • 16% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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William Walton
2 Pieces for Strings, C. 50j : No. 2, To...
76 bpm • C Maj • 01:27 • -38.45db
25% Popularity • 21% Danceability • 2% Energy • 10% Liveness
99% Instrumentalness • 6% Positiveness
25% Popularity • 21% Danceability • 2% Energy • 10% Liveness
99% Instrumentalness • 6% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61: V...
76 bpm • G# min • 01:20 • -33.19db
30% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Frederick Delius
2 Aquarelles: Gaily, but not quick
76 bpm • D Maj • 02:04 • -22.45db
33% Popularity • 10% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 10% Positiveness
33% Popularity • 10% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 20 in D minor, K.466:...
76 bpm • A# Maj • 10:01 • -24.94db
10% Popularity • 16% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Paul Hindemith
Symphonic Metamorphoses on Themes of Car...
77 bpm • A# Maj • 04:41 • -18.94db
17% Popularity • 34% Danceability • 26% Energy • 24% Liveness
85% Instrumentalness • 25% Positiveness
17% Popularity • 34% Danceability • 26% Energy • 24% Liveness
85% Instrumentalness • 25% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
76 bpm • A Maj • 03:52 • -19.7db
15% Popularity • 33% Danceability • 20% Energy • 6% Liveness
85% Instrumentalness • 5% Positiveness
15% Popularity • 33% Danceability • 20% Energy • 6% Liveness
85% Instrumentalness • 5% Positiveness
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Gerald Finzi
Clarinet Concerto in C Minor, Op. 31: II...
77 bpm • F Maj • 08:29 • -20db
12% Popularity • 18% Danceability • 10% Energy • 26% Liveness
83% Instrumentalness • 13% Positiveness
12% Popularity • 18% Danceability • 10% Energy • 26% Liveness
83% Instrumentalness • 13% Positiveness
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George Butterworth
A Shropshire Lad
77 bpm • F min • 08:35 • -18.72db
11% Popularity • 14% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Alexander Nevsky, Op. 78: VI. Field of t...
77 bpm • C min • 06:01 • -33.79db
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: 1. Stabat Mater do...
77 bpm • A min • 04:01 • -24.89db
18% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
30% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
30% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Benjamin Britten
Britten: Holiday Diary, Op. 5: II. Saili...
76 bpm • D Maj • 05:14 • -28.42db
6% Popularity • 46% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
6% Popularity • 46% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
► Preview
Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: XI. Inflammatus
78 bpm • A# Maj • 02:49 • -24db
33% Popularity • 31% Danceability • 7% Energy • 40% Liveness
1% Instrumentalness • 16% Positiveness
33% Popularity • 31% Danceability • 7% Energy • 40% Liveness
1% Instrumentalness • 16% Positiveness
► Preview
Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
► Preview
Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness