Songs like Simple Symphony, Op. 4: II. Playful Pizzicato by Benjamin Britten
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Horn Concerto No. 1 in D Major, K. 412: ...
121 bpm • D Maj • 04:54 • -19.81db
5% Popularity • 47% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 48% Positiveness
5% Popularity • 47% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 48% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: II. Playful Pizz...
121 bpm • C Maj • 03:06 • -24.23db
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Joaquín Rodrigo
Fantasía para un gentilhombre for Guita...
121 bpm • A min • 02:05 • -18.93db
7% Popularity • 62% Danceability • 11% Energy • 18% Liveness
92% Instrumentalness • 52% Positiveness
7% Popularity • 62% Danceability • 11% Energy • 18% Liveness
92% Instrumentalness • 52% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288: Baccha...
122 bpm • A min • 07:15 • -26.58db
22% Popularity • 26% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
22% Popularity • 26% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
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Charles Ives
The Unanswered Question
122 bpm • C Maj • 05:41 • -39.29db
9% Popularity • 17% Danceability • 0% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 0% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 4 in E-Flat Ma...
120 bpm • D# Maj • 03:43 • -21.16db
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Siefried Behrend & DZO Chamber Orchestra
Concerto For Lute And Plucked Strings I....
123 bpm • C Maj • 02:52 • -12.23db
33% Popularity • 71% Danceability • 31% Energy • 9% Liveness
28% Instrumentalness • 59% Positiveness
33% Popularity • 71% Danceability • 31% Energy • 9% Liveness
28% Instrumentalness • 59% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
35% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
35% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
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Benjamin Britten
A Birthday Hansel, Op. 92: No. 5. Afton ...
119 bpm • A Maj • 03:27 • -27.38db
5% Popularity • 34% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 34% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Aaron Copland
Rodeo: V. Hoe Down
119 bpm • D Maj • 04:52 • -18db
21% Popularity • 42% Danceability • 22% Energy • 4% Liveness
95% Instrumentalness • 32% Positiveness
21% Popularity • 42% Danceability • 22% Energy • 4% Liveness
95% Instrumentalness • 32% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
Credo, R.592: 1. Alla breve: Credo in un...
124 bpm • G Maj • 02:52 • -16.36db
4% Popularity • 37% Danceability • 25% Energy • 17% Liveness
95% Instrumentalness • 54% Positiveness
4% Popularity • 37% Danceability • 25% Energy • 17% Liveness
95% Instrumentalness • 54% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
34% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
34% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Paul Dukas
L'Apprenti sorcier
125 bpm • F min • 10:44 • -19db
18% Popularity • 31% Danceability • 36% Energy • 5% Liveness
80% Instrumentalness • 11% Positiveness
18% Popularity • 31% Danceability • 36% Energy • 5% Liveness
80% Instrumentalness • 11% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Aaron Copland
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down
125 bpm • G Maj • 03:26 • -18.64db
35% Popularity • 47% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 23% Positiveness
35% Popularity • 47% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 23% Positiveness
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Antonio Vivaldi
Credo, R.592: 5. Alla breve: Credo et un...
117 bpm • G Maj • 01:07 • -16.26db
6% Popularity • 28% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
6% Popularity • 28% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
String Quartet No. 1 in F Major, Op. 18 ...
125 bpm • D min • 08:39 • -25.18db
19% Popularity • 21% Danceability • 4% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 4% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
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Benjamin Britten
Les Illuminations, Op. 18: X. Départ. L...
124 bpm • A# Maj • 03:13 • -22.16db
0% Popularity • 22% Danceability • 50% Energy • 68% Liveness
1% Instrumentalness • 9% Positiveness
0% Popularity • 22% Danceability • 50% Energy • 68% Liveness
1% Instrumentalness • 9% Positiveness
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Joseph Haydn
Concerto for Trumpet and Orchestra, in E...
126 bpm • D# Maj • 06:50 • -20db
30% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
30% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
1st Movement: Adaggio / Allegro Molto
116 bpm • E min • 09:44 • -15.71db
36% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
36% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 3 in G, BWV 104...
116 bpm • G Maj • 05:04 • -18.45db
21% Popularity • 59% Danceability • 43% Energy • 17% Liveness
30% Instrumentalness • 81% Positiveness
21% Popularity • 59% Danceability • 43% Energy • 17% Liveness
30% Instrumentalness • 81% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
44% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
44% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Benjamin Britten
The Prince of the Pagodas, Op. 57 - Act ...
126 bpm • G Maj • 05:55 • -21.64db
1% Popularity • 25% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 8% Positiveness
1% Popularity • 25% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 8% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
30% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 2 "T...
115 bpm • D min • 05:12 • -17.33db
5% Popularity • 50% Danceability • 40% Energy • 19% Liveness
90% Instrumentalness • 18% Positiveness
5% Popularity • 50% Danceability • 40% Energy • 19% Liveness
90% Instrumentalness • 18% Positiveness
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Jeremiah Clarke
The Prince of Denmark's March
127 bpm • D Maj • 02:55 • -16.68db
26% Popularity • 46% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 52% Positiveness
26% Popularity • 46% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 52% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Leoš Janáček
Sinfonietta: I. Allegretto - Allegro mae...
115 bpm • C# Maj • 02:21 • -16db
28% Popularity • 28% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
28% Popularity • 28% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
128 bpm • F# Maj • 02:31 • -33db
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
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Benjamin Britten
Winter Words, Op. 52: The Choirmaster's ...
128 bpm • C min • 03:58 • -25.56db
3% Popularity • 36% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
3% Popularity • 36% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Concerto for Lute, 2 Violins and Continu...
114 bpm • D Maj • 05:09 • -20db
49% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
49% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
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Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
29% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 2...
128 bpm • C Maj • 01:42 • -35db
15% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
15% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Traditional
Early One Morning
113 bpm • F# Maj • 02:57 • -27.62db
16% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Claude Debussy
2 Danses, "Danses sacree et profane": No...
128 bpm • D min • 04:31 • -30.5db
19% Popularity • 33% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
19% Popularity • 33% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
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Benjamin Britten
Noye's Fludde, Op. 59: "Noye, Noye, Take...
113 bpm • F Maj • 06:06 • -17.91db
14% Popularity • 37% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 37% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
113 bpm • E Maj • 03:07 • -14.42db
49% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
49% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Oliver Knussen
The Sword in the Stone Suite (Arr. O. Kn...
112 bpm • E min • 02:02 • -14.74db
4% Popularity • 62% Danceability • 25% Energy • 3% Liveness
53% Instrumentalness • 5% Positiveness
4% Popularity • 62% Danceability • 25% Energy • 3% Liveness
53% Instrumentalness • 5% Positiveness
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Igor Stravinsky
Scherzo a la russe (original Jazz band v...
130 bpm • G Maj • 03:37 • -16.76db
22% Popularity • 58% Danceability • 29% Energy • 5% Liveness
88% Instrumentalness • 19% Positiveness
22% Popularity • 58% Danceability • 29% Energy • 5% Liveness
88% Instrumentalness • 19% Positiveness
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John Adams
Adams: Short Ride in a Fast Machine
130 bpm • E min • 05:04 • -12db
15% Popularity • 42% Danceability • 56% Energy • 80% Liveness
93% Instrumentalness • 7% Positiveness
15% Popularity • 42% Danceability • 56% Energy • 80% Liveness
93% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40
112 bpm • G min • 07:08 • -21.22db
34% Popularity • 34% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
34% Popularity • 34% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
112 bpm • B min • 02:55 • -33.71db
31% Popularity • 19% Danceability • 5% Energy • 42% Liveness
36% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 5% Energy • 42% Liveness
36% Instrumentalness • 4% Positiveness
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Benjamin Britten
Noye's Fludde, Op. 59: "Noye, Take Thy W...
130 bpm • A# Maj • 02:39 • -16db
9% Popularity • 29% Danceability • 24% Energy • 71% Liveness
2% Instrumentalness • 30% Positiveness
9% Popularity • 29% Danceability • 24% Energy • 71% Liveness
2% Instrumentalness • 30% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
32% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
32% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 / Act 3: "Thy han...
131 bpm • G min • 05:23 • -19.48db
31% Popularity • 26% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
31% Popularity • 26% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
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Toru Takemitsu
3 Film Scores: No. 3. Face of Another: W...
112 bpm • G# Maj • 02:28 • -26.07db
29% Popularity • 21% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
29% Popularity • 21% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
112 bpm • F Maj • 04:37 • -20.31db
39% Popularity • 48% Danceability • 14% Energy • 19% Liveness
77% Instrumentalness • 17% Positiveness
39% Popularity • 48% Danceability • 14% Energy • 19% Liveness
77% Instrumentalness • 17% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet Suite No. 3, Op. 101: A...
132 bpm • E Maj • 02:40 • -38.71db
22% Popularity • 41% Danceability • 1% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
22% Popularity • 41% Danceability • 1% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
► Preview
Erik Satie
Gnossiennes: No. 5, Modéré
132 bpm • G Maj • 04:07 • -32db
28% Popularity • 43% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
28% Popularity • 43% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Felix Mendelssohn
Hebrides Overture "Fingal's Cave"
132 bpm • B min • 09:44 • -23.78db
26% Popularity • 20% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
► Preview
Oliver Knussen
The Sword in the Stone Suite (Arr. O. Kn...
111 bpm • F Maj • 01:46 • -23.37db
14% Popularity • 27% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 12% Positiveness
14% Popularity • 27% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 12% Positiveness
► Preview
English Chamber Orchestra
La Boda de Luis Alonso
111 bpm • E Maj • 05:40 • -16.03db
29% Popularity • 38% Danceability • 32% Energy • 33% Liveness
77% Instrumentalness • 48% Positiveness
29% Popularity • 38% Danceability • 32% Energy • 33% Liveness
77% Instrumentalness • 48% Positiveness
► Preview
Johann Sebastian Bach
Brandenburg Concerto No. 1 in F, BWV 104...
111 bpm • D min • 04:05 • -22.6db
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
The Planets, Op. 32: IV. Jupiter, the Br...
133 bpm • G min • 08:25 • -21.54db
31% Popularity • 29% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
31% Popularity • 29% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
51% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Gloria in D Major, RV 589 (Rev. Negri): ...
110 bpm • B min • 05:06 • -17.97db
6% Popularity • 20% Danceability • 18% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
6% Popularity • 20% Danceability • 18% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Concerto No. 1 in F Major, K. 37: ...
133 bpm • F Maj • 05:23 • -21.14db
27% Popularity • 31% Danceability • 13% Energy • 15% Liveness
93% Instrumentalness • 22% Positiveness
27% Popularity • 31% Danceability • 13% Energy • 15% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Gustav Holst
The Planets Suite, Op. 32: II. Venus
133 bpm • G# Maj • 06:51 • -28.79db
12% Popularity • 16% Danceability • 3% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
► Preview
Carl Nielsen
Moderen (The Mother), Op. 41, FS 94: Tag...
110 bpm • C Maj • 02:14 • -26.54db
31% Popularity • 28% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 12% Positiveness
31% Popularity • 28% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Camille Saint-Saëns
Danse Macabre, Op. 40
110 bpm • G min • 07:10 • -19db
20% Popularity • 38% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
20% Popularity • 38% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Sergei Rachmaninoff
Prelude in C Sharp Minor, Op. 3, No. 2 (...
134 bpm • A Maj • 04:47 • -22db
24% Popularity • 16% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Prelude
134 bpm • F Maj • 01:44 • -30.72db
42% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
42% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
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Maurice Ravel
Ma mère l'Oye, M. 60: III. Laideronnett...
134 bpm • G# min • 03:07 • -34db
27% Popularity • 33% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
27% Popularity • 33% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Claude Debussy
2 Arabesques, L. 66: No. 1 in E Major
109 bpm • E Maj • 04:33 • -31.91db
52% Popularity • 25% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
52% Popularity • 25% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
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Johannes Brahms
Brahms: 21 Hungarian Dances, WoO 1: No. ...
109 bpm • G min • 02:52 • -16db
20% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Bacchanale
134 bpm • D min • 07:12 • -16db
20% Popularity • 26% Danceability • 28% Energy • 27% Liveness
55% Instrumentalness • 19% Positiveness
20% Popularity • 26% Danceability • 28% Energy • 27% Liveness
55% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 6 in B flat, BW...
109 bpm • A# Maj • 06:15 • -22.54db
27% Popularity • 53% Danceability • 12% Energy • 13% Liveness
65% Instrumentalness • 61% Positiveness
27% Popularity • 53% Danceability • 12% Energy • 13% Liveness
65% Instrumentalness • 61% Positiveness
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Benjamin Britten
Saint Nicolas, Op. 42: The Birth Of Nico...
109 bpm • A Maj • 02:24 • -15.56db
1% Popularity • 36% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
1% Popularity • 36% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Allegretto grazioso
135 bpm • D Maj • 10:18 • -20.21db
22% Popularity • 46% Danceability • 14% Energy • 7% Liveness
91% Instrumentalness • 37% Positiveness
22% Popularity • 46% Danceability • 14% Energy • 7% Liveness
91% Instrumentalness • 37% Positiveness
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Gustav Holst
The Planets, Op. 32: IV. Jupiter, the Br...
135 bpm • G min • 07:49 • -15.11db
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
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Frederick Delius
On Hearing The First Cuckoo In Spring
109 bpm • G Maj • 07:00 • -36.34db
10% Popularity • 16% Danceability • 1% Energy • 6% Liveness
78% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 6% Liveness
78% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: VII. Aq...
134 bpm • A min • 02:23 • -36.84db
15% Popularity • 25% Danceability • 1% Energy • 8% Liveness
32% Instrumentalness • 7% Positiveness
15% Popularity • 25% Danceability • 1% Energy • 8% Liveness
32% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 2 in B Minor, BWV 1...
109 bpm • B min • 01:33 • -22.89db
23% Popularity • 63% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 81% Positiveness
23% Popularity • 63% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 81% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
46% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
46% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Olivier Messiaen
Preludes: La colombe (The Dove)
135 bpm • F# min • 02:04 • -35db
37% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
37% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
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Dag Wirén
Serenade For Strings, Op.11
135 bpm • G Maj • 04:41 • -16.79db
23% Popularity • 40% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
23% Popularity • 40% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
108 bpm • C Maj • 07:26 • -13db
18% Popularity • 28% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
18% Popularity • 28% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Francis Poulenc
Mélancolie, FP 105
108 bpm • C# Maj • 06:15 • -26db
29% Popularity • 37% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 37% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
33% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
33% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Gustav Holst
The Planets, Op. 32: 3. Mercury, the Win...
108 bpm • A Maj • 04:16 • -31db
42% Popularity • 26% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
42% Popularity • 26% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Dario Marianelli
Rescue Me
108 bpm • A min • 03:17 • -19.87db
24% Popularity • 21% Danceability • 4% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
► Preview
Johann Sebastian Bach
Orchestral Suite No. 3 in D Major, BWV 1...
136 bpm • D Maj • 05:36 • -17.43db
33% Popularity • 17% Danceability • 24% Energy • 42% Liveness
90% Instrumentalness • 7% Positiveness
33% Popularity • 17% Danceability • 24% Energy • 42% Liveness
90% Instrumentalness • 7% Positiveness
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Joaquín Rodrigo
Fantasía para un gentilhombre for Guita...
107 bpm • A Maj • 04:52 • -20.79db
4% Popularity • 41% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 32% Positiveness
4% Popularity • 41% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 32% Positiveness
