Songs like Since First I Saw Your Face by Sir John Gielgud
Based on a tempo of (+/- 10%) and a similar genre
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Sir John Gielgud
Since First I Saw Your Face
126 bpm • G Maj • 01:00 • -9.18db
3% Popularity • 72% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 72% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Barrie
Giant Cockroaches
126 bpm • A# min • 06:45 • -17.69db
11% Popularity • 70% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 70% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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New Testament
The Deposition from the Cross
126 bpm • F Maj • 00:59 • -35.38db
9% Popularity • 56% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 56% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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William Walton
Hamlet (A Shakespeare Scenario): VI. The...
126 bpm • A min • 00:46 • -24.18db
0% Popularity • 36% Danceability • 10% Energy • 43% Liveness
5% Instrumentalness • 28% Positiveness
0% Popularity • 36% Danceability • 10% Energy • 43% Liveness
5% Instrumentalness • 28% Positiveness
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Edgar Wallace - Filmedition
Teil 19 - Folge 1: Der Frosch mit der Ma...
126 bpm • C# Maj • 03:00 • -16db
8% Popularity • 59% Danceability • 72% Energy • 45% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 59% Danceability • 72% Energy • 45% Liveness
0% Instrumentalness • 16% Positiveness
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Geronimo Stilton
Chapter 7 - Geronimo Stilton, Book 22: T...
125 bpm • C# Maj • 03:02 • -15db
15% Popularity • 72% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 72% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Sir John Gielgud
The Storm Is Over
126 bpm • G# Maj • 02:44 • -11.89db
3% Popularity • 70% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 70% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Beatrix Potter
The Tale of the Flopsy Bunnies.2 - The C...
125 bpm • A Maj • 03:05 • -24.72db
12% Popularity • 72% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 72% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Tobias Picker
Picker: The Encantadas: I. Dream
125 bpm • D# min • 04:51 • -27.85db
0% Popularity • 21% Danceability • 1% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 1% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Christopher Plummer
Scene V, Part II
127 bpm • F Maj • 01:05 • -25.13db
11% Popularity • 65% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 65% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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The Bible in Living Sound
The Fall of Jericho
128 bpm • D# Maj • 06:26 • -10.93db
9% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Bibi and Tina
Chapter 02: Alex at Boarding School
125 bpm • E Maj • 03:05 • -20.52db
14% Popularity • 72% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 72% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Sir John Gielgud
Richard II: King Richard's Speech (Act I...
126 bpm • B Maj • 01:20 • -14.59db
0% Popularity • 60% Danceability • 35% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 60% Danceability • 35% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
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Doctor Who
Track 3 - The Stones of Venice, Part 1
124 bpm • F min • 03:09 • -19.69db
7% Popularity • 68% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 68% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Kurt Vonnegut
Slaughterhouse 5, Pt. 8 and 9
128 bpm • A# min • 11:41 • -19.53db
10% Popularity • 72% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 72% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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William Shakespeare
Chapter 7 - Hamlet
128 bpm • F min • 03:01 • -14.72db
12% Popularity • 71% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 71% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Coleman
Chapter 1 - Weirdo's War
124 bpm • D Maj • 03:02 • -17.47db
8% Popularity • 69% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 69% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Children's Bedtime Stories
Obbli-Obbli
128 bpm • C Maj • 05:04 • -21.66db
13% Popularity • 66% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 66% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Sir John Gielgud
An Airman's Letter To His Mother - 1941 ...
128 bpm • G Maj • 03:10 • -17.05db
1% Popularity • 71% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 71% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Megatron2x
Hunnid Round Goon
128 bpm • G Maj • 01:14 • -10.52db
22% Popularity • 59% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 59% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
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Christopher Hassall
Daffodils
129 bpm • G# Maj • 01:14 • -31.34db
16% Popularity • 73% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 73% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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George Orwell
Chapter 10 - Animal Farm
128 bpm • F# min • 03:01 • -20.25db
10% Popularity • 72% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 72% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Igor Stravinsky
Histoire du soldat - English Version By ...
129 bpm • F Maj • 04:10 • -22.78db
0% Popularity • 71% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 71% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Richard Mitchley
Khalil Gibran - Song of the Flower
129 bpm • F min • 01:02 • -23db
15% Popularity • 71% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 71% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Sir John Gielgud
Dirge from Cymbeline - Act IV, Scene II
128 bpm • G Maj • 01:23 • -31.24db
0% Popularity • 70% Danceability • 3% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 70% Danceability • 3% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Geronimo Stilton
Chapter 30 - Geronimo Stilton, Books 25 ...
123 bpm • F Maj • 03:01 • -14.26db
7% Popularity • 72% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 72% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Alfred Hitchcock
The Magician
123 bpm • B Maj • 03:33 • -32.65db
9% Popularity • 65% Danceability • 9% Energy • 52% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 65% Danceability • 9% Energy • 52% Liveness
0% Instrumentalness • 32% Positiveness
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H.G. Wells
Chapter 1 - War of the Worlds
123 bpm • F min • 03:04 • -19.76db
9% Popularity • 66% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 66% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Igor Stravinsky
Histoire du soldat - English Version By ...
123 bpm • D Maj • 01:33 • -15.66db
1% Popularity • 77% Danceability • 26% Energy • 8% Liveness
52% Instrumentalness • 57% Positiveness
1% Popularity • 77% Danceability • 26% Energy • 8% Liveness
52% Instrumentalness • 57% Positiveness
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Sean William
20,000 Gluckseys Under The Sea (Part of ...
123 bpm • B min • 03:07 • -15.76db
18% Popularity • 72% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 72% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Sir John Gielgud
Richard II: Act II, Scene 4
129 bpm • G# Maj • 01:29 • -16.38db
0% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Lisa McMann
Chapter 1 - The Trap Door - Infinity Rin...
130 bpm • C Maj • 03:29 • -22.6db
9% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Fonejacker
Terry Tibbs - Maserati
129 bpm • E min • 02:33 • -22.09db
14% Popularity • 72% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 72% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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HorrorBabble
The Hound (2/2)
130 bpm • C# Maj • 10:24 • -19.64db
8% Popularity • 72% Danceability • 25% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 72% Danceability • 25% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Igor Stravinsky
Histoire du soldat - English Version By ...
122 bpm • D Maj • 01:48 • -15.84db
4% Popularity • 74% Danceability • 25% Energy • 7% Liveness
31% Instrumentalness • 33% Positiveness
4% Popularity • 74% Danceability • 25% Energy • 7% Liveness
31% Instrumentalness • 33% Positiveness
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General Alphonse Minney
Sleep Draws Near
130 bpm • C# Maj • 01:12 • -22.45db
24% Popularity • 71% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 71% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Sir John Gielgud
Preludes
129 bpm • G# Maj • 02:39 • -12.05db
3% Popularity • 70% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
3% Popularity • 70% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Sylvia Plath
Leaving Early
130 bpm • F min • 02:26 • -24.36db
10% Popularity • 71% Danceability • 3% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 71% Danceability • 3% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Abtu
Perfection/Said But Not Heard
131 bpm • B Maj • 01:03 • -22.72db
26% Popularity • 70% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 70% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Stephen Murray
I Wandered Lonely As a Cloud
131 bpm • A# min • 01:04 • -22.22db
18% Popularity • 71% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 71% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Igor Stravinsky
Histoire du soldat - English Version By ...
122 bpm • G Maj • 01:39 • -17.9db
1% Popularity • 72% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
1% Popularity • 72% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
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Jennifer A. Nielsen
Chapter 65 - The Traitor's Game - The Tr...
130 bpm • A Maj • 03:04 • -17.71db
8% Popularity • 71% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 71% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Chris Barrie
Collision Course
131 bpm • F# min • 06:46 • -16.39db
12% Popularity • 71% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 71% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Sir John Gielgud
Measure for Measure: Act III, Scene 1
131 bpm • G# Maj • 01:16 • -24.48db
1% Popularity • 70% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 70% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Eminded
Ingoude
131 bpm • B min • 01:47 • -23.06db
23% Popularity • 67% Danceability • 19% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 67% Danceability • 19% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
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Geronimo Stilton
Chapter 12 - Geronimo Stilton, Book 13: ...
132 bpm • A# min • 03:02 • -12.11db
10% Popularity • 72% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 72% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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George Orwell
Chapter 4 - Animal Farm
132 bpm • B Maj • 03:07 • -18.74db
10% Popularity • 71% Danceability • 18% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 71% Danceability • 18% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
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Jennifer A. Nielsen
Chapter 22 - The Traitor's Game - The Tr...
131 bpm • A Maj • 03:06 • -18.78db
10% Popularity • 70% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 70% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Barrie
Where's The Cat ?
120 bpm • G Maj • 06:50 • -20db
13% Popularity • 72% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 72% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Fool's Gold
Longstone (Intro) - Live
120 bpm • F Maj • 05:36 • -15.39db
14% Popularity • 72% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 72% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Sir John Gielgud
Richard II: Act I, Scene 4
120 bpm • G min • 03:25 • -21.31db
0% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Geronimo Stilton
Chapter 9 - Geronimo Stilton, Books 25 -...
132 bpm • A# Maj • 03:17 • -12.76db
10% Popularity • 71% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 71% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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William Shakespeare
Chapter 1 - Macbeth
120 bpm • C Maj • 03:53 • -13.02db
14% Popularity • 72% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 72% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Sheen
Summer Night (Alfred, Lord Tennyson)
120 bpm • F Maj • 02:49 • -31.03db
9% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Kurt Vonnegut
Slaughterhouse 5, Pt. 4
120 bpm • A# Maj • 06:13 • -22db
12% Popularity • 72% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 72% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Edgar Allan Poe
The Best of Edgar Allan Poe - A Dream Wi...
133 bpm • C Maj • 01:05 • -25.95db
19% Popularity • 55% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 55% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
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Sir John Gielgud
Sonnet XXX
133 bpm • B Maj • 00:55 • -23.46db
0% Popularity • 70% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 70% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Orson Welles
The Tragedy of Julius Caesar (phonograph...
133 bpm • F# Maj • 07:34 • -20.55db
7% Popularity • 68% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 68% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Old Testament
The Infant Moses
119 bpm • A min • 01:27 • -29.92db
8% Popularity • 51% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 51% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Sheen
Letter From Gustave Flaubert To Louise C...
133 bpm • D# Maj • 03:42 • -30.59db
14% Popularity • 42% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 42% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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toshÿko
somewhere - skit
119 bpm • F min • 01:06 • -8.3db
14% Popularity • 50% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 50% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Maggie Stiefvater
Chapter 61 - The Dream Thieves - The Rav...
118 bpm • F min • 03:02 • -21.5db
8% Popularity • 72% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 72% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Sir John Gielgud
Sonnet XVIII
119 bpm • C# Maj • 00:52 • -23db
11% Popularity • 72% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 72% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
George Orwell
Chapter 8.11 - 1984
134 bpm • G Maj • 03:20 • -16.68db
14% Popularity • 71% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 71% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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William Walton
Hamlet (A Shakespeare Scenario): V. The ...
135 bpm • A# min • 02:20 • -14.03db
0% Popularity • 22% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
0% Popularity • 22% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Christopher Glyn
Genesis - The Old Testament 1, Chapter 4...
118 bpm • A# min • 03:28 • -13.48db
17% Popularity • 72% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 72% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
JJDOLLA
Wish You Well
117 bpm • G Maj • 02:04 • -21db
8% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
MooEntertainment
Molly Weasleys Ãœberraschung (Teil 15)
117 bpm • C min • 04:29 • -17.31db
15% Popularity • 72% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 72% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Robert Frost
After Apple Picking
136 bpm • A Maj • 01:57 • -23db
15% Popularity • 70% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 70% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Geronimo Stilton
Chapter 7 - Geronimo Stilton, Books 25 -...
117 bpm • G min • 03:02 • -13.47db
9% Popularity • 73% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 73% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Julie Harris
I'll Tell You How the Sun Rose
117 bpm • D Maj • 00:50 • -36.21db
10% Popularity • 65% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 65% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Children's Bedtime Stories
Butty Port
117 bpm • B min • 02:25 • -26.21db
11% Popularity • 72% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 72% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Sir John Gielgud
Ode to the West Wind: Stanzas 1 and 5
116 bpm • G# Maj • 04:37 • -12.14db
2% Popularity • 70% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 70% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Frederick Loewe
My Fair Lady: Overture...Why Can't The E...
137 bpm • F Maj • 07:04 • -11.4db
2% Popularity • 43% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
2% Popularity • 43% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Akinpelumi Akinboye
Why People Envy and Jealous of You Even ...
116 bpm • G Maj • 08:22 • -26.28db
8% Popularity • 72% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 72% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Geronimo Stilton
Chapter 4 - Geronimo Stilton, Book 22: T...
136 bpm • G min • 03:03 • -13.8db
12% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Larry Senn
Chapter 9 - The Mood Elevator - Take Cha...
137 bpm • B Maj • 03:01 • -29.3db
8% Popularity • 69% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 69% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Robert Frost
Tree at My Window
116 bpm • A Maj • 00:54 • -23db
11% Popularity • 72% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 72% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Emily Dickinson
It Was Not Death For I Stood Up
116 bpm • G# Maj • 01:03 • -20db
17% Popularity • 73% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 73% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Juiced
Obease (Freestyle)
115 bpm • D Maj • 01:32 • -30.37db
8% Popularity • 59% Danceability • 10% Energy • 69% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 59% Danceability • 10% Energy • 69% Liveness
0% Instrumentalness • 67% Positiveness
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Tim Graham
A Dream Within A Dream
138 bpm • D Maj • 00:55 • -22db
14% Popularity • 69% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 69% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Derek & Clive
Joan Crawford
115 bpm • C# Maj • 05:05 • -30.96db
9% Popularity • 67% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 67% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Sir John Gielgud
Sonnet No. 73
115 bpm • F# Maj • 00:57 • -13.46db
0% Popularity • 77% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 77% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Robert Frost
Mending Wall
138 bpm • A Maj • 02:20 • -22db
18% Popularity • 69% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 69% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Frederick Loewe
My Fair Lady: The Rain In Spain
115 bpm • F Maj • 04:24 • -10.2db
1% Popularity • 46% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 46% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Roger William Wade
Beauty And The Beast.1 - Princess Storie...
139 bpm • C Maj • 03:06 • -28db
8% Popularity • 58% Danceability • 4% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 58% Danceability • 4% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
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Brandon Leake
Pookie
114 bpm • D# Maj • 03:38 • -22.55db
8% Popularity • 71% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 71% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Ghizela Rowe
Ode To The West Wind By Shelley
114 bpm • D Maj • 04:11 • -20.95db
8% Popularity • 71% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 71% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Sir John Gielgud
Sonnet LXXIII
114 bpm • F# Maj • 00:53 • -23db
10% Popularity • 74% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 74% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Zion Pentecostal Moreton's Hr. NL
Psalm 55
140 bpm • A# min • 02:32 • -27.66db
19% Popularity • 62% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 62% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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maXbangZ
Man wit da plan
114 bpm • G Maj • 01:37 • -29.58db
29% Popularity • 77% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 77% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Nik_Poetry
Villain Era
140 bpm • A Maj • 01:20 • -22.46db
17% Popularity • 68% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 68% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Alex Jennings
Bright Star
141 bpm • F Maj • 01:03 • -28.01db
14% Popularity • 67% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 67% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Shel Silverstein
Whatif
113 bpm • F# min • 01:07 • -31.76db
20% Popularity • 70% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 70% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Sir John Gielgud
Sonnet 145
113 bpm • A Maj • 00:48 • -22db
11% Popularity • 82% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 82% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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P. G. Wodehouse
Chapter 21 - Right Ho, Jeeves
141 bpm • D Maj • 03:06 • -14.51db
10% Popularity • 70% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 70% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Igor Stravinsky
Histoire du soldat - English Version By ...
113 bpm • F Maj • 02:39 • -24.87db
1% Popularity • 71% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 71% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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William Shakespeare
Chapter 1 - Hamlet
112 bpm • C Maj • 03:10 • -15.75db
17% Popularity • 71% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 71% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
