Songs like Sinfonia in G Major, BWV 1059: II. Adagio by Collegium Chamber Players
Based on a tempo of (+/- 10%) and a similar genre
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Arcangelo Corelli
Concerto Grosso in G Minor, Op. 6, No. 8...
52 bpm • D# Maj • 03:47 • -26.68db
16% Popularity • 9% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
16% Popularity • 9% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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Percy Faith & His Orchestra
Good King Wenceslas
56 bpm • D Maj • 02:20 • -15.28db
8% Popularity • 31% Danceability • 30% Energy • 37% Liveness
78% Instrumentalness • 30% Positiveness
8% Popularity • 31% Danceability • 30% Energy • 37% Liveness
78% Instrumentalness • 30% Positiveness
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プフォルツハイム・モテット合唱団
オラトリオ「メサイア(救世主...
56 bpm • C# Maj • 03:34 • -19.29db
8% Popularity • 50% Danceability • 20% Energy • 16% Liveness
17% Instrumentalness • 39% Positiveness
8% Popularity • 50% Danceability • 20% Energy • 16% Liveness
17% Instrumentalness • 39% Positiveness
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Traditional
Alle Jahre wieder
58 bpm • F Maj • 01:03 • -27.25db
12% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Cedar Lane Studio Orchestra
Still, Still, Still
57 bpm • D Maj • 04:03 • -12.39db
7% Popularity • 21% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
7% Popularity • 21% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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The Oxford Trinity Choir
Once in Royal David's City
58 bpm • G Maj • 03:29 • -12.8db
7% Popularity • 26% Danceability • 24% Energy • 57% Liveness
1% Instrumentalness • 8% Positiveness
7% Popularity • 26% Danceability • 24% Energy • 57% Liveness
1% Instrumentalness • 8% Positiveness
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Arcangelo Corelli
Corelli: Concerto grosso in G Minor, Op....
58 bpm • G Maj • 05:59 • -23.63db
15% Popularity • 15% Danceability • 7% Energy • 34% Liveness
48% Instrumentalness • 22% Positiveness
15% Popularity • 15% Danceability • 7% Energy • 34% Liveness
48% Instrumentalness • 22% Positiveness
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Anonymous
Herz und Mund und Tat und Leben, BWV 147...
61 bpm • G Maj • 03:50 • -21.47db
15% Popularity • 8% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
15% Popularity • 8% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Ludwig Güttler
Tochter Zion, freue dich
61 bpm • D# Maj • 00:49 • -21.65db
14% Popularity • 32% Danceability • 4% Energy • 26% Liveness
97% Instrumentalness • 22% Positiveness
14% Popularity • 32% Danceability • 4% Energy • 26% Liveness
97% Instrumentalness • 22% Positiveness
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Rundfunk-Jugendchor Wernigerode
Gloria in excelsis Deo
61 bpm • G Maj • 02:12 • -15.85db
11% Popularity • 25% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 25% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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St. Paul's Cathedral Choir
Away in a Manger
61 bpm • F Maj • 02:33 • -12.64db
20% Popularity • 15% Danceability • 33% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
20% Popularity • 15% Danceability • 33% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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London Philharmonic Orchestra
O Holy Night
61 bpm • C Maj • 04:32 • -10.6db
9% Popularity • 21% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Vom Himmel hoch, da komm ich her (Chorus...
62 bpm • C Maj • 05:38 • -17.63db
10% Popularity • 22% Danceability • 20% Energy • 21% Liveness
92% Instrumentalness • 16% Positiveness
10% Popularity • 22% Danceability • 20% Energy • 21% Liveness
92% Instrumentalness • 16% Positiveness
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Dietrich W. Prost
30 Little Chorale Preludes, Op. 135a: No...
62 bpm • F Maj • 01:02 • -25.72db
9% Popularity • 15% Danceability • 3% Energy • 16% Liveness
84% Instrumentalness • 35% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 16% Liveness
84% Instrumentalness • 35% Positiveness
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Roberto Sierra
Oboe Concerto in D Minor: II. Adagio
62 bpm • D min • 04:13 • -20.54db
15% Popularity • 25% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
15% Popularity • 25% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Johannes Brahms
Chorale Prelude: Es is ein' Ros' entrspr...
63 bpm • F Maj • 02:38 • -45.8db
18% Popularity • 18% Danceability • 0% Energy • 9% Liveness
100% Instrumentalness • 31% Positiveness
18% Popularity • 18% Danceability • 0% Energy • 9% Liveness
100% Instrumentalness • 31% Positiveness
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Henry John Gauntlett
Once in royal David's city (Arr. David W...
63 bpm • G Maj • 05:06 • -22.5db
10% Popularity • 19% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
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Libera
O Holy Night
64 bpm • C Maj • 04:42 • -15.76db
13% Popularity • 22% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Jeremiah Clarke
Suite in D Major: Rondeau - 'prince of D...
64 bpm • D Maj • 01:43 • -14.96db
13% Popularity • 36% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 40% Positiveness
13% Popularity • 36% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 40% Positiveness
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Johann Sebastian Bach
Gloria in excelsis Deo (Chorus)
64 bpm • D Maj • 06:40 • -15.83db
9% Popularity • 13% Danceability • 29% Energy • 30% Liveness
90% Instrumentalness • 28% Positiveness
9% Popularity • 13% Danceability • 29% Energy • 30% Liveness
90% Instrumentalness • 28% Positiveness
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Engelbert Humperdinck
Hansel and Gretel: Abendsegen
65 bpm • D Maj • 02:09 • -26.28db
14% Popularity • 6% Danceability • 4% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
14% Popularity • 6% Danceability • 4% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
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Hector Berlioz
The Shepherds' Farewell
66 bpm • E Maj • 03:23 • -36.48db
19% Popularity • 12% Danceability • 2% Energy • 29% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 2% Energy • 29% Liveness
76% Instrumentalness • 4% Positiveness
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English Traditional
God Rest You Merry, Gentlemen (Arr. Davi...
65 bpm • E min • 03:40 • -22.66db
24% Popularity • 11% Danceability • 19% Energy • 13% Liveness
55% Instrumentalness • 20% Positiveness
24% Popularity • 11% Danceability • 19% Energy • 13% Liveness
55% Instrumentalness • 20% Positiveness
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Arcangelo Corelli
Corelli / Arr. Wright: Concerto Grosso i...
66 bpm • D Maj • 02:59 • -21.19db
14% Popularity • 19% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
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Pietro Yon
Gesu bambino (arr. for trumpet and organ...
66 bpm • C Maj • 03:38 • -22db
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
Ave Maria (arr. A. Delmoni)
64 bpm • G Maj • 04:39 • -18.47db
8% Popularity • 7% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
8% Popularity • 7% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Jeremiah Clarke
Suite in D Major: Gigue
67 bpm • D Maj • 01:12 • -12.64db
8% Popularity • 46% Danceability • 27% Energy • 19% Liveness
92% Instrumentalness • 41% Positiveness
8% Popularity • 46% Danceability • 27% Energy • 19% Liveness
92% Instrumentalness • 41% Positiveness
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William G. James
Carol of the Birds
67 bpm • D# Maj • 01:08 • -27.13db
10% Popularity • 30% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 30% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Wayne Kirkpatrick
Away In a Manger (Arr. David Willcocks)
67 bpm • F Maj • 02:29 • -35.63db
5% Popularity • 23% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 23% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Choir of King's College, Cambridge
Away In A Manager
68 bpm • F# Maj • 02:27 • -33.88db
23% Popularity • 9% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 20% Positiveness
23% Popularity • 9% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 20% Positiveness
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John Rutter
The Colours Of Christmas
68 bpm • D Maj • 03:02 • -32.88db
11% Popularity • 34% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
11% Popularity • 34% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Christoph Israel
O du fröhliche - Instrumental
68 bpm • F Maj • 02:06 • -10.64db
11% Popularity • 7% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
11% Popularity • 7% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Michael Praetorius
Prætorius: Es ist ein Ros' entsprungen
68 bpm • F Maj • 02:17 • -14.91db
9% Popularity • 17% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 17% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Wie schön leuchtet der Morgenstern, BWV...
68 bpm • F Maj • 07:06 • -17.84db
0% Popularity • 40% Danceability • 22% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
0% Popularity • 40% Danceability • 22% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
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Vienna Boys' Choir
Ave Maria
68 bpm • F Maj • 03:27 • -24.7db
5% Popularity • 15% Danceability • 4% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
5% Popularity • 15% Danceability • 4% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
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Nicole Pinnell
Ave Maria (Meditation sur le premier pre...
69 bpm • C Maj • 02:30 • -20.6db
11% Popularity • 24% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
11% Popularity • 24% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Suite No. 4 in G Major, Op. 61, "Mozarti...
70 bpm • A# Maj • 03:47 • -28.07db
16% Popularity • 7% Danceability • 4% Energy • 66% Liveness
87% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 4% Energy • 66% Liveness
87% Instrumentalness • 3% Positiveness
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Georg Philipp Telemann
Concerto No. 1 For Trumpet, 2 Oboes, Str...
70 bpm • D Maj • 03:41 • -27.45db
9% Popularity • 34% Danceability • 4% Energy • 7% Liveness
71% Instrumentalness • 23% Positiveness
9% Popularity • 34% Danceability • 4% Energy • 7% Liveness
71% Instrumentalness • 23% Positiveness
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Philip Lane
Old Christmas Music: III. French trad.: ...
70 bpm • C Maj • 01:32 • -16.02db
8% Popularity • 30% Danceability • 16% Energy • 22% Liveness
87% Instrumentalness • 27% Positiveness
8% Popularity • 30% Danceability • 16% Energy • 22% Liveness
87% Instrumentalness • 27% Positiveness
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Johann Sebastian Bach
Weihnachtsoratorium, BWV 248: Brich an, ...
68 bpm • F Maj • 01:15 • -13.43db
13% Popularity • 22% Danceability • 10% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
13% Popularity • 22% Danceability • 10% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Leroy Anderson
Bring A Torch, Jeannette, Isabella
71 bpm • G Maj • 01:25 • -10.07db
12% Popularity • 28% Danceability • 29% Energy • 44% Liveness
43% Instrumentalness • 29% Positiveness
12% Popularity • 28% Danceability • 29% Energy • 44% Liveness
43% Instrumentalness • 29% Positiveness
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The Eden Symphony Orchestra
We Wish You A Merry Christmas
71 bpm • G Maj • 01:40 • -19.01db
18% Popularity • 48% Danceability • 6% Energy • 16% Liveness
91% Instrumentalness • 31% Positiveness
18% Popularity • 48% Danceability • 6% Energy • 16% Liveness
91% Instrumentalness • 31% Positiveness
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Michael Praetorius
Lo, How A Rose E'er Blooming
71 bpm • F Maj • 02:17 • -23.16db
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Traditional
Angels We Have Heard On High
71 bpm • D Maj • 02:41 • -14.05db
4% Popularity • 24% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
4% Popularity • 24% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Franz Xaver Gruber
Silent Night
71 bpm • A# Maj • 03:01 • -18.91db
16% Popularity • 7% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: In dulci jubilo, BWV 729
69 bpm • A Maj • 02:58 • -11.49db
8% Popularity • 20% Danceability • 20% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 20% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Leroy Anderson
In Dulci Jubilo
71 bpm • D# Maj • 01:28 • -8.66db
9% Popularity • 64% Danceability • 44% Energy • 4% Liveness
91% Instrumentalness • 39% Positiveness
9% Popularity • 64% Danceability • 44% Energy • 4% Liveness
91% Instrumentalness • 39% Positiveness
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Boris Ord
Adam lay y-bounden
71 bpm • B min • 01:16 • -19.48db
11% Popularity • 28% Danceability • 17% Energy • 25% Liveness
46% Instrumentalness • 16% Positiveness
11% Popularity • 28% Danceability • 17% Energy • 25% Liveness
46% Instrumentalness • 16% Positiveness
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John Rutter
Angels' Carol
72 bpm • F Maj • 03:10 • -31.27db
12% Popularity • 44% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
12% Popularity • 44% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Thomanerchor Leipzig
Vom Himmel hoch, da komm ich her
72 bpm • D Maj • 01:45 • -18.74db
22% Popularity • 34% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 34% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 15% Positiveness
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Franz Xaver Gruber
Silent Night, Holy Night
71 bpm • A# Maj • 02:27 • -29.39db
8% Popularity • 17% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Harold Darke
In the Bleak Midwinter
72 bpm • G# Maj • 04:57 • -26.24db
24% Popularity • 17% Danceability • 13% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 13% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Vom Himmel hoch, da komm ich her, BWV 76...
69 bpm • F Maj • 01:53 • -14.45db
11% Popularity • 24% Danceability • 5% Energy • 8% Liveness
82% Instrumentalness • 14% Positiveness
11% Popularity • 24% Danceability • 5% Energy • 8% Liveness
82% Instrumentalness • 14% Positiveness
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Johann David Heinichen
Concerto in G Major, S. 213: V. Loure. C...
72 bpm • F# Maj • 01:42 • -22.61db
16% Popularity • 28% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 28% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Vienna Boys' Choir
O Tannenbaum
72 bpm • A# Maj • 01:41 • -19db
18% Popularity • 35% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 35% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Worcester Cathedral Choir
O Little Town Of Bethlehem
73 bpm • G Maj • 04:28 • -35.66db
9% Popularity • 7% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Bo Holten
Julebudet til dem, der bygge (The Christ...
73 bpm • E Maj • 02:42 • -24.38db
16% Popularity • 20% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Angèle Dubeau
Bach: Jesu, Joy of Man’s Desiring
73 bpm • G Maj • 03:09 • -19.52db
8% Popularity • 16% Danceability • 16% Energy • 13% Liveness
9% Instrumentalness • 16% Positiveness
8% Popularity • 16% Danceability • 16% Energy • 13% Liveness
9% Instrumentalness • 16% Positiveness
► Preview
Johann Sebastian Bach
Weihnachts-Oratorium, BWV 248, Pt. 1: Pt...
71 bpm • G# min • 04:52 • -23.97db
10% Popularity • 56% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 56% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Philharmonic Chamber Orchestra
What Child Is This
73 bpm • E min • 01:54 • -16.25db
18% Popularity • 17% Danceability • 18% Energy • 10% Liveness
48% Instrumentalness • 25% Positiveness
18% Popularity • 17% Danceability • 18% Energy • 10% Liveness
48% Instrumentalness • 25% Positiveness
► Preview
Charles Ives
Ives / Arr. Echols: A Christmas Carol
73 bpm • F# Maj • 02:26 • -29.31db
16% Popularity • 18% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Choir of King's College, Cambridge
O Come All Ye Faithful (Adeste fideles)
73 bpm • G Maj • 04:01 • -17.09db
12% Popularity • 19% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 10% Positiveness
12% Popularity • 19% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Worcester Cathedral Choir
Coventry Carol
73 bpm • G Maj • 03:59 • -32.77db
14% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Traditional
Coventry Carol
73 bpm • G min • 01:22 • -23.43db
8% Popularity • 11% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
8% Popularity • 11% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Herz und Mund und Tat und Lebe...
73 bpm • G Maj • 05:42 • -17.01db
21% Popularity • 9% Danceability • 20% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
21% Popularity • 9% Danceability • 20% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Adolphe Adam
Adam / Arr Prizeman: O Holy Night
73 bpm • C Maj • 04:42 • -13db
9% Popularity • 14% Danceability • 24% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 24% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Franz Xaver Gruber
Silent Night (Arr. Rimmer / Maydew)
74 bpm • A# Maj • 02:36 • -18.05db
14% Popularity • 13% Danceability • 2% Energy • 8% Liveness
99% Instrumentalness • 7% Positiveness
14% Popularity • 13% Danceability • 2% Energy • 8% Liveness
99% Instrumentalness • 7% Positiveness
► Preview
Choir of King's College, Cambridge
Traditional: Ding dong! Merrily on High ...
73 bpm • B Maj • 02:21 • -22db
10% Popularity • 37% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 37% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Berliner Mozartchor
Schlafe mein Prinzchen Schlaf ein
74 bpm • F Maj • 01:44 • -18.79db
9% Popularity • 25% Danceability • 17% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 17% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
John Francis Wade
O Come, All Ye Faithful
74 bpm • G# Maj • 01:35 • -16.54db
9% Popularity • 24% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
9% Popularity • 24% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
► Preview
Johann Pachelbel
Canon and Gigue in D Major, P. 37: No. 1...
74 bpm • D Maj • 03:45 • -21.77db
11% Popularity • 37% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
11% Popularity • 37% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Gustav Holst
In the Bleak Midwinter, H. 73, No. 1
74 bpm • G Maj • 03:27 • -21.03db
7% Popularity • 17% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
7% Popularity • 17% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
► Preview
Michael Praetorius
Es ist ein Ros entsprugen
74 bpm • F Maj • 01:30 • -28db
17% Popularity • 8% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
17% Popularity • 8% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Choir of King's College, Cambridge
Hark! The Herald Angels Sing
75 bpm • G Maj • 03:31 • -15.61db
14% Popularity • 17% Danceability • 34% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
14% Popularity • 17% Danceability • 34% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
► Preview
John Rutter
Candlelight Carol
75 bpm • F# Maj • 04:10 • -25.41db
14% Popularity • 13% Danceability • 8% Energy • 9% Liveness
37% Instrumentalness • 5% Positiveness
14% Popularity • 13% Danceability • 8% Energy • 9% Liveness
37% Instrumentalness • 5% Positiveness
► Preview
Henry John Gauntlett
Once In Royal David’s City (Desc. by P...
75 bpm • G Maj • 04:38 • -22db
17% Popularity • 11% Danceability • 14% Energy • 39% Liveness
41% Instrumentalness • 5% Positiveness
17% Popularity • 11% Danceability • 14% Energy • 39% Liveness
41% Instrumentalness • 5% Positiveness
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Berliner Mozartchor
Schlaf wohl du Himmelsknabe
75 bpm • F Maj • 02:19 • -18.03db
11% Popularity • 27% Danceability • 15% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
11% Popularity • 27% Danceability • 15% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
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Johann Crüger
Fröhlich soll mein Herze springen - Arr...
75 bpm • F Maj • 01:05 • -19.22db
10% Popularity • 24% Danceability • 10% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
10% Popularity • 24% Danceability • 10% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Cummings & Mendelssohn: Hark! the Herald...
75 bpm • G Maj • 04:10 • -10.61db
9% Popularity • 12% Danceability • 34% Energy • 22% Liveness
70% Instrumentalness • 15% Positiveness
9% Popularity • 12% Danceability • 34% Energy • 22% Liveness
70% Instrumentalness • 15% Positiveness
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Berlin Radio Children's Choir
Auf dem Berge, da wehet der Wind
75 bpm • G Maj • 00:58 • -15.04db
9% Popularity • 29% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 29% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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The Philharmonic Chamber Orchestra
Hark The Herald Angels Sing
76 bpm • G Maj • 02:40 • -18.42db
14% Popularity • 13% Danceability • 10% Energy • 18% Liveness
65% Instrumentalness • 23% Positiveness
14% Popularity • 13% Danceability • 10% Energy • 18% Liveness
65% Instrumentalness • 23% Positiveness
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Ensamble Clement
Still, Still, Still
76 bpm • D# Maj • 01:47 • -23.91db
0% Popularity • 55% Danceability • 10% Energy • 11% Liveness
57% Instrumentalness • 40% Positiveness
0% Popularity • 55% Danceability • 10% Energy • 11% Liveness
57% Instrumentalness • 40% Positiveness
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Berliner Mozartchor
O du Fröhliche
75 bpm • F Maj • 02:00 • -14.69db
8% Popularity • 24% Danceability • 26% Energy • 15% Liveness
51% Instrumentalness • 12% Positiveness
8% Popularity • 24% Danceability • 26% Energy • 15% Liveness
51% Instrumentalness • 12% Positiveness
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Holy Organ Christian Ensemble
Joy to the World - Hallelujah
76 bpm • A Maj • 02:21 • -7.52db
9% Popularity • 8% Danceability • 35% Energy • 32% Liveness
97% Instrumentalness • 27% Positiveness
9% Popularity • 8% Danceability • 35% Energy • 32% Liveness
97% Instrumentalness • 27% Positiveness
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James Lord Pierpont
Jingle Bells (arr. P. Breiner for orches...
76 bpm • F Maj • 04:36 • -17.05db
8% Popularity • 45% Danceability • 12% Energy • 7% Liveness
24% Instrumentalness • 40% Positiveness
8% Popularity • 45% Danceability • 12% Energy • 7% Liveness
24% Instrumentalness • 40% Positiveness
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William J. Kirkpatrick
Kirkpatrick: Away in a Manger (Arr. Ledg...
76 bpm • F# Maj • 02:09 • -29.78db
8% Popularity • 20% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Vienna Boys' Choir
Von Himmel Hoch Komm' Ich Her
76 bpm • D# Maj • 02:30 • -22.89db
3% Popularity • 17% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 17% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
God Rest Ye Merry Gentlemen
76 bpm • E min • 03:34 • -11.57db
11% Popularity • 22% Danceability • 21% Energy • 13% Liveness
86% Instrumentalness • 21% Positiveness
11% Popularity • 22% Danceability • 21% Energy • 13% Liveness
86% Instrumentalness • 21% Positiveness
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John Rutter
The Colours of Christmas
77 bpm • D Maj • 03:17 • -20.93db
21% Popularity • 13% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
21% Popularity • 13% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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John Francis Wade
O Come All Ye Faithful
77 bpm • G Maj • 04:01 • -17.22db
11% Popularity • 17% Danceability • 20% Energy • 13% Liveness
73% Instrumentalness • 20% Positiveness
11% Popularity • 17% Danceability • 20% Energy • 13% Liveness
73% Instrumentalness • 20% Positiveness
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Alessandro Scarlatti
O di Betlemme, altera poverta ventu: I. ...
77 bpm • A Maj • 02:01 • -22.99db
27% Popularity • 25% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 21% Positiveness
27% Popularity • 25% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 21% Positiveness
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Choir of King's College, Cambridge
The Three Kings
78 bpm • G# Maj • 02:45 • -25.96db
19% Popularity • 31% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
19% Popularity • 31% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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Vienna Boys' Choir
Es Wird Scho Glei Dumpa / It Will Soon B...
77 bpm • G Maj • 01:39 • -27.02db
12% Popularity • 25% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 25% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Chamber Choir
Kheruvimskaya pesn
78 bpm • D Maj • 04:15 • -20.16db
0% Popularity • 10% Danceability • 9% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 9% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Arthur Fiedler
A Christmas Festival
78 bpm • D Maj • 08:41 • -11.93db
9% Popularity • 21% Danceability • 27% Energy • 8% Liveness
60% Instrumentalness • 22% Positiveness
9% Popularity • 21% Danceability • 27% Energy • 8% Liveness
60% Instrumentalness • 22% Positiveness
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Arcangelo Corelli
Concerto grosso in G minor, Op. 6, No. 8...
78 bpm • D Maj • 02:37 • -27.67db
12% Popularity • 19% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
12% Popularity • 19% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Camille Saint-Saëns
Oratorio de Noël, Op. 12: No. 7 Tecum p...
78 bpm • D Maj • 03:45 • -25.94db
10% Popularity • 13% Danceability • 7% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 7% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
J.S. Bach: Cantata BWV 208 (Arr. William...
78 bpm • A# Maj • 04:43 • -16.97db
11% Popularity • 10% Danceability • 20% Energy • 17% Liveness
96% Instrumentalness • 24% Positiveness
11% Popularity • 10% Danceability • 20% Energy • 17% Liveness
96% Instrumentalness • 24% Positiveness
