Songs like Sinfonia Op. 3, No. 3: 1. Allegro assai by Johann Adolf Hasse
Based on a tempo of (+/- 10%) and a similar genre
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Michelangelo Valentini
Valentini: La clemenza di Tito, Act 2: "...
144 bpm • C# Maj • 10:27 • -18.57db
15% Popularity • 29% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 29% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Johann Adolf Hasse
Sinfonia Op. 3, No. 3: 1. Allegro assai
144 bpm • G# Maj • 02:17 • -14.78db
1% Popularity • 52% Danceability • 42% Energy • 13% Liveness
89% Instrumentalness • 94% Positiveness
1% Popularity • 52% Danceability • 42% Energy • 13% Liveness
89% Instrumentalness • 94% Positiveness
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Johann Sebastian Bach
J. S. Bach: Kantate zum 1. Pfingsttag - ...
143 bpm • F# Maj • 05:13 • -12.97db
14% Popularity • 45% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
14% Popularity • 45% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
142 bpm • B min • 02:05 • -19db
14% Popularity • 20% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
14% Popularity • 20% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Carl Philipp Emanuel Bach
Symphony in A Major, H. 660, Wq. 182/4: ...
141 bpm • A Maj • 03:01 • -24.58db
17% Popularity • 24% Danceability • 2% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
17% Popularity • 24% Danceability • 2% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
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![Bist du bei mir (Formerly Attrib. Bach as BWV 508)[Voice & Harpsichord] cover art](https://i.scdn.co/image/ab67616d00001e0299acf539a3fa903fc3223059)
Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. Bach a...
140 bpm • D Maj • 02:46 • -26.2db
7% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Georg Caspar SchĂĽrmann
SchĂĽrmann: Die getreue Alceste: Sinfoni...
148 bpm • C# min • 01:08 • -17.66db
12% Popularity • 44% Danceability • 62% Energy • 51% Liveness
97% Instrumentalness • 66% Positiveness
12% Popularity • 44% Danceability • 62% Energy • 51% Liveness
97% Instrumentalness • 66% Positiveness
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Johann Adolf Hasse
Cleofide: Act I: Overture
145 bpm • C# Maj • 07:48 • -21.5db
2% Popularity • 38% Danceability • 8% Energy • 18% Liveness
54% Instrumentalness • 33% Positiveness
2% Popularity • 38% Danceability • 8% Energy • 18% Liveness
54% Instrumentalness • 33% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
148 bpm • C min • 01:46 • -28db
35% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Pasquale Anfossi
Salve Regina: No. 4., Eja ergo advocata ...
140 bpm • D Maj • 02:37 • -20.03db
18% Popularity • 32% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 32% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Carl Philipp Emanuel Bach
Symphony in B Minor, H. 661, Wq. 182/5: ...
140 bpm • C# Maj • 03:41 • -22.75db
15% Popularity • 35% Danceability • 9% Energy • 20% Liveness
30% Instrumentalness • 28% Positiveness
15% Popularity • 35% Danceability • 9% Energy • 20% Liveness
30% Instrumentalness • 28% Positiveness
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Marc-Antoine Charpentier
Charpentier: Sans frayeur dans ce bois, ...
139 bpm • F# Maj • 02:56 • -21db
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
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Niccolò Jommelli
La Betulia liberata: Aria "Prigionier ch...
139 bpm • C# Maj • 07:51 • -22.44db
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Johann Adolf Hasse
Cleofide: Act II Scene 4: Aria: Generoso...
143 bpm • G# Maj • 03:39 • -19.7db
15% Popularity • 52% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 52% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Jean-FĂ©ry Rebel
Les Caractères de la Danse: XIV. Sonate
138 bpm • C# Maj • 01:21 • -14db
10% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
10% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 28 Due...
138 bpm • G# min • 02:23 • -15.21db
11% Popularity • 34% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 34% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 3 in C Major, Wq. 1...
148 bpm • B Maj • 02:41 • -15.9db
8% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
8% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. Tu de victo mortis a...
149 bpm • C Maj • 01:19 • -14.89db
13% Popularity • 30% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 69% Positiveness
13% Popularity • 30% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 69% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
139 bpm • B min • 02:11 • -21.5db
14% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
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Johann Adolf Hasse
Mass in D Minor: Gloria: Qui tollis
139 bpm • F# Maj • 03:22 • -21.78db
1% Popularity • 24% Danceability • 9% Energy • 10% Liveness
9% Instrumentalness • 12% Positiveness
1% Popularity • 24% Danceability • 9% Energy • 10% Liveness
9% Instrumentalness • 12% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: I. Overture
137 bpm • D min • 02:08 • -17.89db
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
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Leopold Mozart
Der Mensch, ein Gottesmörder: Siehe, al...
137 bpm • D# Maj • 08:37 • -17db
8% Popularity • 33% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
8% Popularity • 33% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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Carl Philipp Emanuel Bach
Symphony No. 3 in C Major, Wq. 182: I. A...
150 bpm • G# min • 02:36 • -15.36db
11% Popularity • 37% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 37% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Georg Philipp Telemann
Ouverture burlesque in B-Flat Major, TWV...
137 bpm • A Maj • 04:06 • -19.1db
8% Popularity • 32% Danceability • 23% Energy • 18% Liveness
33% Instrumentalness • 56% Positiveness
8% Popularity • 32% Danceability • 23% Energy • 18% Liveness
33% Instrumentalness • 56% Positiveness
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Tommaso Traetta
Traetta: L'Olimpiade, Act 2: "Gemo in un...
151 bpm • C# Maj • 04:27 • -14.55db
15% Popularity • 46% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 46% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Johann Adolf Hasse
Dalle tenebre orrende, "Orfeo ed Euridic...
147 bpm • F# Maj • 05:39 • -17.68db
0% Popularity • 23% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 23% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Jean-Philippe Rameau
ZaĂŻs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
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Leonardo Vinci
Vinci: Artaserse: I. Allegro
137 bpm • C# Maj • 01:54 • -13.46db
9% Popularity • 53% Danceability • 49% Energy • 9% Liveness
44% Instrumentalness • 61% Positiveness
9% Popularity • 53% Danceability • 49% Energy • 9% Liveness
44% Instrumentalness • 61% Positiveness
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Carl Philipp Emanuel Bach
Symphony in C Major, H. 659, Wq. 182/3: ...
151 bpm • G# min • 02:37 • -22.98db
19% Popularity • 44% Danceability • 20% Energy • 21% Liveness
66% Instrumentalness • 76% Positiveness
19% Popularity • 44% Danceability • 20% Energy • 21% Liveness
66% Instrumentalness • 76% Positiveness
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Francesco Provenzale
Provenzale: Lo schiavo di sua moglie: "N...
136 bpm • C# Maj • 01:31 • -16.11db
15% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Marc-Antoine Charpentier
Actéon, H. 481, Scene I: Allons, marcho...
152 bpm • C# Maj • 01:59 • -19.47db
9% Popularity • 46% Danceability • 37% Energy • 12% Liveness
15% Instrumentalness • 78% Positiveness
9% Popularity • 46% Danceability • 37% Energy • 12% Liveness
15% Instrumentalness • 78% Positiveness
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Johann Adolf Hasse
Astarto: Aria: Al fato io t’abbandono
141 bpm • E Maj • 03:48 • -7.2db
4% Popularity • 36% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
4% Popularity • 36% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
20% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
20% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: II. Chœur...
135 bpm • C# Maj • 01:10 • -19.17db
22% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
22% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
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Carl Philipp Emanuel Bach
Symphony in A Major, H. 660, Wq. 182/4: ...
137 bpm • G# Maj • 04:10 • -21db
16% Popularity • 44% Danceability • 20% Energy • 14% Liveness
39% Instrumentalness • 74% Positiveness
16% Popularity • 44% Danceability • 20% Energy • 14% Liveness
39% Instrumentalness • 74% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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Christophe Rousset
Artaserse: Ouverture
134 bpm • C# Maj • 06:02 • -24db
25% Popularity • 41% Danceability • 6% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
25% Popularity • 41% Danceability • 6% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
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Johann Adolf Hasse
Requiem in E-Flat Major / Sequentia: IVe...
141 bpm • E Maj • 02:44 • -16.76db
1% Popularity • 26% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 26% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Georg Philipp Telemann
Ouverture-Suite in D Major, TWV 55:D18: ...
133 bpm • C# Maj • 04:44 • -17db
2% Popularity • 38% Danceability • 28% Energy • 27% Liveness
74% Instrumentalness • 36% Positiveness
2% Popularity • 38% Danceability • 28% Energy • 27% Liveness
74% Instrumentalness • 36% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • B Maj • 05:52 • -21db
12% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Pietro Locatelli
Concerto XI Ă 5 en Ut Mineur, Op. 1: I....
134 bpm • B min • 02:30 • -19db
9% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Carlo Pallavicino
Pallavicino: L'Antiope: "Sdegni, furori ...
133 bpm • C# Maj • 01:13 • -14.1db
16% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Johann Adolf Hasse
Sanctus Petrus et Sancta Maria Magdalena...
139 bpm • D Maj • 07:08 • -15.42db
3% Popularity • 34% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
3% Popularity • 34% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Air...
133 bpm • G# min • 01:21 • -33.04db
29% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
29% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
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Johann Sebastian Bach
Johannes-Passion, BWV 245 / Part One: No...
133 bpm • B min • 02:30 • -16.82db
18% Popularity • 49% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 49% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
132 bpm • C# min • 03:20 • -17db
30% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
30% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
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Marianna Martines
Psalm 110: I. Dixit Dominus
132 bpm • C# Maj • 04:13 • -12.18db
9% Popularity • 38% Danceability • 29% Energy • 8% Liveness
14% Instrumentalness • 41% Positiveness
9% Popularity • 38% Danceability • 29% Energy • 8% Liveness
14% Instrumentalness • 41% Positiveness
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Pietro Locatelli
Violin Concerto in A Major, Op. 3 No. 11...
132 bpm • A Maj • 06:24 • -21.7db
14% Popularity • 39% Danceability • 8% Energy • 6% Liveness
41% Instrumentalness • 24% Positiveness
14% Popularity • 39% Danceability • 8% Energy • 6% Liveness
41% Instrumentalness • 24% Positiveness
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Johann Adolf Hasse
Cleofide: Act II Scene 8: Aria: Se trova...
138 bpm • F# Maj • 03:22 • -17.93db
7% Popularity • 52% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 69% Positiveness
7% Popularity • 52% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 69% Positiveness
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Carl Philipp Emanuel Bach
Symphony in G Major, H. 657, Wq. 182/1: ...
132 bpm • F# Maj • 03:34 • -18.49db
19% Popularity • 36% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
19% Popularity • 36% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
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Niccolò Piccinni
Piccinni: Catone in Utica, Act 1: "Che l...
158 bpm • D Maj • 03:49 • -15.28db
17% Popularity • 39% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 39% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
132 bpm • C# min • 01:47 • -19db
20% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: VI. Et m...
132 bpm • G# min • 03:18 • -23.02db
11% Popularity • 19% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
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Giovanni Battista Sammartini
Symphony in C Major, J-C 4: II. Andante ...
131 bpm • F# Maj • 03:33 • -25.22db
12% Popularity • 32% Danceability • 4% Energy • 13% Liveness
65% Instrumentalness • 18% Positiveness
12% Popularity • 32% Danceability • 4% Energy • 13% Liveness
65% Instrumentalness • 18% Positiveness
► Preview
Johann Adolf Hasse
Mass in D Minor: Gloria: Domine Deus
136 bpm • A# min • 03:33 • -24.6db
1% Popularity • 22% Danceability • 3% Energy • 17% Liveness
1% Instrumentalness • 8% Positiveness
1% Popularity • 22% Danceability • 3% Energy • 17% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
131 bpm • G# min • 05:45 • -15db
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
► Preview
Niccolò Jommelli
Jommelli: Artaserse, Act 1: "Fra cento a...
131 bpm • C# Maj • 08:29 • -14.7db
12% Popularity • 38% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 38% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Christoph Willibald Gluck
Antigono, Wq. 21 (Excerpts): GiĂ che mo...
131 bpm • B Maj • 05:49 • -25.12db
11% Popularity • 21% Danceability • 6% Energy • 22% Liveness
75% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 6% Energy • 22% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
► Preview
Johann Adolf Hasse
Mass in D Minor: Gloria: Quoniam tu solu...
130 bpm • C# Maj • 01:26 • -20.79db
2% Popularity • 54% Danceability • 13% Energy • 14% Liveness
37% Instrumentalness • 24% Positiveness
2% Popularity • 54% Danceability • 13% Energy • 14% Liveness
37% Instrumentalness • 24% Positiveness
► Preview
Francesco Maria Veracini
Concerto Ă otto stromenti in D Major: I...
130 bpm • C# Maj • 08:07 • -14.91db
9% Popularity • 42% Danceability • 36% Energy • 20% Liveness
89% Instrumentalness • 31% Positiveness
9% Popularity • 42% Danceability • 36% Energy • 20% Liveness
89% Instrumentalness • 31% Positiveness
► Preview
Carl Heinrich Graun
Cleopatra e Cesare, WV B:I:7: Tra le pro...
130 bpm • D# Maj • 07:24 • -13.34db
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
► Preview
Franz Schubert
Mass No. 2 in G Major, D. 167: Kyrie
129 bpm • G Maj • 03:01 • -24.31db
15% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
15% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
► Preview
Gennaro Manna
Manna: Laudate pueri: I. Laudate pueri, ...
129 bpm • E Maj • 04:24 • -11.88db
9% Popularity • 37% Danceability • 30% Energy • 45% Liveness
6% Instrumentalness • 50% Positiveness
9% Popularity • 37% Danceability • 30% Energy • 45% Liveness
6% Instrumentalness • 50% Positiveness
► Preview
Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
► Preview
Johann Adolf Hasse
Hasse: Demofoonte, Act 1: "Sperai vicino...
137 bpm • B Maj • 05:26 • -15.51db
15% Popularity • 37% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 37% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
128 bpm • B min • 02:32 • -21.08db
12% Popularity • 20% Danceability • 8% Energy • 26% Liveness
32% Instrumentalness • 18% Positiveness
12% Popularity • 20% Danceability • 8% Energy • 26% Liveness
32% Instrumentalness • 18% Positiveness
► Preview
Antonio Caldara
Maddalena ai piedi di Cristo: No. 47 Ari...
128 bpm • B min • 04:31 • -20.98db
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Ă‚ge ...
128 bpm • A# Maj • 03:22 • -12.11db
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
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Jean-Philippe Rameau
Platée, RCT 53, Prologue: Ouverture (re...
127 bpm • G min • 02:26 • -19.56db
8% Popularity • 35% Danceability • 19% Energy • 12% Liveness
70% Instrumentalness • 33% Positiveness
8% Popularity • 35% Danceability • 19% Energy • 12% Liveness
70% Instrumentalness • 33% Positiveness
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Nicola Porpora
Il trionfo della divina Giustizia ne' to...
127 bpm • B min • 06:53 • -21.45db
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
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Johann Adolf Hasse
Hasse: Demofoonte, Sinfonia: I. Allegro
136 bpm • C# Maj • 02:08 • -16.98db
16% Popularity • 53% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 84% Positiveness
16% Popularity • 53% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 84% Positiveness
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Georg Philipp Telemann
Ouverture "La Bizarre", en Sol Majeur: O...
128 bpm • F# Maj • 01:10 • -19.54db
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
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Antonio Sartorio
Sartorio: L'Orfeo: Sinfonia
127 bpm • F# Maj • 01:31 • -18.39db
17% Popularity • 38% Danceability • 29% Energy • 13% Liveness
12% Instrumentalness • 49% Positiveness
17% Popularity • 38% Danceability • 29% Energy • 13% Liveness
12% Instrumentalness • 49% Positiveness
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Johann Sebastian Bach
Magnificat in E-Flat Major, BWV 243a: Et...
127 bpm • A min • 03:29 • -24.91db
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Zelenka: Laetatus sum, ZWV 90: I. Laetat...
165 bpm • G# Maj • 04:00 • -11.11db
11% Popularity • 25% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 25% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Jean-Philippe Rameau
Platée, RCT 53, Prologue: Ouverture
126 bpm • G min • 04:39 • -17.89db
11% Popularity • 42% Danceability • 24% Energy • 10% Liveness
29% Instrumentalness • 39% Positiveness
11% Popularity • 42% Danceability • 24% Energy • 10% Liveness
29% Instrumentalness • 39% Positiveness
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Johann Adolf Hasse
Mass in D Minor: Sanctus: Sanctus
135 bpm • C# Maj • 02:04 • -20.7db
1% Popularity • 24% Danceability • 8% Energy • 9% Liveness
47% Instrumentalness • 16% Positiveness
1% Popularity • 24% Danceability • 8% Energy • 9% Liveness
47% Instrumentalness • 16% Positiveness
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Georg Philipp Telemann
Ouverture-Suite G-Dur “La Bizarre”, ...
128 bpm • A# min • 01:42 • -16.99db
7% Popularity • 53% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 53% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Niccolò Jommelli
Libera me in C Minor, HocJ E.2: IV. Trem...
126 bpm • D Maj • 01:01 • -21.42db
17% Popularity • 33% Danceability • 14% Energy • 8% Liveness
8% Instrumentalness • 18% Positiveness
17% Popularity • 33% Danceability • 14% Energy • 8% Liveness
8% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: II. Et e...
127 bpm • C# Maj • 02:31 • -25.63db
23% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Arcangelo Corelli
Concerto in D Major, Op. 6 No. 1: I. Lar...
126 bpm • G Maj • 02:23 • -20.16db
12% Popularity • 28% Danceability • 14% Energy • 19% Liveness
48% Instrumentalness • 24% Positiveness
12% Popularity • 28% Danceability • 14% Energy • 19% Liveness
48% Instrumentalness • 24% Positiveness
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Carl Philipp Emanuel Bach
Magnificat in D Major, Wq. 215: No. 1, M...
125 bpm • C# Maj • 03:08 • -17db
14% Popularity • 34% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
14% Popularity • 34% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
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Johann Adolf Hasse
Mass in D Minor: Gloria: Gloria in excel...
135 bpm • C# Maj • 03:42 • -19.63db
2% Popularity • 28% Danceability • 12% Energy • 21% Liveness
62% Instrumentalness • 24% Positiveness
2% Popularity • 28% Danceability • 12% Energy • 21% Liveness
62% Instrumentalness • 24% Positiveness
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Henry Purcell
Dido & Aeneas: Dido & Aeneas: Act I, Bel...
125 bpm • B min • 00:59 • -21.44db
13% Popularity • 41% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 41% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jean-Baptiste Lully
Le triomphe de l'amour, LWV 59: Air d'Ap...
125 bpm • F min • 02:40 • -19db
13% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
13% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
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Pietro Locatelli
Concerto in C Minor, Op. 3 No. 2: I. And...
124 bpm • B min • 10:04 • -17.8db
8% Popularity • 36% Danceability • 22% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
8% Popularity • 36% Danceability • 22% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
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Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
31% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
31% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Johann Adolf Hasse
Fuga & Grave g-moll (in G minor) - attri...
135 bpm • F# min • 04:00 • -13.73db
1% Popularity • 22% Danceability • 30% Energy • 45% Liveness
43% Instrumentalness • 14% Positiveness
1% Popularity • 22% Danceability • 30% Energy • 45% Liveness
43% Instrumentalness • 14% Positiveness
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Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Christe e...
124 bpm • G# Maj • 02:31 • -27.67db
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Madrigali guerrieri: No. 1, Sonnet by an...
123 bpm • G Maj • 09:54 • -18.68db
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
