Songs like Sinfonia Sevilliana - Live by Joaquín Turina
Based on a tempo of (+/- 10%) and a similar genre
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AgustÃn Barrios Mangoré
Altair
102 bpm • A Maj • 02:10 • -28.45db
11% Popularity • 30% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
11% Popularity • 30% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Ross Edwards
Guitar Concerto "Arafura Dances": II. Ar...
102 bpm • E min • 06:00 • -27.31db
7% Popularity • 37% Danceability • 2% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
7% Popularity • 37% Danceability • 2% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 6 in B Minor (A...
102 bpm • B Maj • 05:18 • -30.39db
9% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
10 Preludes, Op. 23: No. 5 in G Minor. A...
101 bpm • D Maj • 04:46 • -25.16db
9% Popularity • 44% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
9% Popularity • 44% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Fernando Bustamante
Misionera (arr. J. Morel for guitar)
103 bpm • A min • 02:44 • -26db
16% Popularity • 41% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 33% Positiveness
16% Popularity • 41% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 33% Positiveness
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Regino Sáinz de la Maza
Sainz de la Maza: El Vito
103 bpm • A min • 01:43 • -21.41db
15% Popularity • 41% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
15% Popularity • 41% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Pepe Romero
Suite Espanola (arr. for guitar)
103 bpm • G Maj • 09:27 • -20.15db
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
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Leo Brouwer
Brouwer: Ojos brujos
103 bpm • E min • 01:48 • -26.38db
6% Popularity • 43% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
6% Popularity • 43% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
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Jorge Morel
Little Rhapsody
103 bpm • E min • 05:26 • -24.86db
9% Popularity • 30% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 30% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Johann Kaspar Mertz
Deutsche Weise (German Air)
101 bpm • F Maj • 04:19 • -31.71db
13% Popularity • 44% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 44% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Edmundo Vásquez
Suite Transistorial: II Moderato-Piu Mos...
101 bpm • E min • 01:42 • -24.5db
10% Popularity • 32% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
10% Popularity • 32% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Marcus Paus
Weserübung (9. april 2020)
101 bpm • A Maj • 03:16 • -24.48db
11% Popularity • 45% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 45% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 11 in G Major
101 bpm • G Maj • 01:22 • -26db
32% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
32% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
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JoaquÃn Turina
Sinfonia sevillana, Op. 23: Panorama
103 bpm • D Maj • 07:52 • -17.23db
6% Popularity • 22% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
6% Popularity • 22% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Vicente Asencio
Collectici intim: No. 1. La Serenor
103 bpm • D min • 04:59 • -34.8db
13% Popularity • 37% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
13% Popularity • 37% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Book 6: No. 1. Tar...
101 bpm • A min • 03:53 • -25.58db
8% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
8% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Carles Trepat
Bolero
103 bpm • A min • 01:56 • -22.89db
19% Popularity • 44% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 50% Positiveness
19% Popularity • 44% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 50% Positiveness
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Heitor Villa-Lobos
Suite populaire Brésilienne, W020: III....
101 bpm • E min • 04:29 • -22db
14% Popularity • 52% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 24% Positiveness
14% Popularity • 52% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 24% Positiveness
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Georges Bizet
Carmen Suite: III. Seguidilla (Arr. W. K...
101 bpm • G Maj • 01:45 • -28.15db
15% Popularity • 47% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
15% Popularity • 47% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
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Leo Brouwer
Estudios sencillos: No. 6. Lo mas rapido...
101 bpm • A Maj • 01:01 • -23.22db
18% Popularity • 14% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
18% Popularity • 14% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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Fernando Sor
Variations on a Theme by Mozart, Op. 9
104 bpm • E Maj • 07:37 • -24.98db
18% Popularity • 37% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
18% Popularity • 37% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
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JoaquÃn Turina
Sonata, Op. 61: II. Andante
100 bpm • F Maj • 03:56 • -18.24db
5% Popularity • 40% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
5% Popularity • 40% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Konstantin Vassiliev
3 Forest Paintings: No. 2. Snowdrops
104 bpm • B min • 03:22 • -32.02db
10% Popularity • 37% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
10% Popularity • 37% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
12 Concertos, Op. 3 "L'estro armonico", ...
100 bpm • B min • 01:07 • -20.25db
42% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
42% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
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Carlos Bonell
Torroba: Madroños
100 bpm • E Maj • 03:01 • -22db
13% Popularity • 41% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
13% Popularity • 41% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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Alonso Mudarra
Fantasia X
100 bpm • D Maj • 01:51 • -32db
16% Popularity • 22% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 39% Positiveness
16% Popularity • 22% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 39% Positiveness
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Unknown
2Eme Mvt Andantino (Elogio De La Guitarr...
104 bpm • B min • 04:46 • -32.94db
0% Popularity • 56% Danceability • 0% Energy • 9% Liveness
79% Instrumentalness • 26% Positiveness
0% Popularity • 56% Danceability • 0% Energy • 9% Liveness
79% Instrumentalness • 26% Positiveness
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Tomás Bretón
4 Spanish Pieces: No. 4. Polo Gitano
100 bpm • C Maj • 03:16 • -18db
7% Popularity • 40% Danceability • 14% Energy • 8% Liveness
17% Instrumentalness • 45% Positiveness
7% Popularity • 40% Danceability • 14% Energy • 8% Liveness
17% Instrumentalness • 45% Positiveness
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Heitor Villa-Lobos
Preludes, W419: No. 4, Lento
100 bpm • A min • 03:29 • -26.11db
9% Popularity • 44% Danceability • 2% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
9% Popularity • 44% Danceability • 2% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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JoaquÃn Turina
Rafaga
104 bpm • A Maj • 03:01 • -15.62db
14% Popularity • 38% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
14% Popularity • 38% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Fingals Hohle (Fin...
100 bpm • G Maj • 02:45 • -27db
15% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
15% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Antonio Lauro
La gatica
104 bpm • A min • 01:19 • -28.31db
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 91% Positiveness
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 91% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: XV. Presto
100 bpm • B min • 01:14 • -27db
32% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
32% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
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Fernando Sor
Étude No. 5 (arr. of F. Sor: 24 Very Ea...
100 bpm • B min • 02:42 • -24.47db
20% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
20% Popularity • 35% Danceability • 3% Energy • 15% Liveness
69% Instrumentalness • 16% Positiveness
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Niccolò Paganini
Grand Sonata in A Major, MS 3: II. Roman...
105 bpm • A min • 03:55 • -28.18db
17% Popularity • 33% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
17% Popularity • 33% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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JoaquÃn Turina
J.Turina: Hommage À Tarrega - 1. Garrot...
105 bpm • D Maj • 02:20 • -20.02db
28% Popularity • 44% Danceability • 15% Energy • 18% Liveness
87% Instrumentalness • 34% Positiveness
28% Popularity • 44% Danceability • 15% Energy • 18% Liveness
87% Instrumentalness • 34% Positiveness
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Matteo Carcassi
Carcassi op.60 n.2 moderato con espressi...
105 bpm • A min • 01:48 • -14.6db
30% Popularity • 23% Danceability • 52% Energy • 15% Liveness
86% Instrumentalness • 43% Positiveness
30% Popularity • 23% Danceability • 52% Energy • 15% Liveness
86% Instrumentalness • 43% Positiveness
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Frédéric Chopin
Valses, Op. 64: No. 2, Tempo Giusto (Arr...
105 bpm • E min • 04:01 • -29.29db
10% Popularity • 31% Danceability • 6% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
10% Popularity • 31% Danceability • 6% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
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Ferdinando Carulli
Andante No. 1, Op. 320
99 bpm • G Maj • 02:19 • -26db
31% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Unruhe (Restlessne...
98 bpm • E Maj • 01:49 • -27db
34% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
34% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
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Claude Debussy
Children's Corner: I. Doctor Gradus ad P...
106 bpm • F Maj • 03:08 • -30.32db
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Emilio Pujol
E.Pujol: Tres Piezas Espanõlas - 3. Gua...
105 bpm • D Maj • 04:00 • -24.1db
23% Popularity • 37% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
23% Popularity • 37% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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JoaquÃn Turina
Sinfonia sevillana, Op. 23: Por el rio G...
99 bpm • C Maj • 06:56 • -21.34db
5% Popularity • 20% Danceability • 7% Energy • 36% Liveness
88% Instrumentalness • 6% Positiveness
5% Popularity • 20% Danceability • 7% Energy • 36% Liveness
88% Instrumentalness • 6% Positiveness
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Antonio Lauro
Suite Venezolano: I Registro (Preludio)
98 bpm • G Maj • 01:52 • -31db
21% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
21% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
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Eduardo Sainz De La Maza
Habanera
106 bpm • G Maj • 03:23 • -29.85db
16% Popularity • 41% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
16% Popularity • 41% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
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Heitor Villa-Lobos
Preludes, W419: I. Andantino expressivo
106 bpm • E min • 04:36 • -21.33db
10% Popularity • 43% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
10% Popularity • 43% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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AgustÃn Barrios Mangoré
La Catedral: I. Preludio
98 bpm • B min • 02:53 • -28.23db
7% Popularity • 30% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
7% Popularity • 30% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Hans Werner Henze
Carillon, Récitatif and Masque for Mand...
106 bpm • E min • 01:26 • -23.68db
8% Popularity • 62% Danceability • 22% Energy • 14% Liveness
72% Instrumentalness • 47% Positiveness
8% Popularity • 62% Danceability • 22% Energy • 14% Liveness
72% Instrumentalness • 47% Positiveness
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JoaquÃn Turina
La procesión del Rocio, Op. 9: I. Trian...
98 bpm • G Maj • 03:09 • -22.87db
1% Popularity • 22% Danceability • 4% Energy • 71% Liveness
90% Instrumentalness • 12% Positiveness
1% Popularity • 22% Danceability • 4% Energy • 71% Liveness
90% Instrumentalness • 12% Positiveness
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Miguel Letelier Valdés
Siete Preludios Breves: Adagio
98 bpm • B min • 01:43 • -30.5db
14% Popularity • 56% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 17% Positiveness
14% Popularity • 56% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 17% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Carnavalito - Evocac...
98 bpm • B min • 06:22 • -20.95db
19% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
19% Popularity • 28% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Catharina Josepha Pratten
Fairy Sketches: Puck
98 bpm • A min • 01:22 • -24.51db
14% Popularity • 48% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 53% Positiveness
14% Popularity • 48% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 53% Positiveness
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Heitor Villa-Lobos
Suite populaire Brésilienne, W020: II. ...
107 bpm • A Maj • 04:08 • -23.12db
14% Popularity • 51% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 34% Positiveness
14% Popularity • 51% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 34% Positiveness
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Julian Arcas
FantasÃa sobre el paño o sea punto de ...
98 bpm • D# min • 05:23 • -23.25db
3% Popularity • 36% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
3% Popularity • 36% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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JoaquÃn Turina
Piano Quartet, Op. 67: III. Andante
106 bpm • C Maj • 06:35 • -19.03db
3% Popularity • 28% Danceability • 13% Energy • 21% Liveness
79% Instrumentalness • 6% Positiveness
3% Popularity • 28% Danceability • 13% Energy • 21% Liveness
79% Instrumentalness • 6% Positiveness
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Isaac Albéniz
Cádiz
107 bpm • D Maj • 04:15 • -19.77db
19% Popularity • 44% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
19% Popularity • 44% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
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Fernando Sor
24 Studies, Op. 35, "Exercises": Study N...
107 bpm • A Maj • 01:21 • -27.16db
23% Popularity • 24% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
23% Popularity • 24% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
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John Dowland
The Frog Galliard, P. 23
97 bpm • E Maj • 02:03 • -27.96db
15% Popularity • 34% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 62% Positiveness
15% Popularity • 34% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 62% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
97 bpm • A min • 02:33 • -30.32db
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
► Preview
Leo Brouwer
Estudios sencillos: First Series: II
107 bpm • C Maj • 01:11 • -25db
29% Popularity • 60% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
29% Popularity • 60% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
► Preview
JoaquÃn Turina
Primavera Sevillana: VI. Sevillanas
106 bpm • A Maj • 01:03 • -17.69db
2% Popularity • 46% Danceability • 21% Energy • 30% Liveness
93% Instrumentalness • 22% Positiveness
2% Popularity • 46% Danceability • 21% Energy • 30% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Antonio Lauro
Angostura
97 bpm • G Maj • 02:01 • -27db
26% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
26% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
► Preview
Alexandre Tansman
Tansman: Musique de cour d'après Robert...
97 bpm • D Maj • 01:33 • -19.16db
11% Popularity • 48% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
11% Popularity • 48% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
► Preview
Enrique Granados
Granados: 12 Danzas españolas: No. 2, O...
97 bpm • C min • 04:55 • -38db
11% Popularity • 32% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
11% Popularity • 32% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Heitor Villa-Lobos
Suite populaire Brésilienne, W020: V. C...
97 bpm • C Maj • 04:04 • -20.73db
13% Popularity • 44% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 35% Positiveness
13% Popularity • 44% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 35% Positiveness
► Preview
Leo Brouwer
Guitar Sonata No. 1: I. Fandangos y bole...
97 bpm • G Maj • 06:48 • -21.99db
4% Popularity • 32% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 32% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
JoaquÃn Turina
Primavera Sevillana: I. Introducción
107 bpm • C Maj • 01:28 • -22.65db
0% Popularity • 32% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 11% Positiveness
0% Popularity • 32% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 11% Positiveness
► Preview
Carles Trepat
Francisco Alegre (arr. C. Trepat for gui...
107 bpm • G min • 04:01 • -25db
10% Popularity • 55% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
10% Popularity • 55% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
► Preview
Antonio Lauro
El marabino
97 bpm • A Maj • 01:26 • -12.19db
23% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
23% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
► Preview
Mario Castelnuovo-Tedesco
Capriccio, Op. 195, No. 18, "El sueno de...
107 bpm • D min • 05:14 • -24.31db
16% Popularity • 35% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
16% Popularity • 35% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Antonio MartÃn y Coll
El Villano
97 bpm • C Maj • 01:45 • -14.83db
10% Popularity • 56% Danceability • 22% Energy • 16% Liveness
89% Instrumentalness • 85% Positiveness
10% Popularity • 56% Danceability • 22% Energy • 16% Liveness
89% Instrumentalness • 85% Positiveness
► Preview
Jason Vieaux
Recuerdos de viaje, Op. 71: No. 8. Rumor...
97 bpm • A min • 04:14 • -21db
24% Popularity • 36% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
24% Popularity • 36% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
► Preview
JoaquÃn Turina
Primavera Sevillana: III. Caballistas en...
106 bpm • G# Maj • 01:07 • -33.24db
0% Popularity • 35% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
0% Popularity • 35% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
► Preview
David Tanenbaum
Suite No. 21 in E : Allemande
108 bpm • E min • 05:31 • -20.29db
15% Popularity • 46% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
15% Popularity • 46% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
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Antonio Lauro
Andreina, Natalia
97 bpm • A Maj • 04:36 • -12.19db
14% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
14% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 4. Standchen...
108 bpm • A Maj • 03:41 • -29.48db
29% Popularity • 50% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
29% Popularity • 50% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Mario Castelnuovo-Tedesco
Capriccio, Op. 195, No. 18, "El sueno de...
108 bpm • A min • 03:52 • -23.9db
16% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
16% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Anne Catherine Emmerich
6 Variations for Guitar
108 bpm • A Maj • 10:18 • -27.22db
12% Popularity • 34% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
12% Popularity • 34% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
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JoaquÃn Turina
Sonata, Op. 61: II. Andante
106 bpm • A min • 04:09 • -18db
23% Popularity • 57% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
23% Popularity • 57% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Jerónimo Giménez
La boda de Luis Alonso, o La noche del e...
108 bpm • A Maj • 05:59 • -21db
20% Popularity • 39% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 47% Positiveness
20% Popularity • 39% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 47% Positiveness
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Jorge Cardoso
Milonga
97 bpm • A Maj • 02:23 • -12.19db
14% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
14% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
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Niccolò Paganini
Grand Sonata in A Major, MS 3: I. Allegr...
108 bpm • A Maj • 10:10 • -22.76db
7% Popularity • 43% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
7% Popularity • 43% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
108 bpm • E Maj • 01:55 • -26db
23% Popularity • 43% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
23% Popularity • 43% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
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Antonio Lauro
Joropo
96 bpm • A Maj • 01:53 • -28db
21% Popularity • 38% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 90% Positiveness
21% Popularity • 38% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 90% Positiveness
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Ida Presti
Segovia
108 bpm • E min • 07:02 • -25.38db
12% Popularity • 34% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
12% Popularity • 34% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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JoaquÃn Turina
Danzas gitanas, Op. 55: V. Sacro-monte
107 bpm • D min • 01:43 • -22.81db
1% Popularity • 46% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
1% Popularity • 46% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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Fernando Sor
24 Studies, Op. 35, "Exercises": Study N...
108 bpm • E min • 00:54 • -27.86db
33% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
33% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
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Luis de Narváez
Los seys libros del Delphin de musica de...
96 bpm • A min • 02:10 • -28db
9% Popularity • 38% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
9% Popularity • 38% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
96 bpm • A min • 02:17 • -31db
12% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
12% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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AgustÃn Barrios Mangoré
Preludio in A Minor
109 bpm • F Maj • 03:01 • -30.54db
9% Popularity • 37% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
9% Popularity • 37% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Jose Luis Merlin
Suite Del Recuerdo/Evocacion
109 bpm • E min • 01:42 • -22.01db
15% Popularity • 46% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
15% Popularity • 46% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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JoaquÃn Turina
Sonata, Op. 61: III. Allegro vivo
97 bpm • G Maj • 03:24 • -16.29db
13% Popularity • 44% Danceability • 17% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
13% Popularity • 44% Danceability • 17% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
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Federico Mompou
Impresiones Ãntimas (Arr. for 2 Guitars...
96 bpm • A Maj • 02:35 • -27db
13% Popularity • 59% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 30% Positiveness
13% Popularity • 59% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 30% Positiveness
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Enrique Granados
Preludio: Vivace
95 bpm • A Maj • 01:22 • -31db
9% Popularity • 35% Danceability • 5% Energy • 8% Liveness
69% Instrumentalness • 29% Positiveness
9% Popularity • 35% Danceability • 5% Energy • 8% Liveness
69% Instrumentalness • 29% Positiveness
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Karl Kohaut
Lute Concerto in F Major: II. Adagio
109 bpm • D min • 02:24 • -18.68db
14% Popularity • 48% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
14% Popularity • 48% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.19 Allegro Moderato
95 bpm • G Maj • 01:26 • -20db
33% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
33% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Dionisio Aguado
3 Rondo brillants, Op. 2: No. 2b in A Mi...
95 bpm • A min • 06:38 • -24db
15% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
15% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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JoaquÃn Turina
Sonata, Op. 61: I. Allegro
108 bpm • D Maj • 04:14 • -21.62db
4% Popularity • 41% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
4% Popularity • 41% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
