Songs like Sing for Myself by Voices in Your Head
Based on a tempo of (+/- 10%) and a similar genre
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Hullabahoos
Whatcha Say
144 bpm • G min • 04:17 • -6.79db
32% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Vian Izak
Light Up
144 bpm • A# Maj • 03:11 • -10.51db
24% Popularity • 39% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 39% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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The Oh Hellos
Pale White Horse
144 bpm • D min • 03:27 • -15db
45% Popularity • 49% Danceability • 23% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 49% Danceability • 23% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
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Juxtaposition
Death of a Bachelor
144 bpm • F Maj • 03:08 • -7.73db
15% Popularity • 51% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 51% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Voices in Your Head
Sing for Myself
144 bpm • A# Maj • 02:07 • -12db
36% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Phoenix Chamber Choir
When the Earth Stands Still
144 bpm • A# min • 03:40 • -27.24db
27% Popularity • 17% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 17% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Dirt Poor Robins
The Saints I
145 bpm • G Maj • 05:36 • -7.97db
28% Popularity • 24% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 24% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Upper Structure
Spirit Cold
143 bpm • E Maj • 04:07 • -14.74db
12% Popularity • 23% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 23% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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The Collection
Left of Your Joy
143 bpm • A# Maj • 03:47 • -7db
34% Popularity • 57% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 57% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Dahan
A New Horizon
145 bpm • B Maj • 04:38 • -9db
25% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Branches
Inventor's Daughter
145 bpm • E Maj • 04:24 • -8.16db
34% Popularity • 55% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 55% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Voices in Your Head
Toxic
143 bpm • C min • 03:21 • -9.82db
1% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
1% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Bengsons
Hundred Days
143 bpm • C# min • 03:52 • -7.68db
37% Popularity • 44% Danceability • 70% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 44% Danceability • 70% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
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Ginger & Pear
Pressed
142 bpm • C Maj • 02:21 • -12.39db
21% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Vian Izak
Call the Nightingale
142 bpm • E Maj • 01:45 • -11.19db
52% Popularity • 62% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 62% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Vienna Teng
Never Look Away
142 bpm • B Maj • 03:33 • -5.44db
32% Popularity • 56% Danceability • 83% Energy • 15% Liveness
1% Instrumentalness • 58% Positiveness
32% Popularity • 56% Danceability • 83% Energy • 15% Liveness
1% Instrumentalness • 58% Positiveness
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Varian
Let Me Make You Proud
142 bpm • C Maj • 02:07 • -6.28db
43% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Brittain Ashford
Good for Goodness
142 bpm • C Maj • 05:02 • -8.53db
20% Popularity • 48% Danceability • 42% Energy • 8% Liveness
2% Instrumentalness • 30% Positiveness
20% Popularity • 48% Danceability • 42% Energy • 8% Liveness
2% Instrumentalness • 30% Positiveness
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SoCal VoCals
Pure Imagination
141 bpm • F Maj • 03:28 • -9.83db
25% Popularity • 29% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 29% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Ben Thornewill
Laugh Til We Cry
147 bpm • C Maj • 02:38 • -10.79db
17% Popularity • 39% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 22% Positiveness
17% Popularity • 39% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 22% Positiveness
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Wes Reeve
Flowers in My Hair
141 bpm • A# Maj • 02:54 • -13.54db
46% Popularity • 42% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 42% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Erutan
Birds of a Feather
148 bpm • D# Maj • 02:36 • -15.13db
31% Popularity • 27% Danceability • 14% Energy • 11% Liveness
5% Instrumentalness • 47% Positiveness
31% Popularity • 27% Danceability • 14% Energy • 11% Liveness
5% Instrumentalness • 47% Positiveness
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The Vassar Devils
Iscariot
147 bpm • C# Maj • 04:40 • -7db
26% Popularity • 31% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 31% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Amelia Day
Eastward of Eden - Acoustic
148 bpm • G Maj • 03:55 • -10.79db
39% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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SoCal VoCals
Wayfaring Stranger
142 bpm • B min • 04:15 • -7.74db
16% Popularity • 45% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 45% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
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Christy Nockels
Pitter Patter Goes the Rain
140 bpm • D Maj • 02:20 • -16.06db
42% Popularity • 60% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 60% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Juniper Vale
Everything is Color
148 bpm • E min • 04:31 • -6.5db
33% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Harletson
Free the Beautiful
148 bpm • C min • 03:32 • -11.76db
28% Popularity • 62% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 62% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Voices in Your Head
Shut Up and Drive
140 bpm • F# Maj • 03:26 • -6.49db
3% Popularity • 75% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
3% Popularity • 75% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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The Oh Hellos
Zephyrus
148 bpm • E Maj • 03:45 • -11db
40% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Family Crest
Battle Cry
140 bpm • D# Maj • 04:39 • -7db
45% Popularity • 48% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
45% Popularity • 48% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Jilian Linklater
Time to Go
140 bpm • B min • 03:56 • -8db
30% Popularity • 64% Danceability • 69% Energy • 7% Liveness
2% Instrumentalness • 45% Positiveness
30% Popularity • 64% Danceability • 69% Energy • 7% Liveness
2% Instrumentalness • 45% Positiveness
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Cloudjumper
Where No One Goes
140 bpm • C# min • 02:45 • -6.27db
40% Popularity • 40% Danceability • 92% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
40% Popularity • 40% Danceability • 92% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
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Autumn Andersen
Michigan
140 bpm • F Maj • 03:24 • -9.73db
17% Popularity • 74% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 74% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Voices in Your Head
Resistance
140 bpm • G min • 04:52 • -6.2db
1% Popularity • 56% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 56% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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The Oh Hellos
Second Child, Restless Child
140 bpm • G Maj • 02:46 • -6db
54% Popularity • 48% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 48% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Truslow
Dead
140 bpm • E Maj • 03:14 • -7.16db
30% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Flannel Graph
Five Foot Three
140 bpm • G Maj • 03:14 • -13db
32% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lauren Aquilina
Forest Fires
140 bpm • B min • 03:46 • -10.98db
35% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Eight Beat Measure
Viva la Vida
140 bpm • G# Maj • 04:04 • -7.92db
27% Popularity • 45% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 45% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Voices in Your Head
Holding On
140 bpm • C Maj • 03:52 • -7.26db
2% Popularity • 45% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
2% Popularity • 45% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Whitney Avalon
Holding Out for a Hero - Medieval Bardco...
140 bpm • G min • 03:33 • -11.52db
37% Popularity • 50% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 50% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Platt
In Case You Don't Live Forever
140 bpm • A Maj • 03:48 • -8.24db
53% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Hyannis Sound
Little Lion Man
140 bpm • F Maj • 04:13 • -10.36db
22% Popularity • 32% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 32% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Spence Hood
The Here & Now
149 bpm • D Maj • 04:17 • -12.69db
9% Popularity • 60% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 60% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Julie Fowlis
Into The Open Air
139 bpm • D Maj • 02:40 • -7.38db
54% Popularity • 50% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 50% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Juniper Vale
Keep Me Warm
139 bpm • C Maj • 03:02 • -10.96db
32% Popularity • 35% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 35% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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The Clef Hangers
Let It Go
149 bpm • C# Maj • 04:23 • -7.54db
23% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Voices in Your Head
Now I'm Listening
139 bpm • B Maj • 03:30 • -12.16db
11% Popularity • 38% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 38% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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SoCal VoCals
Bang Bang
150 bpm • A# min • 03:26 • -4db
22% Popularity • 73% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 73% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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jeremy messersmith
Everybody Gets a Kitten
138 bpm • F Maj • 01:59 • -15db
28% Popularity • 74% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 74% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Sleeping At Last
Pluto
150 bpm • C Maj • 03:47 • -9.58db
41% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Griffin Puatu
Predator & Prey
150 bpm • F min • 03:18 • -12.35db
37% Popularity • 58% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 58% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Flannel Graph
The Tower
138 bpm • C min • 02:00 • -15db
37% Popularity • 51% Danceability • 21% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
37% Popularity • 51% Danceability • 21% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
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The National Parks
Monsters of the North
138 bpm • C# min • 03:52 • -8db
40% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Juniper Vale
Slow it Down
138 bpm • G Maj • 02:47 • -11.65db
27% Popularity • 51% Danceability • 31% Energy • 13% Liveness
54% Instrumentalness • 32% Positiveness
27% Popularity • 51% Danceability • 31% Energy • 13% Liveness
54% Instrumentalness • 32% Positiveness
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Ben Thornewill
Change My Life
150 bpm • E Maj • 03:30 • -13.94db
13% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Annalise Emerick
A Good One
151 bpm • C Maj • 04:26 • -8.19db
9% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Vassar Devils
Runnin' (Lose It All)
151 bpm • C min • 05:15 • -6.3db
7% Popularity • 16% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 16% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Truslow
Words of the Wise
137 bpm • C Maj • 03:05 • -6.04db
42% Popularity • 54% Danceability • 74% Energy • 50% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 54% Danceability • 74% Energy • 50% Liveness
0% Instrumentalness • 49% Positiveness
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We Are the Guests
Come Home
137 bpm • G Maj • 04:32 • -8db
29% Popularity • 49% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 49% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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R. Morgan Slade
Remembered In Embers (A Critical Role EX...
136 bpm • E min • 03:01 • -12.28db
12% Popularity • 40% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 40% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Nine
Make Them Hear You
137 bpm • E Maj • 02:30 • -5db
26% Popularity • 30% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 30% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Lauren Aquilina
Sinners
152 bpm • B Maj • 03:39 • -8db
42% Popularity • 34% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 34% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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SoCal VoCals
Lay Me Down in Paper Hearts
136 bpm • D# Maj • 04:05 • -7.91db
17% Popularity • 43% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 43% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Sarah Sparks
Digory's Regret
136 bpm • D Maj • 03:56 • -16.81db
27% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Oh Hellos
Thus Always To Tyrants
136 bpm • F min • 03:39 • -9db
56% Popularity • 50% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 50% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Trensch
Obvious - Bonus Track
135 bpm • G Maj • 04:14 • -8.85db
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Rachel Rose Mitchell
Hey Alice
135 bpm • C# min • 04:30 • -8db
33% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Truslow
Lover
135 bpm • C Maj • 03:56 • -5.07db
30% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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SoCal VoCals
I 2 I
136 bpm • B min • 03:28 • -5.01db
28% Popularity • 65% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 65% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Juniper Vale
Singing in the Rain
135 bpm • G Maj • 02:42 • -7.36db
33% Popularity • 59% Danceability • 48% Energy • 12% Liveness
52% Instrumentalness • 38% Positiveness
33% Popularity • 59% Danceability • 48% Energy • 12% Liveness
52% Instrumentalness • 38% Positiveness
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Flannel Graph
Here and Now
135 bpm • C Maj • 02:32 • -11.26db
33% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jason Robert Brown
Wait 'Til You See What's Next
135 bpm • A# Maj • 03:48 • -6.63db
23% Popularity • 58% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 58% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Voices in Your Head
Magic
134 bpm • F Maj • 05:03 • -10.72db
3% Popularity • 25% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 25% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Vian Izak
Mostly
134 bpm • C Maj • 01:42 • -13db
50% Popularity • 55% Danceability • 18% Energy • 16% Liveness
17% Instrumentalness • 19% Positiveness
50% Popularity • 55% Danceability • 18% Energy • 16% Liveness
17% Instrumentalness • 19% Positiveness
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We Are the Guests
I Hope
134 bpm • F Maj • 03:30 • -7.35db
16% Popularity • 45% Danceability • 69% Energy • 45% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 45% Danceability • 69% Energy • 45% Liveness
0% Instrumentalness • 14% Positiveness
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Beth Crowley
Don't Think Just Run
155 bpm • E Maj • 03:49 • -5.11db
27% Popularity • 54% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 54% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Derina Harvey Band
Sarah
134 bpm • D Maj • 03:19 • -5db
42% Popularity • 60% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 60% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Casey Breves
I Touched the Fire
134 bpm • D Maj • 04:00 • -6.51db
31% Popularity • 36% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 36% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Voices in Your Head
We Found Love
134 bpm • F# Maj • 03:45 • -10.15db
24% Popularity • 29% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 29% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Fundamentally Sound
Silhouette
133 bpm • C# Maj • 04:38 • -9.92db
21% Popularity • 26% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 26% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
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The Nor'easters
Sledgehammer
133 bpm • D# min • 04:04 • -5.77db
13% Popularity • 32% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 32% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Annalise Emerick
The Sun and the Moon
133 bpm • C# Maj • 03:29 • -10db
21% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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SoCal VoCals
What the Water Gave Me
133 bpm • G# min • 03:15 • -6.82db
20% Popularity • 47% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 47% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Vian Izak
Little Lost
156 bpm • E Maj • 03:41 • -6.47db
24% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Flannel Graph
Your Best Mistake
132 bpm • E Maj • 04:27 • -11db
19% Popularity • 60% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 60% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ginny Di
Melee Range
132 bpm • A Maj • 02:55 • -7.47db
29% Popularity • 71% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 71% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Spence Hood
Bailey
157 bpm • G# Maj • 04:41 • -7.49db
26% Popularity • 54% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 54% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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fin
Leaving London
157 bpm • F Maj • 03:46 • -11db
44% Popularity • 55% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 55% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Eleanor Tomlinson
Hushabye Mountain
132 bpm • B min • 02:59 • -13.48db
34% Popularity • 46% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 46% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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We Are the Guests
The Ballad
132 bpm • A# Maj • 10:30 • -5.25db
15% Popularity • 34% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 34% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Darlingside
Clay & Cast Iron
158 bpm • A Maj • 02:56 • -12db
23% Popularity • 53% Danceability • 30% Energy • 10% Liveness
8% Instrumentalness • 33% Positiveness
23% Popularity • 53% Danceability • 30% Energy • 10% Liveness
8% Instrumentalness • 33% Positiveness
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Voices in Your Head
Between Us
132 bpm • C min • 03:30 • -6.36db
14% Popularity • 27% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 27% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
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Gaelic Storm
Shine On
131 bpm • E Maj • 04:14 • -5.39db
27% Popularity • 64% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 64% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Vian Izak
Witchcraft
131 bpm • D Maj • 01:49 • -11db
49% Popularity • 42% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 42% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Amazing Devil
Pruning Shears
131 bpm • G# Maj • 04:13 • -11.4db
37% Popularity • 55% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 55% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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JJ Heller
Paving the Runway (You're Gonna Fly)
131 bpm • A Maj • 03:23 • -17.29db
24% Popularity • 57% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 57% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
