Songs like Sing, Sing, Sing (Parts 1 & 2) by Benny Goodman
Based on a tempo of (+/- 10%) and a similar genre
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Turk Murphy
When My Sugar Walks Down The Street
119 bpm • C Maj • 02:44 • -13.4db
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
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Glenn Miller & The Army Air Force Band
Londonderry Air (Danny Boy)/Shoo-Shoo Ba...
119 bpm • G# Maj • 08:49 • -14.23db
14% Popularity • 34% Danceability • 22% Energy • 40% Liveness
4% Instrumentalness • 18% Positiveness
14% Popularity • 34% Danceability • 22% Energy • 40% Liveness
4% Instrumentalness • 18% Positiveness
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Joe Williams
Every Day I Have the Blues (Every Day I ...
119 bpm • F min • 04:43 • -9.03db
17% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Benny Goodman
Sing, Sing, Sing (Parts 1 & 2)
119 bpm • A min • 07:23 • -9db
35% Popularity • 56% Danceability • 53% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
35% Popularity • 56% Danceability • 53% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
27% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
27% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
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Stan Kenton & His Orchestra
Artistry In Rhythm
119 bpm • F min • 03:18 • -9.73db
11% Popularity • 49% Danceability • 38% Energy • 42% Liveness
85% Instrumentalness • 36% Positiveness
11% Popularity • 49% Danceability • 38% Energy • 42% Liveness
85% Instrumentalness • 36% Positiveness
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Mel Torme & the Mel-Tones
You're a Heavenly Thing
120 bpm • F Maj • 02:35 • -17db
31% Popularity • 77% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 77% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jimmy Dorsey
Green Eyes
120 bpm • F min • 03:19 • -12.75db
23% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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![Concert in Brussles, Marc 1958: Sing! Sing! Sing! (Part 2) [Live] cover art](https://i.scdn.co/image/ab67616d00001e029913533ea591551b3809d019)
Benny Goodman Bigband
Concert in Brussles, Marc 1958: Sing! Si...
120 bpm • F# Maj • 12:19 • -13.8db
2% Popularity • 60% Danceability • 41% Energy • 72% Liveness
90% Instrumentalness • 24% Positiveness
2% Popularity • 60% Danceability • 41% Energy • 72% Liveness
90% Instrumentalness • 24% Positiveness
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Benny Goodman
And the Angels Sing - Remastered
118 bpm • A# Maj • 03:10 • -11.81db
32% Popularity • 61% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
32% Popularity • 61% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
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Lee Wiley
It's Only a Paper Moon
120 bpm • C Maj • 03:12 • -11.99db
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Glenn Miller & The Army Air Force Band
The St. Louis Blues March - Remastered 2...
118 bpm • A min • 04:25 • -9.91db
20% Popularity • 61% Danceability • 51% Energy • 9% Liveness
66% Instrumentalness • 41% Positiveness
20% Popularity • 61% Danceability • 51% Energy • 9% Liveness
66% Instrumentalness • 41% Positiveness
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Jeri Southern
Let's Fly Away
117 bpm • D Maj • 02:31 • -8.46db
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The International Sweethearts Of Rhythm
Swing Shift
120 bpm • E Maj • 01:29 • -9.64db
17% Popularity • 60% Danceability • 77% Energy • 72% Liveness
87% Instrumentalness • 49% Positiveness
17% Popularity • 60% Danceability • 77% Energy • 72% Liveness
87% Instrumentalness • 49% Positiveness
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Count Basie
Splanky
121 bpm • F# Maj • 03:37 • -11db
48% Popularity • 58% Danceability • 38% Energy • 6% Liveness
25% Instrumentalness • 61% Positiveness
48% Popularity • 58% Danceability • 38% Energy • 6% Liveness
25% Instrumentalness • 61% Positiveness
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Benny Goodman
The Sheik of Araby
118 bpm • G min • 02:27 • -20.65db
9% Popularity • 62% Danceability • 28% Energy • 62% Liveness
85% Instrumentalness • 78% Positiveness
9% Popularity • 62% Danceability • 28% Energy • 62% Liveness
85% Instrumentalness • 78% Positiveness
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Paul Whiteman
Happy Feet
117 bpm • A# min • 02:55 • -11.22db
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
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Cab Calloway
Hey Now, Hey Now
121 bpm • G# Maj • 02:53 • -9.36db
24% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Kay Starr
If I Could Be with You (One Hour Tonight...
122 bpm • A min • 02:44 • -11db
28% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Lester Lanin
Just One Of Those Things - Society
121 bpm • D min • 02:12 • -14.52db
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
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Tommy Dorsey
I'll Be Seeing You
116 bpm • D Maj • 03:02 • -17.64db
44% Popularity • 44% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 44% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Harry James
I've Heard That Song Before
122 bpm • D min • 02:56 • -10.73db
36% Popularity • 71% Danceability • 22% Energy • 25% Liveness
82% Instrumentalness • 73% Positiveness
36% Popularity • 71% Danceability • 22% Energy • 25% Liveness
82% Instrumentalness • 73% Positiveness
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Carroll Gibbons
So Rare
122 bpm • C Maj • 03:03 • -20.49db
44% Popularity • 54% Danceability • 12% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
44% Popularity • 54% Danceability • 12% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
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Jimmie Lunceford
Organ Grinder's Swing
116 bpm • F# Maj • 02:41 • -12db
19% Popularity • 62% Danceability • 13% Energy • 15% Liveness
15% Instrumentalness • 37% Positiveness
19% Popularity • 62% Danceability • 13% Energy • 15% Liveness
15% Instrumentalness • 37% Positiveness
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Benny Goodman Quintet
Only Another Boy And Girl
116 bpm • C min • 02:59 • -17.98db
22% Popularity • 62% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
22% Popularity • 62% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Fletcher Henderson
Fidgety Feet
123 bpm • D# Maj • 02:53 • -9db
22% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
22% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
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Guy Lombardo
Seems Like Old Times
122 bpm • D min • 02:58 • -13db
39% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Jeri Southern
It's Bad For Me
123 bpm • D# Maj • 02:13 • -8.91db
44% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Woody Herman
Don't Get Around Much Anymore
115 bpm • F min • 04:18 • -13.83db
15% Popularity • 67% Danceability • 29% Energy • 4% Liveness
2% Instrumentalness • 57% Positiveness
15% Popularity • 67% Danceability • 29% Energy • 4% Liveness
2% Instrumentalness • 57% Positiveness
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Duke Ellington & His Cotton Club Orchestra
Jubilee Stomp
123 bpm • F min • 02:46 • -9db
18% Popularity • 66% Danceability • 41% Energy • 12% Liveness
71% Instrumentalness • 88% Positiveness
18% Popularity • 66% Danceability • 41% Energy • 12% Liveness
71% Instrumentalness • 88% Positiveness
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Vaughn Monroe
Seems Like Old Times
115 bpm • B min • 02:52 • -11db
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Helen Ward
Night Wind
123 bpm • G Maj • 03:10 • -11.82db
5% Popularity • 78% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
5% Popularity • 78% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Zez Confrey
Kitten on the Keys
115 bpm • F Maj • 03:11 • -22.48db
14% Popularity • 49% Danceability • 24% Energy • 17% Liveness
90% Instrumentalness • 84% Positiveness
14% Popularity • 49% Danceability • 24% Energy • 17% Liveness
90% Instrumentalness • 84% Positiveness
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Benny Goodman Bigband
Concert in Brussles, Marc 1958: Sing! Si...
123 bpm • F# min • 03:20 • -11.9db
2% Popularity • 50% Danceability • 72% Energy • 71% Liveness
76% Instrumentalness • 37% Positiveness
2% Popularity • 50% Danceability • 72% Energy • 71% Liveness
76% Instrumentalness • 37% Positiveness
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Jonathan Stout and his Campus Five
Swingin' on Nothin'
124 bpm • F min • 03:45 • -13.87db
36% Popularity • 73% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 73% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Bobby Hackett
That's A Plenty
124 bpm • G min • 04:32 • -11.1db
15% Popularity • 67% Danceability • 50% Energy • 10% Liveness
93% Instrumentalness • 89% Positiveness
15% Popularity • 67% Danceability • 50% Energy • 10% Liveness
93% Instrumentalness • 89% Positiveness
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James P. Johnson
Carolina Shout
124 bpm • C Maj • 02:34 • -18db
36% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
36% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
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Dizzy Gillespie
Doodlin'
114 bpm • F# Maj • 03:55 • -12db
29% Popularity • 56% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 56% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Benny Goodman Sextet
A Smo-o-o-oth One
124 bpm • G min • 03:16 • -13.28db
22% Popularity • 80% Danceability • 17% Energy • 8% Liveness
68% Instrumentalness • 55% Positiveness
22% Popularity • 80% Danceability • 17% Energy • 8% Liveness
68% Instrumentalness • 55% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Benny Goodman
And The Angels Sing
114 bpm • A# Maj • 03:13 • -10.04db
17% Popularity • 55% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 55% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Martha Tilton
All Of Me
124 bpm • F Maj • 02:19 • -13.55db
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Henry Mancini
Walkin' Bass
114 bpm • A# min • 04:24 • -16.42db
15% Popularity • 73% Danceability • 17% Energy • 11% Liveness
47% Instrumentalness • 25% Positiveness
15% Popularity • 73% Danceability • 17% Energy • 11% Liveness
47% Instrumentalness • 25% Positiveness
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Glenn Miller
Tuxedo Junction
114 bpm • A# Maj • 03:25 • -16db
37% Popularity • 71% Danceability • 11% Energy • 18% Liveness
72% Instrumentalness • 41% Positiveness
37% Popularity • 71% Danceability • 11% Energy • 18% Liveness
72% Instrumentalness • 41% Positiveness
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L-Duke
Taking A Chance On Love
114 bpm • A min • 03:09 • -22db
11% Popularity • 62% Danceability • 3% Energy • 11% Liveness
6% Instrumentalness • 32% Positiveness
11% Popularity • 62% Danceability • 3% Energy • 11% Liveness
6% Instrumentalness • 32% Positiveness
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Cab Calloway
Moon Glow
114 bpm • F min • 03:11 • -10.01db
13% Popularity • 68% Danceability • 22% Energy • 10% Liveness
58% Instrumentalness • 55% Positiveness
13% Popularity • 68% Danceability • 22% Energy • 10% Liveness
58% Instrumentalness • 55% Positiveness
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Benny Goodman
You Turned the Tables on Me
114 bpm • F Maj • 02:51 • -10.97db
20% Popularity • 59% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 58% Positiveness
20% Popularity • 59% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 58% Positiveness
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Bill Elliott Swing Orchestra
Camp Hollywood Special
114 bpm • G min • 03:18 • -9.02db
21% Popularity • 70% Danceability • 44% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
21% Popularity • 70% Danceability • 44% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
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Margaret Whiting
They Can't Take That Away From Me
125 bpm • C min • 02:52 • -12.9db
45% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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King Oliver
When You're Smiling
125 bpm • C min • 03:20 • -12db
15% Popularity • 49% Danceability • 15% Energy • 26% Liveness
14% Instrumentalness • 27% Positiveness
15% Popularity • 49% Danceability • 15% Energy • 26% Liveness
14% Instrumentalness • 27% Positiveness
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Benny Goodman Tentette
Concert in Bremen, October 1959: Air Mai...
125 bpm • C Maj • 04:54 • -11.83db
2% Popularity • 53% Danceability • 69% Energy • 88% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 53% Danceability • 69% Energy • 88% Liveness
0% Instrumentalness • 52% Positiveness
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Aaron Copland
Clarinet Concerto: II. Rather Fast
125 bpm • E Maj • 07:43 • -7.49db
0% Popularity • 64% Danceability • 31% Energy • 55% Liveness
80% Instrumentalness • 51% Positiveness
0% Popularity • 64% Danceability • 31% Energy • 55% Liveness
80% Instrumentalness • 51% Positiveness
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Benny Goodman
Jumpin' At The Woodside
124 bpm • G min • 03:30 • -11.11db
23% Popularity • 55% Danceability • 44% Energy • 36% Liveness
16% Instrumentalness • 94% Positiveness
23% Popularity • 55% Danceability • 44% Energy • 36% Liveness
16% Instrumentalness • 94% Positiveness
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Turk Murphy
The Maple Leaf Rag
113 bpm • A# Maj • 03:12 • -12.32db
19% Popularity • 66% Danceability • 47% Energy • 29% Liveness
97% Instrumentalness • 92% Positiveness
19% Popularity • 66% Danceability • 47% Energy • 29% Liveness
97% Instrumentalness • 92% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
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Bix Beiderbecke
Clarinet Marmalade
125 bpm • F Maj • 03:12 • -10db
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Tommy Dorsey
On the Sunny Side of the Street
113 bpm • D# Maj • 03:14 • -13.02db
35% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Benny Goodman
Avalon
125 bpm • F min • 03:15 • -12.84db
33% Popularity • 73% Danceability • 36% Energy • 8% Liveness
53% Instrumentalness • 70% Positiveness
33% Popularity • 73% Danceability • 36% Energy • 8% Liveness
53% Instrumentalness • 70% Positiveness
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James P. Johnson
You've Got To Be Modernistic
125 bpm • G# Maj • 03:14 • -18.69db
14% Popularity • 58% Danceability • 33% Energy • 28% Liveness
85% Instrumentalness • 79% Positiveness
14% Popularity • 58% Danceability • 33% Energy • 28% Liveness
85% Instrumentalness • 79% Positiveness
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June Christy
How High The Moon - Remastered
113 bpm • F min • 02:33 • -8db
36% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Charlie Barnet & His Orchestra
Things Ain't What They Used to Be
113 bpm • G# Maj • 02:40 • -20db
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
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The Ink Spots
I'm Beginning To See The Light
113 bpm • F Maj • 02:42 • -12db
52% Popularity • 79% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 79% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Louis Armstrong And The All-Stars
High Society
126 bpm • C min • 03:59 • -13.55db
24% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
24% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
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Benny Goodman
Sing, Sing, Sing
113 bpm • D min • 08:40 • -9.19db
50% Popularity • 63% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
50% Popularity • 63% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
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Jimmie Lunceford
Rhythm Is Our Business
112 bpm • G Maj • 03:15 • -12.61db
20% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
20% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
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Etta Jones
Bye Bye Blackbird
126 bpm • C min • 03:14 • -9db
56% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Johnny Dodds
New Orleans Stomp
126 bpm • F Maj • 02:43 • -12.19db
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
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Kid Ory's Creole Jazz Band
Savoy Blues
126 bpm • G min • 03:03 • -9db
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
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Benny Goodman Septette
Concert in Bremen, October 1959: Slipped...
126 bpm • G# Maj • 03:57 • -11.03db
2% Popularity • 62% Danceability • 84% Energy • 75% Liveness
2% Instrumentalness • 59% Positiveness
2% Popularity • 62% Danceability • 84% Energy • 75% Liveness
2% Instrumentalness • 59% Positiveness
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Benny Goodman
Life Goes to a Party
113 bpm • A min • 03:42 • -13db
7% Popularity • 66% Danceability • 61% Energy • 72% Liveness
87% Instrumentalness • 62% Positiveness
7% Popularity • 66% Danceability • 61% Energy • 72% Liveness
87% Instrumentalness • 62% Positiveness
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Earl Hines
G.T. Stomp
126 bpm • G# Maj • 02:45 • -10.89db
21% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
21% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
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Glenn Miller & The Army Air Force Band
Mission To Moscow - Remastered 2001
126 bpm • C# Maj • 02:34 • -11.01db
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
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Fletcher Henderson & His Orchestra
The Stampede
112 bpm • F min • 03:14 • -11.81db
19% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
19% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
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Woody Herman & His Orchestra
Blues Downstairs
112 bpm • F Maj • 02:47 • -11.06db
17% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
17% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
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Benny Goodman Bigband
Concert in Brussles, Marc 1958: St. Loui...
127 bpm • D min • 03:49 • -9.82db
1% Popularity • 52% Danceability • 40% Energy • 70% Liveness
1% Instrumentalness • 69% Positiveness
1% Popularity • 52% Danceability • 40% Energy • 70% Liveness
1% Instrumentalness • 69% Positiveness
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Benny Goodman Sextet
If I Had You
111 bpm • C Maj • 03:01 • -19db
45% Popularity • 72% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
45% Popularity • 72% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
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Benny Goodman
Air Mail Special
112 bpm • A min • 02:52 • -10.94db
25% Popularity • 74% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 74% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
19% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
19% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
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Dizzy Gillespie
All The Things You Are
127 bpm • G# Maj • 02:49 • -17.66db
51% Popularity • 56% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 48% Positiveness
51% Popularity • 56% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 48% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Benny Goodman Tentette
Concert in Bremen, October 1959: I want ...
127 bpm • G min • 05:34 • -11.34db
2% Popularity • 45% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 45% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 52% Positiveness
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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Benny Goodman
You Turned The Tables On Me
127 bpm • C# Maj • 03:07 • -11.97db
22% Popularity • 70% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 70% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Cast
Back Home Again in Indiana
111 bpm • C min • 01:55 • -9db
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
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Muggsy Spanier
(What I Did to Be So) Black And Blue
111 bpm • G min • 02:40 • -9db
21% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
21% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
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Al Bowlly
Lying in the Hay (Foxtrott)
128 bpm • C Maj • 03:28 • -17db
12% Popularity • 64% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 66% Positiveness
12% Popularity • 64% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 66% Positiveness
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Benny Goodman Tentette
Concert in Bremen, October 1959: When yo...
127 bpm • D min • 04:45 • -15.87db
2% Popularity • 56% Danceability • 53% Energy • 97% Liveness
3% Instrumentalness • 72% Positiveness
2% Popularity • 56% Danceability • 53% Energy • 97% Liveness
3% Instrumentalness • 72% Positiveness
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Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Fletcher Henderson
Shanghai Shuffle
129 bpm • F# Maj • 02:58 • -10db
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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The Kenny Clarke-Francy Boland Big Band
Lullaby of the Leaves
129 bpm • F min • 04:14 • -12.26db
29% Popularity • 50% Danceability • 41% Energy • 19% Liveness
18% Instrumentalness • 74% Positiveness
29% Popularity • 50% Danceability • 41% Energy • 19% Liveness
18% Instrumentalness • 74% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Jelly Roll Morton
Black Bottom Stomp - 2002 Remastered
129 bpm • C min • 03:12 • -12.89db
31% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
31% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
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Woody Herman & His Orchestra
Four Brothers
110 bpm • G# Maj • 03:15 • -10db
25% Popularity • 61% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 61% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Una Mae Carlisle
Blitzkrieg Baby
129 bpm • C min • 03:21 • -14.39db
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Benny Goodman Quintet
Only Another Boy And Girl
129 bpm • D min • 03:00 • -16.48db
12% Popularity • 72% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 72% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
