Songs like Sing We and Chant It by Thomas Morley
Based on a tempo of (+/- 10%) and a similar genre
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Henry VIII
Pastime with good company
95 bpm • A# Maj • 01:55 • -14.36db
8% Popularity • 69% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 69% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Morley
Sing We and Chant It
95 bpm • G Maj • 01:36 • -17.23db
14% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
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Jacques Arcadelt
La pastorella mia
96 bpm • A min • 02:57 • -25db
17% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: I. K...
94 bpm • C Maj • 04:44 • -19.22db
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Thomas Morley
The Frog Galliard
96 bpm • G# Maj • 01:48 • -28.13db
2% Popularity • 36% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 24% Positiveness
2% Popularity • 36% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 24% Positiveness
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Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Piffaro
Was Wird Es Doch Des Wunders Noch (A 7)
94 bpm • C# Maj • 02:09 • -23.77db
17% Popularity • 37% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 48% Positiveness
17% Popularity • 37% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 48% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Thomas Morley
Fantasies to Two Voices: No. 1, Il dolor...
94 bpm • E Maj • 03:32 • -17.96db
0% Popularity • 12% Danceability • 6% Energy • 11% Liveness
10% Instrumentalness • 14% Positiveness
0% Popularity • 12% Danceability • 6% Energy • 11% Liveness
10% Instrumentalness • 14% Positiveness
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Elfrida Andrée
Ur drömliv I (Arr. for Vocal Ensemble)
97 bpm • C min • 02:02 • -24.21db
15% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
34% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
34% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
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Wacław of Szamotuły
Ego sum pastor bonus
97 bpm • F# min • 02:52 • -21.98db
8% Popularity • 19% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 19% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Giovanni Gabrieli
Canzoni et sonate: Sonata No. 13 (arr. E...
97 bpm • G min • 02:26 • -18db
18% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
18% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
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Tylman Susato
Passe and Medio / Den iersten gaillarde
97 bpm • G min • 03:07 • -21db
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Thomas Morley
Now Is The Month Of Maying
97 bpm • A min • 02:07 • -19.13db
16% Popularity • 59% Danceability • 28% Energy • 22% Liveness
3% Instrumentalness • 64% Positiveness
16% Popularity • 59% Danceability • 28% Energy • 22% Liveness
3% Instrumentalness • 64% Positiveness
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Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
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Adrian Willaert
Huc me sidereo
93 bpm • A min • 09:24 • -22db
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
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Pierre Attaingnant
Première Suytte de Branles d'Escosse
97 bpm • C Maj • 01:53 • -26.21db
11% Popularity • 48% Danceability • 9% Energy • 18% Liveness
5% Instrumentalness • 50% Positiveness
11% Popularity • 48% Danceability • 9% Energy • 18% Liveness
5% Instrumentalness • 50% Positiveness
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Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Clément Janequin
Toutes les nuictz
98 bpm • B Maj • 02:05 • -24db
9% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Thomas Morley
Fyre Fyre
93 bpm • F Maj • 02:26 • -23.11db
1% Popularity • 25% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 25% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Anton Bruckner
Afferentur regi, WAB 1
92 bpm • F Maj • 01:35 • -28db
25% Popularity • 12% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Jacopo Peri
Euridice, Prologo - La Tragedia: Io che ...
98 bpm • F Maj • 06:04 • -31db
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Robert Parsons
A Song of Mr Robert Parsons
92 bpm • G# min • 01:55 • -29db
26% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
26% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
25% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Thomas Morley
The First Service (Arr. for Choir, Organ...
97 bpm • B min • 07:05 • -19.29db
1% Popularity • 16% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
1% Popularity • 16% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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Pierre Attaingnant
La Magdalena
92 bpm • C# min • 02:34 • -21.42db
31% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
31% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
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Accentus
Drömmarna
99 bpm • D# Maj • 01:45 • -29.36db
29% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
29% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 1. O...
99 bpm • D Maj • 01:49 • -24db
15% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
15% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
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Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
30% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Elizabethan Partsongs: I. Sweet Da...
91 bpm • E min • 02:01 • -30db
9% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
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Thomas Morley
Fantasies to Two Voices: No. 2, La giran...
93 bpm • C# min • 01:21 • -18.08db
1% Popularity • 36% Danceability • 11% Energy • 13% Liveness
83% Instrumentalness • 52% Positiveness
1% Popularity • 36% Danceability • 11% Energy • 13% Liveness
83% Instrumentalness • 52% Positiveness
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Michael Praetorius
Terpsichore*: Bransle de la Torche
91 bpm • C Maj • 02:14 • -26.03db
22% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
22% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
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Fraser Wilson
Wishes
99 bpm • E min • 04:14 • -27.09db
5% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Motet: Parce, Domine
100 bpm • A min • 01:40 • -21.81db
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Francisco de la Torre
Cancionero Musical de la Colombina: No. ...
91 bpm • D min • 01:08 • -29.07db
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Morley
My Bonny Lass She Smileth
92 bpm • G Maj • 02:05 • -23.53db
7% Popularity • 46% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 46% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Michael Praetorius
Terpsichore*: a. Ballet des Baccanales b...
90 bpm • C Maj • 03:20 • -18.06db
18% Popularity • 42% Danceability • 24% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
18% Popularity • 42% Danceability • 24% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
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Vincenzo Ruffo
La Gamba
90 bpm • F Maj • 01:24 • -26db
21% Popularity • 45% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
21% Popularity • 45% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 3, Gloria
100 bpm • F Maj • 03:20 • -19db
16% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Philippe de Vitry
Vos quied admiramini - Gratissima vigini...
101 bpm • F Maj • 03:20 • -18.67db
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: III. Quomodo sed...
89 bpm • F# min • 01:11 • -17.64db
22% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
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Thomas Morley
Flora, Wilt Thou Torment Me
98 bpm • F# Maj • 02:06 • -21.37db
2% Popularity • 26% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 26% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Praetorius
Terpsichore*: Volte
101 bpm • G Maj • 01:34 • -19db
21% Popularity • 63% Danceability • 14% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
21% Popularity • 63% Danceability • 14% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Piffaro
Greiner, Zancker, Schnöpfitzer
102 bpm • D Maj • 01:02 • -17.88db
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
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Thomas Fabri
Ach Vlaendere vrie
89 bpm • A# Maj • 02:58 • -22.01db
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Argentum et aurum
88 bpm • A min • 03:08 • -14.68db
15% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Thomas Morley
Fire! Fire!
92 bpm • F Maj • 04:03 • -17.13db
1% Popularity • 31% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 31% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Felix Mendelssohn
Elias, Op. 70: Teil II: Hebe deine Augen...
102 bpm • C# Maj • 01:32 • -30.33db
9% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Johann Michael Bach
Halt, was du hast
88 bpm • E min • 05:26 • -21db
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Paul Hindemith
6 Chansons: No. 1. La biche
102 bpm • C# min • 01:17 • -28db
29% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Pierre Sandrin
Doulce mémoire
88 bpm • C# min • 02:49 • -22db
7% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
7% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
► Preview
Thomas Morley
Cam Thee (Anon.)
92 bpm • D min • 01:22 • -16db
0% Popularity • 52% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 60% Positiveness
0% Popularity • 52% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 60% Positiveness
► Preview
Guillaume Dufay
Se la face ay pale
103 bpm • A# Maj • 02:53 • -23db
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Giulio Caccini
All'imperio d'Amore: 7. Ineffabile ardor...
103 bpm • A# Maj • 00:54 • -16db
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
► Preview
Gilles Binchois
Binchois: Amours mercy de trespout non p...
88 bpm • C# min • 03:55 • -23db
10% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
John Taverner
Taverner: Missa Corona spinea - 01. Glor...
88 bpm • D# Maj • 05:32 • -21db
9% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Tylman Susato
Susato: 12 Dances from The Danserye: I. ...
87 bpm • C Maj • 01:15 • -9.67db
12% Popularity • 53% Danceability • 56% Energy • 13% Liveness
68% Instrumentalness • 25% Positiveness
12% Popularity • 53% Danceability • 56% Energy • 13% Liveness
68% Instrumentalness • 25% Positiveness
► Preview
Thomas Morley
My Bonny Lass
101 bpm • D# Maj • 05:26 • -18.49db
0% Popularity • 25% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 25% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Antonio Lotti
Lotti: Crucifixus a 8 voci
103 bpm • C min • 03:44 • -25.69db
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
► Preview
Andrés Barea
Miserere mei Deus (psaume L) – à 8, a...
87 bpm • E min • 09:32 • -20db
9% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Bartolomeo Tromboncino
Ostinato vos seguire
87 bpm • F Maj • 03:32 • -15db
17% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
Die deutsche Liturgie: Heilig, heilig is...
87 bpm • D Maj • 02:00 • -24db
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Thomas Morley
Fantasies to Two Voices: No. 8, La siren...
101 bpm • C# min • 02:13 • -16.15db
0% Popularity • 26% Danceability • 10% Energy • 12% Liveness
43% Instrumentalness • 30% Positiveness
0% Popularity • 26% Danceability • 10% Energy • 12% Liveness
43% Instrumentalness • 30% Positiveness
► Preview
Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
15% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
► Preview
Dmitry Bortniansky
Cherubic Hymn, No. 7
86 bpm • D Maj • 04:00 • -22db
14% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Matthew Locke
Fantasy For 2 Trebles And Bass
105 bpm • B Maj • 04:11 • -22.76db
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Isaac: Optime Pastor - 1. Optime Divino
87 bpm • E min • 04:42 • -21.78db
18% Popularity • 11% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 11% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
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Christopher Tye
In Nomine No. 14, 'Reporte'
86 bpm • C# min • 02:15 • -28db
19% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
19% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Thomas Morley
When Lo, by Break of Morning
101 bpm • B Maj • 02:14 • -18.97db
2% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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Philippe de Monte
Missa super mon coeur se recomande: Sanc...
86 bpm • C# Maj • 03:10 • -22db
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Jan Pieterszoon Sweelinck
Psalm 96, "Chantez a Dieu chanson nouvel...
86 bpm • E min • 01:55 • -24.05db
20% Popularity • 28% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 28% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Francisco Guerrero
Maria Magdalene
86 bpm • A Maj • 08:20 • -21.25db
19% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: III...
105 bpm • A min • 06:26 • -19.02db
9% Popularity • 15% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Jacques Arcadelt
Il bianco e dolce cigno
86 bpm • E Maj • 02:59 • -24.42db
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 25, Qui ...
86 bpm • E min • 03:24 • -22db
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
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Edward Elgar
My Love Dwelt in A Northern Land, Op. 18...
105 bpm • A min • 04:01 • -24.76db
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Pierre Francisque Carroubel
Spagnolette
86 bpm • D min • 03:35 • -25db
19% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
19% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
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Thomas Morley
It Was a Lover and His Lass (Arr. for Ch...
86 bpm • G Maj • 02:25 • -21.32db
2% Popularity • 54% Danceability • 13% Energy • 9% Liveness
50% Instrumentalness • 45% Positiveness
2% Popularity • 54% Danceability • 13% Energy • 9% Liveness
50% Instrumentalness • 45% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Matthaus-Passion, SWV 479: Introitus
86 bpm • C Maj • 01:00 • -21.16db
23% Popularity • 14% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
15% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Anon
Pavana and Gallyard
86 bpm • G min • 02:27 • -17.47db
7% Popularity • 31% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
7% Popularity • 31% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Michael Praetorius
Terpsichore*: Ballet des coqs
106 bpm • C Maj • 02:06 • -14.79db
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Thomas Morley
Burial Service: III. Thou Knowest, Lord,...
105 bpm • G min • 01:42 • -26db
15% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
