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Sister Part 1
Songs like
Sister Part 1
by
Cliff Martinez
Based on a tempo of (+/- 10%) and a similar genre
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Dave Porter
The Morning After
79 bpm • F# Maj • 02:24 • -20.05db
25% Popularity • 70% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
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The Mountain King
A Fist Of Swarms
79 bpm • A# Maj • 03:35 • -21.13db
18% Popularity • 19% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Mark Isham
Paddy & Tommy
79 bpm • F# min • 03:48 • -42.23db
15% Popularity • 15% Danceability • 0% Energy • 8% Liveness
75% Instrumentalness • 6% Positiveness
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Cliff Martinez
Sister Part 1
79 bpm • C Maj • 03:09 • -28.86db
21% Popularity • 10% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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James Newton Howard
25 Dollars Worth
79 bpm • A# Maj • 06:26 • -26.37db
15% Popularity • 15% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Solomon Grey
Sky
79 bpm • G# Maj • 02:07 • -13.78db
11% Popularity • 14% Danceability • 25% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Jason Hill
Coming Home
80 bpm • C Maj • 01:39 • -21.73db
33% Popularity • 21% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Craig Armstrong
Hawaii Guitar Theme
78 bpm • C Maj • 01:04 • -25.09db
9% Popularity • 11% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 5% Positiveness
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Dustin O'Halloran
Melon's Story
80 bpm • A min • 02:38 • -35.16db
15% Popularity • 8% Danceability • 1% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
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The Album Leaf
Forgiveness
78 bpm • C Maj • 02:08 • -33.18db
15% Popularity • 13% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 2% Positiveness
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Éric Serra
Protect Life
80 bpm • B min • 02:33 • -22db
37% Popularity • 16% Danceability • 9% Energy • 32% Liveness
39% Instrumentalness • 4% Positiveness
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Wojciech Golczewski
Orbiting
78 bpm • G min • 02:28 • -18.43db
33% Popularity • 12% Danceability • 10% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Daft Punk
Arrival
78 bpm • G# min • 02:00 • -22.59db
37% Popularity • 11% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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Mogwai
Ghost Nets
80 bpm • F min • 05:13 • -27.79db
27% Popularity • 30% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Kyle Dixon & Michael Stein
This Isn't You
80 bpm • B Maj • 02:23 • -29.22db
42% Popularity • 13% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Cliff Martinez
I Drive
78 bpm • C Maj • 02:03 • -26.23db
46% Popularity • 20% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Johnny Klimek
Agfa Montage
80 bpm • F# Maj • 01:43 • -25.65db
15% Popularity • 43% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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James Newton Howard
Edit on the Hood
80 bpm • D min • 01:07 • -16.66db
21% Popularity • 28% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Gregory Tripi
Two Loud Forceful Coughs
80 bpm • G min • 02:58 • -19.77db
5% Popularity • 48% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Mac Quayle
1.0_2-oneincontrol.aiff
80 bpm • A# min • 04:39 • -21db
33% Popularity • 25% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Thomas Ragsdale
Warning Mass
80 bpm • C# Maj • 03:26 • -24.17db
9% Popularity • 22% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Paul Haslinger
Phoenix
80 bpm • C# min • 01:57 • -36db
32% Popularity • 24% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 12% Positiveness
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Angelo Badalamenti
Accident / Farewell Theme
78 bpm • C min • 03:13 • -19.55db
21% Popularity • 12% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Disasterpeace
Jay
78 bpm • F# min • 01:28 • -23db
32% Popularity • 20% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Yesterday's Entertainment
80 bpm • D Maj • 02:12 • -25db
36% Popularity • 39% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Mica Levi
Bedroom
81 bpm • G Maj • 01:30 • -25.34db
25% Popularity • 20% Danceability • 3% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Online
77 bpm • E Maj • 04:19 • -26.04db
32% Popularity • 9% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Cliff Martinez
Can I Sit Next to You
81 bpm • G min • 01:44 • -18.07db
32% Popularity • 9% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Thomas Newman
Oleander Time
77 bpm • C# Maj • 04:21 • -30db
19% Popularity • 14% Danceability • 1% Energy • 13% Liveness
71% Instrumentalness • 3% Positiveness
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Freya Arde
Life On Tape
81 bpm • A Maj • 02:15 • -29db
27% Popularity • 18% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Sinoia Caves
Arboria Tapes - Award Winning Gardens
81 bpm • C# Maj • 03:02 • -17.06db
19% Popularity • 14% Danceability • 88% Energy • 24% Liveness
92% Instrumentalness • 7% Positiveness
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Mark Korven
Arrival
77 bpm • C Maj • 01:49 • -17db
31% Popularity • 16% Danceability • 27% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Marc Canham
14 Years
77 bpm • D# min • 03:39 • -20.97db
21% Popularity • 7% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Cliff Martinez
Skull Crushing
77 bpm • G# Maj • 05:57 • -20.91db
27% Popularity • 12% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Evacuation
77 bpm • D# min • 04:43 • -18.4db
28% Popularity • 15% Danceability • 24% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Jack Bartman
Not Afraid To Die
77 bpm • D min • 02:09 • -21.26db
28% Popularity • 17% Danceability • 26% Energy • 8% Liveness
69% Instrumentalness • 3% Positiveness
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Mike Patton
29-The Snow Angel
77 bpm • G Maj • 01:45 • -27db
34% Popularity • 26% Danceability • 1% Energy • 16% Liveness
99% Instrumentalness • 6% Positiveness
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Shane Carruth
Their Roots Reaching Quite Under the Hou...
77 bpm • A Maj • 02:10 • -18.02db
9% Popularity • 18% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Ludwig Göransson
BETRAYAL
82 bpm • D# Maj • 03:55 • -17.39db
41% Popularity • 16% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 2% Positiveness
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Johan Söderqvist
Oscar in Love
76 bpm • D min • 02:11 • -29.62db
16% Popularity • 14% Danceability • 7% Energy • 14% Liveness
20% Instrumentalness • 6% Positiveness
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Jed Palmer
Fisk
76 bpm • E min • 01:53 • -29db
35% Popularity • 8% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
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Ryuichi Sakamoto
Carrying Glass
76 bpm • E min • 03:07 • -30.98db
35% Popularity • 8% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Alex Somers
Match
82 bpm • F min • 01:31 • -16.65db
31% Popularity • 9% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Dave Porter
Gray Matter
76 bpm • F min • 03:10 • -26db
20% Popularity • 32% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Jason Hill
Main Titles - Mindhunter
76 bpm • F# Maj • 03:14 • -29db
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Michael Andrews
The Artifact & Living
76 bpm • D# Maj • 02:28 • -14db
37% Popularity • 24% Danceability • 27% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Ben Frost
You Are Atheists
76 bpm • B min • 01:12 • -21db
32% Popularity • 10% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Michael McCann
Home
82 bpm • G Maj • 02:17 • -21.82db
34% Popularity • 14% Danceability • 14% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
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Anne Nikitin
Sunny and Elizabeth
76 bpm • F Maj • 01:21 • -23.09db
26% Popularity • 32% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Electric Youth
Breathing
76 bpm • F min • 02:49 • -17.76db
17% Popularity • 19% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Rob Simonsen
Call Me
82 bpm • C min • 01:32 • -35.41db
27% Popularity • 12% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Nathan Johnson
A Body That Technically Does Not Exist
76 bpm • F Maj • 01:21 • -24db
30% Popularity • 25% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Michael Andrews
Slipping Away
82 bpm • D# Maj • 01:15 • -16.3db
37% Popularity • 18% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Hans Zimmer
That's Why We Believe
76 bpm • G min • 03:36 • -25.49db
36% Popularity • 8% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Jeff Beal
Don't Break A Promise
76 bpm • F min • 08:06 • -22.73db
15% Popularity • 19% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Will Bates & Phil Mossman
Turning Over Rocks
83 bpm • A# Maj • 03:41 • -17.89db
20% Popularity • 15% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Frans Bak
Waiting
83 bpm • C Maj • 02:38 • -19.56db
8% Popularity • 8% Danceability • 16% Energy • 14% Liveness
75% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Opening
75 bpm • B min • 01:33 • -30.72db
31% Popularity • 10% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Danny Bensi and Saunder Jurriaans
The Dark Room
75 bpm • D Maj • 04:45 • -18.94db
14% Popularity • 15% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Hans Zimmer
Mesa
84 bpm • C Maj • 03:10 • -17.8db
42% Popularity • 13% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Cliff Martinez
Leave My Son In Peace
74 bpm • D min • 04:50 • -26.02db
7% Popularity • 25% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Jason Hill
From A Motel Phone
84 bpm • D Maj • 02:32 • -19.47db
17% Popularity • 10% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Jeff Beal
The Ring
74 bpm • G Maj • 02:52 • -20.09db
27% Popularity • 14% Danceability • 19% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Asche & Spencer
Mahlus Gardens
84 bpm • D min • 03:28 • -19.03db
10% Popularity • 35% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Hammock
Pei
74 bpm • G Maj • 03:53 • -20.49db
24% Popularity • 18% Danceability • 19% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Hans Zimmer
Sapper's Tree
74 bpm • C Maj • 01:36 • -22.36db
41% Popularity • 17% Danceability • 14% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Dan Romer
Love Unconditionally
74 bpm • F min • 02:24 • -24.75db
25% Popularity • 7% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Mica Levi
Lonely Void
84 bpm • D# min • 03:38 • -14.93db
22% Popularity • 23% Danceability • 12% Energy • 15% Liveness
96% Instrumentalness • 8% Positiveness
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Lucy Railton
Women’s Center
84 bpm • G Maj • 02:27 • -23db
23% Popularity • 8% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
12 Hours Before
84 bpm • C Maj • 02:31 • -20db
39% Popularity • 18% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Hammock
Eliel
74 bpm • D Maj • 04:19 • -25.4db
32% Popularity • 22% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Underworld
Trey's Fate
85 bpm • C min • 02:43 • -27.19db
13% Popularity • 19% Danceability • 10% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
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Dan Romer
The A Pill
74 bpm • G# Maj • 01:04 • -24.39db
34% Popularity • 17% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Cliff Martinez
He Had a Good Time
74 bpm • B Maj • 01:37 • -23db
41% Popularity • 29% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Asche & Spencer
Resignation
85 bpm • D min • 03:47 • -17.49db
11% Popularity • 22% Danceability • 26% Energy • 27% Liveness
94% Instrumentalness • 4% Positiveness
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Autumn Creatures
Eternal Daydream
74 bpm • C Maj • 05:20 • -15.19db
24% Popularity • 21% Danceability • 32% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Éric Serra
I Feel Everything
85 bpm • D min • 02:09 • -27.65db
27% Popularity • 18% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Cycles
85 bpm • C Maj • 04:57 • -26.26db
24% Popularity • 8% Danceability • 3% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
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Dan Romer
Are You Watching Us?
74 bpm • F Maj • 07:24 • -19.55db
7% Popularity • 12% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Cliff Martinez
Crystal Checking In
74 bpm • A# min • 01:57 • -27.17db
13% Popularity • 9% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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TOTO
Prophecy Theme
85 bpm • D min • 04:21 • -23.12db
43% Popularity • 19% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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John Murphy
Kiss of Death (Requiem in D Minor)
73 bpm • D min • 02:52 • -14.85db
26% Popularity • 15% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Danny Bensi and Saunder Jurriaans
Mourning
73 bpm • C Maj • 02:35 • -40.42db
13% Popularity • 16% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Jed Palmer
Old Neighbourhood
73 bpm • A Maj • 02:11 • -32db
30% Popularity • 14% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 2% Positiveness
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Solomon Grey
White
85 bpm • G Maj • 02:04 • -11.99db
11% Popularity • 19% Danceability • 34% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Cliff Martinez
Will She Come Back
73 bpm • A min • 05:00 • -25db
34% Popularity • 7% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Dan Romer
I Wonder Why You Made Me
85 bpm • C min • 01:33 • -32.24db
0% Popularity • 10% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Alex Somers
Hours, Days, Months
73 bpm • F# Maj • 01:31 • -14.04db
17% Popularity • 33% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 9% Positiveness
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Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
37% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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David Julyan
"Let Me Sleep"
86 bpm • B min • 02:43 • -17db
26% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Ryuichi Sakamoto
The Revenant Theme (Alva Noto Remodel)
86 bpm • D Maj • 04:00 • -28.74db
32% Popularity • 19% Danceability • 5% Energy • 11% Liveness
73% Instrumentalness • 3% Positiveness
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The Insects
Stranger Danger
73 bpm • G min • 02:01 • -15.73db
17% Popularity • 6% Danceability • 11% Energy • 9% Liveness
63% Instrumentalness • 3% Positiveness
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Rod Abernethy
It Looks Like a Warning
86 bpm • D# Maj • 01:32 • -17.49db
14% Popularity • 37% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Peter Peter
Sick Bed
86 bpm • D Maj • 03:10 • -21.47db
8% Popularity • 12% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Steven Price
ISS
72 bpm • G# min • 02:53 • -30db
23% Popularity • 7% Danceability • 6% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
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Franco Esteve
The Space Between
72 bpm • A min • 03:00 • -36.2db
24% Popularity • 15% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
34% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Backfire
86 bpm • D# Maj • 01:12 • -20.76db
39% Popularity • 13% Danceability • 10% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Theodore Shapiro
Ecstasy
87 bpm • C Maj • 04:14 • -16.68db
14% Popularity • 20% Danceability • 23% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Jim Williams
Possessor
72 bpm • D min • 07:16 • -33.54db
9% Popularity • 8% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Sister Part 1