Songs like Sister Sanctified (with Milt Jackson) by Stanley Turrentine
Based on a tempo of (+/- 10%) and a similar genre
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Stanley Turrentine
Meat Wave
94 bpm • C min • 04:45 • -10.59db
8% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Richard "Groove" Holmes
Mr. Clean - Remastered
94 bpm • D# Maj • 05:04 • -10.89db
10% Popularity • 55% Danceability • 76% Energy • 11% Liveness
80% Instrumentalness • 96% Positiveness
10% Popularity • 55% Danceability • 76% Energy • 11% Liveness
80% Instrumentalness • 96% Positiveness
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The J.B.'s
(It's Not The Express) It's The J.B.'s M...
94 bpm • F min • 08:18 • -8db
25% Popularity • 75% Danceability • 61% Energy • 8% Liveness
3% Instrumentalness • 75% Positiveness
25% Popularity • 75% Danceability • 61% Energy • 8% Liveness
3% Instrumentalness • 75% Positiveness
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Houston Person
The Houston Express
94 bpm • F min • 05:51 • -11.76db
3% Popularity • 61% Danceability • 60% Energy • 7% Liveness
31% Instrumentalness • 90% Positiveness
3% Popularity • 61% Danceability • 60% Energy • 7% Liveness
31% Instrumentalness • 90% Positiveness
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Tom Scott And The L.A. Express
Sneakin' In The Back
94 bpm • G# Maj • 04:46 • -13.02db
29% Popularity • 75% Danceability • 37% Energy • 6% Liveness
82% Instrumentalness • 53% Positiveness
29% Popularity • 75% Danceability • 37% Energy • 6% Liveness
82% Instrumentalness • 53% Positiveness
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Rusty Bryant
Fire Eater
94 bpm • D min • 09:36 • -11.73db
18% Popularity • 56% Danceability • 82% Energy • 5% Liveness
17% Instrumentalness • 69% Positiveness
18% Popularity • 56% Danceability • 82% Energy • 5% Liveness
17% Instrumentalness • 69% Positiveness
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Stanley Turrentine
Sister Sanctified
94 bpm • F Maj • 06:02 • -10.6db
9% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Roy Ayers Ubiquity
Mystic Voyage
93 bpm • A min • 03:41 • -14.38db
30% Popularity • 51% Danceability • 61% Energy • 13% Liveness
34% Instrumentalness • 76% Positiveness
30% Popularity • 51% Danceability • 61% Energy • 13% Liveness
34% Instrumentalness • 76% Positiveness
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Blue Mitchell
Granite and Concrete
93 bpm • A# min • 10:01 • -14.09db
5% Popularity • 66% Danceability • 60% Energy • 8% Liveness
70% Instrumentalness • 78% Positiveness
5% Popularity • 66% Danceability • 60% Energy • 8% Liveness
70% Instrumentalness • 78% Positiveness
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Bobby Hutcherson
Montara
95 bpm • C Maj • 04:58 • -16.84db
37% Popularity • 72% Danceability • 27% Energy • 7% Liveness
83% Instrumentalness • 54% Positiveness
37% Popularity • 72% Danceability • 27% Energy • 7% Liveness
83% Instrumentalness • 54% Positiveness
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Freddie Roach
Brown Sugar
93 bpm • A# Maj • 04:20 • -9.48db
18% Popularity • 60% Danceability • 52% Energy • 18% Liveness
61% Instrumentalness • 76% Positiveness
18% Popularity • 60% Danceability • 52% Energy • 18% Liveness
61% Instrumentalness • 76% Positiveness
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The Brecker Brothers
On The Backside
93 bpm • G# min • 06:27 • -10.36db
29% Popularity • 67% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
29% Popularity • 67% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
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Stanley Turrentine
Thomasville
94 bpm • A# Maj • 06:36 • -13.48db
6% Popularity • 66% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
6% Popularity • 66% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Bob James
Night Crawler
93 bpm • F min • 06:20 • -13.53db
22% Popularity • 62% Danceability • 42% Energy • 5% Liveness
56% Instrumentalness • 81% Positiveness
22% Popularity • 62% Danceability • 42% Energy • 5% Liveness
56% Instrumentalness • 81% Positiveness
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Roy Ayers Ubiquity
The Black Five
93 bpm • C min • 03:57 • -14db
18% Popularity • 63% Danceability • 53% Energy • 8% Liveness
82% Instrumentalness • 95% Positiveness
18% Popularity • 63% Danceability • 53% Energy • 8% Liveness
82% Instrumentalness • 95% Positiveness
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Weather Report
Young and Fine
93 bpm • C min • 06:54 • -12db
10% Popularity • 36% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 36% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby Timmons Trio
From The Bottom
93 bpm • C# Maj • 04:59 • -13.54db
26% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
26% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
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Kool & The Gang
N.T.
95 bpm • C Maj • 06:31 • -11.38db
23% Popularity • 74% Danceability • 45% Energy • 8% Liveness
13% Instrumentalness • 84% Positiveness
23% Popularity • 74% Danceability • 45% Energy • 8% Liveness
13% Instrumentalness • 84% Positiveness
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Stanley Turrentine
The Hustler - Remastered 2002/Rudy Van G...
95 bpm • F min • 06:02 • -13.74db
9% Popularity • 65% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 65% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Hank Crawford
We've Got a Good Thing Going
93 bpm • D# min • 05:56 • -13db
24% Popularity • 56% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 89% Positiveness
24% Popularity • 56% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 89% Positiveness
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Stone Alliance
Sweetie-Pie
95 bpm • A# min • 04:28 • -9.91db
12% Popularity • 70% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 70% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Cornell Dupree
Teasin'
93 bpm • C# min • 03:51 • -4.8db
19% Popularity • 73% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
19% Popularity • 73% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Bob James
Tappan Zee
95 bpm • F min • 06:49 • -17.73db
25% Popularity • 72% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 94% Positiveness
25% Popularity • 72% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 94% Positiveness
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Harvey Mason
Modaji
92 bpm • D Maj • 06:51 • -14db
20% Popularity • 61% Danceability • 28% Energy • 12% Liveness
83% Instrumentalness • 49% Positiveness
20% Popularity • 61% Danceability • 28% Energy • 12% Liveness
83% Instrumentalness • 49% Positiveness
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Thelonious Monk
Black And Tan Fantasy
96 bpm • G# Maj • 03:28 • -17.29db
26% Popularity • 54% Danceability • 15% Energy • 11% Liveness
74% Instrumentalness • 31% Positiveness
26% Popularity • 54% Danceability • 15% Energy • 11% Liveness
74% Instrumentalness • 31% Positiveness
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Gene Harris & The Three Sounds
Funky Pullett - Live At The It Club, Los...
92 bpm • C Maj • 07:45 • -16.95db
10% Popularity • 64% Danceability • 39% Energy • 8% Liveness
97% Instrumentalness • 69% Positiveness
10% Popularity • 64% Danceability • 39% Energy • 8% Liveness
97% Instrumentalness • 69% Positiveness
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Ronnie Laws
Tidal Wave
96 bpm • A# Maj • 04:12 • -12.6db
36% Popularity • 36% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 36% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Jazz Crusaders
Why Do You Laugh At Me?
96 bpm • C Maj • 02:35 • -12.46db
27% Popularity • 48% Danceability • 34% Energy • 10% Liveness
96% Instrumentalness • 37% Positiveness
27% Popularity • 48% Danceability • 34% Energy • 10% Liveness
96% Instrumentalness • 37% Positiveness
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Horace Silver
Kathy - Rudy Van Gelder 24-Bit Mastering...
92 bpm • A# min • 04:17 • -10.91db
28% Popularity • 48% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
28% Popularity • 48% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
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Ray Bryant
Cubano Chant
96 bpm • D# min • 04:09 • -8.64db
27% Popularity • 62% Danceability • 66% Energy • 18% Liveness
63% Instrumentalness • 86% Positiveness
27% Popularity • 62% Danceability • 66% Energy • 18% Liveness
63% Instrumentalness • 86% Positiveness
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The Meters
Funky Miracle
96 bpm • B min • 02:27 • -14.11db
29% Popularity • 83% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
29% Popularity • 83% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
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Joe Henderson
Mode For Joe - Remastered
92 bpm • F min • 08:00 • -14.8db
24% Popularity • 56% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 44% Positiveness
24% Popularity • 56% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 44% Positiveness
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Ronnie Laws
Tell Me Something Good
92 bpm • C# min • 04:51 • -13.11db
23% Popularity • 58% Danceability • 80% Energy • 18% Liveness
58% Instrumentalness • 82% Positiveness
23% Popularity • 58% Danceability • 80% Energy • 18% Liveness
58% Instrumentalness • 82% Positiveness
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Stanley Turrentine
Sara's Dance - Remastered
96 bpm • C min • 06:14 • -8.61db
6% Popularity • 69% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
6% Popularity • 69% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Herbie Hancock
Oh! Oh! Here He Comes
96 bpm • A Maj • 04:08 • -11db
33% Popularity • 62% Danceability • 68% Energy • 13% Liveness
95% Instrumentalness • 96% Positiveness
33% Popularity • 62% Danceability • 68% Energy • 13% Liveness
95% Instrumentalness • 96% Positiveness
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Michael Naura Quartet
Take Us Down to the River
96 bpm • F Maj • 03:58 • -16.84db
14% Popularity • 53% Danceability • 41% Energy • 14% Liveness
20% Instrumentalness • 54% Positiveness
14% Popularity • 53% Danceability • 41% Energy • 14% Liveness
20% Instrumentalness • 54% Positiveness
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Gary Burton
Las Vegas Tango
96 bpm • E min • 06:30 • -12.25db
25% Popularity • 37% Danceability • 48% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
25% Popularity • 37% Danceability • 48% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
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Fred Wesley & The J.B.'s
You Sure Love To Ball
92 bpm • C Maj • 04:37 • -9.39db
7% Popularity • 60% Danceability • 66% Energy • 17% Liveness
73% Instrumentalness • 46% Positiveness
7% Popularity • 60% Danceability • 66% Energy • 17% Liveness
73% Instrumentalness • 46% Positiveness
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Kool & The Gang
Give It Up
97 bpm • A min • 03:41 • -10.71db
31% Popularity • 72% Danceability • 67% Energy • 28% Liveness
26% Instrumentalness • 73% Positiveness
31% Popularity • 72% Danceability • 67% Energy • 28% Liveness
26% Instrumentalness • 73% Positiveness
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Stanley Turrentine
I'm In Love - Album Version - Alt. Take ...
96 bpm • C# Maj • 03:35 • -10.5db
6% Popularity • 70% Danceability • 36% Energy • 6% Liveness
3% Instrumentalness • 46% Positiveness
6% Popularity • 70% Danceability • 36% Energy • 6% Liveness
3% Instrumentalness • 46% Positiveness
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Ahmad Jamal
One
97 bpm • A min • 07:18 • -20.16db
25% Popularity • 59% Danceability • 38% Energy • 14% Liveness
84% Instrumentalness • 64% Positiveness
25% Popularity • 59% Danceability • 38% Energy • 14% Liveness
84% Instrumentalness • 64% Positiveness
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Milt Jackson
Opus Pocus
91 bpm • G# Maj • 07:31 • -16.55db
7% Popularity • 56% Danceability • 25% Energy • 10% Liveness
9% Instrumentalness • 25% Positiveness
7% Popularity • 56% Danceability • 25% Energy • 10% Liveness
9% Instrumentalness • 25% Positiveness
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Eric Gale
Lookin' Good
91 bpm • E min • 07:02 • -11.54db
12% Popularity • 76% Danceability • 44% Energy • 19% Liveness
64% Instrumentalness • 43% Positiveness
12% Popularity • 76% Danceability • 44% Energy • 19% Liveness
64% Instrumentalness • 43% Positiveness
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Gene Harris & The Three Sounds
Book Of Slim
91 bpm • D min • 03:23 • -9.07db
41% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Gene Ammons
Ca' Purange (Jungle Soul)
91 bpm • C Maj • 09:35 • -20.21db
8% Popularity • 62% Danceability • 15% Energy • 12% Liveness
25% Instrumentalness • 72% Positiveness
8% Popularity • 62% Danceability • 15% Energy • 12% Liveness
25% Instrumentalness • 72% Positiveness
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Bob James
Shamboozie
91 bpm • F min • 05:19 • -15.08db
21% Popularity • 81% Danceability • 46% Energy • 8% Liveness
79% Instrumentalness • 93% Positiveness
21% Popularity • 81% Danceability • 46% Energy • 8% Liveness
79% Instrumentalness • 93% Positiveness
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Stanley Turrentine
Let's Groove
97 bpm • C min • 06:03 • -11db
30% Popularity • 51% Danceability • 51% Energy • 5% Liveness
4% Instrumentalness • 71% Positiveness
30% Popularity • 51% Danceability • 51% Energy • 5% Liveness
4% Instrumentalness • 71% Positiveness
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James Moody
You Follow Me
91 bpm • A# min • 06:12 • -14.99db
12% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
12% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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King Curtis
Sweet Inspiration
91 bpm • F Maj • 02:55 • -15.33db
20% Popularity • 73% Danceability • 27% Energy • 10% Liveness
31% Instrumentalness • 80% Positiveness
20% Popularity • 73% Danceability • 27% Energy • 10% Liveness
31% Instrumentalness • 80% Positiveness
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Richard "Groove" Holmes
The Things We Did Last Summer
97 bpm • F min • 06:03 • -17.99db
13% Popularity • 51% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
13% Popularity • 51% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
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The Headhunters
God Make Me Funky
97 bpm • D Maj • 09:39 • -8db
32% Popularity • 62% Danceability • 84% Energy • 6% Liveness
18% Instrumentalness • 85% Positiveness
32% Popularity • 62% Danceability • 84% Energy • 6% Liveness
18% Instrumentalness • 85% Positiveness
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Tina Brooks
Theme For Doris - Remastered
91 bpm • G# Maj • 05:53 • -6.88db
14% Popularity • 45% Danceability • 56% Energy • 15% Liveness
93% Instrumentalness • 44% Positiveness
14% Popularity • 45% Danceability • 56% Energy • 15% Liveness
93% Instrumentalness • 44% Positiveness
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Hampton Hawes
Web
91 bpm • C# Maj • 03:30 • -10.43db
10% Popularity • 71% Danceability • 72% Energy • 15% Liveness
29% Instrumentalness • 93% Positiveness
10% Popularity • 71% Danceability • 72% Energy • 15% Liveness
29% Instrumentalness • 93% Positiveness
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The Monty Alexander Trio
We've Only Just Begun
91 bpm • G Maj • 05:51 • -19.06db
9% Popularity • 47% Danceability • 26% Energy • 68% Liveness
82% Instrumentalness • 23% Positiveness
9% Popularity • 47% Danceability • 26% Energy • 68% Liveness
82% Instrumentalness • 23% Positiveness
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Idris Muhammad
Crap Apple
97 bpm • A# Maj • 05:10 • -7db
30% Popularity • 89% Danceability • 66% Energy • 12% Liveness
39% Instrumentalness • 89% Positiveness
30% Popularity • 89% Danceability • 66% Energy • 12% Liveness
39% Instrumentalness • 89% Positiveness
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Eddie Harris
Lovely Is Today
97 bpm • G min • 04:25 • -6.93db
10% Popularity • 52% Danceability • 66% Energy • 25% Liveness
85% Instrumentalness • 59% Positiveness
10% Popularity • 52% Danceability • 66% Energy • 25% Liveness
85% Instrumentalness • 59% Positiveness
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The Blackbyrds
Do It, Fluid
97 bpm • F min • 05:24 • -9.12db
32% Popularity • 67% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 87% Positiveness
32% Popularity • 67% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 87% Positiveness
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Bob James
Look-Alike
91 bpm • G Maj • 05:33 • -13.38db
23% Popularity • 66% Danceability • 29% Energy • 6% Liveness
79% Instrumentalness • 79% Positiveness
23% Popularity • 66% Danceability • 29% Energy • 6% Liveness
79% Instrumentalness • 79% Positiveness
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Blue Mitchell
Flat Backing
97 bpm • C Maj • 04:20 • -7.63db
4% Popularity • 69% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
4% Popularity • 69% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Billy Butler
The Twang Thang
98 bpm • A# Maj • 05:13 • -17.75db
20% Popularity • 69% Danceability • 25% Energy • 10% Liveness
74% Instrumentalness • 76% Positiveness
20% Popularity • 69% Danceability • 25% Energy • 10% Liveness
74% Instrumentalness • 76% Positiveness
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Joe Thomas
Polarizer
98 bpm • G min • 05:33 • -12.01db
22% Popularity • 79% Danceability • 48% Energy • 6% Liveness
74% Instrumentalness • 96% Positiveness
22% Popularity • 79% Danceability • 48% Energy • 6% Liveness
74% Instrumentalness • 96% Positiveness
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Gene Ammons
The Jungle Boss
98 bpm • F Maj • 05:36 • -13.31db
8% Popularity • 61% Danceability • 46% Energy • 17% Liveness
25% Instrumentalness • 55% Positiveness
8% Popularity • 61% Danceability • 46% Energy • 17% Liveness
25% Instrumentalness • 55% Positiveness
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The Blackbyrds
Reggins
98 bpm • F min • 04:05 • -12db
32% Popularity • 64% Danceability • 51% Energy • 7% Liveness
78% Instrumentalness • 93% Positiveness
32% Popularity • 64% Danceability • 51% Energy • 7% Liveness
78% Instrumentalness • 93% Positiveness
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Bobby Hutcherson
Rain Every Thursday
98 bpm • F Maj • 03:43 • -10db
9% Popularity • 52% Danceability • 68% Energy • 16% Liveness
55% Instrumentalness • 96% Positiveness
9% Popularity • 52% Danceability • 68% Energy • 16% Liveness
55% Instrumentalness • 96% Positiveness
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Idris Muhammad
Soulful Drums
98 bpm • D min • 04:41 • -15.94db
16% Popularity • 65% Danceability • 39% Energy • 10% Liveness
81% Instrumentalness • 54% Positiveness
16% Popularity • 65% Danceability • 39% Energy • 10% Liveness
81% Instrumentalness • 54% Positiveness
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Stanley Turrentine
Get It
98 bpm • G Maj • 07:51 • -12.98db
7% Popularity • 62% Danceability • 37% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
7% Popularity • 62% Danceability • 37% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Kool & The Gang
Dujii
90 bpm • D Maj • 06:02 • -10.43db
31% Popularity • 35% Danceability • 50% Energy • 72% Liveness
51% Instrumentalness • 71% Positiveness
31% Popularity • 35% Danceability • 50% Energy • 72% Liveness
51% Instrumentalness • 71% Positiveness
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Chico Hamilton
Abdullah And Abraham
98 bpm • G Maj • 04:16 • -12db
19% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
19% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Tommy Turrentine
Parisian Sketches - The Arch
98 bpm • C min • 03:40 • -8.78db
1% Popularity • 44% Danceability • 67% Energy • 33% Liveness
10% Instrumentalness • 66% Positiveness
1% Popularity • 44% Danceability • 67% Energy • 33% Liveness
10% Instrumentalness • 66% Positiveness
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Bob James
Nautilus
98 bpm • A min • 05:05 • -14.18db
39% Popularity • 50% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
39% Popularity • 50% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
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Gene Harris & The Three Sounds
Put On Train
90 bpm • D# Maj • 05:51 • -10db
22% Popularity • 58% Danceability • 67% Energy • 12% Liveness
54% Instrumentalness • 75% Positiveness
22% Popularity • 58% Danceability • 67% Energy • 12% Liveness
54% Instrumentalness • 75% Positiveness
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Oscar Peterson Trio
Dream of You - Remastered
99 bpm • G Maj • 04:14 • -21.73db
8% Popularity • 59% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 32% Positiveness
8% Popularity • 59% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 32% Positiveness
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Stanley Turrentine
Speedball
99 bpm • C Maj • 06:40 • -9.73db
3% Popularity • 58% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
3% Popularity • 58% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Horace Parlan
Headin' South
90 bpm • D Maj • 04:30 • -12db
12% Popularity • 61% Danceability • 60% Energy • 10% Liveness
13% Instrumentalness • 47% Positiveness
12% Popularity • 61% Danceability • 60% Energy • 10% Liveness
13% Instrumentalness • 47% Positiveness
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Lee Morgan
Candy - Rudy Van Gelder Edition / 2007 /...
99 bpm • G min • 07:06 • -7.69db
27% Popularity • 65% Danceability • 64% Energy • 7% Liveness
62% Instrumentalness • 65% Positiveness
27% Popularity • 65% Danceability • 64% Energy • 7% Liveness
62% Instrumentalness • 65% Positiveness
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Bob James
One Mint Julep
98 bpm • A# Maj • 09:07 • -8db
19% Popularity • 66% Danceability • 68% Energy • 22% Liveness
53% Instrumentalness • 93% Positiveness
19% Popularity • 66% Danceability • 68% Energy • 22% Liveness
53% Instrumentalness • 93% Positiveness
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Ronnie Foster
On The Avenue
99 bpm • B min • 06:14 • -11db
30% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
30% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
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Blue Mitchell
H.N.I.C.
99 bpm • A# Maj • 05:20 • -8.81db
10% Popularity • 76% Danceability • 48% Energy • 6% Liveness
82% Instrumentalness • 78% Positiveness
10% Popularity • 76% Danceability • 48% Energy • 6% Liveness
82% Instrumentalness • 78% Positiveness
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Astrud Gilberto
Brazilian Tapestry
99 bpm • A# Maj • 05:03 • -14.63db
31% Popularity • 38% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 38% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Howard Roberts Quartet
Deep Fry
89 bpm • C Maj • 02:27 • -17.07db
20% Popularity • 63% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 56% Positiveness
20% Popularity • 63% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 56% Positiveness
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Stanley Turrentine
What The World Needs Now Is Love
99 bpm • A min • 06:43 • -15.56db
10% Popularity • 67% Danceability • 16% Energy • 8% Liveness
44% Instrumentalness • 44% Positiveness
10% Popularity • 67% Danceability • 16% Energy • 8% Liveness
44% Instrumentalness • 44% Positiveness
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Bobby Hutcherson
Mountain Caravan
89 bpm • F min • 05:20 • -11.87db
26% Popularity • 58% Danceability • 52% Energy • 9% Liveness
66% Instrumentalness • 60% Positiveness
26% Popularity • 58% Danceability • 52% Energy • 9% Liveness
66% Instrumentalness • 60% Positiveness
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Howard Roberts
Walk Tall
99 bpm • F Maj • 02:17 • -15.29db
34% Popularity • 71% Danceability • 38% Energy • 8% Liveness
75% Instrumentalness • 76% Positiveness
34% Popularity • 71% Danceability • 38% Energy • 8% Liveness
75% Instrumentalness • 76% Positiveness
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Bob James
Storm King
89 bpm • G min • 06:36 • -8.95db
21% Popularity • 71% Danceability • 59% Energy • 27% Liveness
8% Instrumentalness • 86% Positiveness
21% Popularity • 71% Danceability • 59% Energy • 27% Liveness
8% Instrumentalness • 86% Positiveness
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Herbie Hancock
Fat Albert Rotunda
100 bpm • A# min • 06:29 • -11.15db
24% Popularity • 66% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 66% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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The Mar-Keys
Plantation Inn
99 bpm • F Maj • 02:39 • -12db
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 92% Positiveness
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 92% Positiveness
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Larry Willis
Inner Crisis
88 bpm • B min • 06:26 • -11.67db
9% Popularity • 42% Danceability • 72% Energy • 15% Liveness
62% Instrumentalness • 80% Positiveness
9% Popularity • 42% Danceability • 72% Energy • 15% Liveness
62% Instrumentalness • 80% Positiveness
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Milt Jackson
Bossa Nova Do Marilla
88 bpm • C min • 07:08 • -21.75db
8% Popularity • 52% Danceability • 18% Energy • 11% Liveness
69% Instrumentalness • 17% Positiveness
8% Popularity • 52% Danceability • 18% Energy • 11% Liveness
69% Instrumentalness • 17% Positiveness
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John Klemmer
Free Soul
100 bpm • F min • 05:18 • -12db
23% Popularity • 44% Danceability • 54% Energy • 60% Liveness
53% Instrumentalness • 73% Positiveness
23% Popularity • 44% Danceability • 54% Energy • 60% Liveness
53% Instrumentalness • 73% Positiveness
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Kool & The Gang
Breeze & Soul
88 bpm • A# Maj • 05:29 • -12.82db
22% Popularity • 52% Danceability • 44% Energy • 14% Liveness
52% Instrumentalness • 36% Positiveness
22% Popularity • 52% Danceability • 44% Energy • 14% Liveness
52% Instrumentalness • 36% Positiveness
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Woody Shaw
Sun Bath
88 bpm • A# min • 06:36 • -11db
8% Popularity • 62% Danceability • 51% Energy • 6% Liveness
57% Instrumentalness • 68% Positiveness
8% Popularity • 62% Danceability • 51% Energy • 6% Liveness
57% Instrumentalness • 68% Positiveness
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Jimmy Ponder
Love Will Find a Way
100 bpm • A# min • 03:58 • -7.98db
8% Popularity • 75% Danceability • 73% Energy • 15% Liveness
90% Instrumentalness • 96% Positiveness
8% Popularity • 75% Danceability • 73% Energy • 15% Liveness
90% Instrumentalness • 96% Positiveness
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Ronnie Laws
Captain Midnite
88 bpm • A# min • 02:59 • -9.47db
29% Popularity • 69% Danceability • 63% Energy • 16% Liveness
73% Instrumentalness • 90% Positiveness
29% Popularity • 69% Danceability • 63% Energy • 16% Liveness
73% Instrumentalness • 90% Positiveness
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Donny Hathaway
Valdez in the Country
101 bpm • C Maj • 03:30 • -10.75db
32% Popularity • 56% Danceability • 68% Energy • 39% Liveness
62% Instrumentalness • 70% Positiveness
32% Popularity • 56% Danceability • 68% Energy • 39% Liveness
62% Instrumentalness • 70% Positiveness
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Chico Hamilton
Got My Mojo Working (But It Just Won't W...
101 bpm • C Maj • 03:06 • -7db
18% Popularity • 50% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 50% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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Michel Sardaby
Welcome New Warmth
101 bpm • A# min • 04:16 • -15db
31% Popularity • 52% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
31% Popularity • 52% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
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Idris Muhammad
Say What
101 bpm • G Maj • 03:59 • -7.05db
26% Popularity • 85% Danceability • 66% Energy • 9% Liveness
72% Instrumentalness • 93% Positiveness
26% Popularity • 85% Danceability • 66% Energy • 9% Liveness
72% Instrumentalness • 93% Positiveness
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The Headhunters
If You've Got It, You'll Get It
101 bpm • G Maj • 06:27 • -9.07db
18% Popularity • 65% Danceability • 80% Energy • 22% Liveness
4% Instrumentalness • 68% Positiveness
18% Popularity • 65% Danceability • 80% Energy • 22% Liveness
4% Instrumentalness • 68% Positiveness
