Songs like Sitting on This Bench by Rochus Rocky Hobi
Based on a tempo of (+/- 10%) and a similar genre
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Kevin & JD
I've Been Everywhere (But I'm Nowhere Wi...
176 bpm • F# min • 03:26 • -5.23db
23% Popularity • 55% Danceability • 93% Energy • 34% Liveness
4% Instrumentalness • 85% Positiveness
23% Popularity • 55% Danceability • 93% Energy • 34% Liveness
4% Instrumentalness • 85% Positiveness
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Rochus Rocky Hobi
Sitting on This Bench
176 bpm • G Maj • 04:24 • -8.51db
18% Popularity • 50% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 50% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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David Beck
City Boy Blues
176 bpm • F Maj • 03:15 • -8.15db
21% Popularity • 59% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
21% Popularity • 59% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Boogie Boys
Lonely Weekends
175 bpm • G# Maj • 04:39 • -7.76db
11% Popularity • 35% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 35% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Kenny Tagavilla
Paniolo Country
175 bpm • D# Maj • 03:14 • -4.44db
21% Popularity • 48% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 48% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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The Pauly Boogie Band
Little Debi
175 bpm • C# min • 02:13 • -3.84db
8% Popularity • 57% Danceability • 89% Energy • 24% Liveness
2% Instrumentalness • 76% Positiveness
8% Popularity • 57% Danceability • 89% Energy • 24% Liveness
2% Instrumentalness • 76% Positiveness
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Jayden Secor
4 Wheels
177 bpm • F# Maj • 02:57 • -6.41db
10% Popularity • 45% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 45% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Doug Adkins
Forever By Your Side
175 bpm • A# Maj • 04:45 • -8.42db
21% Popularity • 47% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 47% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Mud
Ain't That a Shame
178 bpm • C Maj • 02:36 • -10.36db
13% Popularity • 47% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 47% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Ella Folk
To This Day
178 bpm • F Maj • 04:05 • -7.28db
14% Popularity • 44% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 44% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Curtis Salgado
Slow Down
177 bpm • D Maj • 03:26 • -4.1db
8% Popularity • 51% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 51% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Randale Finch
Shit kicker
174 bpm • D Maj • 03:01 • -9.54db
9% Popularity • 55% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 55% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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Billy Swan
Joshua Fit the Battle
178 bpm • D Maj • 01:57 • -7.45db
11% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Jeff Healey
Shake Rattle And Roll
178 bpm • G Maj • 04:28 • -4.13db
7% Popularity • 41% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 41% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Colbert Barnard
Forest Of Trees
178 bpm • F# Maj • 03:26 • -8.19db
28% Popularity • 43% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 43% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Luke Deuce
Deuces Wild
179 bpm • A Maj • 01:58 • -7.49db
15% Popularity • 36% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 36% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Tupelo Highshots
I'll Keep on Loving You
173 bpm • E Maj • 02:40 • -6.14db
13% Popularity • 37% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 37% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
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Heidi Newfield
I Could Fall for U
173 bpm • A Maj • 02:34 • -5.07db
9% Popularity • 23% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 23% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Rick Lovett
I Ain't Got the Money
173 bpm • D Maj • 03:22 • -4.87db
13% Popularity • 57% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 57% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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sp-just-frost
Charmetrold
173 bpm • G Maj • 03:47 • -6.69db
11% Popularity • 50% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 50% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Mayeux & Broussard
Kool & Handsome
172 bpm • F Maj • 02:52 • -5.02db
7% Popularity • 33% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 33% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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John Clifton
Get Lost
172 bpm • G Maj • 02:29 • -6.69db
8% Popularity • 45% Danceability • 88% Energy • 8% Liveness
29% Instrumentalness • 90% Positiveness
8% Popularity • 45% Danceability • 88% Energy • 8% Liveness
29% Instrumentalness • 90% Positiveness
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The Fastback
Pretending
172 bpm • D Maj • 02:59 • -8db
12% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Dennis Stroughmatt
Rubber Dolly
172 bpm • A Maj • 02:42 • -4.39db
4% Popularity • 32% Danceability • 61% Energy • 17% Liveness
70% Instrumentalness • 83% Positiveness
4% Popularity • 32% Danceability • 61% Energy • 17% Liveness
70% Instrumentalness • 83% Positiveness
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Jay Gavin
Seen Better Days
180 bpm • C Maj • 04:13 • -7.22db
6% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
6% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Glimshire
Working Off The Blues
180 bpm • B min • 02:20 • -3.32db
16% Popularity • 54% Danceability • 89% Energy • 13% Liveness
99% Instrumentalness • 96% Positiveness
16% Popularity • 54% Danceability • 89% Energy • 13% Liveness
99% Instrumentalness • 96% Positiveness
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Sonny Fields
Redneck Woman
180 bpm • C Maj • 02:52 • -8.68db
12% Popularity • 53% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 53% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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The Refreshments
Slippery Slope
180 bpm • A# Maj • 03:35 • -3.86db
8% Popularity • 45% Danceability • 84% Energy • 14% Liveness
2% Instrumentalness • 97% Positiveness
8% Popularity • 45% Danceability • 84% Energy • 14% Liveness
2% Instrumentalness • 97% Positiveness
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Jesse Daniel
Comin’ Apart At The Seams
180 bpm • C# Maj • 03:41 • -4.55db
29% Popularity • 50% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 50% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Stephen Ackles
I'm On The Loose
180 bpm • A Maj • 02:55 • -7.47db
10% Popularity • 49% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 49% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Abe Mac
Real Honkytonkin’ Man
180 bpm • D Maj • 02:08 • -3.72db
10% Popularity • 49% Danceability • 96% Energy • 6% Liveness
20% Instrumentalness • 91% Positiveness
10% Popularity • 49% Danceability • 96% Energy • 6% Liveness
20% Instrumentalness • 91% Positiveness
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Linus Zander
Old Dusty Road
180 bpm • G Maj • 03:07 • -7.07db
17% Popularity • 44% Danceability • 91% Energy • 50% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 44% Danceability • 91% Energy • 50% Liveness
0% Instrumentalness • 89% Positiveness
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Jason Mayer
Too Damn Drunk
172 bpm • G Maj • 03:19 • -6.93db
21% Popularity • 48% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 48% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Linda Gail Lewis
Rocking My Life Away
172 bpm • C Maj • 02:32 • -5.35db
7% Popularity • 53% Danceability • 96% Energy • 20% Liveness
9% Instrumentalness • 96% Positiveness
7% Popularity • 53% Danceability • 96% Energy • 20% Liveness
9% Instrumentalness • 96% Positiveness
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Jim Stafford
Hwy 60 Blues
172 bpm • B min • 01:56 • -7.33db
10% Popularity • 58% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 58% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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The Mike McCarthy Band
Sweet Jolene
181 bpm • G Maj • 03:30 • -7.22db
16% Popularity • 27% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 27% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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The Vintage Explosion
That Girl Is Mine
171 bpm • F# Maj • 03:01 • -5.57db
11% Popularity • 32% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 32% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Kristine Setney
Destiny
170 bpm • A# min • 02:17 • -10.4db
12% Popularity • 67% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 67% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Joel Beaver
Let's Do That Dance Again
171 bpm • C Maj • 02:27 • -11.28db
18% Popularity • 67% Danceability • 66% Energy • 21% Liveness
1% Instrumentalness • 85% Positiveness
18% Popularity • 67% Danceability • 66% Energy • 21% Liveness
1% Instrumentalness • 85% Positiveness
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Scott Haggard
Beer Me up Scotty
182 bpm • G Maj • 03:07 • -6.36db
15% Popularity • 42% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 42% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Billy Don Burns
Keith Whitley Blue
182 bpm • D Maj • 02:10 • -7.71db
10% Popularity • 56% Danceability • 72% Energy • 8% Liveness
8% Instrumentalness • 60% Positiveness
10% Popularity • 56% Danceability • 72% Energy • 8% Liveness
8% Instrumentalness • 60% Positiveness
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The Mike McCarthy Band
Gotta Be Free
182 bpm • E Maj • 03:41 • -6.59db
15% Popularity • 36% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 36% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Randy Harris
Bargain
170 bpm • F Maj • 02:40 • -7.64db
15% Popularity • 47% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 47% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Tractors
I Wouldn't Tell You No Lie
170 bpm • G Maj • 06:03 • -6.61db
11% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Tex Band
Tex Mex
170 bpm • G Maj • 03:24 • -8.56db
16% Popularity • 58% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 58% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Rick Lovett
Part of a Love
170 bpm • C Maj • 02:53 • -4.93db
16% Popularity • 60% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 60% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Bryan Hunt
Padre Island Day
170 bpm • G Maj • 03:12 • -5.83db
8% Popularity • 52% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 52% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Gator Nate Augustus
Scared of Nothing
170 bpm • G Maj • 04:05 • -7.19db
9% Popularity • 50% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 50% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Rochus Rocky Hobi
Where I Belong
170 bpm • G Maj • 03:43 • -8.19db
17% Popularity • 46% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 46% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Steve Stacey and The Stump Splitters
Double Fisting
170 bpm • G Maj • 02:33 • -5.57db
11% Popularity • 58% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 58% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Grinderswitch
Dixie Flyer
170 bpm • E Maj • 03:59 • -5.69db
7% Popularity • 48% Danceability • 80% Energy • 12% Liveness
3% Instrumentalness • 96% Positiveness
7% Popularity • 48% Danceability • 80% Energy • 12% Liveness
3% Instrumentalness • 96% Positiveness
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Matt Tedder
What's Real
170 bpm • C Maj • 03:19 • -9.94db
18% Popularity • 64% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
18% Popularity • 64% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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HeavyDrunk
Pay The Preacher
170 bpm • D Maj • 04:27 • -7.54db
14% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Scuzz Twittly
Keep Yer Hands off My P.B.R. (2023)
170 bpm • A Maj • 02:32 • -7.39db
7% Popularity • 42% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 42% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Matt Cumberbatch
Unbroken
170 bpm • A Maj • 03:07 • -13.61db
20% Popularity • 64% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 64% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Linda Gail Lewis
Diggin' My Way out of Hell
183 bpm • F Maj • 03:06 • -3.49db
13% Popularity • 45% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 45% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Long Haul Paul
The Legend of Johnny Ray
169 bpm • E Maj • 04:32 • -6.73db
8% Popularity • 47% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 47% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Paul Kype and Texas Flood
Long Time Comin'
169 bpm • F# min • 03:46 • -4.72db
10% Popularity • 48% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 48% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Michael Shaw
Cowboy Boots And A Little Country Dress
169 bpm • G Maj • 03:15 • -3.62db
12% Popularity • 48% Danceability • 96% Energy • 36% Liveness
1% Instrumentalness • 92% Positiveness
12% Popularity • 48% Danceability • 96% Energy • 36% Liveness
1% Instrumentalness • 92% Positiveness
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Micke Muster
We're Gonna Rock Tonight
169 bpm • A Maj • 02:09 • -14.41db
12% Popularity • 57% Danceability • 51% Energy • 33% Liveness
14% Instrumentalness • 94% Positiveness
12% Popularity • 57% Danceability • 51% Energy • 33% Liveness
14% Instrumentalness • 94% Positiveness
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Merle Jackson
Next Best Thing
184 bpm • A Maj • 02:03 • -9.11db
25% Popularity • 56% Danceability • 62% Energy • 18% Liveness
14% Instrumentalness • 45% Positiveness
25% Popularity • 56% Danceability • 62% Energy • 18% Liveness
14% Instrumentalness • 45% Positiveness
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The Eskimo Brothers
Reelin’ and Rockin’
168 bpm • D Maj • 05:18 • -7.89db
7% Popularity • 38% Danceability • 83% Energy • 94% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 38% Danceability • 83% Energy • 94% Liveness
0% Instrumentalness • 72% Positiveness
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Mendon Hale
T-R-O-U-B-L-E
184 bpm • G Maj • 02:53 • -3.78db
11% Popularity • 42% Danceability • 99% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 42% Danceability • 99% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Prinz Grizzley
Got Nothing To Prove
184 bpm • G# Maj • 02:49 • -5.71db
15% Popularity • 52% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 52% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Joe Ely
Oh Boy!
168 bpm • A Maj • 02:47 • -8.44db
8% Popularity • 38% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 38% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Don Nivens
Bad Never Felt so Good
168 bpm • G Maj • 05:15 • -5.44db
12% Popularity • 45% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 45% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Jeff Daniels Backing Tracks
Boogie Woogie Twist (G)
168 bpm • G Maj • 02:27 • -8.7db
11% Popularity • 53% Danceability • 85% Energy • 13% Liveness
59% Instrumentalness • 97% Positiveness
11% Popularity • 53% Danceability • 85% Energy • 13% Liveness
59% Instrumentalness • 97% Positiveness
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Larry Campbell
All This Time
168 bpm • E Maj • 03:44 • -6.07db
13% Popularity • 53% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 53% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Songbird Jones
Cougar Ridge Road
168 bpm • G Maj • 03:41 • -6.38db
10% Popularity • 46% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 46% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
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Brad Helms
Wild Blue Yonder
168 bpm • D Maj • 03:36 • -9.2db
8% Popularity • 54% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 54% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Johnny Hiland
Living up on the Mountain
168 bpm • A Maj • 04:11 • -5.92db
8% Popularity • 48% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
8% Popularity • 48% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
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Glen Campbell
Rock-a-Doodle
168 bpm • G Maj • 02:07 • -5.12db
14% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Sean Riley & The Water
Dance Me One More Time
185 bpm • D Maj • 02:50 • -4.44db
13% Popularity • 40% Danceability • 93% Energy • 11% Liveness
4% Instrumentalness • 76% Positiveness
13% Popularity • 40% Danceability • 93% Energy • 11% Liveness
4% Instrumentalness • 76% Positiveness
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Victoria Liedtke
Carolina Moonshiner
185 bpm • C Maj • 02:30 • -10.94db
9% Popularity • 56% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 56% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Clyde Waters
Boys
167 bpm • D Maj • 03:11 • -12.6db
7% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Refreshments
Somebody Else You've Known
167 bpm • E Maj • 02:38 • -3.87db
9% Popularity • 48% Danceability • 84% Energy • 24% Liveness
6% Instrumentalness • 91% Positiveness
9% Popularity • 48% Danceability • 84% Energy • 24% Liveness
6% Instrumentalness • 91% Positiveness
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Brian Cadd
Only We Know
167 bpm • G Maj • 03:38 • -2.57db
6% Popularity • 45% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
6% Popularity • 45% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Kype and Texas Flood
Turn the Tide
186 bpm • E Maj • 03:20 • -6.21db
15% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Kalyn Beasley
That's All She Wrote
166 bpm • A Maj • 03:18 • -7.03db
12% Popularity • 54% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
12% Popularity • 54% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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Cole & Ward
Mr Big Shot
166 bpm • F min • 03:53 • -5.17db
7% Popularity • 47% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 47% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Junior Brown
409
166 bpm • G Maj • 02:20 • -6.89db
7% Popularity • 50% Danceability • 87% Energy • 34% Liveness
3% Instrumentalness • 91% Positiveness
7% Popularity • 50% Danceability • 87% Energy • 34% Liveness
3% Instrumentalness • 91% Positiveness
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Kailyn Olson
The Mudcat
166 bpm • G Maj • 03:28 • -7.47db
23% Popularity • 55% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 55% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Chris Regez Band
Backroads
165 bpm • E Maj • 03:41 • -5.43db
13% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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komatera
gatto
165 bpm • A Maj • 01:41 • -10.14db
11% Popularity • 36% Danceability • 66% Energy • 17% Liveness
80% Instrumentalness • 81% Positiveness
11% Popularity • 36% Danceability • 66% Energy • 17% Liveness
80% Instrumentalness • 81% Positiveness
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Sasquatch and the Sick-A-Billys
Let Me Ride
165 bpm • E min • 03:08 • -9.29db
7% Popularity • 29% Danceability • 84% Energy • 27% Liveness
10% Instrumentalness • 40% Positiveness
7% Popularity • 29% Danceability • 84% Energy • 27% Liveness
10% Instrumentalness • 40% Positiveness
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Billy T Band
If I Could Only See
188 bpm • F Maj • 03:42 • -6.7db
8% Popularity • 53% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 53% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Kenta Wedin
I'm a Dog Man
164 bpm • A min • 02:51 • -5.58db
12% Popularity • 39% Danceability • 86% Energy • 30% Liveness
10% Instrumentalness • 66% Positiveness
12% Popularity • 39% Danceability • 86% Energy • 30% Liveness
10% Instrumentalness • 66% Positiveness
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Canned Heat
A Hot Ole Time
163 bpm • C Maj • 03:29 • -6.28db
33% Popularity • 50% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 50% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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The Bluesanovas
Solitude Blues
164 bpm • G min • 02:30 • -9.38db
23% Popularity • 60% Danceability • 57% Energy • 7% Liveness
4% Instrumentalness • 82% Positiveness
23% Popularity • 60% Danceability • 57% Energy • 7% Liveness
4% Instrumentalness • 82% Positiveness
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Ronny Aagren
Someday Baby
190 bpm • C# min • 03:05 • -7.55db
11% Popularity • 49% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 49% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Steve Kolander
It's Halloween
190 bpm • D Maj • 01:38 • -8.71db
7% Popularity • 61% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 61% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Dave Henson
Livin' the Honky Tonk Life
163 bpm • A Maj • 03:10 • -5.75db
12% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Antblad
Bitter sweet is the feeling
163 bpm • A Maj • 04:04 • -7.94db
7% Popularity • 60% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
7% Popularity • 60% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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The Kingcats
Coast to Coast
162 bpm • B min • 04:14 • -3.42db
7% Popularity • 51% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 51% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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The Bluesanovas
Brown Haired Angel
190 bpm • G Maj • 03:05 • -6.03db
12% Popularity • 41% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 41% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Mean Gene Kelton
Texas Honey
162 bpm • G Maj • 04:16 • -8.57db
10% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Gudgeon
Little Old Man
162 bpm • D Maj • 04:09 • -6.52db
8% Popularity • 47% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 47% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Deuce
If You're Gonna Bend the Truth Go Ahead ...
162 bpm • G# Maj • 03:00 • -7.03db
35% Popularity • 39% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 39% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
