Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists
|
Pitch your song
|
<<
Back to
Six Feet Apart
Songs like
Six Feet Apart
by
Luke Combs
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Chase Rice
Ready Set Roll
156 bpm • C Maj • 03:10 • -5.3db
39% Popularity • 51% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Megan Moroney
Tennessee Orange
156 bpm • A Maj • 03:43 • -6.64db
76% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Jimmie Allen
Best Shot
156 bpm • E Maj • 03:15 • -8.72db
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
62% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
► Preview
Jackson Dean
Don't Come Lookin'
156 bpm • A Maj • 03:07 • -6.02db
62% Popularity • 53% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
59% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Warren Zeiders
Up To No Good
156 bpm • G# Maj • 02:13 • -5db
64% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Tim McGraw
Standing Room Only
155 bpm • C# Maj • 03:46 • -6.15db
56% Popularity • 49% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Luke Combs
Six Feet Apart
156 bpm • F# Maj • 03:19 • -5.89db
54% Popularity • 56% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Trace Adkins
You're Gonna Miss This
155 bpm • G# Maj • 03:44 • -7.16db
62% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Jelly Roll
Need A Favor
158 bpm • F# Maj • 03:17 • -4.25db
79% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Florida Georgia Line
Anything Goes
154 bpm • C Maj • 03:38 • -3.79db
60% Popularity • 46% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Kane Brown
Good as You
154 bpm • G# Maj • 03:12 • -6.05db
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Luke Combs
All Over Again
157 bpm • G Maj • 03:28 • -5.37db
56% Popularity • 50% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
59% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Tim McGraw
Where The Green Grass Grows
160 bpm • G Maj • 03:21 • -7.91db
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
58% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
Treaty Oak Revival
Missed Call
152 bpm • A Maj • 04:15 • -2.89db
73% Popularity • 38% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Bryan Martin
More Than The Shine
160 bpm • C# Maj • 02:56 • -4.24db
67% Popularity • 55% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
► Preview
Luke Combs
Blue Collar Boys
154 bpm • F Maj • 03:39 • -5.52db
59% Popularity • 53% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
Chris Lane
Take Back Home Girl
160 bpm • B Maj • 03:32 • -4db
57% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Tim McGraw
Live Like You Were Dying
160 bpm • G Maj • 05:00 • -7.73db
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Riley Green
If It Wasn’t For Trucks
152 bpm • D Maj • 03:17 • -5.59db
57% Popularity • 44% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Luke Combs
Be Careful What You Wish For
159 bpm • D# Maj • 02:55 • -5db
59% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
53% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Cody Johnson
'Til You Can't
160 bpm • C# Maj • 03:44 • -4.87db
73% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Craig Morgan
Raise The Bar
160 bpm • D# Maj • 02:44 • -4.79db
54% Popularity • 53% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Jon Pardi
Ain't Always The Cowboy
152 bpm • A Maj • 03:40 • -3db
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Luke Combs
Going, Going, Gone
160 bpm • F# Maj • 02:57 • -6.03db
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Nate Smith
Under My Skin
152 bpm • G# Maj • 02:58 • -6db
61% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
► Preview
Darius Rucker
Beers And Sunshine
162 bpm • F Maj • 02:58 • -5.74db
62% Popularity • 51% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
63% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Luke Combs
Sheriff You Want To
152 bpm • F# Maj • 03:41 • -7.74db
64% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Parker McCollum
Burn It Down
162 bpm • D Maj • 03:53 • -5.63db
69% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Riley Green
Hell Of A Way To Go
150 bpm • F# Maj • 02:46 • -4.67db
69% Popularity • 48% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Florida Georgia Line
May We All
150 bpm • G Maj • 03:46 • -4.31db
69% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Bailey Zimmerman
Change
150 bpm • C Maj • 03:08 • -5db
64% Popularity • 44% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Luke Combs
Forever After All
152 bpm • C Maj • 03:52 • -5.2db
76% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Alan Jackson
Little Bitty
163 bpm • E Maj • 02:38 • -6.54db
68% Popularity • 57% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Chris Stapleton
Joy Of My Life
149 bpm • D# Maj • 04:34 • -8.96db
73% Popularity • 63% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 40% Positiveness
► Preview
Kameron Marlowe
Girl On Fire
164 bpm • D Maj • 02:53 • -5.79db
62% Popularity • 54% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Cody Jinks
Loud and Heavy
164 bpm • C min • 03:50 • -6.71db
69% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Warren Zeiders
Heartbreaker
148 bpm • F Maj • 03:42 • -5.33db
62% Popularity • 49% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
63% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Darius Rucker
Wagon Wheel
148 bpm • A Maj • 04:58 • -7.17db
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Luke Combs
I Know She Ain't Ready
162 bpm • G# Maj • 03:04 • -5.98db
67% Popularity • 48% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
69% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
LANCO
Greatest Love Story
148 bpm • A# Maj • 03:42 • -8.72db
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Corey Kent
Wild as Her
148 bpm • C Maj • 03:21 • -5.93db
72% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Brett Young
In Case You Didn't Know
148 bpm • A# Maj • 03:44 • -7.31db
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Morgan Wallen
Man Made A Bar
148 bpm • E Maj • 03:11 • -5.01db
81% Popularity • 50% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Luke Combs
This One's for You
149 bpm • B Maj • 03:50 • -7.81db
53% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Charlie Worsham
How I Learned To Pray
148 bpm • E Maj • 04:30 • -9.22db
55% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
64% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
Dierks Bentley
What Was I Thinkin'
165 bpm • F min • 04:20 • -6.24db
71% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
► Preview
Carrie Underwood
Before He Cheats
148 bpm • F# min • 03:19 • -3.32db
80% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
74% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Luke Combs
1, 2 Many
149 bpm • F# Maj • 03:00 • -3.79db
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
60% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Megan Moroney
No Caller ID
146 bpm • E Maj • 03:28 • -6.09db
75% Popularity • 33% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Bailey Zimmerman
Get to Gettin’ Gone
146 bpm • F# Maj • 03:02 • -6.78db
65% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
69% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Sam Hunt
Make You Miss Me
146 bpm • G Maj • 03:45 • -6.63db
62% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Luke Combs
Beer Can
148 bpm • G Maj • 03:30 • -5db
59% Popularity • 55% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Warren Zeiders
Weeping Willow
146 bpm • C# Maj • 03:01 • -3.75db
67% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Riley Green
Mississippi Or Me
146 bpm • F# Maj • 03:31 • -5.23db
62% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Chris Stapleton
White Horse
145 bpm • C# min • 04:27 • -11.07db
74% Popularity • 35% Danceability • 77% Energy • 11% Liveness
60% Instrumentalness • 22% Positiveness
► Preview
Nate Smith
Wreckage
145 bpm • A# Maj • 03:32 • -5db
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Billy Currington
Must Be Doin' Somethin' Right
168 bpm • A Maj • 04:29 • -3.42db
64% Popularity • 49% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Luke Combs
Tomorrow Me
146 bpm • G Maj • 03:28 • -4.48db
55% Popularity • 54% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
56% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Riley Green
When She Comes Home Tonight
145 bpm • F# Maj • 04:10 • -7.32db
62% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Kelsea Ballerini
IF YOU GO DOWN (I'M GOIN' DOWN TOO)
144 bpm • B Maj • 02:46 • -4db
69% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
Craig Morgan
Redneck Yacht Club
168 bpm • G# Maj • 03:50 • -5.41db
64% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
65% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Luke Combs
Growin' Up and Gettin' Old
146 bpm • D Maj • 03:53 • -6db
68% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
55% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
61% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Dylan Scott
Can't Have Mine (Find You A Girl)
144 bpm • F Maj • 03:03 • -7db
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Luke Combs
One Number Away
144 bpm • F# min • 03:41 • -6.16db
78% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Luke Bryan
Drunk On You
144 bpm • A Maj • 03:33 • -4.4db
65% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
59% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
HARDY
REDNECKER
144 bpm • G Maj • 03:21 • -5.47db
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Zac Brown Band
Chicken Fried
170 bpm • F# Maj • 03:58 • -4.25db
77% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Brett Young
Lady
170 bpm • G Maj • 03:14 • -7.98db
63% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Luke Combs
Cold As You
144 bpm • F# Maj • 03:06 • -4.96db
67% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
<<
Back to
Six Feet Apart