Songs like six speed by ROLE MODEL
Based on a tempo of (+/- 10%) and a similar genre
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Goody Grace
210 Lilac Sky
109 bpm • E Maj • 03:32 • -10.91db
30% Popularity • 47% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 47% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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ROLE MODEL
six speed
109 bpm • C Maj • 03:27 • -10.25db
41% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Isaac Dunbar
pharmacy
109 bpm • B min • 03:35 • -10db
36% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ollie MN
Please Never Fall in Love Again
109 bpm • A# Maj • 02:34 • -16.21db
56% Popularity • 65% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
56% Popularity • 65% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Pink Sweat$
Cocaine
109 bpm • F Maj • 02:11 • -12db
53% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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carobae
rock bottom
109 bpm • C Maj • 02:50 • -11db
31% Popularity • 49% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 49% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Julian Lamadrid
Red Car
109 bpm • G Maj • 03:36 • -16db
16% Popularity • 54% Danceability • 20% Energy • 35% Liveness
8% Instrumentalness • 7% Positiveness
16% Popularity • 54% Danceability • 20% Energy • 35% Liveness
8% Instrumentalness • 7% Positiveness
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ROLE MODEL
play the part
109 bpm • D# Maj • 03:12 • -7db
38% Popularity • 74% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 74% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Harry Hudson
Pendulum
110 bpm • G# min • 02:17 • -8db
39% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Daniel Caesar
Streetcar
110 bpm • D# Maj • 04:06 • -11.8db
67% Popularity • 41% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
67% Popularity • 41% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Ryan Beatty
Casino
110 bpm • C Maj • 04:19 • -6.98db
39% Popularity • 60% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 60% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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sadeyes
you deserve better
110 bpm • G# Maj • 02:21 • -11.18db
49% Popularity • 59% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 59% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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ROLE MODEL
life is funny
109 bpm • G# Maj • 03:26 • -7.93db
39% Popularity • 77% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
39% Popularity • 77% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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mxmtoon
porcelain
110 bpm • A Maj • 04:31 • -15.86db
14% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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wolfi
tears on my shoulder
108 bpm • C Maj • 03:24 • -14.78db
12% Popularity • 85% Danceability • 20% Energy • 74% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 85% Danceability • 20% Energy • 74% Liveness
0% Instrumentalness • 46% Positiveness
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Delacey
The Subway Song
108 bpm • C Maj • 04:01 • -6.21db
47% Popularity • 58% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 58% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Kina
I've Changed for You
110 bpm • A Maj • 03:16 • -16.09db
39% Popularity • 64% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
39% Popularity • 64% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
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Restless Modern
30
108 bpm • D Maj • 03:28 • -6.83db
28% Popularity • 80% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 80% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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ROLE MODEL
that's just how it goes
108 bpm • G min • 02:46 • -5db
49% Popularity • 78% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 78% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Lund
Fall Away
108 bpm • C Maj • 03:48 • -17db
41% Popularity • 70% Danceability • 24% Energy • 14% Liveness
9% Instrumentalness • 6% Positiveness
41% Popularity • 70% Danceability • 24% Energy • 14% Liveness
9% Instrumentalness • 6% Positiveness
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Conan Gray
The Other Side
108 bpm • F Maj • 02:52 • -10.05db
56% Popularity • 60% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 60% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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okay.
wrong.
108 bpm • G# min • 04:23 • -10.79db
20% Popularity • 62% Danceability • 30% Energy • 9% Liveness
9% Instrumentalness • 12% Positiveness
20% Popularity • 62% Danceability • 30% Energy • 9% Liveness
9% Instrumentalness • 12% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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bluffs.
Cold Shoulder Coffee
107 bpm • G# Maj • 04:20 • -12.32db
13% Popularity • 38% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 38% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Airbud
When You Wake Up
106 bpm • E min • 04:28 • -10.81db
21% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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dapurr
Kmttp
112 bpm • D Maj • 02:05 • -24.72db
32% Popularity • 64% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 64% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Ant Saunders
Miles Per Hour
112 bpm • C Maj • 03:44 • -17.92db
20% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Brandt Orange
Hands
112 bpm • A Maj • 04:44 • -8.77db
31% Popularity • 44% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 44% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Rex Orange County
A Song About Being Sad
112 bpm • F Maj • 02:16 • -13.51db
59% Popularity • 57% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 57% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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AUGUST 08
Don't Waste It
106 bpm • D Maj • 03:39 • -7.62db
29% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Charlotte Lawrence
Everybody Loves You
112 bpm • D Maj • 03:24 • -10.28db
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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cøzybøy
høw tø talk tø girls at parties
106 bpm • D Maj • 02:33 • -10.45db
22% Popularity • 41% Danceability • 45% Energy • 58% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 41% Danceability • 45% Energy • 58% Liveness
0% Instrumentalness • 8% Positiveness
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Julian Lamadrid
Mess
113 bpm • F Maj • 03:51 • -8.4db
27% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lauv
Julia
113 bpm • B Maj • 03:38 • -14.56db
49% Popularity • 53% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 53% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Isaac Dunbar
freshman year
113 bpm • G Maj • 03:00 • -7.76db
28% Popularity • 60% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 60% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Gigi Perez
Sometimes (Backwood)
105 bpm • D# Maj • 02:33 • -11.41db
65% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
65% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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bülow
Lost
113 bpm • D# Maj • 03:57 • -10.63db
38% Popularity • 71% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 71% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Joshua Golden
mama i'm so sorry..
105 bpm • B min • 02:31 • -4db
36% Popularity • 62% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 62% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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LAUNDRY DAY
Lighter / Time
105 bpm • A min • 04:49 • -10db
31% Popularity • 74% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 74% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Emilia Ali
Loved the ocean
113 bpm • A# Maj • 03:33 • -13.34db
43% Popularity • 54% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 54% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Suriel Hess
Parts of You
105 bpm • G Maj • 03:23 • -9.99db
30% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Verzache
Some Things
105 bpm • B Maj • 03:39 • -13.62db
37% Popularity • 50% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 50% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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RIZ LA VIE
Pisces
113 bpm • D# Maj • 04:15 • -9.09db
43% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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TRACES
Lonely Night
105 bpm • G# min • 03:29 • -17db
14% Popularity • 63% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 63% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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LAUNDRY DAY
Berkshire
105 bpm • C# min • 04:28 • -9db
29% Popularity • 45% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 45% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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DWLLRS
And Then We'll Be Alright
105 bpm • F min • 01:59 • -13.16db
38% Popularity • 63% Danceability • 45% Energy • 67% Liveness
3% Instrumentalness • 52% Positiveness
38% Popularity • 63% Danceability • 45% Energy • 67% Liveness
3% Instrumentalness • 52% Positiveness
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Dylan Jordan
LILY
105 bpm • A Maj • 03:30 • -8.57db
25% Popularity • 34% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 34% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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FINNEAS
Hollywood Forever
113 bpm • G Maj • 04:11 • -11.36db
37% Popularity • 38% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 38% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Stolar
(Why Don't I) Hate You
114 bpm • D min • 04:50 • -16.92db
14% Popularity • 48% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 48% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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ROLE MODEL
cross your mind
114 bpm • A Maj • 02:40 • -4.67db
44% Popularity • 75% Danceability • 61% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
44% Popularity • 75% Danceability • 61% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
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Ruel
Say - Acoustic Version
114 bpm • A min • 03:58 • -10db
25% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Mob Rich
Yoko Ono (Stripped with Matt Maeson)
114 bpm • E Maj • 03:12 • -12.63db
37% Popularity • 38% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 38% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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carobae
the first one
104 bpm • C# Maj • 02:47 • -10db
31% Popularity • 74% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 74% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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sanjay.
A Sad Song About Love
104 bpm • A# Maj • 05:51 • -12.75db
26% Popularity • 48% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 48% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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FINNEAS
Life Moves On
115 bpm • A Maj • 04:11 • -9.93db
42% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Clairo
Feel Something
115 bpm • C# Maj • 02:56 • -10.11db
54% Popularity • 47% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 47% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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awfultune
fragile tears
103 bpm • D min • 03:46 • -20.1db
36% Popularity • 52% Danceability • 7% Energy • 42% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 52% Danceability • 7% Energy • 42% Liveness
0% Instrumentalness • 16% Positiveness
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Christian Leave
Understand
115 bpm • F# Maj • 02:13 • -14db
41% Popularity • 60% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 60% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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ROLE MODEL
die for my bitch
115 bpm • C Maj • 02:53 • -7.1db
38% Popularity • 84% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 84% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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BabyJake
Blue Cellophane
115 bpm • C Maj • 03:01 • -9.56db
35% Popularity • 68% Danceability • 43% Energy • 19% Liveness
7% Instrumentalness • 28% Positiveness
35% Popularity • 68% Danceability • 43% Energy • 19% Liveness
7% Instrumentalness • 28% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Lewis Ross
Come on Home
116 bpm • A Maj • 02:48 • -10.57db
17% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Walden
Yellow Rose
117 bpm • G Maj • 06:33 • -16db
26% Popularity • 64% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 64% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Verzache
No More
102 bpm • C# min • 03:10 • -10.93db
39% Popularity • 77% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
39% Popularity • 77% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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Alexander 23
Mars
117 bpm • A# Maj • 02:33 • -7.63db
41% Popularity • 94% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 94% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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ROLE MODEL
who hurt you
117 bpm • G Maj • 03:28 • -8db
38% Popularity • 84% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 84% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Del Water Gap
High Tops (Stripped)
117 bpm • G Maj • 04:10 • -5.07db
36% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Sky McCreery
i remember
117 bpm • G# Maj • 02:02 • -11.84db
29% Popularity • 63% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 63% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Rex Orange County
It's Not The Same Anymore
118 bpm • F Maj • 06:26 • -10.64db
62% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Goody Grace
WYWH
118 bpm • G Maj • 03:13 • -9.99db
23% Popularity • 53% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 53% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Nick Wilson
Miles Apart
118 bpm • D Maj • 03:44 • -12.56db
40% Popularity • 54% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 54% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Roy Blair
Happy
100 bpm • C Maj • 03:03 • -9db
33% Popularity • 80% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 80% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Sky McCreery
Silhouette
118 bpm • A Maj • 02:59 • -15db
32% Popularity • 66% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 66% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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MAY-A
Fools Paradise
100 bpm • C Maj • 03:20 • -10.92db
21% Popularity • 66% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 66% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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myclownshoes
Alexandria (Slowed)
100 bpm • C# min • 02:34 • -17.35db
26% Popularity • 85% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 85% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
52% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Young Lungs
If You Knew
100 bpm • F Maj • 02:43 • -10.46db
17% Popularity • 68% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 68% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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ROLE MODEL
thank you for coming
100 bpm • A min • 02:45 • -6.82db
35% Popularity • 71% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 71% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Ruel
Free Time
100 bpm • B min • 03:38 • -5.78db
51% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Verzache
Cable
100 bpm • G Maj • 02:48 • -10.91db
33% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Myles Cameron
Caged Bird
100 bpm • C# Maj • 03:55 • -14db
38% Popularity • 58% Danceability • 35% Energy • 10% Liveness
44% Instrumentalness • 45% Positiveness
38% Popularity • 58% Danceability • 35% Energy • 10% Liveness
44% Instrumentalness • 45% Positiveness
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Christian Leave
Smaller
119 bpm • G Maj • 03:32 • -11.86db
28% Popularity • 57% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
28% Popularity • 57% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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awfultune
letting you in
100 bpm • G# Maj • 04:14 • -13.46db
46% Popularity • 53% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 53% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Hayd
October Snow
120 bpm • E Maj • 03:38 • -20.38db
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Aeris Roves
Running Thru 3AM
119 bpm • G# Maj • 03:29 • -6.7db
40% Popularity • 68% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 68% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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khai dreams
Drifting Away
120 bpm • C# Maj • 03:12 • -15db
51% Popularity • 52% Danceability • 27% Energy • 7% Liveness
18% Instrumentalness • 27% Positiveness
51% Popularity • 52% Danceability • 27% Energy • 7% Liveness
18% Instrumentalness • 27% Positiveness
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Nick Wilson
Headlights (Stripped)
120 bpm • E Maj • 04:00 • -10.79db
31% Popularity • 51% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 51% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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FINNEAS
I'm in Love Without You
120 bpm • G Maj • 03:21 • -7.58db
44% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hayd
Safe & Sound
120 bpm • D Maj • 03:24 • -21db
42% Popularity • 71% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 71% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Ruel
Not Thinkin' Bout You
120 bpm • A# min • 03:08 • -8.55db
52% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Joji
ATTENTION
120 bpm • G Maj • 02:08 • -12.4db
63% Popularity • 79% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 42% Positiveness
63% Popularity • 79% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 42% Positiveness
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Aidan
all i want is you
120 bpm • D# Maj • 02:12 • -13.71db
30% Popularity • 63% Danceability • 42% Energy • 22% Liveness
1% Instrumentalness • 66% Positiveness
30% Popularity • 63% Danceability • 42% Energy • 22% Liveness
1% Instrumentalness • 66% Positiveness
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Nick Wilson
All the Same
120 bpm • G Maj • 03:55 • -12.25db
36% Popularity • 52% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 52% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Harry Hudson
No Good
99 bpm • D Maj • 03:22 • -9db
42% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Dijon
WILD
120 bpm • F Maj • 03:16 • -8db
41% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
