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Six
Songs like
Six
by
SIX
Based on a tempo of (+/- 10%) and a similar genre
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SIX
Six
135 bpm • D# Maj • 03:59 • -6.25db
62% Popularity • 73% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Ryan McCartan
Freeze Your Brain
135 bpm • G# Maj • 02:53 • -8.2db
60% Popularity • 50% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Miriam-Teak Lee
Confident
135 bpm • C# min • 03:20 • -7db
39% Popularity • 65% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Cast Of The Motion Picture Rent
La Vie Boheme
135 bpm • G# Maj • 06:59 • -5db
48% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Aaron Tveit
Your Song
135 bpm • E Maj • 03:08 • -8.42db
47% Popularity • 46% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Sophia Anne Caruso
Dead Mom
135 bpm • D Maj • 03:04 • -6.55db
60% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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SIX
SIX
135 bpm • D# Maj • 04:54 • -7db
49% Popularity • 60% Danceability • 79% Energy • 71% Liveness
0% Instrumentalness • 44% Positiveness
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Christian Borle
Take It Like a Man
135 bpm • B Maj • 04:13 • -11db
45% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Mandy Moore
I've Got a Dream
134 bpm • E Maj • 03:11 • -6.12db
57% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Tammy Blanchard
Skid Row (Downtown)
134 bpm • A# Maj • 04:12 • -9db
40% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Christine Baranski
We Both Reached For The Gun
136 bpm • B Maj • 03:58 • -7.43db
40% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Kate Rockwell
Sexy
134 bpm • G# Maj • 03:35 • -6.38db
61% Popularity • 82% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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SIX
Playout
135 bpm • F# Maj • 00:51 • -6.77db
43% Popularity • 37% Danceability • 94% Energy • 96% Liveness
92% Instrumentalness • 53% Positiveness
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Jenn Colella
Me And The Sky
136 bpm • C# Maj • 04:36 • -7.15db
50% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Stephanie Hsu
A Guy That I'd Kinda Be Into
134 bpm • D# Maj • 02:44 • -7.28db
50% Popularity • 50% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Michelle Pfeiffer
(The Legend Of) Miss Baltimore Crabs
134 bpm • F min • 04:07 • -7db
48% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Laura Osnes
How 'Bout a Dance?
134 bpm • G# Maj • 02:54 • -11.41db
38% Popularity • 34% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Derek Klena
My Petersburg
134 bpm • A Maj • 02:30 • -9db
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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SIX
Ex-Wives
136 bpm • C min • 06:39 • -8db
53% Popularity • 59% Danceability • 62% Energy • 94% Liveness
0% Instrumentalness • 32% Positiveness
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Mike Faist
Disappear
137 bpm • G# Maj • 04:35 • -6.65db
52% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Bikini Bottom Day
137 bpm • A Maj • 06:12 • -7.25db
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Annaleigh Ashford
What You Want
133 bpm • F Maj • 08:07 • -10.64db
49% Popularity • 68% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Marissa Jaret Winokur
Good Morning Baltimore
133 bpm • G# Maj • 03:40 • -5.01db
39% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Miriam-Teak Lee
Since U Been Gone
137 bpm • C Maj • 02:38 • -7db
27% Popularity • 67% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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SIX
Ex-Wives
137 bpm • C min • 05:50 • -9.6db
66% Popularity • 70% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Christian Borle
Will Power
133 bpm • C# Maj • 04:59 • -6.73db
42% Popularity • 43% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Nikki Blonsky
Good Morning Baltimore
133 bpm • E Maj • 03:54 • -4.37db
56% Popularity • 63% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Caissie Levy
Let It Go
137 bpm • G Maj • 03:46 • -5.36db
44% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Lilla Crawford
I Know Things Now
133 bpm • C Maj • 02:04 • -13.54db
43% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
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SIX
Ex-Wives - Reprise
137 bpm • G# Maj • 00:45 • -8db
47% Popularity • 67% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Renée Zellweger
Roxie
133 bpm • F min • 03:20 • -9db
38% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Phillipa Soo
That Would Be Enough
137 bpm • D Maj • 02:58 • -10.28db
64% Popularity • 50% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Leah Greenhaus
I Know It's Today
137 bpm • D Maj • 05:18 • -9.45db
57% Popularity • 56% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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B. D'Addario as Flounder
She's In Love
138 bpm • C min • 03:39 • -16.89db
50% Popularity • 60% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
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Chris McCarrell
Good Kid
138 bpm • G# Maj • 03:24 • -6.81db
48% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Stark Sands
Step One
138 bpm • C# Maj • 02:48 • -5db
34% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Leslie Odom Jr.
Alexander Hamilton
132 bpm • B min • 03:56 • -7.86db
71% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Jeremy Jordan
Something To Believe In
132 bpm • G Maj • 03:31 • -10.57db
46% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Carla J. Hargrove
Skid Row (Downtown)
139 bpm • A# Maj • 04:06 • -8.5db
45% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Caissie Levy
Dangerous to Dream
139 bpm • A Maj • 05:03 • -8.44db
44% Popularity • 31% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Phillipa Soo
Best of Wives and Best of Women
132 bpm • F Maj • 00:47 • -16.83db
59% Popularity • 65% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Stephen Schwartz
The Wizard And I
139 bpm • C Maj • 05:09 • -8.23db
44% Popularity • 38% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Jo Ellen Pellman
Unruly Heart
139 bpm • F Maj • 03:59 • -7.81db
34% Popularity • 37% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Cast of Roald Dahl's Matilda The Musical
Bruce
139 bpm • C min • 02:41 • -7db
46% Popularity • 43% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Jeremy Jordan
Nothing Left to Lose
139 bpm • D Maj • 03:30 • -5.97db
52% Popularity • 36% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Mandy Moore
Next Stop Anywhere
140 bpm • G Maj • 03:29 • -4db
39% Popularity • 61% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Sutton Foster
Morning Person
140 bpm • B Maj • 03:24 • -8.55db
42% Popularity • 58% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Andrew Rannells
Hello!
130 bpm • C Maj • 02:52 • -9.93db
54% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Annaleigh Ashford
The History of Wrong Guys
130 bpm • A# Maj • 03:48 • -6.34db
44% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Lea Michele
Don't Rain on My Parade
130 bpm • A Maj • 02:38 • -8.59db
44% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Analise Scarpaci
What The Hell
140 bpm • F# Maj • 03:16 • -6.86db
36% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Jenn Colella
38 Planes (Reprise) / Somewhere In The M...
140 bpm • D Maj • 04:22 • -6.03db
44% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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The Original Broadway Cast Of School Of Rock
If Only You Would Listen
130 bpm • F Maj • 03:12 • -5.51db
29% Popularity • 49% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Barrett Wilbert Weed
I'd Rather Be Me
140 bpm • E Maj • 02:50 • -3.33db
56% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • G min • 05:58 • -8db
33% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Danny Burstein
More More More! (Encore)
140 bpm • G Maj • 03:53 • -3.88db
43% Popularity • 46% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Caitlin Kinnunen
You Happened
130 bpm • C Maj • 03:14 • -5.7db
32% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Jo Ellen Pellman
You Happened
130 bpm • C Maj • 03:11 • -6.79db
36% Popularity • 73% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Phillipa Soo
Ultraluminary
130 bpm • F# min • 03:20 • -7.06db
44% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Brittany Snow
The New Girl In Town
130 bpm • C# Maj • 02:15 • -6.45db
52% Popularity • 77% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Leslie Kritzer
Day-O (The Banana Boat Song) - Act 1 Fin...
130 bpm • C Maj • 03:44 • -7.09db
49% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Rob Rokicki
Try - Bonus Track
130 bpm • D Maj • 03:36 • -6db
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Stephanie J. Block
I'm Breaking Down
141 bpm • A Maj • 04:48 • -7.7db
46% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Bring It On: The Musical - Original Broadway Cast
It's All Happening
130 bpm • F# Maj • 05:45 • -4.34db
38% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The Original Broadway Cast Of School Of Rock
Where Did the Rock Go
141 bpm • A# Maj • 04:14 • -7.58db
35% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Barlow & Bear
If I Were a Man
141 bpm • F# min • 02:58 • -4.42db
53% Popularity • 71% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Karen Olivo
It Won't Be Long Now
129 bpm • D Maj • 04:35 • -9.37db
42% Popularity • 59% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Stephanie D'Abruzzo
There's a Fine, Fine Line
129 bpm • G Maj • 02:39 • -9.98db
29% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Patina Miller
Raise Your Voice
141 bpm • C Maj • 06:23 • -5.3db
36% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Nikki Blonsky
Mama, I'm A Big Girl Now
141 bpm • B Maj • 03:18 • -5db
44% Popularity • 65% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 59% Positiveness
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Brad Oscar
A Musical
129 bpm • A# Maj • 07:47 • -8db
44% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Marissa Jaret Winokur
Mama, I'm a Big Girl Now
141 bpm • F Maj • 03:18 • -4.62db
37% Popularity • 78% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Jodie Steele
Candy Store
141 bpm • C# Maj • 02:56 • -5.53db
49% Popularity • 56% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Jonathan Groff
Totally Fucked - Original Broadway Cast ...
129 bpm • A# Maj • 03:18 • -7.23db
42% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Stephanie Beatriz
The Family Madrigal
141 bpm • C# Maj • 04:17 • -6.35db
70% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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John Bolton
Learn to Do It
129 bpm • G Maj • 04:07 • -10.74db
48% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Scott Barnhardt
Turn It Off
142 bpm • F Maj • 05:03 • -10.55db
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Jessica Keenan Wynn
Candy Store
142 bpm • C# min • 02:52 • -5.91db
68% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Cassidy Janson
I Want It That Way
142 bpm • E min • 01:43 • -9db
40% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Laura Osnes
"In My Own Little Corner"
142 bpm • F Maj • 03:17 • -8.78db
39% Popularity • 48% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Aaron Tveit
Shut Up And Raise Your Glass
128 bpm • C Maj • 02:42 • -4.97db
49% Popularity • 69% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Ethan Slater
Hero is My Middle Name
128 bpm • F# Maj • 03:15 • -5.53db
38% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Betsy Wolfe
Domino
128 bpm • F# min • 02:33 • -3.95db
41% Popularity • 80% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Melissa Barrera
It Won't Be Long Now
128 bpm • D Maj • 03:38 • -8.56db
46% Popularity • 67% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Cassidy Janson
Domino
128 bpm • C Maj • 02:32 • -5.69db
39% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Amber Efe
There! Right There!
128 bpm • D Maj • 03:27 • -11.14db
55% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Ricky Rojas
Backstage Romance
128 bpm • C min • 05:22 • -7.23db
51% Popularity • 40% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Barlow & Bear
Tis the Season
127 bpm • C# Maj • 05:18 • -8.22db
39% Popularity • 56% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Jennifer Damiano
Superboy and the Invisible Girl
127 bpm • D Maj • 02:08 • -6.77db
41% Popularity • 62% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Sophia Gennusa
Naughty
143 bpm • F Maj • 03:14 • -10db
40% Popularity • 75% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Christian Borle
Legally Blonde
127 bpm • G Maj • 03:30 • -14.45db
49% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Six