Songs like Sixteen Tons by Eugene Church
Based on a tempo of (+/- 10%) and a similar genre
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The Magnificents
Up On The Mountain
123 bpm • G# Maj • 02:50 • -13.45db
15% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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LaVern Baker
I'm Leavin' You
123 bpm • D# Maj • 02:23 • -10.62db
9% Popularity • 84% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 84% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Eugene Church
Sixteen Tons
123 bpm • G Maj • 02:57 • -5.79db
7% Popularity • 69% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 69% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Huey "Piano" Smith
High Blood Pressure
123 bpm • D# Maj • 02:43 • -6.59db
22% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
22% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
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Ruth Brown
Somebody Touched Me
124 bpm • A# Maj • 02:27 • -15.87db
19% Popularity • 74% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 74% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Johnny Barfield and the Men of SOUL
Soul Butter
122 bpm • C Maj • 02:49 • -9.18db
14% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Bill Doggett
Ram-Bunk-Shush
124 bpm • G Maj • 02:33 • -8.07db
26% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
26% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
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Aaron Neville
Why Worry
124 bpm • F Maj • 02:31 • -13.95db
8% Popularity • 57% Danceability • 48% Energy • 39% Liveness
4% Instrumentalness • 79% Positiveness
8% Popularity • 57% Danceability • 48% Energy • 39% Liveness
4% Instrumentalness • 79% Positiveness
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Eugene Church
Miami
124 bpm • A# Maj • 02:48 • -12.1db
2% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
2% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Huey "Piano" Smith
She Got Low Down
122 bpm • D# Maj • 02:34 • -9.88db
12% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Vernon Green
A Lover's Prayer
122 bpm • F min • 02:48 • -11.26db
11% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Little Willie Littlefield
K.C. Loving
121 bpm • C Maj • 02:44 • -5db
17% Popularity • 73% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 73% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Eddie Bo
Baby I'm Wise
125 bpm • A# Maj • 02:31 • -8.46db
13% Popularity • 76% Danceability • 68% Energy • 7% Liveness
17% Instrumentalness • 92% Positiveness
13% Popularity • 76% Danceability • 68% Energy • 7% Liveness
17% Instrumentalness • 92% Positiveness
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The "5" Royales
Not Going to Cry
125 bpm • C# Maj • 02:34 • -7.15db
9% Popularity • 61% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 61% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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James Brown & The Famous Flames
Don't Let It Happen To Me
125 bpm • C Maj • 02:49 • -11.46db
9% Popularity • 64% Danceability • 42% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 64% Danceability • 42% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
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Garnet Mimms & The Enchanters
Cry To Me
125 bpm • F Maj • 02:25 • -9.84db
13% Popularity • 65% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 65% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Ivory Joe Hunter
I'm Cuttin' Out
125 bpm • G# min • 02:09 • -4db
11% Popularity • 47% Danceability • 86% Energy • 35% Liveness
56% Instrumentalness • 77% Positiveness
11% Popularity • 47% Danceability • 86% Energy • 35% Liveness
56% Instrumentalness • 77% Positiveness
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Benny Joy
Button Nose
121 bpm • B min • 02:50 • -5db
10% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Lloyd Price
Have You Ever Had The Blues?
121 bpm • A# Maj • 02:09 • -12db
30% Popularity • 76% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 76% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Jane Baker
Sing On Baby
125 bpm • G Maj • 02:40 • -8db
9% Popularity • 55% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 55% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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The Clovers
Crawlin'
121 bpm • D# Maj • 02:35 • -11.98db
9% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Wilson Pickett
I'm Gonna Love You
125 bpm • D# Maj • 02:06 • -10.54db
12% Popularity • 67% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 67% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 93% Positiveness
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Larry Williams
Rockin Pneumonia And The Boogie Woogie F...
120 bpm • C Maj • 02:14 • -11.39db
28% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:13 • -4.51db
26% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
26% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
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Mable John
Who Wouldn't Love A Man Like That - Firs...
120 bpm • D Maj • 02:44 • -8.23db
22% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Eugene Church
Mind Your Own Business
126 bpm • G Maj • 02:42 • -6.47db
4% Popularity • 80% Danceability • 80% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
4% Popularity • 80% Danceability • 80% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
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Wynona Carr
Should I Ever Love Again?
120 bpm • G Maj • 02:37 • -11db
29% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Esquerita
Hey Miss Lucy
120 bpm • G min • 02:07 • -11.72db
10% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Olympics
Western Movies
120 bpm • G Maj • 02:24 • -10db
20% Popularity • 62% Danceability • 50% Energy • 80% Liveness
12% Instrumentalness • 61% Positiveness
20% Popularity • 62% Danceability • 50% Energy • 80% Liveness
12% Instrumentalness • 61% Positiveness
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Huey "Piano" Smith
Would You Believe It (I Have a Cold)
120 bpm • F min • 02:21 • -8.44db
27% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Little Willie John
Walk Slow
120 bpm • A# Maj • 01:51 • -7.8db
15% Popularity • 49% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 49% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Amos Milburn
Let'S Have A Party (06-30-53)
120 bpm • G Maj • 02:33 • -11.97db
11% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
11% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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The Clovers
Nip Sip
120 bpm • B min • 02:59 • -15db
18% Popularity • 85% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 85% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Marv Johnson
Happy Days
120 bpm • F min • 02:40 • -9.28db
9% Popularity • 70% Danceability • 64% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 70% Danceability • 64% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
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The "5" Royales
Think
126 bpm • F min • 02:36 • -12db
24% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
24% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:10 • -7.59db
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
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Johnny Otis
Cupid's Boogie
120 bpm • G Maj • 02:37 • -13db
24% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Ray Sharpe
Linda Lu
120 bpm • F# Maj • 02:05 • -9.82db
27% Popularity • 83% Danceability • 74% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
27% Popularity • 83% Danceability • 74% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
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Johnny "Guitar" Watson
Posin'
120 bpm • D Maj • 02:40 • -7.94db
9% Popularity • 68% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 68% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Sugar Pie DeSanto
I Want To Know
126 bpm • C Maj • 03:00 • -6.38db
30% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Art Neville
Rockin' Pneumonia And The Boogie-Woogie ...
120 bpm • C Maj • 02:10 • -10.68db
12% Popularity • 80% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 80% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Huey "Piano" Smith
Little Chicken Wah Wah
126 bpm • G Maj • 02:05 • -7db
16% Popularity • 82% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
16% Popularity • 82% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Garnet Mimms & The Enchanters
So Close
120 bpm • G Maj • 02:12 • -11.96db
9% Popularity • 75% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 75% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
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The Clovers
All About You
120 bpm • G# Maj • 02:30 • -11.18db
16% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Ernie K-Doe
Tain't It The Truth
127 bpm • D# Maj • 02:33 • -11.87db
28% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Lee Dorsey
People Gonna Talk
119 bpm • F Maj • 02:27 • -9.6db
11% Popularity • 80% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 80% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Little Willie John
All Around The World
127 bpm • G Maj • 03:03 • -9db
21% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
31% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The "5" Royales
Think
127 bpm • G# Maj • 02:35 • -9db
18% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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LaVern Baker
Whipper Snapper
127 bpm • A Maj • 02:12 • -9.28db
22% Popularity • 76% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 76% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Charlie Rich
Finally Found Out - Remastered 2023
127 bpm • F Maj • 02:21 • -4.83db
11% Popularity • 73% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
11% Popularity • 73% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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The Clovers
One Mint Julep
119 bpm • D# Maj • 02:12 • -5.75db
16% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Bobby Charles
On Bended Knee
119 bpm • G# Maj • 02:14 • -11.95db
8% Popularity • 58% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 58% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Huey "Piano" Smith
I Think You're Jiving Me
119 bpm • C Maj • 02:27 • -9.14db
21% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Eugene Church
That's What's Happenin'
128 bpm • F# Maj • 02:30 • -12.73db
0% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Lula Reed
Sick And Tired
128 bpm • G# Maj • 02:28 • -7.47db
9% Popularity • 74% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 74% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Charlie Rich
Midnite Blues
128 bpm • G Maj • 02:40 • -11db
29% Popularity • 77% Danceability • 64% Energy • 17% Liveness
2% Instrumentalness • 94% Positiveness
29% Popularity • 77% Danceability • 64% Energy • 17% Liveness
2% Instrumentalness • 94% Positiveness
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Snooks Eaglin
My Head Is Spinnin'
118 bpm • G Maj • 02:20 • -11db
13% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Ivory Joe Hunter
Shooty Booty - Bonus Track
128 bpm • G Maj • 02:03 • -6db
27% Popularity • 72% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
27% Popularity • 72% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
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Dee Clark
Nobody but You - Bonus Track
118 bpm • C min • 02:23 • -11.62db
18% Popularity • 70% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 70% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
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Sonny Til & The Orioles
Hey! Little Woman
128 bpm • E min • 02:22 • -7db
8% Popularity • 62% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 62% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Little Willie John
There's A Difference
128 bpm • G min • 02:25 • -12db
19% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Eugene Church
Im Your Taboo Man
129 bpm • G Maj • 02:58 • -4.91db
0% Popularity • 76% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 76% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Falcons
You're So Fine
118 bpm • C# Maj • 02:26 • -8.85db
7% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Garnet Mimms & The Enchanters
Nobody But You
129 bpm • A# Maj • 02:15 • -11.55db
26% Popularity • 62% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 62% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Chuck Willis
My Crying Eyes
117 bpm • D# Maj • 02:33 • -8.51db
14% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Jessie Hill
Ooh Poo Pah Doo, Part 2
129 bpm • A Maj • 02:17 • -13.74db
9% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Cookie & The Cupcakes
I Cried
129 bpm • C Maj • 02:36 • -6.75db
9% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
9% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
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Little Willie John
I'm Stickin' With You Baby
129 bpm • C# Maj • 02:53 • -8.77db
9% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Dee Clark
Nobody But You
117 bpm • D min • 02:27 • -12.51db
28% Popularity • 71% Danceability • 32% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 71% Danceability • 32% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
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Hank Ballard & The Midnighters
Do You Know How To Twist
129 bpm • G# Maj • 02:27 • -14db
8% Popularity • 74% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 74% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Clarence "Frogman" Henry
Lonely Street
129 bpm • C Maj • 02:08 • -7db
28% Popularity • 76% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 76% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Chris Kenner
Packing Up
117 bpm • D# Maj • 02:43 • -10.37db
11% Popularity • 74% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 74% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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The Olympics
Hully Gully
117 bpm • G Maj • 02:04 • -14.22db
18% Popularity • 71% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 71% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
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The Falcons
You're So Fine - Hi-Fi Remastered
116 bpm • C# Maj • 02:24 • -5.52db
32% Popularity • 60% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 60% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
130 bpm • D# Maj • 01:51 • -8db
37% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
37% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
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Ernie K-Doe
Mother-In-Law - Remastered
130 bpm • D# Maj • 02:31 • -9.72db
36% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Eugene Church
Sixteen Tons
116 bpm • F# Maj • 02:52 • -5.91db
0% Popularity • 59% Danceability • 75% Energy • 67% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 59% Danceability • 75% Energy • 67% Liveness
0% Instrumentalness • 76% Positiveness
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Chuck Willis
What'cha Gonna Do (When Your Baby Leaves...
130 bpm • D min • 02:45 • -9db
25% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Carl Mann
I'm Walking the Dog
116 bpm • F Maj • 02:35 • -10.25db
15% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
15% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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The Orioles
Hey Little Woman
131 bpm • E min • 02:21 • -11.95db
12% Popularity • 60% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 60% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Little Willie John
Look What You've Done To Me
131 bpm • A# min • 02:13 • -6.66db
9% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
9% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
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Ernie K-Doe
a Certain Girl
131 bpm • C# Maj • 02:49 • -9db
10% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Larry Williams
Hootchy-Koo
116 bpm • D Maj • 02:36 • -12.04db
7% Popularity • 54% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 54% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Eden Kane
A New Kind Of Lovin'
131 bpm • D# min • 02:15 • -11.07db
9% Popularity • 60% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 60% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Frankie Ford
Alimony
131 bpm • C min • 02:18 • -6db
19% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Rosco Gordon
Surely I Love You
131 bpm • G# Maj • 02:25 • -14.49db
19% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
19% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
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Little Willie John
Take My Love (I Want To Give It All To Y...
131 bpm • C# Maj • 02:44 • -12.65db
8% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Titus Turner
Coralee
115 bpm • F min • 02:35 • -5db
10% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Sugar Pie DeSanto
Wish That You Were Mine
131 bpm • F# Maj • 02:28 • -10.51db
14% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Frank Ballard
Do Wa Diddi - Remastered 2022
131 bpm • G Maj • 02:19 • -1.31db
14% Popularity • 64% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 64% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Wynona Carr
What Do You Know (About Love)
115 bpm • F Maj • 02:47 • -12.53db
9% Popularity • 69% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 69% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Chuck Willis
Hang up My Rock and Roll Shoes
131 bpm • F Maj • 02:19 • -8db
29% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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The Olympics
Big Boy Pete '65
131 bpm • A# Maj • 02:29 • -9.16db
14% Popularity • 62% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
14% Popularity • 62% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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The "5" Royales
Crazy Crazy Crazy
115 bpm • A# min • 02:40 • -9.7db
11% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jimmy McCracklin
Think
132 bpm • C Maj • 02:33 • -11.46db
9% Popularity • 46% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 46% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Ray Smith
Makes Me Feel Good
132 bpm • D min • 02:26 • -7.64db
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Ivory Joe Hunter
It's a Doggone Crying Shame
115 bpm • A# Maj • 02:39 • -9.54db
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
