Songs like Skating (arr. B. Ridenour for brass quintet and percussion) by Vince Guaraldi
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Costa
Dream
67 bpm • C# Maj • 04:13 • -35.67db
13% Popularity • 21% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Woody Herman & His Orchestra
Early Autumn
67 bpm • A# min • 03:13 • -16db
34% Popularity • 46% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 13% Positiveness
34% Popularity • 46% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 13% Positiveness
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Thelonious Monk Septet
Crepuscule With Nellie - Breakdown
67 bpm • A# min • 01:01 • -27.09db
53% Popularity • 58% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 58% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Lee Konitz Quartet
Stephanie
67 bpm • A# min • 03:55 • -17.51db
28% Popularity • 68% Danceability • 9% Energy • 8% Liveness
40% Instrumentalness • 20% Positiveness
28% Popularity • 68% Danceability • 9% Energy • 8% Liveness
40% Instrumentalness • 20% Positiveness
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John Coltrane Quartet
It's Easy To Remember
68 bpm • F min • 02:45 • -11db
63% Popularity • 51% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
63% Popularity • 51% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
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Lester Young
These Foolish Things - Remastered 1995
66 bpm • A# Maj • 03:10 • -15db
50% Popularity • 59% Danceability • 10% Energy • 12% Liveness
60% Instrumentalness • 44% Positiveness
50% Popularity • 59% Danceability • 10% Energy • 12% Liveness
60% Instrumentalness • 44% Positiveness
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McCoy Tyner
Days Of Wine And Roses
66 bpm • G min • 03:21 • -21db
50% Popularity • 62% Danceability • 13% Energy • 19% Liveness
85% Instrumentalness • 10% Positiveness
50% Popularity • 62% Danceability • 13% Energy • 19% Liveness
85% Instrumentalness • 10% Positiveness
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Yusef Lateef
Love Theme From The Robe - Remastered 20...
66 bpm • E min • 04:02 • -20.93db
39% Popularity • 52% Danceability • 17% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
39% Popularity • 52% Danceability • 17% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
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Vince Guaraldi
A Taste Of Honey
66 bpm • C min • 06:51 • -14.57db
20% Popularity • 44% Danceability • 37% Energy • 15% Liveness
39% Instrumentalness • 69% Positiveness
20% Popularity • 44% Danceability • 37% Energy • 15% Liveness
39% Instrumentalness • 69% Positiveness
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Art Pepper
Bewitched
66 bpm • C min • 04:26 • -12.59db
43% Popularity • 70% Danceability • 12% Energy • 14% Liveness
73% Instrumentalness • 28% Positiveness
43% Popularity • 70% Danceability • 12% Energy • 14% Liveness
73% Instrumentalness • 28% Positiveness
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John Coltrane Quartet
Say It (Over And Over Again)
66 bpm • D# Maj • 04:15 • -13.04db
58% Popularity • 49% Danceability • 12% Energy • 25% Liveness
33% Instrumentalness • 20% Positiveness
58% Popularity • 49% Danceability • 12% Energy • 25% Liveness
33% Instrumentalness • 20% Positiveness
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Johnny Costa
Over The Rainbow
68 bpm • G Maj • 03:09 • -28.19db
15% Popularity • 39% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
15% Popularity • 39% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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McCoy Tyner
For Heaven's Sake
68 bpm • G# Maj • 03:48 • -18.99db
32% Popularity • 58% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
32% Popularity • 58% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Lester Young
I Guess I'll Have To Change My Plan
69 bpm • G min • 09:29 • -14.38db
39% Popularity • 63% Danceability • 13% Energy • 21% Liveness
70% Instrumentalness • 26% Positiveness
39% Popularity • 63% Danceability • 13% Energy • 21% Liveness
70% Instrumentalness • 26% Positiveness
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Bobby Timmons
Autumn in New York - Bonus Track
69 bpm • F Maj • 02:11 • -16.72db
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Gerry Mulligan Sextet
Tell Me When
69 bpm • C# Maj • 04:09 • -23.73db
46% Popularity • 38% Danceability • 3% Energy • 17% Liveness
23% Instrumentalness • 26% Positiveness
46% Popularity • 38% Danceability • 3% Energy • 17% Liveness
23% Instrumentalness • 26% Positiveness
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John Coltrane Quartet
You Don't Know What Love Is
65 bpm • F min • 05:11 • -12db
41% Popularity • 50% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
41% Popularity • 50% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
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Wes Montgomery Trio
Satin Doll - Take 7
65 bpm • C Maj • 03:56 • -23db
42% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
42% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
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Kenny Dorham
Dorham's Epitaph - Remastered 2014
70 bpm • F min • 01:09 • -14.51db
48% Popularity • 33% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
48% Popularity • 33% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Sun Ra
Hour of Parting
64 bpm • C Maj • 04:47 • -14.03db
40% Popularity • 27% Danceability • 13% Energy • 15% Liveness
39% Instrumentalness • 14% Positiveness
40% Popularity • 27% Danceability • 13% Energy • 15% Liveness
39% Instrumentalness • 14% Positiveness
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Dave Pell's Jazz Octet
Angel Eyes
64 bpm • G# min • 05:38 • -19.57db
29% Popularity • 49% Danceability • 7% Energy • 14% Liveness
81% Instrumentalness • 15% Positiveness
29% Popularity • 49% Danceability • 7% Energy • 14% Liveness
81% Instrumentalness • 15% Positiveness
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George Van Eps
Why Was I Born?
70 bpm • F min • 01:23 • -28.69db
41% Popularity • 52% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 39% Positiveness
41% Popularity • 52% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 39% Positiveness
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Steve Kuhn
The Man With A Horn (The Young Man With ...
70 bpm • D# Maj • 03:58 • -23.67db
18% Popularity • 46% Danceability • 4% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness
18% Popularity • 46% Danceability • 4% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness
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Sonny Clark
Gee Baby, Ain't I Good To You
70 bpm • D Maj • 03:58 • -16db
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
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Kenny Dorham
My Ideal
65 bpm • E min • 05:05 • -25db
44% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
44% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Billy Taylor
Willow Weep for Me
64 bpm • A# min • 03:31 • -15.48db
18% Popularity • 60% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
18% Popularity • 60% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Lee Konitz
I Can't Get Started
71 bpm • C Maj • 03:55 • -13.2db
39% Popularity • 68% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
39% Popularity • 68% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Les Paul Trio
Sweet Leilani - Remastered
71 bpm • F Maj • 02:57 • -19.57db
10% Popularity • 51% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
10% Popularity • 51% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Marian McPartland
Twilight World
71 bpm • D# min • 04:30 • -29.41db
30% Popularity • 43% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
30% Popularity • 43% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Sonny Clark
My Conception
63 bpm • D# Maj • 04:44 • -18db
42% Popularity • 53% Danceability • 6% Energy • 11% Liveness
72% Instrumentalness • 37% Positiveness
42% Popularity • 53% Danceability • 6% Energy • 11% Liveness
72% Instrumentalness • 37% Positiveness
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Bill Le Sage
Air for Vibraphone
71 bpm • G min • 02:50 • -30.28db
26% Popularity • 64% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 23% Positiveness
26% Popularity • 64% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 23% Positiveness
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Kenny Dorham
Autumn In New York - Set 1 / Live From C...
63 bpm • F Maj • 04:47 • -14db
33% Popularity • 54% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
33% Popularity • 54% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
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Vince Guaraldi
Freeway
63 bpm • A# min • 03:45 • -15.48db
20% Popularity • 42% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 42% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Milt Jackson Quartet
Slowly
71 bpm • F min • 03:06 • -25db
29% Popularity • 51% Danceability • 6% Energy • 26% Liveness
12% Instrumentalness • 26% Positiveness
29% Popularity • 51% Danceability • 6% Energy • 26% Liveness
12% Instrumentalness • 26% Positiveness
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McCoy Tyner
'Round Midnight
63 bpm • D# min • 06:22 • -19.93db
28% Popularity • 54% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
28% Popularity • 54% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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Jackie Gleason
Melancholy Serenade
63 bpm • C# min • 03:16 • -7db
33% Popularity • 9% Danceability • 40% Energy • 30% Liveness
91% Instrumentalness • 10% Positiveness
33% Popularity • 9% Danceability • 40% Energy • 30% Liveness
91% Instrumentalness • 10% Positiveness
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Zoot Sims
Evening In Paris
63 bpm • F# Maj • 03:21 • -12.06db
47% Popularity • 56% Danceability • 16% Energy • 12% Liveness
36% Instrumentalness • 57% Positiveness
47% Popularity • 56% Danceability • 16% Energy • 12% Liveness
36% Instrumentalness • 57% Positiveness
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Red Garland Quintet
What Is There To Say
72 bpm • C min • 05:59 • -12.69db
8% Popularity • 45% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
8% Popularity • 45% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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The Howard Roberts Quartet
Girl Talk
72 bpm • F Maj • 02:54 • -18.08db
31% Popularity • 54% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
31% Popularity • 54% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Red Garland Trio
'Tis Autumn
72 bpm • C min • 09:07 • -18db
43% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
43% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
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Benny Carter
The Midnight Sun Will Never Set
72 bpm • G min • 03:57 • -12db
41% Popularity • 35% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 32% Positiveness
41% Popularity • 35% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 32% Positiveness
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Lee Morgan
I Remember Clifford - Rudy Van Gelder Ed...
62 bpm • C min • 07:09 • -9db
49% Popularity • 38% Danceability • 28% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
49% Popularity • 38% Danceability • 28% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
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Vince Guaraldi
Bus Me
62 bpm • F min • 01:36 • -17.55db
28% Popularity • 59% Danceability • 23% Energy • 11% Liveness
61% Instrumentalness • 45% Positiveness
28% Popularity • 59% Danceability • 23% Energy • 11% Liveness
61% Instrumentalness • 45% Positiveness
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Stan Kenton
Eager Beaver
73 bpm • C# Maj • 03:22 • -8.34db
10% Popularity • 45% Danceability • 43% Energy • 8% Liveness
12% Instrumentalness • 37% Positiveness
10% Popularity • 45% Danceability • 43% Energy • 8% Liveness
12% Instrumentalness • 37% Positiveness
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Billy Taylor
Can You Tell by Looking at Me
73 bpm • G min • 04:24 • -16.26db
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Michael Small
Lounge Music
74 bpm • G min • 02:05 • -10db
41% Popularity • 62% Danceability • 38% Energy • 18% Liveness
97% Instrumentalness • 38% Positiveness
41% Popularity • 62% Danceability • 38% Energy • 18% Liveness
97% Instrumentalness • 38% Positiveness
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The Art Farmer Quartet
The Day After
61 bpm • D min • 02:23 • -27.46db
39% Popularity • 28% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 28% Positiveness
39% Popularity • 28% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 28% Positiveness
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Art Pepper
Four Brothers
74 bpm • G# Maj • 02:58 • -9.93db
46% Popularity • 49% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 49% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Claude Thornhill
Snowfall #1
74 bpm • F# Maj • 01:23 • -19.52db
14% Popularity • 25% Danceability • 5% Energy • 6% Liveness
86% Instrumentalness • 24% Positiveness
14% Popularity • 25% Danceability • 5% Energy • 6% Liveness
86% Instrumentalness • 24% Positiveness
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Cedar Walton
Blues For Myself
74 bpm • A# Maj • 03:54 • -21.84db
44% Popularity • 58% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
44% Popularity • 58% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
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McCoy Tyner
When Sunny Gets Blue
60 bpm • D min • 04:42 • -22.55db
59% Popularity • 43% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
59% Popularity • 43% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Tommy Flanagan
Peace - Instrumental
60 bpm • C min • 06:13 • -26.82db
31% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Bud Powell
Autumn In New York
75 bpm • F min • 02:55 • -17.5db
26% Popularity • 39% Danceability • 27% Energy • 12% Liveness
84% Instrumentalness • 30% Positiveness
26% Popularity • 39% Danceability • 27% Energy • 12% Liveness
84% Instrumentalness • 30% Positiveness
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Lester Young
These Foolish Things
75 bpm • D# Maj • 02:59 • -16db
53% Popularity • 59% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 48% Positiveness
53% Popularity • 59% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 48% Positiveness
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Claude Thornhill
Autumn Nocturn
75 bpm • C Maj • 02:19 • -20.22db
14% Popularity • 33% Danceability • 19% Energy • 15% Liveness
92% Instrumentalness • 22% Positiveness
14% Popularity • 33% Danceability • 19% Energy • 15% Liveness
92% Instrumentalness • 22% Positiveness
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Willie "The Lion" Smith
Echoes of Spring (Piano Solo)
75 bpm • E min • 02:00 • -16.16db
15% Popularity • 43% Danceability • 29% Energy • 57% Liveness
91% Instrumentalness • 56% Positiveness
15% Popularity • 43% Danceability • 29% Energy • 57% Liveness
91% Instrumentalness • 56% Positiveness
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Gil Melle
October
75 bpm • D min • 03:43 • -19db
13% Popularity • 51% Danceability • 8% Energy • 12% Liveness
74% Instrumentalness • 30% Positiveness
13% Popularity • 51% Danceability • 8% Energy • 12% Liveness
74% Instrumentalness • 30% Positiveness
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Wes Montgomery Trio
Fried Pies
76 bpm • C min • 06:41 • -23.36db
30% Popularity • 58% Danceability • 18% Energy • 16% Liveness
47% Instrumentalness • 55% Positiveness
30% Popularity • 58% Danceability • 18% Energy • 16% Liveness
47% Instrumentalness • 55% Positiveness
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Dave Richmond
Happy People
75 bpm • A Maj • 01:42 • -17.17db
34% Popularity • 71% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 86% Positiveness
34% Popularity • 71% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 86% Positiveness
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Yusef Lateef
(I Don't Stand) A Ghost Of A Chance With...
59 bpm • C Maj • 04:03 • -17.66db
32% Popularity • 31% Danceability • 6% Energy • 20% Liveness
81% Instrumentalness • 32% Positiveness
32% Popularity • 31% Danceability • 6% Energy • 20% Liveness
81% Instrumentalness • 32% Positiveness
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Hank Jones
My Wish
76 bpm • D min • 03:32 • -27db
38% Popularity • 41% Danceability • 4% Energy • 13% Liveness
76% Instrumentalness • 16% Positiveness
38% Popularity • 41% Danceability • 4% Energy • 13% Liveness
76% Instrumentalness • 16% Positiveness
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Stan Kenton
Artistry Jumps
76 bpm • G# Maj • 02:37 • -10.35db
12% Popularity • 43% Danceability • 46% Energy • 5% Liveness
12% Instrumentalness • 54% Positiveness
12% Popularity • 43% Danceability • 46% Energy • 5% Liveness
12% Instrumentalness • 54% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Charles Mingus
Mood Indigo
59 bpm • C min • 04:45 • -22.79db
46% Popularity • 35% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
46% Popularity • 35% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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George Van Eps
Sunny
76 bpm • F min • 02:19 • -25.15db
34% Popularity • 49% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
34% Popularity • 49% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
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Kenyon Hopkins
Sarah's Theme
76 bpm • G Maj • 02:05 • -13.52db
11% Popularity • 48% Danceability • 18% Energy • 15% Liveness
20% Instrumentalness • 20% Positiveness
11% Popularity • 48% Danceability • 18% Energy • 15% Liveness
20% Instrumentalness • 20% Positiveness
► Preview
Bill Le Sage
Vibes in Waltz Time
76 bpm • G Maj • 02:51 • -28.25db
28% Popularity • 48% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
28% Popularity • 48% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
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Benny Carter
Blue Star
77 bpm • G# Maj • 05:20 • -10.99db
31% Popularity • 33% Danceability • 28% Energy • 30% Liveness
59% Instrumentalness • 30% Positiveness
31% Popularity • 33% Danceability • 28% Energy • 30% Liveness
59% Instrumentalness • 30% Positiveness
► Preview
John Hicks
Naomi's Love Song
77 bpm • G# Maj • 03:02 • -25db
24% Popularity • 27% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
24% Popularity • 27% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
The Cannonball Adderley Quintet
Stars Fell On Alabama
77 bpm • A# Maj • 06:14 • -15db
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Bud Powell
Celia
77 bpm • F Maj • 02:57 • -18.2db
36% Popularity • 55% Danceability • 17% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
36% Popularity • 55% Danceability • 17% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
► Preview
Wes Montgomery Trio
Dreamsville
58 bpm • C Maj • 03:48 • -34db
42% Popularity • 48% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
42% Popularity • 48% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
► Preview
Tony Kinsey
Factory Fresh
77 bpm • G min • 02:55 • -17.76db
17% Popularity • 46% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
17% Popularity • 46% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
► Preview
George Van Eps
Cheek To Cheek
77 bpm • F Maj • 02:21 • -26db
40% Popularity • 67% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
40% Popularity • 67% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
► Preview
John Coltrane Quartet
They Say It's Wonderful
77 bpm • F# Maj • 03:02 • -17.22db
53% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
53% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
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The Gil Evans Orchestra
Where Flamingos Fly
77 bpm • D min • 05:12 • -22.85db
27% Popularity • 18% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
27% Popularity • 18% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
44% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
44% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
► Preview
McCoy Tyner
We'll Be Together Again
78 bpm • G# Maj • 03:40 • -20.72db
51% Popularity • 48% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
51% Popularity • 48% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
► Preview
Joe Henderson
Happy Madness
58 bpm • A# Maj • 03:11 • -19.59db
38% Popularity • 43% Danceability • 7% Energy • 21% Liveness
82% Instrumentalness • 43% Positiveness
38% Popularity • 43% Danceability • 7% Energy • 21% Liveness
82% Instrumentalness • 43% Positiveness
► Preview
Stan Kenton
Say It Isn't So
78 bpm • A min • 02:36 • -19.37db
17% Popularity • 19% Danceability • 4% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 4% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Les & Larry Elgart
Skyliner
79 bpm • D Maj • 02:12 • -14db
33% Popularity • 75% Danceability • 25% Energy • 13% Liveness
89% Instrumentalness • 66% Positiveness
33% Popularity • 75% Danceability • 25% Energy • 13% Liveness
89% Instrumentalness • 66% Positiveness
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Vince Guaraldi Quintet
Linus and Lucy
79 bpm • G# Maj • 04:15 • -10.14db
21% Popularity • 51% Danceability • 66% Energy • 23% Liveness
61% Instrumentalness • 90% Positiveness
21% Popularity • 51% Danceability • 66% Energy • 23% Liveness
61% Instrumentalness • 90% Positiveness
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Duke Ellington Orchestra
Eighth Veil
79 bpm • B Maj • 02:48 • -10.84db
11% Popularity • 46% Danceability • 40% Energy • 33% Liveness
77% Instrumentalness • 59% Positiveness
11% Popularity • 46% Danceability • 40% Energy • 33% Liveness
77% Instrumentalness • 59% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Vince Guaraldi Quartet
Going out of my head
80 bpm • G min • 10:26 • -18.81db
10% Popularity • 45% Danceability • 26% Energy • 66% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 45% Danceability • 26% Energy • 66% Liveness
0% Instrumentalness • 42% Positiveness
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Ike Quebec
Lloro Tu Despedida
80 bpm • C min • 03:01 • -16.1db
41% Popularity • 64% Danceability • 30% Energy • 9% Liveness
34% Instrumentalness • 73% Positiveness
41% Popularity • 64% Danceability • 30% Energy • 9% Liveness
34% Instrumentalness • 73% Positiveness
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Alan Hawkshaw
Regent Street
81 bpm • A# Maj • 01:20 • -18.18db
30% Popularity • 58% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 28% Positiveness
30% Popularity • 58% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 28% Positiveness
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Vince Guaraldi Quintet
Linus and Lucy (Bonus Mix)
80 bpm • G# Maj • 04:19 • -14.16db
17% Popularity • 56% Danceability • 57% Energy • 9% Liveness
79% Instrumentalness • 89% Positiveness
17% Popularity • 56% Danceability • 57% Energy • 9% Liveness
79% Instrumentalness • 89% Positiveness
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Kurt Rosenwinkel
Feed The Birds (Tuppence a Bag)
81 bpm • D Maj • 05:38 • -11.75db
24% Popularity • 37% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
24% Popularity • 37% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Bill Le Sage
Vibes in Counterpoint
81 bpm • G Maj • 02:36 • -26.25db
19% Popularity • 54% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 71% Positiveness
19% Popularity • 54% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 71% Positiveness
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Johnny Costa
Sometimes People Are Good/Children Can M...
81 bpm • F Maj • 03:59 • -11.81db
16% Popularity • 29% Danceability • 51% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
16% Popularity • 29% Danceability • 51% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
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David Rose Project Orchestra
Holiday for Strings
81 bpm • C min • 03:08 • -14.12db
24% Popularity • 27% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 27% Positiveness
24% Popularity • 27% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 27% Positiveness
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Chet Baker Quartet
But Not for Me (Instrumental)
82 bpm • F min • 03:05 • -11.85db
34% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
34% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
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Vince Guaraldi
It's Your Dog Charlie Brown
82 bpm • G# Maj • 03:09 • -16.11db
24% Popularity • 48% Danceability • 37% Energy • 28% Liveness
35% Instrumentalness • 71% Positiveness
24% Popularity • 48% Danceability • 37% Energy • 28% Liveness
35% Instrumentalness • 71% Positiveness
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Bud Powell
There Will Never Be Another You
82 bpm • F min • 04:17 • -16.67db
27% Popularity • 58% Danceability • 33% Energy • 24% Liveness
90% Instrumentalness • 77% Positiveness
27% Popularity • 58% Danceability • 33% Energy • 24% Liveness
90% Instrumentalness • 77% Positiveness
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Barry Harris
Body And Soul
82 bpm • A# min • 04:01 • -22.02db
28% Popularity • 32% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
28% Popularity • 32% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Gary McFarland & Co.
Melancholy Baby
82 bpm • C Maj • 02:14 • -16.32db
24% Popularity • 63% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
24% Popularity • 63% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
