Songs like Sketch for Summer by The Durutti Column
Based on a tempo of (+/- 10%) and a similar genre
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Broadcast
Tender Buttons
108 bpm • D# Maj • 02:52 • -11db
41% Popularity • 66% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
41% Popularity • 66% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
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The Durutti Column
Bordeaux
108 bpm • D Maj • 03:31 • -17db
31% Popularity • 79% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
31% Popularity • 79% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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The The
Giant
108 bpm • B Maj • 09:34 • -14db
38% Popularity • 68% Danceability • 71% Energy • 13% Liveness
46% Instrumentalness • 96% Positiveness
38% Popularity • 68% Danceability • 71% Energy • 13% Liveness
46% Instrumentalness • 96% Positiveness
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John Martyn
Solid Air
108 bpm • C min • 05:44 • -15.57db
41% Popularity • 60% Danceability • 18% Energy • 10% Liveness
20% Instrumentalness • 34% Positiveness
41% Popularity • 60% Danceability • 18% Energy • 10% Liveness
20% Instrumentalness • 34% Positiveness
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Drugdealer
Suddenly
108 bpm • E Maj • 03:17 • -7.54db
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
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Geoffrey Landers
Say You'll Say So
108 bpm • D Maj • 05:09 • -10.57db
34% Popularity • 71% Danceability • 64% Energy • 16% Liveness
3% Instrumentalness • 32% Positiveness
34% Popularity • 71% Danceability • 64% Energy • 16% Liveness
3% Instrumentalness • 32% Positiveness
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Ariel Pink
Another Weekend
109 bpm • F# min • 04:14 • -5.38db
45% Popularity • 38% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 38% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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The Durutti Column
Sketch for Summer
108 bpm • D min • 02:58 • -9.9db
48% Popularity • 65% Danceability • 74% Energy • 14% Liveness
82% Instrumentalness • 53% Positiveness
48% Popularity • 65% Danceability • 74% Energy • 14% Liveness
82% Instrumentalness • 53% Positiveness
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Connan Mockasin
Do I Make You Feel Shy?
107 bpm • G Maj • 03:14 • -13db
27% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Ashra
Oasis
109 bpm • D Maj • 03:46 • -20.74db
36% Popularity • 70% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 60% Positiveness
36% Popularity • 70% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 60% Positiveness
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John Cale
Paris 1919
107 bpm • C Maj • 04:06 • -13.73db
45% Popularity • 74% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
45% Popularity • 74% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
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Mamman Sani
Ya Bismillah
107 bpm • D min • 04:21 • -9.49db
30% Popularity • 74% Danceability • 52% Energy • 6% Liveness
82% Instrumentalness • 85% Positiveness
30% Popularity • 74% Danceability • 52% Energy • 6% Liveness
82% Instrumentalness • 85% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Durutti Column
Jacqueline
107 bpm • D Maj • 02:15 • -13db
36% Popularity • 66% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 49% Positiveness
36% Popularity • 66% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 49% Positiveness
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Haruomi Hosono
スポーツマン (2019 Remastering)
109 bpm • D Maj • 04:05 • -4.31db
43% Popularity • 81% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 81% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Amen Dunes
Blue Rose
107 bpm • G Maj • 04:06 • -6.77db
24% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
24% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Exploded View
Summer Came Early
107 bpm • D Maj • 03:26 • -9.24db
31% Popularity • 52% Danceability • 52% Energy • 11% Liveness
71% Instrumentalness • 55% Positiveness
31% Popularity • 52% Danceability • 52% Energy • 11% Liveness
71% Instrumentalness • 55% Positiveness
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Alex Cameron
Real Bad Lookin'
107 bpm • D Maj • 04:33 • -8db
38% Popularity • 96% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 98% Positiveness
38% Popularity • 96% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 98% Positiveness
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Antena
To Climb the Cliff
109 bpm • G# Maj • 03:43 • -12.93db
30% Popularity • 62% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 62% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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The Durutti Column
Sketch For Dawn - I
109 bpm • D Maj • 05:14 • -14db
31% Popularity • 70% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 75% Positiveness
31% Popularity • 70% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 75% Positiveness
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Dirty Beaches
True Blue
107 bpm • C Maj • 02:51 • -10.31db
43% Popularity • 64% Danceability • 59% Energy • 10% Liveness
96% Instrumentalness • 98% Positiveness
43% Popularity • 64% Danceability • 59% Energy • 10% Liveness
96% Instrumentalness • 98% Positiveness
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Gary Numan
M.E.
109 bpm • C Maj • 05:37 • -8.13db
48% Popularity • 43% Danceability • 64% Energy • 12% Liveness
11% Instrumentalness • 21% Positiveness
48% Popularity • 43% Danceability • 64% Energy • 12% Liveness
11% Instrumentalness • 21% Positiveness
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Mariah
心臓の扉
109 bpm • F Maj • 04:40 • -11.13db
42% Popularity • 72% Danceability • 74% Energy • 36% Liveness
60% Instrumentalness • 58% Positiveness
42% Popularity • 72% Danceability • 74% Energy • 36% Liveness
60% Instrumentalness • 58% Positiveness
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Susumu Yokota
Song Of The Sleeping Forest
107 bpm • G Maj • 04:19 • -10.18db
35% Popularity • 82% Danceability • 70% Energy • 18% Liveness
87% Instrumentalness • 79% Positiveness
35% Popularity • 82% Danceability • 70% Energy • 18% Liveness
87% Instrumentalness • 79% Positiveness
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R. Stevie Moore
Another No Answer
107 bpm • B Maj • 05:12 • -13.69db
29% Popularity • 86% Danceability • 40% Energy • 27% Liveness
2% Instrumentalness • 82% Positiveness
29% Popularity • 86% Danceability • 40% Energy • 27% Liveness
2% Instrumentalness • 82% Positiveness
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The Durutti Column
Experiment In Fifth
107 bpm • F# Maj • 03:36 • -17.76db
22% Popularity • 74% Danceability • 41% Energy • 8% Liveness
98% Instrumentalness • 61% Positiveness
22% Popularity • 74% Danceability • 41% Energy • 8% Liveness
98% Instrumentalness • 61% Positiveness
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Vanishing Twin
Magician's Success
107 bpm • F# Maj • 03:55 • -8.93db
38% Popularity • 55% Danceability • 68% Energy • 39% Liveness
12% Instrumentalness • 70% Positiveness
38% Popularity • 55% Danceability • 68% Energy • 39% Liveness
12% Instrumentalness • 70% Positiveness
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Connan Mockasin
Charlotte's Thong
106 bpm • E min • 08:56 • -15.98db
48% Popularity • 80% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 69% Positiveness
48% Popularity • 80% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 69% Positiveness
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Domenique Dumont
Le château de corail
110 bpm • F Maj • 04:05 • -11.35db
35% Popularity • 53% Danceability • 40% Energy • 15% Liveness
88% Instrumentalness • 15% Positiveness
35% Popularity • 53% Danceability • 40% Energy • 15% Liveness
88% Instrumentalness • 15% Positiveness
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David Byrne
Strange Overtones
110 bpm • C# Maj • 04:16 • -6.94db
53% Popularity • 69% Danceability • 84% Energy • 61% Liveness
0% Instrumentalness • 81% Positiveness
53% Popularity • 69% Danceability • 84% Energy • 61% Liveness
0% Instrumentalness • 81% Positiveness
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Moon Duo
Lost Heads
110 bpm • A Maj • 06:26 • -6.51db
40% Popularity • 61% Danceability • 87% Energy • 15% Liveness
85% Instrumentalness • 82% Positiveness
40% Popularity • 61% Danceability • 87% Energy • 15% Liveness
85% Instrumentalness • 82% Positiveness
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The Durutti Column
Requiem For A Father
110 bpm • G# min • 05:07 • -15.33db
27% Popularity • 71% Danceability • 51% Energy • 11% Liveness
89% Instrumentalness • 37% Positiveness
27% Popularity • 71% Danceability • 51% Energy • 11% Liveness
89% Instrumentalness • 37% Positiveness
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Destroyer
Kaputt
110 bpm • E Maj • 06:17 • -8.92db
43% Popularity • 65% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 56% Positiveness
43% Popularity • 65% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 56% Positiveness
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Baxter Dury
Miami
110 bpm • G Maj • 04:34 • -5.02db
42% Popularity • 74% Danceability • 80% Energy • 10% Liveness
30% Instrumentalness • 87% Positiveness
42% Popularity • 74% Danceability • 80% Energy • 10% Liveness
30% Instrumentalness • 87% Positiveness
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Ariel Pink
Round and Round
110 bpm • C# min • 05:08 • -7db
46% Popularity • 66% Danceability • 59% Energy • 56% Liveness
62% Instrumentalness • 57% Positiveness
46% Popularity • 66% Danceability • 59% Energy • 56% Liveness
62% Instrumentalness • 57% Positiveness
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Broadcast
Poem Of Dead Song
110 bpm • F min • 02:31 • -10db
41% Popularity • 43% Danceability • 54% Energy • 36% Liveness
85% Instrumentalness • 46% Positiveness
41% Popularity • 43% Danceability • 54% Energy • 36% Liveness
85% Instrumentalness • 46% Positiveness
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Saâda Bonaire
You Could Be More As You Are
110 bpm • C Maj • 05:56 • -9.64db
47% Popularity • 97% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
47% Popularity • 97% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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The Durutti Column
Detail For Paul
106 bpm • F# Maj • 01:55 • -13.61db
21% Popularity • 72% Danceability • 46% Energy • 14% Liveness
94% Instrumentalness • 56% Positiveness
21% Popularity • 72% Danceability • 46% Energy • 14% Liveness
94% Instrumentalness • 56% Positiveness
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Khruangbin
Friday Morning
106 bpm • B min • 06:50 • -13.64db
46% Popularity • 44% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 44% Positiveness
46% Popularity • 44% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 44% Positiveness
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Baxter Dury
Other Men's Girls
110 bpm • B min • 03:45 • -11db
38% Popularity • 71% Danceability • 44% Energy • 32% Liveness
57% Instrumentalness • 52% Positiveness
38% Popularity • 71% Danceability • 44% Energy • 32% Liveness
57% Instrumentalness • 52% Positiveness
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Galaxie 500
Ceremony
110 bpm • C Maj • 05:56 • -8db
15% Popularity • 24% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 24% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Broadcast
Accidentals
110 bpm • F# Maj • 03:28 • -12.83db
36% Popularity • 24% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
36% Popularity • 24% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Brian Eno
The Belldog
111 bpm • B Maj • 06:19 • -12.83db
29% Popularity • 41% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
29% Popularity • 41% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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The Durutti Column
Self Portrait
106 bpm • D Maj • 04:42 • -11.25db
14% Popularity • 58% Danceability • 44% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
14% Popularity • 58% Danceability • 44% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
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Nilüfer Yanya
Hey
105 bpm • E min • 02:42 • -9db
56% Popularity • 76% Danceability • 68% Energy • 33% Liveness
41% Instrumentalness • 49% Positiveness
56% Popularity • 76% Danceability • 68% Energy • 33% Liveness
41% Instrumentalness • 49% Positiveness
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Arthur Russell
Make 1,2
105 bpm • G Maj • 02:49 • -9db
33% Popularity • 81% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
33% Popularity • 81% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
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Sylvester
I Need Somebody To Love Tonight
105 bpm • G Maj • 06:51 • -17.85db
38% Popularity • 73% Danceability • 36% Energy • 7% Liveness
90% Instrumentalness • 86% Positiveness
38% Popularity • 73% Danceability • 36% Energy • 7% Liveness
90% Instrumentalness • 86% Positiveness
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Broadcast
Before We Begin
111 bpm • F Maj • 03:22 • -6.7db
46% Popularity • 51% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 51% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Hailu Mergia
Anchin Kfu Ayinkash
105 bpm • F min • 05:24 • -10db
52% Popularity • 47% Danceability • 55% Energy • 34% Liveness
15% Instrumentalness • 69% Positiveness
52% Popularity • 47% Danceability • 55% Energy • 34% Liveness
15% Instrumentalness • 69% Positiveness
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The Durutti Column
For A Western
110 bpm • D Maj • 02:50 • -14.82db
15% Popularity • 71% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 48% Positiveness
15% Popularity • 71% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 48% Positiveness
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Art Feynman
Slow Down
105 bpm • C# Maj • 03:07 • -5.53db
35% Popularity • 78% Danceability • 88% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
35% Popularity • 78% Danceability • 88% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
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Harumi
Fire By The River
111 bpm • F Maj • 03:34 • -16db
43% Popularity • 62% Danceability • 45% Energy • 25% Liveness
93% Instrumentalness • 46% Positiveness
43% Popularity • 62% Danceability • 45% Energy • 25% Liveness
93% Instrumentalness • 46% Positiveness
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Ahmed Malek
Autopsie d'un complot
104 bpm • A min • 03:29 • -11.12db
49% Popularity • 58% Danceability • 60% Energy • 30% Liveness
85% Instrumentalness • 70% Positiveness
49% Popularity • 58% Danceability • 60% Energy • 30% Liveness
85% Instrumentalness • 70% Positiveness
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Pete Brandt's Method
What You Are
105 bpm • G min • 03:35 • -10.85db
35% Popularity • 65% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
35% Popularity • 65% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
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Anna Domino
Everyday, I Don't
112 bpm • F Maj • 04:39 • -17.99db
37% Popularity • 79% Danceability • 37% Energy • 11% Liveness
93% Instrumentalness • 96% Positiveness
37% Popularity • 79% Danceability • 37% Energy • 11% Liveness
93% Instrumentalness • 96% Positiveness
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The Durutti Column
Finding The Sea
111 bpm • C# Maj • 09:47 • -14.55db
18% Popularity • 42% Danceability • 44% Energy • 9% Liveness
84% Instrumentalness • 40% Positiveness
18% Popularity • 42% Danceability • 44% Energy • 9% Liveness
84% Instrumentalness • 40% Positiveness
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Harmonia & Eno '76
Welcome
104 bpm • D Maj • 03:02 • -18.81db
38% Popularity • 40% Danceability • 27% Energy • 11% Liveness
74% Instrumentalness • 17% Positiveness
38% Popularity • 40% Danceability • 27% Energy • 11% Liveness
74% Instrumentalness • 17% Positiveness
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Leon Vynehall
Movements (Chapter III)
104 bpm • B min • 03:51 • -15.26db
49% Popularity • 52% Danceability • 30% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
49% Popularity • 52% Danceability • 30% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Mildlife
The Magnificent Moon
112 bpm • F min • 08:52 • -6db
47% Popularity • 59% Danceability • 80% Energy • 16% Liveness
70% Instrumentalness • 64% Positiveness
47% Popularity • 59% Danceability • 80% Energy • 16% Liveness
70% Instrumentalness • 64% Positiveness
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Raymond Scott
Portofino 2
112 bpm • A# Maj • 02:14 • -15.68db
41% Popularity • 57% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 81% Positiveness
41% Popularity • 57% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 81% Positiveness
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Whitney
No Woman
112 bpm • D Maj • 03:57 • -8.74db
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
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The Durutti Column
Portrait For Frazer
111 bpm • E Maj • 03:33 • -16.14db
19% Popularity • 71% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
19% Popularity • 71% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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John Maus
Do Your Best
112 bpm • C# min • 02:47 • -11.31db
42% Popularity • 59% Danceability • 51% Energy • 14% Liveness
95% Instrumentalness • 52% Positiveness
42% Popularity • 59% Danceability • 51% Energy • 14% Liveness
95% Instrumentalness • 52% Positiveness
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Unknown Mortal Orchestra
So Good at Being in Trouble
104 bpm • C Maj • 03:50 • -10.14db
65% Popularity • 83% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
65% Popularity • 83% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
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Suicide
Surrender ('88 Version) (2023 Remaster)
112 bpm • F# min • 03:47 • -6.96db
47% Popularity • 28% Danceability • 59% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
47% Popularity • 28% Danceability • 59% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
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Sun Ra
Door To The Cosmos - Mixed
113 bpm • G# Maj • 01:25 • -14.07db
41% Popularity • 82% Danceability • 39% Energy • 29% Liveness
5% Instrumentalness • 50% Positiveness
41% Popularity • 82% Danceability • 39% Energy • 29% Liveness
5% Instrumentalness • 50% Positiveness
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Electrelane
The Valleys
113 bpm • F# min • 05:20 • -12.64db
36% Popularity • 51% Danceability • 30% Energy • 10% Liveness
30% Instrumentalness • 29% Positiveness
36% Popularity • 51% Danceability • 30% Energy • 10% Liveness
30% Instrumentalness • 29% Positiveness
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The Durutti Column
Jazz
112 bpm • E Maj • 01:39 • -13.24db
24% Popularity • 54% Danceability • 50% Energy • 28% Liveness
80% Instrumentalness • 41% Positiveness
24% Popularity • 54% Danceability • 50% Energy • 28% Liveness
80% Instrumentalness • 41% Positiveness
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The Cleaners From Venus
The Mercury Girl
113 bpm • C# min • 04:22 • -9.05db
37% Popularity • 58% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 58% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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John Martyn
Small Hours
103 bpm • G# Maj • 08:45 • -23.61db
33% Popularity • 25% Danceability • 4% Energy • 19% Liveness
60% Instrumentalness • 10% Positiveness
33% Popularity • 25% Danceability • 4% Energy • 19% Liveness
60% Instrumentalness • 10% Positiveness
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Stereolab
Miss Modular
113 bpm • F# min • 04:29 • -10.58db
44% Popularity • 76% Danceability • 52% Energy • 11% Liveness
69% Instrumentalness • 80% Positiveness
44% Popularity • 76% Danceability • 52% Energy • 11% Liveness
69% Instrumentalness • 80% Positiveness
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ScubaZ
The Vanishing American Family
103 bpm • A# min • 04:14 • -11.34db
40% Popularity • 51% Danceability • 60% Energy • 30% Liveness
83% Instrumentalness • 34% Positiveness
40% Popularity • 51% Danceability • 60% Energy • 30% Liveness
83% Instrumentalness • 34% Positiveness
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The Beach Boys
All I Wanna Do - Remastered 2009
103 bpm • A min • 02:36 • -12.18db
50% Popularity • 45% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 45% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Durutti Column
Katherine
113 bpm • C Maj • 05:31 • -14.66db
28% Popularity • 73% Danceability • 26% Energy • 25% Liveness
17% Instrumentalness • 24% Positiveness
28% Popularity • 73% Danceability • 26% Energy • 25% Liveness
17% Instrumentalness • 24% Positiveness
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Sébastien Tellier
La ritournelle
103 bpm • C min • 07:34 • -11.21db
55% Popularity • 56% Danceability • 72% Energy • 9% Liveness
50% Instrumentalness • 53% Positiveness
55% Popularity • 56% Danceability • 72% Energy • 9% Liveness
50% Instrumentalness • 53% Positiveness
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Arthur Russell
This Is How We Walk On The Moon
103 bpm • F# min • 04:43 • -20.28db
38% Popularity • 82% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 82% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Electrelane
Birds
114 bpm • G Maj • 03:53 • -16db
41% Popularity • 60% Danceability • 26% Energy • 12% Liveness
22% Instrumentalness • 30% Positiveness
41% Popularity • 60% Danceability • 26% Energy • 12% Liveness
22% Instrumentalness • 30% Positiveness
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Lemon Jelly
Soft
103 bpm • D# min • 04:35 • -10db
43% Popularity • 77% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
43% Popularity • 77% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Orange Juice
Rip It Up
103 bpm • G Maj • 05:20 • -9.36db
56% Popularity • 88% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
56% Popularity • 88% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Robert Wyatt
At Last I Am Free
114 bpm • F min • 04:17 • -11db
34% Popularity • 45% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 45% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Clientele
Reflections After Jane
103 bpm • A# Maj • 03:21 • -16db
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
12% Instrumentalness • 62% Positiveness
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
12% Instrumentalness • 62% Positiveness
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Shuggie Otis
Aht Uh Mi Hed
103 bpm • F# min • 04:17 • -8.14db
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
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The Durutti Column
Sketch For Dawn - II
103 bpm • E min • 04:37 • -16.62db
17% Popularity • 71% Danceability • 37% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
17% Popularity • 71% Danceability • 37% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
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Cluster
Ho Renomo
114 bpm • D Maj • 05:11 • -17.29db
35% Popularity • 47% Danceability • 18% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
35% Popularity • 47% Danceability • 18% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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CCFX
Venetian Screens
114 bpm • F min • 04:29 • -6db
32% Popularity • 58% Danceability • 71% Energy • 41% Liveness
67% Instrumentalness • 19% Positiveness
32% Popularity • 58% Danceability • 71% Energy • 41% Liveness
67% Instrumentalness • 19% Positiveness
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Saint Etienne
Only Love Can Break Your Heart
102 bpm • G Maj • 04:29 • -9.14db
51% Popularity • 59% Danceability • 80% Energy • 17% Liveness
39% Instrumentalness • 74% Positiveness
51% Popularity • 59% Danceability • 80% Energy • 17% Liveness
39% Instrumentalness • 74% Positiveness
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Dean Blunt
100
102 bpm • A# min • 03:20 • -6.47db
62% Popularity • 61% Danceability • 81% Energy • 27% Liveness
6% Instrumentalness • 48% Positiveness
62% Popularity • 61% Danceability • 81% Energy • 27% Liveness
6% Instrumentalness • 48% Positiveness
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Felt
Indian Scriptures
102 bpm • A# Maj • 01:34 • -13.49db
33% Popularity • 52% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
33% Popularity • 52% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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Beastie Boys
I Don't Know - Remastered 2009
114 bpm • C Maj • 03:00 • -15.17db
50% Popularity • 87% Danceability • 41% Energy • 7% Liveness
90% Instrumentalness • 96% Positiveness
50% Popularity • 87% Danceability • 41% Energy • 7% Liveness
90% Instrumentalness • 96% Positiveness
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Air
Ce matin-là
102 bpm • G# Maj • 03:39 • -11.99db
56% Popularity • 21% Danceability • 44% Energy • 9% Liveness
51% Instrumentalness • 16% Positiveness
56% Popularity • 21% Danceability • 44% Energy • 9% Liveness
51% Instrumentalness • 16% Positiveness
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William Onyeabor
Fantastic Man
114 bpm • B min • 06:26 • -11db
46% Popularity • 70% Danceability • 75% Energy • 6% Liveness
71% Instrumentalness • 96% Positiveness
46% Popularity • 70% Danceability • 75% Energy • 6% Liveness
71% Instrumentalness • 96% Positiveness
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The Durutti Column
My Country
102 bpm • A Maj • 03:04 • -13.94db
17% Popularity • 53% Danceability • 47% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
17% Popularity • 53% Danceability • 47% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
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The Rolling Stones
Heaven - Remastered
114 bpm • C# min • 04:22 • -9.29db
51% Popularity • 62% Danceability • 46% Energy • 28% Liveness
4% Instrumentalness • 12% Positiveness
51% Popularity • 62% Danceability • 46% Energy • 28% Liveness
4% Instrumentalness • 12% Positiveness
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Nick Drake
River Man
115 bpm • G# Maj • 04:18 • -20.1db
55% Popularity • 47% Danceability • 12% Energy • 11% Liveness
74% Instrumentalness • 9% Positiveness
55% Popularity • 47% Danceability • 12% Energy • 11% Liveness
74% Instrumentalness • 9% Positiveness
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Connan Mockasin
B'nd
102 bpm • F# Maj • 03:36 • -16.13db
47% Popularity • 87% Danceability • 25% Energy • 10% Liveness
69% Instrumentalness • 45% Positiveness
47% Popularity • 87% Danceability • 25% Energy • 10% Liveness
69% Instrumentalness • 45% Positiveness
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Brian Eno
Spinning Away
115 bpm • A Maj • 05:27 • -7db
50% Popularity • 57% Danceability • 76% Energy • 16% Liveness
17% Instrumentalness • 74% Positiveness
50% Popularity • 57% Danceability • 76% Energy • 16% Liveness
17% Instrumentalness • 74% Positiveness
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Broadcast
Come On Let's Go
115 bpm • D Maj • 03:17 • -10db
54% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
54% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
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Arthur Russell
Answers Me
101 bpm • A# min • 02:10 • -22db
33% Popularity • 69% Danceability • 16% Energy • 17% Liveness
67% Instrumentalness • 20% Positiveness
33% Popularity • 69% Danceability • 16% Energy • 17% Liveness
67% Instrumentalness • 20% Positiveness
