Songs like Skywalker by Owen Greyson
Based on a tempo of (+/- 10%) and a similar genre
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Lucas Miguel
What's It Gonna Be
115 bpm • F# Maj • 03:09 • -11.97db
12% Popularity • 83% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 83% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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K. Deal
GSM
115 bpm • C# Maj • 04:14 • -8.33db
17% Popularity • 83% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 83% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Ayip
$Ip
115 bpm • E min • 03:38 • -9.16db
44% Popularity • 83% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 83% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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John Roa
Tawag Lang
115 bpm • C# min • 03:01 • -7.6db
35% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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LIEN
Medyo Matagal
115 bpm • F min • 02:31 • -11.14db
22% Popularity • 78% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 78% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Owen Greyson
Skywalker
115 bpm • C# Maj • 03:41 • -13.63db
8% Popularity • 80% Danceability • 29% Energy • 10% Liveness
5% Instrumentalness • 39% Positiveness
8% Popularity • 80% Danceability • 29% Energy • 10% Liveness
5% Instrumentalness • 39% Positiveness
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Schumi
What's up?, Pt. 1
115 bpm • C Maj • 03:01 • -13.05db
15% Popularity • 78% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 78% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Mac Mafia
Man On Mars
115 bpm • A Maj • 04:07 • -13.47db
25% Popularity • 73% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 73% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Markush
Daddy
115 bpm • F# min • 03:01 • -11.05db
32% Popularity • 89% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 89% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Miranda
Iniibig
115 bpm • D# Maj • 04:05 • -11.57db
21% Popularity • 86% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 86% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Dré Rizzæ
Arabica - Remastered
115 bpm • A# min • 03:37 • -8.48db
16% Popularity • 71% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 71% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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poisonhxrzy
Minahal Kita, Dun Ako Nagkamali
115 bpm • G# Maj • 03:23 • -16.62db
17% Popularity • 85% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 85% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Mara Torres
U Don't
116 bpm • C# min • 03:08 • -16.86db
23% Popularity • 82% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 82% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Kahia
Toyota
114 bpm • F# min • 03:42 • -16.48db
24% Popularity • 80% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 80% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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SLIZ
Rapmabu
116 bpm • F# min • 03:06 • -14.96db
25% Popularity • 82% Danceability • 24% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
25% Popularity • 82% Danceability • 24% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
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Calvin De Leon
Medisina
114 bpm • C Maj • 04:22 • -8.72db
43% Popularity • 81% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 81% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Kristina Dawn
gin+c2
114 bpm • G# min • 02:52 • -8.55db
35% Popularity • 81% Danceability • 36% Energy • 8% Liveness
56% Instrumentalness • 83% Positiveness
35% Popularity • 81% Danceability • 36% Energy • 8% Liveness
56% Instrumentalness • 83% Positiveness
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Hicci
Halaga
116 bpm • G# Maj • 04:45 • -14.51db
29% Popularity • 69% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 69% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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aikyo
Aatras
117 bpm • F# Maj • 02:44 • -11.57db
16% Popularity • 76% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 76% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Mark Thompson
Enough
117 bpm • F# min • 04:02 • -13.19db
0% Popularity • 56% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 56% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Jepzie
DMD
113 bpm • E min • 02:32 • -9.88db
27% Popularity • 88% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 88% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Owen Greyson
SNEAKY LINK
113 bpm • C min • 02:55 • -12.97db
0% Popularity • 70% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 70% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jaykey
tawag
113 bpm • C# min • 03:04 • -8.77db
16% Popularity • 76% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 76% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
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Jong
Late Night Talks
113 bpm • G# min • 04:17 • -13.79db
35% Popularity • 59% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 59% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Yzkk
NANA
118 bpm • C# Maj • 02:30 • -12db
24% Popularity • 84% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 68% Positiveness
24% Popularity • 84% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 68% Positiveness
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Robledo Timido
Kasunduan
118 bpm • G min • 02:28 • -6.27db
28% Popularity • 69% Danceability • 64% Energy • 53% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 69% Danceability • 64% Energy • 53% Liveness
0% Instrumentalness • 53% Positiveness
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Ace Cirera
Anastacia
118 bpm • C# Maj • 03:15 • -11.12db
27% Popularity • 78% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 78% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Owen Greyson
SET YOU FREE
113 bpm • A# min • 03:27 • -16.5db
0% Popularity • 55% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 55% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Kenneth Amores
WHO AM I TO YOU
112 bpm • A Maj • 03:34 • -13.95db
10% Popularity • 57% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 57% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
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Guthrie Nikolao
Ride in the City
112 bpm • F min • 03:14 • -7.62db
31% Popularity • 76% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 76% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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LIVE THE NIGHT
DOUBLE-BLADED SABER
112 bpm • C# Maj • 03:32 • -5.88db
3% Popularity • 68% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
3% Popularity • 68% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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JKLRD
ayna!
112 bpm • D# min • 04:02 • -6.12db
16% Popularity • 70% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 70% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 35% Positiveness
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DENȲ
Deserve It
112 bpm • E min • 02:55 • -8db
36% Popularity • 78% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 78% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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King Promdi
Prom Date
118 bpm • F# Maj • 02:09 • -4.79db
13% Popularity • 63% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 63% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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SUPAFLY
He Must Know
112 bpm • E min • 03:57 • -9.7db
32% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Markush
Tabi
119 bpm • C# Maj • 03:13 • -16.25db
31% Popularity • 76% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 76% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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VNCE
Kusa
111 bpm • C Maj • 02:20 • -10.71db
27% Popularity • 82% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 82% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jong
Inday
111 bpm • E min • 03:37 • -12.41db
28% Popularity • 45% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 45% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Erik Villanueva
Samo
120 bpm • F Maj • 03:17 • -6.74db
0% Popularity • 59% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 59% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Owen Greyson
Agos
120 bpm • C min • 03:03 • -11.13db
0% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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$leazy
Sakin Ka Nalang
120 bpm • A Maj • 03:01 • -11.28db
7% Popularity • 75% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 75% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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RAINA
Gusto
120 bpm • F min • 02:10 • -5.3db
34% Popularity • 71% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 71% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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D-GARS
YAWA SAVIOR
120 bpm • D Maj • 03:10 • -13.17db
10% Popularity • 94% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 94% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Jerome Banaay
Magpahinga
120 bpm • F# min • 03:26 • -8.42db
25% Popularity • 76% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
25% Popularity • 76% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Samsara 304
Sayo Lang Ako
120 bpm • G# Maj • 03:28 • -10.4db
22% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Owen Greyson
LUV
120 bpm • F# Maj • 03:16 • -13.16db
0% Popularity • 75% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 75% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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JC Sales
Aasa Pa
120 bpm • C Maj • 03:40 • -6.67db
9% Popularity • 83% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 83% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Kris Delano
S.M.A
120 bpm • E min • 03:13 • -12.59db
26% Popularity • 89% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 89% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Elhé
Bihag
120 bpm • D min • 03:55 • -5.35db
15% Popularity • 78% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 78% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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KLLY
wag kang matakot
120 bpm • F# Maj • 02:46 • -9.64db
9% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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JKLRD
kalag!
120 bpm • C# Maj • 03:12 • -7.9db
13% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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krisostomo
Eros
120 bpm • A# min • 03:46 • -9db
10% Popularity • 83% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
10% Popularity • 83% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Angelo
Swabe
120 bpm • F# Maj • 04:01 • -9db
20% Popularity • 84% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 84% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Neil Enriquez
Elevate City Girl
120 bpm • C min • 02:36 • -9db
22% Popularity • 96% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 96% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Bugoy Na Koykoy
Di Natin Alam
120 bpm • A Maj • 03:46 • -10.74db
19% Popularity • 81% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 81% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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SHNTI
ELMNT
120 bpm • G min • 04:32 • -10.9db
32% Popularity • 97% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 97% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Hicci
Importante
120 bpm • G min • 03:36 • -11.41db
32% Popularity • 74% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 74% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Owen Greyson
ain't no getting over you
120 bpm • B min • 03:32 • -10.38db
0% Popularity • 91% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 91% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jerome Banaay
Komplikado
120 bpm • D Maj • 03:18 • -12.59db
15% Popularity • 82% Danceability • 48% Energy • 86% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 82% Danceability • 48% Energy • 86% Liveness
0% Instrumentalness • 63% Positiveness
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ken$hin
MANIBELA
120 bpm • A# min • 02:40 • -9.57db
24% Popularity • 86% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 86% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Sean Oquendo
Lika Na
120 bpm • A Maj • 03:00 • -10.13db
25% Popularity • 65% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 65% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Jae Bourgeoisie
Intimacy
120 bpm • D min • 03:44 • -11.62db
17% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Elhé
12
120 bpm • A# min • 04:04 • -8.37db
11% Popularity • 75% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 75% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jeff Grecia
Want U
110 bpm • G# Maj • 03:29 • -11.17db
40% Popularity • 76% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 76% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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JASTENN
Kwarto
120 bpm • E Maj • 02:34 • -10.42db
25% Popularity • 64% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 64% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Bad$auce
ay na lang
110 bpm • D# min • 03:38 • -10.12db
26% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jae K
High
110 bpm • C min • 03:33 • -11.97db
23% Popularity • 78% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 78% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Peter Miranda
Dwpg
110 bpm • C Maj • 01:29 • -22.47db
12% Popularity • 83% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 83% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Pxrple
Dynaco
110 bpm • F# min • 04:30 • -14.44db
24% Popularity • 67% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 67% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Eins
Pinaghirapan
110 bpm • D# min • 03:46 • -10.43db
22% Popularity • 82% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 82% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Robledo Timido
Cece
110 bpm • G# min • 03:51 • -7.62db
24% Popularity • 84% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 84% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Zae
Xxxstasy
110 bpm • B Maj • 04:10 • -17.09db
37% Popularity • 51% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
37% Popularity • 51% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Gl4ddyy
Tani
110 bpm • G Maj • 03:42 • -7.19db
16% Popularity • 67% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 67% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Owen Greyson
together
110 bpm • C Maj • 03:29 • -7.35db
0% Popularity • 70% Danceability • 50% Energy • 68% Liveness
3% Instrumentalness • 51% Positiveness
0% Popularity • 70% Danceability • 50% Energy • 68% Liveness
3% Instrumentalness • 51% Positiveness
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Area-63
Magic Night
110 bpm • D Maj • 03:20 • -8.2db
26% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Ayip
Comfort Zone
110 bpm • E min • 02:55 • -9.08db
19% Popularity • 83% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 83% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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D-GARS
HIMO TAG BABY
110 bpm • B min • 03:16 • -16.33db
8% Popularity • 86% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
8% Popularity • 86% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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RAINA
BTYH
110 bpm • C Maj • 02:56 • -6db
33% Popularity • 83% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 83% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jae K
Please You
121 bpm • G# min • 02:32 • -5db
35% Popularity • 69% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 69% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Keyshia
Dimes
121 bpm • E Maj • 03:18 • -9.62db
32% Popularity • 75% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 75% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Luwi
Lutang Na Lutang
121 bpm • D min • 03:34 • -8.14db
23% Popularity • 78% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 78% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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K. Deal
Alunig
121 bpm • G min • 02:54 • -9.17db
21% Popularity • 88% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 88% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Robledo Timido
FIGHT2SHINE
122 bpm • E min • 02:45 • -8.68db
28% Popularity • 80% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 80% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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DENȲ
Like Me
122 bpm • C# Maj • 03:04 • -9.81db
48% Popularity • 90% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 90% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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c0kebaby torii
Snëeky
122 bpm • F# min • 03:56 • -11.1db
47% Popularity • 76% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 76% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Jaycee
ADDY
122 bpm • F min • 04:17 • -9.38db
12% Popularity • 64% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 64% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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SV Squad
VANISH MODE
108 bpm • C Maj • 03:15 • -11.22db
32% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Frank Blanco
Pauwi (Teka Sandali)
122 bpm • F Maj • 03:24 • -9.31db
14% Popularity • 80% Danceability • 44% Energy • 11% Liveness
40% Instrumentalness • 18% Positiveness
14% Popularity • 80% Danceability • 44% Energy • 11% Liveness
40% Instrumentalness • 18% Positiveness
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Jae K
XTC
108 bpm • A Maj • 02:26 • -6.9db
24% Popularity • 70% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 70% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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zeze
playa type
108 bpm • G min • 03:02 • -17.98db
24% Popularity • 82% Danceability • 15% Energy • 11% Liveness
56% Instrumentalness • 54% Positiveness
24% Popularity • 82% Danceability • 15% Energy • 11% Liveness
56% Instrumentalness • 54% Positiveness
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Pxrple
Basin
108 bpm • F# min • 03:28 • -14.55db
17% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Bishnu Paneru
Sobrang Smooth
123 bpm • F min • 01:49 • -9.98db
26% Popularity • 83% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 83% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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ken$hin
Ikaw Na Sana
108 bpm • E min • 04:00 • -15.31db
8% Popularity • 58% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 58% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Xion.
Hayaan Mo Na
123 bpm • G# Maj • 02:55 • -9.54db
10% Popularity • 61% Danceability • 44% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
10% Popularity • 61% Danceability • 44% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
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Soulthrll
AYAY KA!
123 bpm • C# Maj • 01:58 • -10.67db
36% Popularity • 81% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 81% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Schumi
Paboritong Sandali
107 bpm • F# min • 03:57 • -5.98db
31% Popularity • 76% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 76% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Owen Greyson
Drunk On You
124 bpm • C# min • 03:42 • -9.06db
0% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Trumata
No Joke
124 bpm • C# Maj • 02:35 • -10.53db
25% Popularity • 72% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 72% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
