Songs like Slam the Clown by Alain Caron
Based on a tempo of (+/- 10%) and a similar genre
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Allen Hinds
Pedro and Marta
120 bpm • A min • 05:34 • -6.88db
9% Popularity • 45% Danceability • 83% Energy • 14% Liveness
42% Instrumentalness • 56% Positiveness
9% Popularity • 45% Danceability • 83% Energy • 14% Liveness
42% Instrumentalness • 56% Positiveness
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Gary Willis
Do The Math
120 bpm • G Maj • 04:15 • -10.13db
13% Popularity • 69% Danceability • 65% Energy • 10% Liveness
73% Instrumentalness • 88% Positiveness
13% Popularity • 69% Danceability • 65% Energy • 10% Liveness
73% Instrumentalness • 88% Positiveness
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Doug Johns
Uum Continue
120 bpm • E Maj • 02:59 • -12.92db
19% Popularity • 74% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 78% Positiveness
19% Popularity • 74% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 78% Positiveness
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Dennis Chambers
Otay
120 bpm • G Maj • 07:03 • -7db
13% Popularity • 62% Danceability • 94% Energy • 10% Liveness
82% Instrumentalness • 73% Positiveness
13% Popularity • 62% Danceability • 94% Energy • 10% Liveness
82% Instrumentalness • 73% Positiveness
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Cosmosquad
Swink
120 bpm • B Maj • 03:58 • -5.38db
15% Popularity • 66% Danceability • 91% Energy • 61% Liveness
61% Instrumentalness • 60% Positiveness
15% Popularity • 66% Danceability • 91% Energy • 61% Liveness
61% Instrumentalness • 60% Positiveness
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Alain Caron
Slam the Clown
120 bpm • G Maj • 07:41 • -8db
12% Popularity • 71% Danceability • 86% Energy • 19% Liveness
90% Instrumentalness • 69% Positiveness
12% Popularity • 71% Danceability • 86% Energy • 19% Liveness
90% Instrumentalness • 69% Positiveness
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Greg Howe
Throw Down
120 bpm • A min • 04:25 • -4.31db
19% Popularity • 51% Danceability • 95% Energy • 29% Liveness
80% Instrumentalness • 65% Positiveness
19% Popularity • 51% Danceability • 95% Energy • 29% Liveness
80% Instrumentalness • 65% Positiveness
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Mark Lettieri
Stoplight Loosejaw
120 bpm • C# min • 03:08 • -5.5db
26% Popularity • 60% Danceability • 98% Energy • 8% Liveness
90% Instrumentalness • 75% Positiveness
26% Popularity • 60% Danceability • 98% Energy • 8% Liveness
90% Instrumentalness • 75% Positiveness
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Doug Johns
Just Play
120 bpm • B min • 01:29 • -14db
32% Popularity • 79% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
32% Popularity • 79% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Adam Nitti
Oakwood
120 bpm • D Maj • 07:47 • -10.16db
9% Popularity • 70% Danceability • 48% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
9% Popularity • 70% Danceability • 48% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
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Steve Smith
Come on In
120 bpm • C# Maj • 05:40 • -9.85db
11% Popularity • 63% Danceability • 87% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
11% Popularity • 63% Danceability • 87% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
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Hiram Bullock
Can't Fight the Funk
120 bpm • B min • 04:38 • -3.94db
10% Popularity • 81% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 81% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Scott Henderson
Nomad
120 bpm • E Maj • 07:17 • -13.21db
9% Popularity • 55% Danceability • 60% Energy • 14% Liveness
9% Instrumentalness • 58% Positiveness
9% Popularity • 55% Danceability • 60% Energy • 14% Liveness
9% Instrumentalness • 58% Positiveness
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Mark Lettieri
Big Duck
120 bpm • G Maj • 04:52 • -6.84db
11% Popularity • 55% Danceability • 82% Energy • 15% Liveness
84% Instrumentalness • 74% Positiveness
11% Popularity • 55% Danceability • 82% Energy • 15% Liveness
84% Instrumentalness • 74% Positiveness
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Dave Weckl Band
Mixed Bag
120 bpm • G# Maj • 06:37 • -8.63db
24% Popularity • 52% Danceability • 87% Energy • 4% Liveness
85% Instrumentalness • 82% Positiveness
24% Popularity • 52% Danceability • 87% Energy • 4% Liveness
85% Instrumentalness • 82% Positiveness
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![Connection (Live) [feat. Alain Caron] cover art](https://i.scdn.co/image/ab67616d00001e02fa8a6d5d82e10574428000d6)
Fahir AtakoÄŸlu
Connection (Live)
120 bpm • D Maj • 07:46 • -15.83db
1% Popularity • 43% Danceability • 36% Energy • 65% Liveness
90% Instrumentalness • 12% Positiveness
1% Popularity • 43% Danceability • 36% Energy • 65% Liveness
90% Instrumentalness • 12% Positiveness
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Dave LaRue
Hub City Kid
121 bpm • B min • 06:21 • -9.1db
8% Popularity • 60% Danceability • 72% Energy • 6% Liveness
80% Instrumentalness • 53% Positiveness
8% Popularity • 60% Danceability • 72% Energy • 6% Liveness
80% Instrumentalness • 53% Positiveness
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Wayne Krantz
Shirts Off
119 bpm • A Maj • 07:30 • -10.46db
14% Popularity • 49% Danceability • 55% Energy • 33% Liveness
16% Instrumentalness • 53% Positiveness
14% Popularity • 49% Danceability • 55% Energy • 33% Liveness
16% Instrumentalness • 53% Positiveness
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Doug Johns
Pimpasaurus Rex
119 bpm • A# min • 05:17 • -6.71db
12% Popularity • 69% Danceability • 85% Energy • 14% Liveness
82% Instrumentalness • 62% Positiveness
12% Popularity • 69% Danceability • 85% Energy • 14% Liveness
82% Instrumentalness • 62% Positiveness
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Gary Willis
Bent
119 bpm • C# Maj • 06:02 • -11.54db
21% Popularity • 79% Danceability • 54% Energy • 13% Liveness
87% Instrumentalness • 64% Positiveness
21% Popularity • 79% Danceability • 54% Energy • 13% Liveness
87% Instrumentalness • 64% Positiveness
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Tal Wilkenfeld
BC
119 bpm • D Maj • 06:21 • -6.25db
33% Popularity • 47% Danceability • 89% Energy • 11% Liveness
80% Instrumentalness • 78% Positiveness
33% Popularity • 47% Danceability • 89% Energy • 11% Liveness
80% Instrumentalness • 78% Positiveness
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Gary McKay
Sharp Funkster, Pt. 1
119 bpm • G Maj • 01:54 • -6.67db
36% Popularity • 55% Danceability • 90% Energy • 5% Liveness
92% Instrumentalness • 73% Positiveness
36% Popularity • 55% Danceability • 90% Energy • 5% Liveness
92% Instrumentalness • 73% Positiveness
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Greg Howe
Jump Start
121 bpm • C# min • 04:42 • -8.37db
29% Popularity • 56% Danceability • 92% Energy • 24% Liveness
52% Instrumentalness • 52% Positiveness
29% Popularity • 56% Danceability • 92% Energy • 24% Liveness
52% Instrumentalness • 52% Positiveness
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Gábor Vermes Group
Brothers Jam
119 bpm • E min • 03:18 • -6.42db
35% Popularity • 66% Danceability • 89% Energy • 6% Liveness
84% Instrumentalness • 70% Positiveness
35% Popularity • 66% Danceability • 89% Energy • 6% Liveness
84% Instrumentalness • 70% Positiveness
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Tribal Tech
After Hours
119 bpm • E min • 07:23 • -10.29db
14% Popularity • 48% Danceability • 57% Energy • 11% Liveness
76% Instrumentalness • 53% Positiveness
14% Popularity • 48% Danceability • 57% Energy • 11% Liveness
76% Instrumentalness • 53% Positiveness
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Kinga Glyk
Teen Town
118 bpm • A Maj • 05:33 • -8.26db
10% Popularity • 40% Danceability • 73% Energy • 23% Liveness
78% Instrumentalness • 56% Positiveness
10% Popularity • 40% Danceability • 73% Energy • 23% Liveness
78% Instrumentalness • 56% Positiveness
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Fernando Petry
The Bridge
122 bpm • A# Maj • 02:58 • -12.2db
18% Popularity • 60% Danceability • 73% Energy • 11% Liveness
94% Instrumentalness • 95% Positiveness
18% Popularity • 60% Danceability • 73% Energy • 11% Liveness
94% Instrumentalness • 95% Positiveness
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The 4 Korners
Table for 2
122 bpm • C Maj • 06:24 • -6.48db
10% Popularity • 63% Danceability • 85% Energy • 48% Liveness
81% Instrumentalness • 45% Positiveness
10% Popularity • 63% Danceability • 85% Energy • 48% Liveness
81% Instrumentalness • 45% Positiveness
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Greg Howe
Direct Injection
122 bpm • A Maj • 05:35 • -9.01db
18% Popularity • 56% Danceability • 86% Energy • 3% Liveness
86% Instrumentalness • 84% Positiveness
18% Popularity • 56% Danceability • 86% Energy • 3% Liveness
86% Instrumentalness • 84% Positiveness
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Mark Lettieri
Ballerina Josephina
118 bpm • G Maj • 04:04 • -8.03db
11% Popularity • 59% Danceability • 88% Energy • 3% Liveness
88% Instrumentalness • 64% Positiveness
11% Popularity • 59% Danceability • 88% Energy • 3% Liveness
88% Instrumentalness • 64% Positiveness
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Tribal Tech
Big Girl Blues
119 bpm • C# Maj • 06:15 • -10.94db
13% Popularity • 53% Danceability • 55% Energy • 25% Liveness
82% Instrumentalness • 47% Positiveness
13% Popularity • 53% Danceability • 55% Energy • 25% Liveness
82% Instrumentalness • 47% Positiveness
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Paul Jackson, Jr.
The Workout
118 bpm • E min • 04:01 • -7.25db
27% Popularity • 70% Danceability • 86% Energy • 29% Liveness
90% Instrumentalness • 91% Positiveness
27% Popularity • 70% Danceability • 86% Energy • 29% Liveness
90% Instrumentalness • 91% Positiveness
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Cristiano Parato
Benny
118 bpm • G Maj • 03:36 • -4.67db
26% Popularity • 74% Danceability • 94% Energy • 11% Liveness
61% Instrumentalness • 91% Positiveness
26% Popularity • 74% Danceability • 94% Energy • 11% Liveness
61% Instrumentalness • 91% Positiveness
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Alain Caron
Ton jardin
118 bpm • A Maj • 05:50 • -17.14db
9% Popularity • 53% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 53% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Carmelo Medina
Blues Noy
118 bpm • C Maj • 06:28 • -9.38db
0% Popularity • 74% Danceability • 69% Energy • 25% Liveness
76% Instrumentalness • 70% Positiveness
0% Popularity • 74% Danceability • 69% Energy • 25% Liveness
76% Instrumentalness • 70% Positiveness
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Snarky Puppy
Quarter Master
122 bpm • D Maj • 08:44 • -8db
27% Popularity • 57% Danceability • 85% Energy • 86% Liveness
77% Instrumentalness • 55% Positiveness
27% Popularity • 57% Danceability • 85% Energy • 86% Liveness
77% Instrumentalness • 55% Positiveness
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Tribal Tech
Boat Gig
122 bpm • A Maj • 06:00 • -7.27db
11% Popularity • 56% Danceability • 88% Energy • 32% Liveness
5% Instrumentalness • 84% Positiveness
11% Popularity • 56% Danceability • 88% Energy • 32% Liveness
5% Instrumentalness • 84% Positiveness
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Gary Willis
Hipmotize
118 bpm • D min • 05:29 • -13.37db
20% Popularity • 56% Danceability • 45% Energy • 12% Liveness
67% Instrumentalness • 30% Positiveness
20% Popularity • 56% Danceability • 45% Energy • 12% Liveness
67% Instrumentalness • 30% Positiveness
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Doug Johns
The Claw
117 bpm • D Maj • 01:56 • -10.45db
25% Popularity • 75% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 60% Positiveness
25% Popularity • 75% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 60% Positiveness
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Alain Caron
3 in 4
118 bpm • A min • 04:51 • -7.07db
6% Popularity • 43% Danceability • 62% Energy • 32% Liveness
51% Instrumentalness • 51% Positiveness
6% Popularity • 43% Danceability • 62% Energy • 32% Liveness
51% Instrumentalness • 51% Positiveness
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Tony MacAlpine
Just Perfect
123 bpm • C Maj • 05:05 • -11.25db
11% Popularity • 57% Danceability • 67% Energy • 37% Liveness
37% Instrumentalness • 81% Positiveness
11% Popularity • 57% Danceability • 67% Energy • 37% Liveness
37% Instrumentalness • 81% Positiveness
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Greg Howe
Reunion
123 bpm • E Maj • 05:53 • -6.97db
12% Popularity • 43% Danceability • 87% Energy • 41% Liveness
7% Instrumentalness • 59% Positiveness
12% Popularity • 43% Danceability • 87% Energy • 41% Liveness
7% Instrumentalness • 59% Positiveness
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Dave Weckl Band
Big B Little B
117 bpm • G# Maj • 06:31 • -12.1db
18% Popularity • 67% Danceability • 70% Energy • 3% Liveness
91% Instrumentalness • 83% Positiveness
18% Popularity • 67% Danceability • 70% Energy • 3% Liveness
91% Instrumentalness • 83% Positiveness
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Jean-Luc Ponty
The Struggle of the Turtle to the Sea, P...
123 bpm • C# Maj • 06:03 • -13db
19% Popularity • 36% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
19% Popularity • 36% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
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Hilario Duran
Medley Matamoros
123 bpm • G Maj • 03:42 • -15.79db
0% Popularity • 44% Danceability • 34% Energy • 15% Liveness
89% Instrumentalness • 21% Positiveness
0% Popularity • 44% Danceability • 34% Energy • 15% Liveness
89% Instrumentalness • 21% Positiveness
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Snarky Puppy
Native Sons
124 bpm • D min • 08:54 • -12.57db
19% Popularity • 56% Danceability • 55% Energy • 37% Liveness
39% Instrumentalness • 25% Positiveness
19% Popularity • 56% Danceability • 55% Energy • 37% Liveness
39% Instrumentalness • 25% Positiveness
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Joshua Redman Elastic Band
The Crunge
117 bpm • D Maj • 02:37 • -6db
26% Popularity • 72% Danceability • 76% Energy • 6% Liveness
44% Instrumentalness • 66% Positiveness
26% Popularity • 72% Danceability • 76% Energy • 6% Liveness
44% Instrumentalness • 66% Positiveness
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Victor Bailey
Joyce's Favorite
117 bpm • D# Maj • 06:05 • -18.24db
8% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Manson
The Bassment
116 bpm • C Maj • 05:55 • -6db
24% Popularity • 75% Danceability • 94% Energy • 11% Liveness
59% Instrumentalness • 87% Positiveness
24% Popularity • 75% Danceability • 94% Energy • 11% Liveness
59% Instrumentalness • 87% Positiveness
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Vital Information
Dr. Demento
124 bpm • C Maj • 03:10 • -9.75db
12% Popularity • 65% Danceability • 62% Energy • 6% Liveness
88% Instrumentalness • 69% Positiveness
12% Popularity • 65% Danceability • 62% Energy • 6% Liveness
88% Instrumentalness • 69% Positiveness
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Frank Gambale
Circular Quay
124 bpm • D# Maj • 05:41 • -6.88db
9% Popularity • 61% Danceability • 85% Energy • 8% Liveness
86% Instrumentalness • 72% Positiveness
9% Popularity • 61% Danceability • 85% Energy • 8% Liveness
86% Instrumentalness • 72% Positiveness
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Snarky Puppy
Mr. Montauk
116 bpm • G Maj • 05:53 • -7.45db
20% Popularity • 47% Danceability • 68% Energy • 66% Liveness
65% Instrumentalness • 53% Positiveness
20% Popularity • 47% Danceability • 68% Energy • 66% Liveness
65% Instrumentalness • 53% Positiveness
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Joshua Redman Elastic Band
Shut Your Mouth
117 bpm • G# Maj • 05:37 • -7.46db
19% Popularity • 65% Danceability • 62% Energy • 13% Liveness
8% Instrumentalness • 36% Positiveness
19% Popularity • 65% Danceability • 62% Energy • 13% Liveness
8% Instrumentalness • 36% Positiveness
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Alain Caron
Fat Cat
116 bpm • A# min • 07:22 • -10.86db
7% Popularity • 70% Danceability • 58% Energy • 8% Liveness
86% Instrumentalness • 59% Positiveness
7% Popularity • 70% Danceability • 58% Energy • 8% Liveness
86% Instrumentalness • 59% Positiveness
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Tribal Tech
Face First
124 bpm • G Maj • 07:04 • -10db
32% Popularity • 57% Danceability • 89% Energy • 13% Liveness
91% Instrumentalness • 53% Positiveness
32% Popularity • 57% Danceability • 89% Energy • 13% Liveness
91% Instrumentalness • 53% Positiveness
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Greg Howe
Side Note
116 bpm • G Maj • 07:14 • -5.85db
12% Popularity • 45% Danceability • 89% Energy • 14% Liveness
29% Instrumentalness • 38% Positiveness
12% Popularity • 45% Danceability • 89% Energy • 14% Liveness
29% Instrumentalness • 38% Positiveness
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Frank Gambale
Lazy Passion
124 bpm • G# Maj • 06:04 • -12.01db
8% Popularity • 68% Danceability • 56% Energy • 15% Liveness
72% Instrumentalness • 78% Positiveness
8% Popularity • 68% Danceability • 56% Energy • 15% Liveness
72% Instrumentalness • 78% Positiveness
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Dennis Chambers
Virtual Life
116 bpm • F min • 07:19 • -8.51db
20% Popularity • 67% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 31% Positiveness
20% Popularity • 67% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 31% Positiveness
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Michael Brecker
Escher Sketch (A Tale Of Two Rhythms)
116 bpm • G# Maj • 05:26 • -13.28db
22% Popularity • 69% Danceability • 52% Energy • 23% Liveness
45% Instrumentalness • 78% Positiveness
22% Popularity • 69% Danceability • 52% Energy • 23% Liveness
45% Instrumentalness • 78% Positiveness
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Alain Caron
D-Code
116 bpm • C Maj • 05:05 • -13db
22% Popularity • 76% Danceability • 74% Energy • 10% Liveness
43% Instrumentalness • 59% Positiveness
22% Popularity • 76% Danceability • 74% Energy • 10% Liveness
43% Instrumentalness • 59% Positiveness
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Jazz Pistols
Special Treatment
124 bpm • B Maj • 07:24 • -12.61db
11% Popularity • 44% Danceability • 65% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
11% Popularity • 44% Danceability • 65% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
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Greg Howe
I Wonder
116 bpm • G Maj • 05:06 • -6.66db
14% Popularity • 59% Danceability • 87% Energy • 9% Liveness
66% Instrumentalness • 75% Positiveness
14% Popularity • 59% Danceability • 87% Energy • 9% Liveness
66% Instrumentalness • 75% Positiveness
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The Funky Knuckles
Yo, This is the Knucks
124 bpm • B min • 07:29 • -6.64db
8% Popularity • 50% Danceability • 95% Energy • 34% Liveness
6% Instrumentalness • 53% Positiveness
8% Popularity • 50% Danceability • 95% Energy • 34% Liveness
6% Instrumentalness • 53% Positiveness
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Carmelo Medina
Buena Ocasion
116 bpm • F min • 05:44 • -7.59db
2% Popularity • 75% Danceability • 85% Energy • 10% Liveness
84% Instrumentalness • 81% Positiveness
2% Popularity • 75% Danceability • 85% Energy • 10% Liveness
84% Instrumentalness • 81% Positiveness
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Technical Info
Groove Machine
125 bpm • G Maj • 06:32 • -8.17db
11% Popularity • 55% Danceability • 86% Energy • 9% Liveness
82% Instrumentalness • 86% Positiveness
11% Popularity • 55% Danceability • 86% Energy • 9% Liveness
82% Instrumentalness • 86% Positiveness
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Alain Caron
Après la pluie
116 bpm • G Maj • 07:07 • -18db
11% Popularity • 37% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 37% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Gábor Vermes Group
Wudu Mudu
125 bpm • E min • 04:09 • -10.84db
23% Popularity • 71% Danceability • 84% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
23% Popularity • 71% Danceability • 84% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
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John Patitucci
The Call
125 bpm • C# Maj • 03:30 • -10.46db
10% Popularity • 73% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 91% Positiveness
10% Popularity • 73% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 91% Positiveness
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The Funky Knuckles
Dang It's Hot
125 bpm • D min • 07:27 • -7.81db
12% Popularity • 44% Danceability • 73% Energy • 9% Liveness
26% Instrumentalness • 35% Positiveness
12% Popularity • 44% Danceability • 73% Energy • 9% Liveness
26% Instrumentalness • 35% Positiveness
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Tal Wilkenfeld
Serendipity
115 bpm • G Maj • 05:02 • -6db
31% Popularity • 44% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 82% Positiveness
31% Popularity • 44% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 82% Positiveness
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Vital Techtones
Puhtainin' Tuh
125 bpm • C# min • 05:17 • -9.59db
9% Popularity • 75% Danceability • 44% Energy • 15% Liveness
81% Instrumentalness • 50% Positiveness
9% Popularity • 75% Danceability • 44% Energy • 15% Liveness
81% Instrumentalness • 50% Positiveness
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Alain Caron
Flight of the Bebop Bee
125 bpm • A# Maj • 07:04 • -10.16db
9% Popularity • 64% Danceability • 72% Energy • 7% Liveness
91% Instrumentalness • 68% Positiveness
9% Popularity • 64% Danceability • 72% Energy • 7% Liveness
91% Instrumentalness • 68% Positiveness
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Dennis Chambers
Roll Call
115 bpm • F# Maj • 05:21 • -7db
9% Popularity • 73% Danceability • 82% Energy • 4% Liveness
87% Instrumentalness • 86% Positiveness
9% Popularity • 73% Danceability • 82% Energy • 4% Liveness
87% Instrumentalness • 86% Positiveness
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Joshua Redman Elastic Band
Sweet Nasty
125 bpm • A# min • 06:20 • -6db
20% Popularity • 67% Danceability • 76% Energy • 5% Liveness
52% Instrumentalness • 78% Positiveness
20% Popularity • 67% Danceability • 76% Energy • 5% Liveness
52% Instrumentalness • 78% Positiveness
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Adam Nitti
Cosmic Underground
115 bpm • G Maj • 06:37 • -10db
28% Popularity • 61% Danceability • 75% Energy • 35% Liveness
91% Instrumentalness • 64% Positiveness
28% Popularity • 61% Danceability • 75% Energy • 35% Liveness
91% Instrumentalness • 64% Positiveness
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Cosmosquad
Epapo Funk
115 bpm • G Maj • 07:00 • -12db
19% Popularity • 71% Danceability • 65% Energy • 27% Liveness
84% Instrumentalness • 78% Positiveness
19% Popularity • 71% Danceability • 65% Energy • 27% Liveness
84% Instrumentalness • 78% Positiveness
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Virgil Donati
Ruination
115 bpm • G# Maj • 05:03 • -6.37db
16% Popularity • 65% Danceability • 90% Energy • 15% Liveness
2% Instrumentalness • 34% Positiveness
16% Popularity • 65% Danceability • 90% Energy • 15% Liveness
2% Instrumentalness • 34% Positiveness
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Cristiano Parato
Funny Bunny
115 bpm • A min • 04:57 • -7db
20% Popularity • 76% Danceability • 70% Energy • 5% Liveness
83% Instrumentalness • 98% Positiveness
20% Popularity • 76% Danceability • 70% Energy • 5% Liveness
83% Instrumentalness • 98% Positiveness
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Vital Information
Once in a Lifetime
125 bpm • D Maj • 10:43 • -10.26db
17% Popularity • 41% Danceability • 79% Energy • 6% Liveness
87% Instrumentalness • 43% Positiveness
17% Popularity • 41% Danceability • 79% Energy • 6% Liveness
87% Instrumentalness • 43% Positiveness
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Johannes Zetterberg
Splinter
115 bpm • F min • 03:52 • -5db
8% Popularity • 63% Danceability • 82% Energy • 24% Liveness
66% Instrumentalness • 79% Positiveness
8% Popularity • 63% Danceability • 82% Energy • 24% Liveness
66% Instrumentalness • 79% Positiveness
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Gábor Vermes Group
Time Zone Groove
115 bpm • C# Maj • 06:31 • -6db
18% Popularity • 69% Danceability • 84% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
18% Popularity • 69% Danceability • 84% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
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Alain Caron
From T.o.p.
115 bpm • C Maj • 04:54 • -6.94db
8% Popularity • 54% Danceability • 84% Energy • 16% Liveness
85% Instrumentalness • 67% Positiveness
8% Popularity • 54% Danceability • 84% Energy • 16% Liveness
85% Instrumentalness • 67% Positiveness
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Scott Henderson
Actual Proof
125 bpm • D Maj • 10:15 • -9.14db
17% Popularity • 48% Danceability • 80% Energy • 10% Liveness
55% Instrumentalness • 46% Positiveness
17% Popularity • 48% Danceability • 80% Energy • 10% Liveness
55% Instrumentalness • 46% Positiveness
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Jean-Luc Ponty
Final Truth, Pt. I
115 bpm • G Maj • 04:54 • -11.41db
13% Popularity • 43% Danceability • 87% Energy • 20% Liveness
84% Instrumentalness • 81% Positiveness
13% Popularity • 43% Danceability • 87% Energy • 20% Liveness
84% Instrumentalness • 81% Positiveness
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Per Mathisen
Floating Fretless Dreams
126 bpm • C Maj • 04:36 • -6.91db
21% Popularity • 45% Danceability • 86% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
21% Popularity • 45% Danceability • 86% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Carmelo Medina
Sr. Mac
115 bpm • G# Maj • 07:15 • -12.7db
0% Popularity • 50% Danceability • 54% Energy • 13% Liveness
90% Instrumentalness • 51% Positiveness
0% Popularity • 50% Danceability • 54% Energy • 13% Liveness
90% Instrumentalness • 51% Positiveness
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Hiram Bullock
Da Alley
115 bpm • C# Maj • 05:17 • -12db
10% Popularity • 70% Danceability • 67% Energy • 13% Liveness
19% Instrumentalness • 64% Positiveness
10% Popularity • 70% Danceability • 67% Energy • 13% Liveness
19% Instrumentalness • 64% Positiveness
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Weather Report
Gibraltar
114 bpm • A# min • 07:45 • -18db
13% Popularity • 40% Danceability • 57% Energy • 31% Liveness
22% Instrumentalness • 46% Positiveness
13% Popularity • 40% Danceability • 57% Energy • 31% Liveness
22% Instrumentalness • 46% Positiveness
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Mark Lettieri
Ridgehead
126 bpm • A min • 04:05 • -6.44db
22% Popularity • 72% Danceability • 88% Energy • 32% Liveness
94% Instrumentalness • 76% Positiveness
22% Popularity • 72% Danceability • 88% Energy • 32% Liveness
94% Instrumentalness • 76% Positiveness
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John Patitucci
Wind Sprint
126 bpm • F min • 06:07 • -15.85db
9% Popularity • 59% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 68% Positiveness
9% Popularity • 59% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 68% Positiveness
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Frank Gambale
Fe Fi Fo Funk
126 bpm • C# Maj • 04:03 • -13.37db
13% Popularity • 72% Danceability • 54% Energy • 8% Liveness
84% Instrumentalness • 60% Positiveness
13% Popularity • 72% Danceability • 54% Energy • 8% Liveness
84% Instrumentalness • 60% Positiveness
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Tribal Tech
Stoopid
114 bpm • F min • 05:47 • -10.4db
17% Popularity • 77% Danceability • 70% Energy • 12% Liveness
53% Instrumentalness • 72% Positiveness
17% Popularity • 77% Danceability • 70% Energy • 12% Liveness
53% Instrumentalness • 72% Positiveness
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Tony Williams
Proto-Cosmos
126 bpm • C# min • 03:59 • -14.61db
23% Popularity • 40% Danceability • 72% Energy • 34% Liveness
56% Instrumentalness • 64% Positiveness
23% Popularity • 40% Danceability • 72% Energy • 34% Liveness
56% Instrumentalness • 64% Positiveness
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Steve Khan
The Little Ones
114 bpm • F# Maj • 05:52 • -3.15db
9% Popularity • 65% Danceability • 94% Energy • 6% Liveness
77% Instrumentalness • 57% Positiveness
9% Popularity • 65% Danceability • 94% Energy • 6% Liveness
77% Instrumentalness • 57% Positiveness
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Slickaphonics
Pantomime
114 bpm • B min • 03:25 • -13.63db
22% Popularity • 77% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 77% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Dave Weckl Band
Vuelo
127 bpm • C# min • 05:55 • -8.06db
18% Popularity • 53% Danceability • 90% Energy • 25% Liveness
72% Instrumentalness • 81% Positiveness
18% Popularity • 53% Danceability • 90% Energy • 25% Liveness
72% Instrumentalness • 81% Positiveness
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Tal Wilkenfeld
Truth Be Told
127 bpm • A Maj • 06:40 • -12.06db
31% Popularity • 53% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
31% Popularity • 53% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
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The Stanley Clarke Band
Last Train to Sanity
127 bpm • D Maj • 03:32 • -8.99db
8% Popularity • 45% Danceability • 72% Energy • 16% Liveness
65% Instrumentalness • 35% Positiveness
8% Popularity • 45% Danceability • 72% Energy • 16% Liveness
65% Instrumentalness • 35% Positiveness
