Songs like Slap That Bass by VOCES8
Based on a tempo of (+/- 10%) and a similar genre
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Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
47% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
47% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
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Rolf Løvland
Sleepsong - Arr. for choir by Desmond Ea...
96 bpm • F min • 04:44 • -21.98db
29% Popularity • 19% Danceability • 7% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 7% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Even When He is Silent
97 bpm • C Maj • 04:23 • -24db
30% Popularity • 16% Danceability • 5% Energy • 8% Liveness
20% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 8% Liveness
20% Instrumentalness • 3% Positiveness
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Henry Purcell
Hush, no More (Sleep)
97 bpm • B min • 03:21 • -30.75db
15% Popularity • 21% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 21% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
47% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
47% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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MÃ¥rten Jansson
Requiem Novum: I. Introitus
95 bpm • F min • 07:18 • -18.87db
11% Popularity • 12% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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Ivan Moody
A Lion´s Sleep
97 bpm • G Maj • 09:36 • -26.75db
13% Popularity • 18% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Carducci String Quartet
The Lark in the Clear Air
97 bpm • F Maj • 02:55 • -24.18db
28% Popularity • 15% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
33% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Patrick Hawes
Fair Albion
94 bpm • C# Maj • 04:12 • -14db
19% Popularity • 12% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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MÃ¥rten Jansson
Requiem Novum: VI. Pie Jesu
99 bpm • C Maj • 03:05 • -27.15db
9% Popularity • 15% Danceability • 5% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Samuel Barber
Agnus Dei, Op. 11
93 bpm • A# min • 06:37 • -28.81db
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Fraser Wilson
Wishes
99 bpm • E min • 04:14 • -27.09db
6% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
6% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Josquin des Prez
Mille regretz
93 bpm • A min • 01:56 • -30db
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28: 1. Soliloq...
99 bpm • C min • 01:43 • -25.6db
31% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
31% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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James Whitbourn
A Prayer of Desmond Tutu
92 bpm • D Maj • 01:37 • -21.35db
26% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Paul Mealor
Coronation Kyrie eleison
92 bpm • G min • 02:17 • -25.18db
19% Popularity • 21% Danceability • 12% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 12% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
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Stephen Barton
The Universe Within You
92 bpm • F Maj • 04:02 • -20.92db
19% Popularity • 11% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
19% Popularity • 11% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Kyrie: Kyrie eleison
92 bpm • C# min • 04:32 • -28.94db
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Will Todd
My Lord Has Come
92 bpm • C Maj • 03:37 • -24.1db
22% Popularity • 16% Danceability • 5% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
49% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Traditional
Requiem Aeternam
92 bpm • A# Maj • 00:59 • -29.54db
25% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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L'Arpeggiata
Ciaccona (I)
101 bpm • C Maj • 03:52 • -21db
44% Popularity • 46% Danceability • 22% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
44% Popularity • 46% Danceability • 22% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
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Vladimir Martynov
The Beatitudes
92 bpm • A# Maj • 05:15 • -32.19db
31% Popularity • 28% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
31% Popularity • 28% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Hildegard von Bingen
O Euchari in leta via
100 bpm • C Maj • 08:57 • -32db
34% Popularity • 22% Danceability • 1% Energy • 6% Liveness
18% Instrumentalness • 6% Positiveness
34% Popularity • 22% Danceability • 1% Energy • 6% Liveness
18% Instrumentalness • 6% Positiveness
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Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Lake Isle
91 bpm • A Maj • 06:18 • -21.11db
38% Popularity • 23% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
38% Popularity • 23% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Kim André Arnesen
Flight Song
91 bpm • C# Maj • 04:22 • -27.37db
31% Popularity • 12% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
31% Popularity • 12% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
32% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Samuel Barber
4 Songs, Op. 13: No. 3. Sure on this shi...
101 bpm • A# Maj • 02:29 • -28.32db
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Eric Whitacre
The Sacred Veil: III. Home
91 bpm • D# Maj • 03:55 • -27.94db
23% Popularity • 15% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
23% Popularity • 15% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Los Angeles Master Chorale
The Sound of Spirit
91 bpm • C# Maj • 03:02 • -21.89db
25% Popularity • 22% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
25% Popularity • 22% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Trio Mediæval
RÃs upp, drottni dýrð
91 bpm • C Maj • 01:06 • -28.26db
27% Popularity • 26% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 26% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Paul Brennan
Theme from Harry's Game (Arr. Lawson)
102 bpm • D min • 04:10 • -23.05db
35% Popularity • 14% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Making or Breaking
90 bpm • D Maj • 04:37 • -23.28db
20% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: III. Answer Jul...
90 bpm • C Maj • 02:00 • -18.11db
9% Popularity • 40% Danceability • 23% Energy • 10% Liveness
30% Instrumentalness • 18% Positiveness
9% Popularity • 40% Danceability • 23% Energy • 10% Liveness
30% Instrumentalness • 18% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Identity & The Ground
89 bpm • G# Maj • 06:13 • -26.74db
19% Popularity • 10% Danceability • 3% Energy • 20% Liveness
50% Instrumentalness • 3% Positiveness
19% Popularity • 10% Danceability • 3% Energy • 20% Liveness
50% Instrumentalness • 3% Positiveness
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Henry Purcell
Full Fathom Five
104 bpm • B Maj • 02:24 • -17.89db
16% Popularity • 50% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 50% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Pie Jesu
89 bpm • A# Maj • 03:31 • -34db
19% Popularity • 15% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
35% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Archibald James Potter
Fantasia Gaelach No. 1
89 bpm • G# Maj • 08:36 • -34db
28% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jacob Collier
Home Is
104 bpm • A Maj • 05:45 • -19.38db
38% Popularity • 15% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
38% Popularity • 15% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Ólafur Arnalds
partial - choir version
88 bpm • A Maj • 04:05 • -21.19db
27% Popularity • 18% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Thomas Adès
Arcadiana, Op. 12: 6. O Albion (Arr. Cle...
88 bpm • F Maj • 02:47 • -28db
27% Popularity • 16% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
36% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
36% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
The City
88 bpm • D# Maj • 10:40 • -20db
13% Popularity • 13% Danceability • 16% Energy • 18% Liveness
29% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 16% Energy • 18% Liveness
29% Instrumentalness • 4% Positiveness
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Johannes Brahms
Fest- und Gedenksprüche: iii. Wo ist ei...
105 bpm • E Maj • 03:52 • -22.6db
6% Popularity • 20% Danceability • 10% Energy • 7% Liveness
71% Instrumentalness • 7% Positiveness
6% Popularity • 20% Danceability • 10% Energy • 7% Liveness
71% Instrumentalness • 7% Positiveness
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Sjaella
Northern Lights
105 bpm • D# min • 04:02 • -27.03db
20% Popularity • 17% Danceability • 5% Energy • 23% Liveness
9% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 5% Energy • 23% Liveness
9% Instrumentalness • 3% Positiveness
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Henry Purcell
By Beauteous Softness Mix’d with Majes...
105 bpm • C# min • 03:33 • -22.72db
8% Popularity • 23% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
8% Popularity • 23% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: III. Requiem ...
87 bpm • E min • 03:23 • -41db
31% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
31% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Ave Generosa
87 bpm • G min • 01:28 • -36db
36% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
36% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
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Traditional
Steal Away
106 bpm • A Maj • 04:12 • -23.9db
15% Popularity • 16% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pie Jesu (Arr. Barnaby Smith)
87 bpm • A# Maj • 03:40 • -23.28db
23% Popularity • 14% Danceability • 8% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 8% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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George Frideric Handel
Eternal Source of Light Divine
87 bpm • B Maj • 03:45 • -19.32db
13% Popularity • 18% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Henry Purcell
Fairest Isle
87 bpm • G# Maj • 04:40 • -23.74db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
5% Instrumentalness • 15% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
5% Instrumentalness • 15% Positiveness
► Preview
Kim André Arnesen
MAGNIFICAT: I. Magnificat anima mea
87 bpm • E min • 06:04 • -24db
15% Popularity • 14% Danceability • 9% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 9% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
► Preview
Paul Smith
Distant Earth Renewal
106 bpm • G min • 04:29 • -19.61db
5% Popularity • 18% Danceability • 6% Energy • 8% Liveness
24% Instrumentalness • 4% Positiveness
5% Popularity • 18% Danceability • 6% Energy • 8% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Patrick Hawes
Reflexionem
87 bpm • D Maj • 03:27 • -19.54db
20% Popularity • 16% Danceability • 14% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 14% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Dobrinka Tabakova
Nocturne (Arr. for Solo Violin and Piano...
86 bpm • C# min • 03:46 • -22.01db
40% Popularity • 24% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
► Preview
Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
25% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
Ave, generosa
107 bpm • B min • 05:09 • -25db
14% Popularity • 30% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 30% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Eleanor Daley
In Remembrance
107 bpm • E Maj • 03:07 • -28db
16% Popularity • 16% Danceability • 6% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 6% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Patrick Hawes
How Hill
107 bpm • D Maj • 04:57 • -25.98db
14% Popularity • 36% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
14% Popularity • 36% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
28% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Josquin des Prez
Mille regretz
86 bpm • F# min • 02:14 • -28.85db
27% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Dobrinka Tabakova
Concerto For Violoncello And Strings: II...
85 bpm • F Maj • 08:42 • -19db
29% Popularity • 14% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Ola Gjeilo
Ubi Caritas
85 bpm • F# min • 05:22 • -25db
37% Popularity • 16% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
85 bpm • E min • 07:50 • -23.81db
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Kevin Puts
If I Were A Swan
85 bpm • C# Maj • 06:22 • -24db
7% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48: V. Pie Jesu
85 bpm • A# Maj • 03:44 • -25db
36% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
36% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Sophie Hutchings
By Night (Arr. Lawson)
85 bpm • A# Maj • 04:38 • -24db
29% Popularity • 15% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Pérotin
Beata Viscera
85 bpm • G# min • 06:12 • -25db
23% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Kate Rusby
Underneath The Stars
85 bpm • F Maj • 02:19 • -24.38db
31% Popularity • 29% Danceability • 3% Energy • 17% Liveness
2% Instrumentalness • 13% Positiveness
31% Popularity • 29% Danceability • 3% Energy • 17% Liveness
2% Instrumentalness • 13% Positiveness
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Tõnu Kõrvits
Songs from Dolores's Songbook: No. 7, Az...
85 bpm • B Maj • 02:47 • -30db
27% Popularity • 14% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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James Whitbourn
Give us the wings of faith
85 bpm • A min • 02:36 • -25db
35% Popularity • 12% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
35% Popularity • 12% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Cyrillus Kreek
The Sun Shall Not Smite Thee
109 bpm • A# min • 03:05 • -21db
15% Popularity • 21% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Henry Purcell
One Charming Night (Secrecy)
85 bpm • F# min • 02:13 • -25db
29% Popularity • 26% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 26% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Roxanna Panufnik
Love Endureth
85 bpm • D# Maj • 04:21 • -23db
7% Popularity • 20% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 20% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Galina Grigorjeva
Svjatki: V. Spring Is Coming
85 bpm • G min • 03:02 • -34db
19% Popularity • 24% Danceability • 2% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 24% Danceability • 2% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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William Byrd
Ave verum corpus, T. 92
109 bpm • F# min • 04:28 • -29.88db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
8% Instrumentalness • 3% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
8% Instrumentalness • 3% Positiveness
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Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Edward Elgar
They Are at Rest
84 bpm • D Maj • 03:53 • -27.3db
10% Popularity • 11% Danceability • 3% Energy • 11% Liveness
10% Instrumentalness • 3% Positiveness
10% Popularity • 11% Danceability • 3% Energy • 11% Liveness
10% Instrumentalness • 3% Positiveness
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James MacMillan
A Child's Prayer
84 bpm • E min • 04:19 • -28db
7% Popularity • 8% Danceability • 3% Energy • 10% Liveness
37% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 3% Energy • 10% Liveness
37% Instrumentalness • 3% Positiveness
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Johannes Brahms
Fest- und Gedenksprüche: i. Unsere Vät...
110 bpm • E Maj • 01:38 • -21.16db
6% Popularity • 35% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
6% Popularity • 35% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Gerald Finzi
Fear no more the heat of the sun, Op.18,...
84 bpm • C min • 05:36 • -26.49db
13% Popularity • 8% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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VOCES8
Shenandoah
84 bpm • D Maj • 03:31 • -12.1db
20% Popularity • 25% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 25% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
