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Sleeper
Songs like
Sleeper
by
Duncan Fellows
Based on a tempo of (+/- 10%) and a similar genre
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Cottonwood Firing Squad
Its Gettin' Old.
176 bpm • F# Maj • 03:28 • -8db
37% Popularity • 44% Danceability • 61% Energy • 9% Liveness
28% Instrumentalness • 25% Positiveness
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Husbands
Neuromancer
176 bpm • B Maj • 02:54 • -7.73db
20% Popularity • 51% Danceability • 82% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
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Duncan Fellows
Sleeper
176 bpm • C# Maj • 05:02 • -7db
38% Popularity • 36% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 22% Positiveness
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Camp Howard
Juice
176 bpm • F Maj • 02:24 • -8db
28% Popularity • 59% Danceability • 55% Energy • 11% Liveness
14% Instrumentalness • 92% Positiveness
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Hall Johnson
Utilitarian
175 bpm • A# Maj • 02:09 • -8.7db
41% Popularity • 39% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 54% Positiveness
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Neighbor Lady
Oh Honey
179 bpm • F# min • 03:30 • -7db
37% Popularity • 48% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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The Lonely Biscuits
Forever
173 bpm • E Maj • 03:26 • -9.77db
24% Popularity • 30% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Why These Coyotes
Bennie and the Jets
180 bpm • G# min • 03:56 • -7.03db
26% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Duncan Fellows
Tube Today
174 bpm • A Maj • 02:53 • -9.46db
35% Popularity • 38% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
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The Dig
Nothing in This Town
180 bpm • C Maj • 04:34 • -7db
38% Popularity • 61% Danceability • 62% Energy • 14% Liveness
3% Instrumentalness • 74% Positiveness
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Hall Johnson
Reds
174 bpm • C# min • 03:04 • -6.25db
29% Popularity • 49% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Breakup Shoes
Accessory
180 bpm • B min • 03:32 • -6db
33% Popularity • 47% Danceability • 54% Energy • 19% Liveness
15% Instrumentalness • 48% Positiveness
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flipturn
August
172 bpm • F# Maj • 04:21 • -4.3db
66% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Wilderado
Wheat
180 bpm • E Maj • 03:46 • -4.3db
41% Popularity • 49% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Sylmar
I Love Everything
172 bpm • F# min • 03:11 • -10.25db
17% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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VIKA
70s Haze
172 bpm • A Maj • 03:23 • -11db
44% Popularity • 19% Danceability • 48% Energy • 17% Liveness
26% Instrumentalness • 18% Positiveness
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Hall Johnson
Cabins
174 bpm • G# Maj • 02:13 • -4.52db
38% Popularity • 37% Danceability • 92% Energy • 24% Liveness
48% Instrumentalness • 57% Positiveness
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French Cassettes
On/Off
172 bpm • B Maj • 03:28 • -10.17db
26% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Grand Lotus
Australia
172 bpm • C# Maj • 03:29 • -3db
35% Popularity • 41% Danceability • 95% Energy • 29% Liveness
2% Instrumentalness • 57% Positiveness
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The Moss
3030
172 bpm • E Maj • 03:02 • -8.63db
31% Popularity • 59% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Connor Kelly & The Time Warp
Hawaii Mustang
180 bpm • C Maj • 04:19 • -5db
43% Popularity • 56% Danceability • 83% Energy • 73% Liveness
0% Instrumentalness • 33% Positiveness
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Plastic Picnic
Nausea in Paradise
171 bpm • D Maj • 04:55 • -6.14db
25% Popularity • 35% Danceability • 90% Energy • 5% Liveness
40% Instrumentalness • 45% Positiveness
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Hall Johnson
Falling Forward
173 bpm • A# Maj • 03:38 • -13.71db
24% Popularity • 43% Danceability • 64% Energy • 22% Liveness
3% Instrumentalness • 83% Positiveness
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Brave Baby
Soothsayer
182 bpm • B Maj • 03:50 • -7db
40% Popularity • 58% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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The Hails
Cabaret
170 bpm • F# min • 04:04 • -6db
24% Popularity • 49% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Cottonwood Firing Squad
Im Glad Youre Doing Well
170 bpm • E Maj • 04:48 • -11.96db
39% Popularity • 47% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Ashes To Amber
SAND PEOPLE
182 bpm • A Maj • 03:07 • -7db
49% Popularity • 47% Danceability • 64% Energy • 15% Liveness
5% Instrumentalness • 14% Positiveness
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Fishing in Japan
Constantinople
170 bpm • F Maj • 03:11 • -7.71db
38% Popularity • 67% Danceability • 38% Energy • 10% Liveness
52% Instrumentalness • 28% Positiveness
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Night Moves
Mexico
170 bpm • G# Maj • 04:47 • -8.52db
36% Popularity • 42% Danceability • 57% Energy • 10% Liveness
25% Instrumentalness • 50% Positiveness
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Racoma
Dog Bones
170 bpm • A# Maj • 04:48 • -6.25db
35% Popularity • 38% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Hails
Younger
170 bpm • A Maj • 03:47 • -7db
53% Popularity • 70% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Nature TV
Hometown
170 bpm • B min • 03:42 • -5db
39% Popularity • 49% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Duncan Fellows
Saints
170 bpm • G# Maj • 04:15 • -9db
20% Popularity • 43% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Sarah and the Sundays
Ghost
170 bpm • E Maj • 02:41 • -6.4db
33% Popularity • 33% Danceability • 79% Energy • 55% Liveness
3% Instrumentalness • 61% Positiveness
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The Districts
Vermont
183 bpm • B Maj • 03:48 • -4.68db
29% Popularity • 30% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Racoma
Day Drunk
170 bpm • C# Maj • 03:19 • -8.03db
41% Popularity • 49% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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flipturn
Playground
169 bpm • E Maj • 04:09 • -6db
45% Popularity • 44% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Vista Kicks
Baja (Only Wanna Be with You)
169 bpm • A# Maj • 05:37 • -5.12db
36% Popularity • 46% Danceability • 92% Energy • 34% Liveness
2% Instrumentalness • 47% Positiveness
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Mt. Joy
Phenomenon
169 bpm • F min • 02:53 • -9db
50% Popularity • 55% Danceability • 66% Energy • 12% Liveness
72% Instrumentalness • 65% Positiveness
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John Vincent III
Lost / Inside Our Minds
169 bpm • C Maj • 03:48 • -13.07db
44% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Hall Johnson
Summer Sun
168 bpm • E Maj • 05:31 • -4.61db
23% Popularity • 44% Danceability • 85% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
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Run River North
Creatures In Your Head
168 bpm • A Maj • 03:03 • -5.6db
26% Popularity • 52% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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flipturn
Churches
168 bpm • G# min • 04:48 • -5.53db
42% Popularity • 49% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Tommy Newport
Mr. Angel
168 bpm • C Maj • 04:00 • -7db
40% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The Moss
Insomnia
168 bpm • B Maj • 03:12 • -5.78db
58% Popularity • 54% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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WILLIS
Fight the Vegans
167 bpm • C Maj • 03:16 • -10.82db
53% Popularity • 64% Danceability • 51% Energy • 9% Liveness
5% Instrumentalness • 46% Positiveness
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Hall Johnson
Strangers
166 bpm • A Maj • 02:08 • -4.17db
42% Popularity • 29% Danceability • 90% Energy • 5% Liveness
15% Instrumentalness • 45% Positiveness
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Ramsey the Fourth
A Life in Color
166 bpm • G Maj • 03:22 • -10db
30% Popularity • 52% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Duncan Fellows
Aliens
166 bpm • A Maj • 03:21 • -3.73db
9% Popularity • 40% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
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French Cassettes
Santa Cruz Tomorrow
166 bpm • G# min • 02:49 • -11db
49% Popularity • 62% Danceability • 58% Energy • 35% Liveness
32% Instrumentalness • 80% Positiveness
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The Moss
Salt Lake City (Girl)
168 bpm • E Maj • 02:43 • -10db
31% Popularity • 47% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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flipturn
Whales
165 bpm • F Maj • 03:29 • -9db
50% Popularity • 48% Danceability • 65% Energy • 8% Liveness
49% Instrumentalness • 19% Positiveness
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The Palms
Beach Daze
165 bpm • F# min • 03:20 • -6db
33% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah and the Sundays
I'm So Bored
165 bpm • A# Maj • 03:28 • -5db
46% Popularity • 49% Danceability • 75% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
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Briston Maroney
June
164 bpm • D Maj • 04:44 • -7.97db
59% Popularity • 40% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Milmine
Problems
188 bpm • E min • 02:30 • -4.61db
21% Popularity • 33% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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The Moss
Grand Hoodoo
164 bpm • G Maj • 02:35 • -6.45db
52% Popularity • 59% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Happy Belated
The Plural of Moose Is Moose
164 bpm • D Maj • 03:58 • -7.94db
32% Popularity • 47% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Breakup Shoes
Playing With Fire
164 bpm • G Maj • 04:23 • -5db
26% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ritt Momney
Young Adult
163 bpm • E Maj • 04:32 • -11db
48% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ages and Ages
Needle and Thread
163 bpm • G min • 03:02 • -6.33db
35% Popularity • 54% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Briston Maroney
I've Been Waiting
163 bpm • A Maj • 03:31 • -4db
24% Popularity • 43% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Young Mister
Anybody Out There
162 bpm • F# min • 03:42 • -9.41db
47% Popularity • 40% Danceability • 80% Energy • 9% Liveness
96% Instrumentalness • 70% Positiveness
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Plastic Picnic
Doubt
162 bpm • D Maj • 03:50 • -6.53db
30% Popularity • 51% Danceability • 74% Energy • 9% Liveness
21% Instrumentalness • 61% Positiveness
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Breakup Shoes
How It Goes
163 bpm • E min • 02:02 • -6.64db
44% Popularity • 47% Danceability • 77% Energy • 54% Liveness
0% Instrumentalness • 66% Positiveness
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TOLEDO
Hot Stuff
160 bpm • C# Maj • 03:29 • -6.3db
32% Popularity • 53% Danceability • 84% Energy • 11% Liveness
18% Instrumentalness • 75% Positiveness
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Husbands
Stay Gold
160 bpm • E Maj • 03:25 • -11db
37% Popularity • 45% Danceability • 83% Energy • 16% Liveness
19% Instrumentalness • 70% Positiveness
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Creature Canyon
Hot Streak
160 bpm • F min • 03:14 • -3.7db
30% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Post Sex Nachos
Coffee
160 bpm • E Maj • 03:04 • -14.08db
38% Popularity • 44% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Hala
Sorry
160 bpm • G Maj • 03:31 • -4.27db
35% Popularity • 50% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Fishing in Japan
Here for You
160 bpm • C Maj • 03:56 • -6db
21% Popularity • 56% Danceability • 72% Energy • 18% Liveness
2% Instrumentalness • 26% Positiveness
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Hall Johnson
City Lights
160 bpm • G Maj • 02:44 • -6.94db
54% Popularity • 55% Danceability • 85% Energy • 26% Liveness
11% Instrumentalness • 92% Positiveness
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Sarah and the Sundays
Sweet Dream
160 bpm • G Maj • 02:36 • -8.61db
39% Popularity • 53% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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WILLIS
Cj's Van
160 bpm • C# min • 02:51 • -6.88db
45% Popularity • 53% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Mt. Joy
Sheep
159 bpm • C# Maj • 03:43 • -8.4db
63% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Daddy's Beemer
Dancer
158 bpm • E Maj • 02:57 • -4.97db
19% Popularity • 44% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Brave Baby
Octopus J.
158 bpm • B min • 02:36 • -4.98db
17% Popularity • 44% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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The Greeting Committee
Don't Go
158 bpm • A# Maj • 04:06 • -8db
43% Popularity • 61% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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meija
Laugh It Off
158 bpm • B Maj • 03:09 • -7.17db
20% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Ashes To Amber
Sun Punks
158 bpm • F# Maj • 03:44 • -8.12db
46% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Elevator Fight Club
Call Me
157 bpm • C Maj • 03:44 • -7.99db
41% Popularity • 44% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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flipturn
Nickel
156 bpm • F# Maj • 03:57 • -5db
49% Popularity • 65% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Husbands
Mexico
156 bpm • C Maj • 03:32 • -6.92db
35% Popularity • 58% Danceability • 84% Energy • 11% Liveness
66% Instrumentalness • 93% Positiveness
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Vista Kicks
Love & Paranoia
156 bpm • F# Maj • 04:46 • -5.75db
21% Popularity • 48% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 78% Positiveness
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Vincent Mango
São Paulo
155 bpm • G Maj • 02:49 • -5.47db
38% Popularity • 45% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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The Irons
Goodbye Too Soon
155 bpm • G Maj • 04:38 • -10.55db
35% Popularity • 67% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Okey Dokey
Wavy Gravy
200 bpm • G Maj • 03:47 • -7.31db
39% Popularity • 22% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Cape Francis
Just Because
200 bpm • G# Maj • 03:46 • -8db
36% Popularity • 54% Danceability • 67% Energy • 11% Liveness
67% Instrumentalness • 60% Positiveness
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Duncan Fellows
Every Mother
200 bpm • B min • 02:50 • -7.53db
12% Popularity • 48% Danceability • 66% Energy • 9% Liveness
32% Instrumentalness • 29% Positiveness
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The Brazen Youth
Cloud Parade
155 bpm • B Maj • 03:50 • -8.01db
29% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Bedon
Untitled
201 bpm • D Maj • 04:40 • -9.25db
32% Popularity • 37% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 62% Positiveness
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Surfliner
Vertigo
202 bpm • C Maj • 04:35 • -8.33db
46% Popularity • 34% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Make Friends
Ellie
153 bpm • D Maj • 03:54 • -8db
34% Popularity • 56% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Peach Pit
Second Life with Emily
152 bpm • G# Maj • 03:39 • -7.26db
40% Popularity • 46% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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The Moss
Chaparral
152 bpm • E min • 02:46 • -6.12db
46% Popularity • 43% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Trash Panda
Floating Circus
152 bpm • D Maj • 03:31 • -7.79db
20% Popularity • 45% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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flipturn
The Fall
151 bpm • D Maj • 03:54 • -6.98db
43% Popularity • 52% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Skinny Dyck
Dreamin'
151 bpm • E Maj • 03:46 • -10.1db
41% Popularity • 68% Danceability • 84% Energy • 14% Liveness
49% Instrumentalness • 97% Positiveness
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The Vernes
1994
150 bpm • E Maj • 04:33 • -7db
30% Popularity • 38% Danceability • 56% Energy • 24% Liveness
78% Instrumentalness • 14% Positiveness
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Lean
Years
150 bpm • G Maj • 03:36 • -4.91db
30% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Sleeper