Songs like Sleepwalking by Beds and Beats
Based on a tempo of (+/- 10%) and a similar genre
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Beds and Beats
Sleepwalking
134 bpm • A min • 03:08 • -9db
24% Popularity • 46% Danceability • 73% Energy • 41% Liveness
3% Instrumentalness • 15% Positiveness
24% Popularity • 46% Danceability • 73% Energy • 41% Liveness
3% Instrumentalness • 15% Positiveness
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Black Red Gold
Sceptic Heart
134 bpm • A# min • 02:50 • -10.39db
31% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Dead Sea Empire
Bad Idea
134 bpm • B min • 04:04 • -4.75db
32% Popularity • 33% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 33% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Ki:Theory
Go Insane
135 bpm • C# Maj • 03:16 • -7db
23% Popularity • 45% Danceability • 41% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
23% Popularity • 45% Danceability • 41% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Jesse Marchant
Only Now
135 bpm • D min • 03:55 • -9.24db
24% Popularity • 44% Danceability • 44% Energy • 11% Liveness
42% Instrumentalness • 6% Positiveness
24% Popularity • 44% Danceability • 44% Energy • 11% Liveness
42% Instrumentalness • 6% Positiveness
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Ed Carlsen
Cage
135 bpm • A min • 04:52 • -16.43db
22% Popularity • 47% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
22% Popularity • 47% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Beds and Beats
Built For This
133 bpm • F# min • 01:50 • -6.23db
3% Popularity • 82% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 82% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Matthew Todd Naylor
Love Runs Dry
136 bpm • F Maj • 03:35 • -9.7db
3% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
3% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Vance Westlake
This Is My Empire
136 bpm • G min • 02:52 • -13db
18% Popularity • 44% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
18% Popularity • 44% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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TOMI
Hideaway
132 bpm • A Maj • 04:01 • -7.27db
22% Popularity • 47% Danceability • 52% Energy • 18% Liveness
11% Instrumentalness • 18% Positiveness
22% Popularity • 47% Danceability • 52% Energy • 18% Liveness
11% Instrumentalness • 18% Positiveness
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Lia Rose
Talking in Your Sleep
136 bpm • D Maj • 03:38 • -16db
32% Popularity • 60% Danceability • 29% Energy • 16% Liveness
51% Instrumentalness • 8% Positiveness
32% Popularity • 60% Danceability • 29% Energy • 16% Liveness
51% Instrumentalness • 8% Positiveness
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Extreme Music
Carousel
136 bpm • D Maj • 03:53 • -9.46db
10% Popularity • 59% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 31% Positiveness
10% Popularity • 59% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 31% Positiveness
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Beds and Beats
Ice Stay On Me
133 bpm • C# Maj • 01:53 • -7.21db
4% Popularity • 73% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 73% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Oskura
Everything Now
136 bpm • D Maj • 03:04 • -6.58db
27% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Black Lilys
Nightfall
136 bpm • B min • 03:53 • -10db
32% Popularity • 61% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
32% Popularity • 61% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
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Jon Dix
Steal a Flame
131 bpm • A min • 03:27 • -5.47db
20% Popularity • 56% Danceability • 69% Energy • 31% Liveness
12% Instrumentalness • 44% Positiveness
20% Popularity • 56% Danceability • 69% Energy • 31% Liveness
12% Instrumentalness • 44% Positiveness
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Robin Loxley
Coming Back
131 bpm • A min • 03:33 • -14.12db
34% Popularity • 41% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
34% Popularity • 41% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Conditional
Somewhere New
137 bpm • D min • 03:19 • -7db
18% Popularity • 52% Danceability • 87% Energy • 9% Liveness
57% Instrumentalness • 42% Positiveness
18% Popularity • 52% Danceability • 87% Energy • 9% Liveness
57% Instrumentalness • 42% Positiveness
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Beds and Beats
Doing Me
133 bpm • G Maj • 02:01 • -6.61db
1% Popularity • 70% Danceability • 97% Energy • 12% Liveness
2% Instrumentalness • 65% Positiveness
1% Popularity • 70% Danceability • 97% Energy • 12% Liveness
2% Instrumentalness • 65% Positiveness
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The Wind and The Wave
Young Folks
131 bpm • C Maj • 04:38 • -5.45db
32% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Blood Red Sun
Clean Out the Weights
131 bpm • B Maj • 03:37 • -9.26db
22% Popularity • 62% Danceability • 57% Energy • 11% Liveness
11% Instrumentalness • 19% Positiveness
22% Popularity • 62% Danceability • 57% Energy • 11% Liveness
11% Instrumentalness • 19% Positiveness
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Jon Dix
Killing Time
136 bpm • D Maj • 03:21 • -12db
8% Popularity • 46% Danceability • 68% Energy • 11% Liveness
74% Instrumentalness • 18% Positiveness
8% Popularity • 46% Danceability • 68% Energy • 11% Liveness
74% Instrumentalness • 18% Positiveness
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Aron Wright
You & Me (The Wildfire)
131 bpm • D Maj • 04:02 • -14.74db
42% Popularity • 51% Danceability • 24% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
42% Popularity • 51% Danceability • 24% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
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Hollovvs
Fresh Hollows
130 bpm • C Maj • 03:59 • -10.35db
28% Popularity • 30% Danceability • 41% Energy • 10% Liveness
68% Instrumentalness • 38% Positiveness
28% Popularity • 30% Danceability • 41% Energy • 10% Liveness
68% Instrumentalness • 38% Positiveness
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Beds and Beats
Ready Anytime
132 bpm • G min • 02:55 • -8.02db
14% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Solomon Grey
Gaslight
131 bpm • D Maj • 03:31 • -8db
12% Popularity • 22% Danceability • 46% Energy • 21% Liveness
20% Instrumentalness • 13% Positiveness
12% Popularity • 22% Danceability • 46% Energy • 21% Liveness
20% Instrumentalness • 13% Positiveness
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Deportees
Time Is the Tiger
138 bpm • G Maj • 04:12 • -6.44db
24% Popularity • 57% Danceability • 69% Energy • 10% Liveness
6% Instrumentalness • 16% Positiveness
24% Popularity • 57% Danceability • 69% Energy • 10% Liveness
6% Instrumentalness • 16% Positiveness
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Felix Räuber
Après Minuit
138 bpm • A min • 03:19 • -8.65db
29% Popularity • 40% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 40% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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After Marianne
Marianne
130 bpm • C Maj • 05:33 • -11db
12% Popularity • 37% Danceability • 38% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
12% Popularity • 37% Danceability • 38% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Jens Kuross
Spiraling
138 bpm • G min • 04:16 • -8db
25% Popularity • 28% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 28% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Beds and Beats
Love Me Hate Me
136 bpm • A min • 02:08 • -10.59db
16% Popularity • 48% Danceability • 61% Energy • 10% Liveness
96% Instrumentalness • 39% Positiveness
16% Popularity • 48% Danceability • 61% Energy • 10% Liveness
96% Instrumentalness • 39% Positiveness
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Jai Freedom Lewis,Kevin Skaggs
Whispers
138 bpm • A# min • 03:23 • -8db
15% Popularity • 75% Danceability • 67% Energy • 22% Liveness
5% Instrumentalness • 72% Positiveness
15% Popularity • 75% Danceability • 67% Energy • 22% Liveness
5% Instrumentalness • 72% Positiveness
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Tim Myers
Horizons (Freedom Is Here)
138 bpm • G Maj • 04:38 • -6db
30% Popularity • 56% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
30% Popularity • 56% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Elinborg
Brimið
130 bpm • A# min • 03:33 • -7.98db
24% Popularity • 55% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 55% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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King's Crows
Rise Up
138 bpm • C min • 03:29 • -4.66db
30% Popularity • 40% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 40% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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INDIANS
Somewhere Else
130 bpm • G# Maj • 05:31 • -12.97db
24% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Willow Robinson
Weight of the World
130 bpm • F# min • 03:59 • -6db
19% Popularity • 56% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 56% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Three Laws
Passages
130 bpm • A min • 04:38 • -13db
16% Popularity • 64% Danceability • 73% Energy • 41% Liveness
30% Instrumentalness • 21% Positiveness
16% Popularity • 64% Danceability • 73% Energy • 41% Liveness
30% Instrumentalness • 21% Positiveness
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Madalen Duke
Born Alone Die Alone
130 bpm • G# Maj • 02:50 • -9.06db
50% Popularity • 60% Danceability • 47% Energy • 15% Liveness
5% Instrumentalness • 14% Positiveness
50% Popularity • 60% Danceability • 47% Energy • 15% Liveness
5% Instrumentalness • 14% Positiveness
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NONONO
Pumpin Blood - Taken by Trees x Belief R...
130 bpm • G Maj • 03:13 • -6.28db
30% Popularity • 75% Danceability • 74% Energy • 17% Liveness
2% Instrumentalness • 74% Positiveness
30% Popularity • 75% Danceability • 74% Energy • 17% Liveness
2% Instrumentalness • 74% Positiveness
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OTE
Edge Of Life
130 bpm • A# min • 03:42 • -4.59db
16% Popularity • 51% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 51% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Memory Spells
Can't Hold Me Down
130 bpm • A min • 04:07 • -8.82db
26% Popularity • 73% Danceability • 46% Energy • 10% Liveness
26% Instrumentalness • 21% Positiveness
26% Popularity • 73% Danceability • 46% Energy • 10% Liveness
26% Instrumentalness • 21% Positiveness
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Milk & Bone
Tmrw.
129 bpm • A min • 04:48 • -16.58db
26% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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LALUNE
Woods
129 bpm • A min • 03:30 • -7.15db
19% Popularity • 23% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 23% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Beds and Beats
Words Won't Show
139 bpm • E Maj • 03:10 • -8.33db
1% Popularity • 44% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 44% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
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The Blues And Greys
New Shores
129 bpm • G Maj • 02:24 • -6.85db
12% Popularity • 52% Danceability • 70% Energy • 13% Liveness
69% Instrumentalness • 28% Positiveness
12% Popularity • 52% Danceability • 70% Energy • 13% Liveness
69% Instrumentalness • 28% Positiveness
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Love Inks
Skeleton Key
139 bpm • B min • 03:12 • -10.15db
26% Popularity • 66% Danceability • 55% Energy • 10% Liveness
49% Instrumentalness • 43% Positiveness
26% Popularity • 66% Danceability • 55% Energy • 10% Liveness
49% Instrumentalness • 43% Positiveness
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Sarah Jaffe
LAY LOW (TAKE CARE)
140 bpm • C min • 03:24 • -12.31db
28% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Seville
The Warning
140 bpm • C# min • 03:34 • -10.78db
18% Popularity • 39% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
18% Popularity • 39% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Dead People
Stay Dead
140 bpm • G min • 02:59 • -9db
20% Popularity • 47% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 47% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 10% Positiveness
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Rupert Pope
Ghost of Me
140 bpm • C min • 03:31 • -7.66db
13% Popularity • 51% Danceability • 60% Energy • 15% Liveness
2% Instrumentalness • 18% Positiveness
13% Popularity • 51% Danceability • 60% Energy • 15% Liveness
2% Instrumentalness • 18% Positiveness
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Beds and Beats
The Night Is Young
140 bpm • F# min • 02:08 • -8.08db
9% Popularity • 47% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 47% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Hogni
Under Streetlights
140 bpm • G min • 04:06 • -12db
14% Popularity • 47% Danceability • 40% Energy • 8% Liveness
10% Instrumentalness • 36% Positiveness
14% Popularity • 47% Danceability • 40% Energy • 8% Liveness
10% Instrumentalness • 36% Positiveness
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Sarah Jaffe
Swelling
140 bpm • A# Maj • 04:16 • -14.74db
33% Popularity • 36% Danceability • 12% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
33% Popularity • 36% Danceability • 12% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
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Tom Hodge
Nothing Less Nothing More
140 bpm • D Maj • 03:40 • -8.66db
21% Popularity • 44% Danceability • 44% Energy • 8% Liveness
18% Instrumentalness • 13% Positiveness
21% Popularity • 44% Danceability • 44% Energy • 8% Liveness
18% Instrumentalness • 13% Positiveness
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Nine One One
I Am the Diamond
140 bpm • B min • 04:30 • -8db
19% Popularity • 64% Danceability • 54% Energy • 16% Liveness
66% Instrumentalness • 45% Positiveness
19% Popularity • 64% Danceability • 54% Energy • 16% Liveness
66% Instrumentalness • 45% Positiveness
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Emma Hughes
Make It out Alive
140 bpm • F min • 03:17 • -6db
19% Popularity • 53% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 53% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Paper Twins
A Certain Shade of Blue
140 bpm • A# min • 04:17 • -10db
30% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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UNSECRET
Can You Hear Me
140 bpm • D# min • 03:57 • -7.63db
39% Popularity • 43% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 43% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lily Kershaw
Wish
140 bpm • D Maj • 04:20 • -11db
13% Popularity • 45% Danceability • 46% Energy • 6% Liveness
5% Instrumentalness • 17% Positiveness
13% Popularity • 45% Danceability • 46% Energy • 6% Liveness
5% Instrumentalness • 17% Positiveness
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WØLFFE
Shoot You Down
140 bpm • D# min • 03:54 • -11.29db
21% Popularity • 48% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 48% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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The Fake Arts
Devil's Inside
140 bpm • G# Maj • 04:02 • -10.68db
23% Popularity • 47% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 47% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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GlowTape
Close Call
140 bpm • B Maj • 04:15 • -7.28db
14% Popularity • 59% Danceability • 86% Energy • 9% Liveness
5% Instrumentalness • 95% Positiveness
14% Popularity • 59% Danceability • 86% Energy • 9% Liveness
5% Instrumentalness • 95% Positiveness
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Snow Ghosts
Horizon
140 bpm • A min • 04:35 • -8.3db
13% Popularity • 46% Danceability • 56% Energy • 13% Liveness
11% Instrumentalness • 6% Positiveness
13% Popularity • 46% Danceability • 56% Energy • 13% Liveness
11% Instrumentalness • 6% Positiveness
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Tauese Tofa
Burn It Down
140 bpm • A min • 03:49 • -6.52db
19% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Klergy
No Rest for the Wicked
128 bpm • G min • 03:47 • -9.65db
40% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Audrey Morgan
Birds
140 bpm • A Maj • 04:35 • -8db
21% Popularity • 45% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 45% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Gran Bel Fisher
The Resistance
128 bpm • F# Maj • 03:30 • -8.4db
12% Popularity • 68% Danceability • 37% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
12% Popularity • 68% Danceability • 37% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Sun Airway
All In
128 bpm • E Maj • 04:14 • -6db
24% Popularity • 52% Danceability • 84% Energy • 53% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 52% Danceability • 84% Energy • 53% Liveness
0% Instrumentalness • 30% Positiveness
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Jon Howard
Can't Stop
140 bpm • F Maj • 03:13 • -5.28db
18% Popularity • 51% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 51% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Beds and Beats
We Got Music
128 bpm • F# min • 01:52 • -5.95db
0% Popularity • 54% Danceability • 95% Energy • 18% Liveness
64% Instrumentalness • 59% Positiveness
0% Popularity • 54% Danceability • 95% Energy • 18% Liveness
64% Instrumentalness • 59% Positiveness
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Claire Guerreso
No Turning Back
128 bpm • G Maj • 03:55 • -11.54db
11% Popularity • 31% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 31% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Jung Youth
Underneath It All
128 bpm • E Maj • 03:05 • -7.12db
22% Popularity • 42% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 42% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Whitaker
My Own
128 bpm • F Maj • 05:18 • -13.19db
39% Popularity • 34% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 34% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Javier Bayon
The Innocent
141 bpm • D# min • 02:24 • -13.79db
13% Popularity • 44% Danceability • 28% Energy • 9% Liveness
7% Instrumentalness • 22% Positiveness
13% Popularity • 44% Danceability • 28% Energy • 9% Liveness
7% Instrumentalness • 22% Positiveness
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Prinze George
Airborne
141 bpm • G# Maj • 03:43 • -8db
28% Popularity • 42% Danceability • 60% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
28% Popularity • 42% Danceability • 60% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Noah Gundersen
SEND THE RAIN (TO EVERYONE)
141 bpm • D Maj • 05:22 • -18db
33% Popularity • 29% Danceability • 13% Energy • 12% Liveness
4% Instrumentalness • 11% Positiveness
33% Popularity • 29% Danceability • 13% Energy • 12% Liveness
4% Instrumentalness • 11% Positiveness
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Trapdoor Social
Second Chance
127 bpm • A Maj • 04:35 • -7.12db
10% Popularity • 37% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 37% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Røyale
Kingdom
141 bpm • F min • 03:11 • -9.09db
18% Popularity • 28% Danceability • 58% Energy • 21% Liveness
62% Instrumentalness • 19% Positiveness
18% Popularity • 28% Danceability • 58% Energy • 21% Liveness
62% Instrumentalness • 19% Positiveness
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Klergy
Will You Follow Me Into the Dark
127 bpm • C min • 03:48 • -8.61db
40% Popularity • 42% Danceability • 52% Energy • 25% Liveness
19% Instrumentalness • 14% Positiveness
40% Popularity • 42% Danceability • 52% Energy • 25% Liveness
19% Instrumentalness • 14% Positiveness
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Get Well Soon
Funny Treats
127 bpm • C# min • 03:40 • -6.46db
29% Popularity • 47% Danceability • 76% Energy • 12% Liveness
6% Instrumentalness • 21% Positiveness
29% Popularity • 47% Danceability • 76% Energy • 12% Liveness
6% Instrumentalness • 21% Positiveness
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Correatown
The Point
127 bpm • D min • 03:03 • -10db
19% Popularity • 47% Danceability • 34% Energy • 19% Liveness
61% Instrumentalness • 9% Positiveness
19% Popularity • 47% Danceability • 34% Energy • 19% Liveness
61% Instrumentalness • 9% Positiveness
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The William Blakes
The End Of The World
142 bpm • E min • 04:20 • -6.56db
16% Popularity • 48% Danceability • 73% Energy • 42% Liveness
20% Instrumentalness • 17% Positiveness
16% Popularity • 48% Danceability • 73% Energy • 42% Liveness
20% Instrumentalness • 17% Positiveness
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Ernest Ellis
Want For Anything
142 bpm • D Maj • 04:09 • -5.08db
23% Popularity • 42% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 42% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Gabriel Bruce
El Musgo
126 bpm • C Maj • 05:46 • -8db
24% Popularity • 32% Danceability • 37% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
24% Popularity • 32% Danceability • 37% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
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Jenn Grant
Oh, Family
126 bpm • D min • 03:51 • -12.87db
30% Popularity • 47% Danceability • 24% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
30% Popularity • 47% Danceability • 24% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
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Andrew Britton
Never Gonna Stop You
126 bpm • E min • 03:15 • -14.04db
14% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Phantom Planet
Time Moves On
126 bpm • A Maj • 04:29 • -6.69db
26% Popularity • 70% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 70% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Konstantin Gropper
Till The Mail Gets In
126 bpm • B min • 01:32 • -9.25db
16% Popularity • 58% Danceability • 77% Energy • 31% Liveness
39% Instrumentalness • 71% Positiveness
16% Popularity • 58% Danceability • 77% Energy • 31% Liveness
39% Instrumentalness • 71% Positiveness
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April Moon
The Darker the Sky
126 bpm • F min • 03:14 • -7.44db
10% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Marius De Le Mer
Feel Something
126 bpm • B min • 03:57 • -8.88db
27% Popularity • 63% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 63% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Big Let Down
Mother
126 bpm • G Maj • 03:23 • -4.59db
17% Popularity • 60% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 60% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Tom Hillock
We Are One
126 bpm • C Maj • 02:59 • -7.59db
17% Popularity • 76% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 76% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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MONOWHALES
Real Love
143 bpm • D Maj • 03:47 • -3.93db
23% Popularity • 43% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 43% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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5 Alarm
How the Mighty Fall
126 bpm • A# min • 03:04 • -9.51db
26% Popularity • 66% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 66% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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The Lighthouse And The Whaler
We Are Infinite
143 bpm • C Maj • 03:05 • -10db
47% Popularity • 38% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
47% Popularity • 38% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Steelfeather
Something in the Air
126 bpm • F# min • 03:08 • -7db
38% Popularity • 58% Danceability • 63% Energy • 8% Liveness
10% Instrumentalness • 18% Positiveness
38% Popularity • 58% Danceability • 63% Energy • 8% Liveness
10% Instrumentalness • 18% Positiveness
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Beds and Beats
You Should Have Loved Me
125 bpm • C Maj • 02:01 • -5.17db
3% Popularity • 68% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
3% Popularity • 68% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
