Songs like Sleigh Ride by Brussels Philharmonic
Based on a tempo of (+/- 10%) and a similar genre
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Ottorino Respighi
Ancient Airs And Dances, Suite No. 3, P....
109 bpm • C min • 03:03 • -19.21db
43% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
43% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Michael Nyman
Nyman: The Heart Asks Pleasure First
108 bpm • A min • 03:39 • -24db
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Death of Aas...
109 bpm • G Maj • 04:09 • -25db
38% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Carl Davis
Pride and Prejudice - Main Theme
107 bpm • D# Maj • 04:14 • -21db
34% Popularity • 31% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
34% Popularity • 31% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
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Andrew Sparrow
Pluto's Crossing: Id. The Journey
107 bpm • D# min • 02:04 • -13db
38% Popularity • 29% Danceability • 28% Energy • 14% Liveness
96% Instrumentalness • 16% Positiveness
38% Popularity • 29% Danceability • 28% Energy • 14% Liveness
96% Instrumentalness • 16% Positiveness
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The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
37% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Thomas Adès
Flesh
107 bpm • F Maj • 01:08 • -16.71db
11% Popularity • 49% Danceability • 10% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
11% Popularity • 49% Danceability • 10% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
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Frédéric Chopin
Chopin: Piano Concerto No. 1 in E Minor,...
109 bpm • B Maj • 04:07 • -26db
16% Popularity • 28% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
16% Popularity • 28% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Clint Mansell
Starry Night Over The Rhone
106 bpm • D Maj • 01:17 • -17.55db
41% Popularity • 24% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
41% Popularity • 24% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
110 bpm • A min • 05:00 • -32db
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608 - Arr. Cello: 4. Cu...
106 bpm • G min • 05:14 • -27.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Richard Galliano
Galiano: Opale Concerto: II. Moderato ma...
106 bpm • D min • 05:36 • -21.97db
17% Popularity • 17% Danceability • 6% Energy • 38% Liveness
2% Instrumentalness • 5% Positiveness
17% Popularity • 17% Danceability • 6% Energy • 38% Liveness
2% Instrumentalness • 5% Positiveness
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Zbigniew Preisner
Shows Dickon Garden
111 bpm • B min • 01:06 • -24.61db
42% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
42% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Choeur de Sylphes
111 bpm • E min • 05:00 • -19.83db
3% Popularity • 32% Danceability • 21% Energy • 14% Liveness
9% Instrumentalness • 18% Positiveness
3% Popularity • 32% Danceability • 21% Energy • 14% Liveness
9% Instrumentalness • 18% Positiveness
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Philip Glass
The Orange Tree
105 bpm • G min • 01:47 • -17.34db
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
66% Instrumentalness • 8% Positiveness
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
66% Instrumentalness • 8% Positiveness
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Rafael Krux
3 Dramatic Classical Violins
105 bpm • G min • 01:55 • -8.27db
28% Popularity • 76% Danceability • 61% Energy • 23% Liveness
92% Instrumentalness • 57% Positiveness
28% Popularity • 76% Danceability • 61% Energy • 23% Liveness
92% Instrumentalness • 57% Positiveness
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Ottorino Respighi
Ancient Airs And Dances - III. Siciliana
105 bpm • C min • 03:31 • -23.93db
13% Popularity • 20% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
105 bpm • D# Maj • 04:25 • -21.54db
30% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
30% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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Chamber Orchestra of Miemo
Largo Opus I
105 bpm • G# min • 02:43 • -18.1db
26% Popularity • 21% Danceability • 12% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 21% Danceability • 12% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
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Christopher Gunning
The Hollow
111 bpm • F# min • 03:19 • -21.8db
22% Popularity • 17% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Dora Pejačević
Meditation, Op. 51
112 bpm • C# Maj • 02:47 • -34.05db
22% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
22% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto in D Major, Op. posth., ...
104 bpm • D Maj • 05:22 • -21.56db
37% Popularity • 26% Danceability • 12% Energy • 12% Liveness
22% Instrumentalness • 12% Positiveness
37% Popularity • 26% Danceability • 12% Energy • 12% Liveness
22% Instrumentalness • 12% Positiveness
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Michael Nyman
All Imperfect Things
113 bpm • A min • 04:03 • -16.1db
30% Popularity • 17% Danceability • 22% Energy • 63% Liveness
92% Instrumentalness • 10% Positiveness
30% Popularity • 17% Danceability • 22% Energy • 63% Liveness
92% Instrumentalness • 10% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 4
103 bpm • D min • 02:26 • -29.45db
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Philip Glass
Life In The Mountains
113 bpm • C min • 04:31 • -19.09db
27% Popularity • 17% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
27% Popularity • 17% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Javier Navarrete
Liebestraum
113 bpm • D# Maj • 01:00 • -19.14db
49% Popularity • 40% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
49% Popularity • 40% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Marie Jaell
Concerto pour violoncelle et orchestre e...
103 bpm • F Maj • 04:36 • -23.25db
3% Popularity • 32% Danceability • 11% Energy • 27% Liveness
86% Instrumentalness • 16% Positiveness
3% Popularity • 32% Danceability • 11% Energy • 27% Liveness
86% Instrumentalness • 16% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
103 bpm • C# Maj • 02:57 • -22.77db
8% Popularity • 26% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 26% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Stephen Warbeck
Eden Lost
102 bpm • D# Maj • 01:46 • -24.49db
46% Popularity • 17% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
46% Popularity • 17% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Prélude et la Romanes...
102 bpm • E min • 03:46 • -23.66db
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
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Jules Massenet
Elegie: O doux printemps d'autrefois
114 bpm • C min • 04:09 • -18db
26% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Kris Bowers
Feeling Exceptional
102 bpm • E min • 03:10 • -16db
47% Popularity • 47% Danceability • 32% Energy • 22% Liveness
80% Instrumentalness • 12% Positiveness
47% Popularity • 47% Danceability • 32% Energy • 22% Liveness
80% Instrumentalness • 12% Positiveness
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Brussels Philharmonic
Playground
102 bpm • C# Maj • 04:05 • -20.13db
4% Popularity • 41% Danceability • 29% Energy • 12% Liveness
63% Instrumentalness • 33% Positiveness
4% Popularity • 41% Danceability • 29% Energy • 12% Liveness
63% Instrumentalness • 33% Positiveness
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Zbigniew Preisner
First Time Outside
102 bpm • B min • 01:25 • -18db
35% Popularity • 38% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
35% Popularity • 38% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Giovanni Bottesini
Bottesini: Double Bass Concerto in B Min...
102 bpm • E min • 06:06 • -16.36db
27% Popularity • 30% Danceability • 18% Energy • 13% Liveness
87% Instrumentalness • 29% Positiveness
27% Popularity • 30% Danceability • 18% Energy • 13% Liveness
87% Instrumentalness • 29% Positiveness
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Isobel Waller-Bridge
Poor Miss Taylor
101 bpm • C Maj • 01:41 • -13.04db
40% Popularity • 52% Danceability • 18% Energy • 16% Liveness
89% Instrumentalness • 51% Positiveness
40% Popularity • 52% Danceability • 18% Energy • 16% Liveness
89% Instrumentalness • 51% Positiveness
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Antonín Dvořák
4 Romantic Pieces, Op. 75, B. 150: I. Al...
115 bpm • A# Maj • 02:56 • -27.06db
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
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Martin Phipps
Simple Harp Variation No. 1
101 bpm • G# min • 02:33 • -22.13db
43% Popularity • 35% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 13% Positiveness
43% Popularity • 35% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 13% Positiveness
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Wojciech Kilar
Moving to the Ghetto Oct. 31, 1940
101 bpm • A min • 01:45 • -41db
41% Popularity • 15% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
41% Popularity • 15% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
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Bedřich Smetana
The Moldau Piano Variation
116 bpm • E min • 01:58 • -23.15db
41% Popularity • 23% Danceability • 21% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
41% Popularity • 23% Danceability • 21% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
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Frédéric Chopin
Nocturne No. 20 in C-Sharp Minor, Op. po...
116 bpm • F# min • 03:52 • -27db
19% Popularity • 20% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 6% Positiveness
19% Popularity • 20% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Après un rêve
100 bpm • F min • 03:30 • -17db
30% Popularity • 22% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 22% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Slavonic Fantasy in B minor
116 bpm • B min • 04:58 • -15db
30% Popularity • 31% Danceability • 21% Energy • 14% Liveness
46% Instrumentalness • 15% Positiveness
30% Popularity • 31% Danceability • 21% Energy • 14% Liveness
46% Instrumentalness • 15% Positiveness
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Philip Herbert
Elegy (In Memoriam Stephen Lawrence)
100 bpm • C Maj • 07:03 • -29.68db
28% Popularity • 14% Danceability • 2% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 2% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Regency Players
Persuasion [BBC 2007 Adaptation]
100 bpm • C Maj • 01:52 • -18db
29% Popularity • 29% Danceability • 12% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
29% Popularity • 29% Danceability • 12% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Stephan Koncz
GoldBergHain (Quodlibet on "Kraut und R�...
117 bpm • G Maj • 02:44 • -19.88db
48% Popularity • 39% Danceability • 13% Energy • 17% Liveness
10% Instrumentalness • 41% Positiveness
48% Popularity • 39% Danceability • 13% Energy • 17% Liveness
10% Instrumentalness • 41% Positiveness
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Carlos Rafael Rivera
Methuen Home For Children 1957
100 bpm • B min • 01:14 • -29db
55% Popularity • 43% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
55% Popularity • 43% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Michael Nyman
To The Edge Of The Earth
100 bpm • A min • 04:05 • -17db
36% Popularity • 14% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
36% Popularity • 14% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
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Antonín Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
100 bpm • C min • 03:16 • -19.13db
25% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: II. Åse'...
99 bpm • G Maj • 04:23 • -27.92db
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Giovanni Bottesini
Bottesini: Double Bass Concerto in B Min...
118 bpm • G Maj • 04:21 • -13db
17% Popularity • 48% Danceability • 26% Energy • 31% Liveness
85% Instrumentalness • 47% Positiveness
17% Popularity • 48% Danceability • 26% Energy • 31% Liveness
85% Instrumentalness • 47% Positiveness
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Jóhann Jóhannsson
Daisy, Daisy
118 bpm • A min • 02:21 • -21.73db
41% Popularity • 29% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 29% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Romeo And Juliet, Ballet Suite, Op. 64a,...
99 bpm • A min • 04:26 • -21.36db
2% Popularity • 21% Danceability • 9% Energy • 8% Liveness
25% Instrumentalness • 22% Positiveness
2% Popularity • 21% Danceability • 9% Energy • 8% Liveness
25% Instrumentalness • 22% Positiveness
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Tatiana Lisovskaya
Van Gogh Theme I
99 bpm • D min • 03:17 • -32.79db
34% Popularity • 17% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 6% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 6% Positiveness
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Rachel Portman
leaves and trees
98 bpm • C# min • 05:57 • -21.54db
40% Popularity • 43% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
40% Popularity • 43% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Isobel Waller-Bridge
Emma Suite
119 bpm • C Maj • 06:07 • -14.99db
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Patrick Doyle
The Armstrong Case
98 bpm • D Maj • 01:21 • -23.4db
42% Popularity • 41% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
42% Popularity • 41% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Vladimir Cosma
Le Grand Blond avec une chaussure noire
98 bpm • D min • 04:01 • -15.16db
19% Popularity • 51% Danceability • 31% Energy • 8% Liveness
68% Instrumentalness • 64% Positiveness
19% Popularity • 51% Danceability • 31% Energy • 8% Liveness
68% Instrumentalness • 64% Positiveness
► Preview
Joseph Haydn
Haydn: String Quartet in F Major, Op. 77...
119 bpm • F Maj • 04:45 • -21db
16% Popularity • 49% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 38% Positiveness
16% Popularity • 49% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 38% Positiveness
► Preview
Guillaume Connesson
A kind of Trane - Concerto for saxophone...
98 bpm • A# min • 05:06 • -16.88db
3% Popularity • 34% Danceability • 34% Energy • 12% Liveness
80% Instrumentalness • 32% Positiveness
3% Popularity • 34% Danceability • 34% Energy • 12% Liveness
80% Instrumentalness • 32% Positiveness
► Preview
Thomas Enhco
Two souls
119 bpm • D Maj • 03:09 • -20.39db
15% Popularity • 19% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. Pian...
98 bpm • F min • 03:18 • -29db
35% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
José Manuel Ortega Caballo
Vivace con Fuoco
120 bpm • G min • 01:25 • -10.2db
37% Popularity • 47% Danceability • 40% Energy • 19% Liveness
76% Instrumentalness • 46% Positiveness
37% Popularity • 47% Danceability • 40% Energy • 19% Liveness
76% Instrumentalness • 46% Positiveness
► Preview
Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Philip Glass
Something She Has to Do
97 bpm • F Maj • 03:12 • -28.42db
33% Popularity • 13% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
33% Popularity • 13% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Erich Wolfgang Korngold
Die tote Stadt: Tanzlied des Pierrot (Ar...
97 bpm • C# Maj • 04:19 • -16.78db
13% Popularity • 17% Danceability • 20% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 20% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
► Preview
Zbigniew Preisner
Leaving The Docks
121 bpm • E min • 01:29 • -23db
40% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
► Preview
Johann Sebastian Bach
"Zion hört die Wächter singen" from th...
121 bpm • D# Maj • 05:17 • -25.93db
31% Popularity • 41% Danceability • 4% Energy • 20% Liveness
88% Instrumentalness • 35% Positiveness
31% Popularity • 41% Danceability • 4% Energy • 20% Liveness
88% Instrumentalness • 35% Positiveness
► Preview
Justin Hurwitz
Hurwitz / Arr. Bouchard: La la land: Mia...
121 bpm • B min • 02:41 • -22db
35% Popularity • 22% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
35% Popularity • 22% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
► Preview
Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
50% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
50% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
Harriet Smith
96 bpm • C Maj • 01:16 • -21.06db
42% Popularity • 44% Danceability • 10% Energy • 11% Liveness
17% Instrumentalness • 32% Positiveness
42% Popularity • 44% Danceability • 10% Energy • 11% Liveness
17% Instrumentalness • 32% Positiveness
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Geoffrey Burgon
Rain in Venice
122 bpm • G# Maj • 03:12 • -32.32db
29% Popularity • 18% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 8% Positiveness
29% Popularity • 18% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Prelude in C Major, BWV 846
122 bpm • C Maj • 02:28 • -27db
50% Popularity • 27% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
50% Popularity • 27% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Rachel Portman
End Titles
122 bpm • E min • 02:08 • -20db
45% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
45% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
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Brussels Philharmonic
One Last Walk
95 bpm • D min • 02:31 • -20.23db
2% Popularity • 17% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
2% Popularity • 17% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Dario Marianelli
Waiting for Mr. Rochester
123 bpm • G min • 02:06 • -18.41db
31% Popularity • 19% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
31% Popularity • 19% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Prelude and Fugue in C Major, BWV 846: P...
123 bpm • C Maj • 02:36 • -36.64db
31% Popularity • 21% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 33% Positiveness
31% Popularity • 21% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 33% Positiveness
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Camille Saint-Saëns
Le Cygne
94 bpm • G Maj • 03:34 • -26.63db
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Michel Legrand
Papa, Can You Hear Me?
94 bpm • A min • 05:28 • -19.38db
22% Popularity • 18% Danceability • 13% Energy • 10% Liveness
37% Instrumentalness • 5% Positiveness
22% Popularity • 18% Danceability • 13% Energy • 10% Liveness
37% Instrumentalness • 5% Positiveness
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Filharmonie Brno
Requiem for my Friend: Lacrimosa Day of ...
124 bpm • D min • 01:36 • -19.04db
35% Popularity • 17% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 21% Positiveness
35% Popularity • 17% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 21% Positiveness
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Brussels Philharmonic
25th Hour Opening Title
94 bpm • D# min • 03:14 • -14.13db
5% Popularity • 31% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
5% Popularity • 31% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Thomas Adès
Snow Globe
94 bpm • C# Maj • 02:58 • -23db
20% Popularity • 16% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Fazıl Say
Concerto for Cello and Orchestra "Never ...
125 bpm • A Maj • 06:00 • -19.59db
7% Popularity • 36% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 36% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Andrea Morricone
Cinema Paradiso
125 bpm • A# Maj • 03:29 • -15.4db
32% Popularity • 21% Danceability • 23% Energy • 9% Liveness
22% Instrumentalness • 6% Positiveness
32% Popularity • 21% Danceability • 23% Energy • 9% Liveness
22% Instrumentalness • 6% Positiveness
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John Corigliano
I. Cremona, The Red Violin
93 bpm • B Maj • 01:33 • -21.48db
33% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
33% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
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Robert Groslot
Second Concerto for Violin and Orchestra...
126 bpm • F Maj • 12:22 • -21.08db
2% Popularity • 37% Danceability • 16% Energy • 10% Liveness
48% Instrumentalness • 10% Positiveness
2% Popularity • 37% Danceability • 16% Energy • 10% Liveness
48% Instrumentalness • 10% Positiveness
