Songs like Sligo River Blues - Original Recording by John Fahey
Based on a tempo of (+/- 10%) and a similar genre
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Tucker Zimmerman
Slowin' Down Love
78 bpm • C Maj • 03:11 • -21.19db
29% Popularity • 34% Danceability • 10% Energy • 12% Liveness
39% Instrumentalness • 23% Positiveness
29% Popularity • 34% Danceability • 10% Energy • 12% Liveness
39% Instrumentalness • 23% Positiveness
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North Americans
Bleeding Heart Tetra
78 bpm • F Maj • 04:11 • -20.7db
31% Popularity • 14% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 14% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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John Fahey
Sligo River Blues - Original Recording
78 bpm • B Maj • 03:05 • -13.31db
44% Popularity • 34% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
44% Popularity • 34% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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Daniel Lanois
Frozen
78 bpm • F min • 03:17 • -8.27db
27% Popularity • 47% Danceability • 62% Energy • 21% Liveness
62% Instrumentalness • 28% Positiveness
27% Popularity • 47% Danceability • 62% Energy • 21% Liveness
62% Instrumentalness • 28% Positiveness
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Jackson C. Frank
Tumble in the Wind (Version 1) (Bonus Tr...
77 bpm • A# Maj • 02:38 • -18.63db
43% Popularity • 43% Danceability • 24% Energy • 26% Liveness
80% Instrumentalness • 72% Positiveness
43% Popularity • 43% Danceability • 24% Energy • 26% Liveness
80% Instrumentalness • 72% Positiveness
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Speedy West
Rippling Waters
79 bpm • D Maj • 02:46 • -15.01db
41% Popularity • 54% Danceability • 21% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
41% Popularity • 54% Danceability • 21% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
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Mark Fry
I Lived in Trees
79 bpm • E min • 03:32 • -20.68db
22% Popularity • 26% Danceability • 14% Energy • 8% Liveness
13% Instrumentalness • 13% Positiveness
22% Popularity • 26% Danceability • 14% Energy • 8% Liveness
13% Instrumentalness • 13% Positiveness
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Six Organs Of Admittance
Saint Of Fishermen
77 bpm • G min • 01:01 • -12.39db
38% Popularity • 40% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 35% Positiveness
38% Popularity • 40% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 35% Positiveness
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Bill MacKay
Idumea
79 bpm • A Maj • 03:55 • -12.58db
17% Popularity • 53% Danceability • 12% Energy • 16% Liveness
86% Instrumentalness • 3% Positiveness
17% Popularity • 53% Danceability • 12% Energy • 16% Liveness
86% Instrumentalness • 3% Positiveness
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TÃr na nÓg
Daisy Lady - 2012 Remaster
77 bpm • G# min • 02:18 • -18.79db
44% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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John Fahey
Some Summer Day
77 bpm • G# Maj • 03:21 • -18.21db
22% Popularity • 63% Danceability • 19% Energy • 12% Liveness
74% Instrumentalness • 12% Positiveness
22% Popularity • 63% Danceability • 19% Energy • 12% Liveness
74% Instrumentalness • 12% Positiveness
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Golden Brown
Emerald Ash
77 bpm • D Maj • 01:58 • -15.09db
39% Popularity • 39% Danceability • 40% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
39% Popularity • 39% Danceability • 40% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
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Townes Van Zandt
I'll Be Here in the Morning
77 bpm • E Maj • 03:00 • -18.88db
54% Popularity • 56% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 64% Positiveness
54% Popularity • 56% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 64% Positiveness
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Yo La Tengo
Path to Springs
79 bpm • E Maj • 01:33 • -19.08db
32% Popularity • 51% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
32% Popularity • 51% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
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Getatchew Mekurya
Muziqa heywete
79 bpm • E Maj • 03:10 • -6.67db
46% Popularity • 36% Danceability • 57% Energy • 11% Liveness
95% Instrumentalness • 73% Positiveness
46% Popularity • 36% Danceability • 57% Energy • 11% Liveness
95% Instrumentalness • 73% Positiveness
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Girma Hadgu
Ené Alantchi Alnorem (I Can't Live With...
79 bpm • D# Maj • 05:02 • -17.18db
41% Popularity • 47% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 34% Positiveness
41% Popularity • 47% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 34% Positiveness
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Daniel Johnston
Some Things Last a Long Time
80 bpm • C Maj • 04:54 • -15.14db
43% Popularity • 50% Danceability • 7% Energy • 13% Liveness
9% Instrumentalness • 20% Positiveness
43% Popularity • 50% Danceability • 7% Energy • 13% Liveness
9% Instrumentalness • 20% Positiveness
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Noam Pikelny
Waveland
76 bpm • D# Maj • 02:58 • -16.25db
33% Popularity • 35% Danceability • 33% Energy • 15% Liveness
93% Instrumentalness • 77% Positiveness
33% Popularity • 35% Danceability • 33% Energy • 15% Liveness
93% Instrumentalness • 77% Positiveness
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Daniel Lanois
Carla
76 bpm • A min • 02:02 • -13.21db
39% Popularity • 31% Danceability • 9% Energy • 17% Liveness
88% Instrumentalness • 18% Positiveness
39% Popularity • 31% Danceability • 9% Energy • 17% Liveness
88% Instrumentalness • 18% Positiveness
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Arthur Russell
Words Of Love
80 bpm • B Maj • 03:00 • -12.01db
30% Popularity • 56% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 56% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Brian Eno
Another Green World - 2004 Remaster
76 bpm • C# Maj • 01:41 • -21.71db
51% Popularity • 17% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 46% Positiveness
51% Popularity • 17% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 46% Positiveness
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Townes Van Zandt
None but the Rain
76 bpm • A min • 02:23 • -18.69db
38% Popularity • 53% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 53% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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William Tyler
Eventual Surrender
80 bpm • C Maj • 03:03 • -13.64db
33% Popularity • 54% Danceability • 33% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
33% Popularity • 54% Danceability • 33% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
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Robbie Basho
The Hajj - Instrumental
80 bpm • G# Maj • 05:17 • -12.97db
11% Popularity • 20% Danceability • 36% Energy • 12% Liveness
98% Instrumentalness • 15% Positiveness
11% Popularity • 20% Danceability • 36% Energy • 12% Liveness
98% Instrumentalness • 15% Positiveness
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Jake Xerxes Fussell
Have You Ever Seen Peaches Growing on a ...
80 bpm • E Maj • 06:09 • -6.45db
34% Popularity • 53% Danceability • 55% Energy • 10% Liveness
9% Instrumentalness • 35% Positiveness
34% Popularity • 53% Danceability • 55% Energy • 10% Liveness
9% Instrumentalness • 35% Positiveness
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Vashti Bunyan
Diamond Day
76 bpm • D Maj • 01:47 • -18.5db
47% Popularity • 49% Danceability • 12% Energy • 37% Liveness
39% Instrumentalness • 72% Positiveness
47% Popularity • 49% Danceability • 12% Energy • 37% Liveness
39% Instrumentalness • 72% Positiveness
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Twain
Dear Mexico (Thank You for Joyce)
76 bpm • D# Maj • 04:05 • -12db
41% Popularity • 64% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 64% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Jackson C. Frank
Can't Get Away from My Love
76 bpm • A# Maj • 02:50 • -11.46db
37% Popularity • 50% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
37% Popularity • 50% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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William Tyler
With News About Heaven
80 bpm • C Maj • 04:31 • -14.77db
22% Popularity • 32% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 6% Positiveness
22% Popularity • 32% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 6% Positiveness
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Blaze Foley
Clay Pigeons
81 bpm • F# Maj • 03:00 • -14.62db
50% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Penguin Cafe Orchestra
The Sound Of Someone You Love Who's Goin...
75 bpm • D Maj • 11:44 • -17db
37% Popularity • 23% Danceability • 11% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
37% Popularity • 23% Danceability • 11% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
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Townes Van Zandt
Fare Thee Well, Miss Carousel
81 bpm • E Maj • 05:22 • -13.55db
46% Popularity • 55% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 55% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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John Fahey
The Revolt Of The Dyke Brigade
81 bpm • C Maj • 02:38 • -8.56db
32% Popularity • 47% Danceability • 50% Energy • 9% Liveness
82% Instrumentalness • 48% Positiveness
32% Popularity • 47% Danceability • 50% Energy • 9% Liveness
82% Instrumentalness • 48% Positiveness
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Mulatu Astatke
Tezeta
81 bpm • A# Maj • 06:08 • -14db
57% Popularity • 55% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
57% Popularity • 55% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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William Tyler
Sunken Garden
81 bpm • G Maj • 04:17 • -10.92db
25% Popularity • 53% Danceability • 62% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
25% Popularity • 53% Danceability • 62% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
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C.W. Stoneking
On A Desert Isle
75 bpm • C Maj • 04:41 • -17.86db
30% Popularity • 44% Danceability • 6% Energy • 9% Liveness
24% Instrumentalness • 25% Positiveness
30% Popularity • 44% Danceability • 6% Energy • 9% Liveness
24% Instrumentalness • 25% Positiveness
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Hailu Mergia
Tezeta
82 bpm • F Maj • 04:30 • -12db
37% Popularity • 48% Danceability • 48% Energy • 12% Liveness
81% Instrumentalness • 86% Positiveness
37% Popularity • 48% Danceability • 48% Energy • 12% Liveness
81% Instrumentalness • 86% Positiveness
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Blaze Foley
Slow Boat to China
82 bpm • F# Maj • 02:59 • -15.48db
30% Popularity • 40% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
30% Popularity • 40% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
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Dick Stusso
In Heaven
82 bpm • C Maj • 03:12 • -16.86db
36% Popularity • 67% Danceability • 14% Energy • 12% Liveness
28% Instrumentalness • 36% Positiveness
36% Popularity • 67% Danceability • 14% Energy • 12% Liveness
28% Instrumentalness • 36% Positiveness
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Ted Lucas
Now That I Know
82 bpm • G Maj • 02:25 • -10db
27% Popularity • 41% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 41% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Velvet Underground
Ride Into The Sun - "1969" / 2014 Mix
82 bpm • D Maj • 03:33 • -13.25db
51% Popularity • 58% Danceability • 44% Energy • 38% Liveness
90% Instrumentalness • 76% Positiveness
51% Popularity • 58% Danceability • 44% Energy • 38% Liveness
90% Instrumentalness • 76% Positiveness
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Kurt Vile
Baby's Arms
82 bpm • B min • 04:44 • -6db
41% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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William Tyler
Highway Anxiety
83 bpm • E Maj • 09:06 • -15db
35% Popularity • 23% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
35% Popularity • 23% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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Connie Converse
How Sad, How Lovely
83 bpm • E min • 02:39 • -19db
37% Popularity • 41% Danceability • 13% Energy • 14% Liveness
30% Instrumentalness • 22% Positiveness
37% Popularity • 41% Danceability • 13% Energy • 14% Liveness
30% Instrumentalness • 22% Positiveness
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Speedy West
Reflections From The Moon
83 bpm • G# min • 02:46 • -12.28db
30% Popularity • 53% Danceability • 25% Energy • 15% Liveness
65% Instrumentalness • 21% Positiveness
30% Popularity • 53% Danceability • 25% Energy • 15% Liveness
65% Instrumentalness • 21% Positiveness
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Six Organs Of Admittance
Poppies
83 bpm • C min • 01:00 • -14.12db
37% Popularity • 16% Danceability • 36% Energy • 9% Liveness
63% Instrumentalness • 41% Positiveness
37% Popularity • 16% Danceability • 36% Energy • 9% Liveness
63% Instrumentalness • 41% Positiveness
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Kinloch Nelson
The Eyes of the Fair Molly
83 bpm • D Maj • 03:41 • -18.04db
22% Popularity • 28% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
22% Popularity • 28% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Jackson C. Frank
Tumble in the Wind (Version 2)
73 bpm • A# Maj • 03:07 • -18.61db
31% Popularity • 33% Danceability • 24% Energy • 19% Liveness
65% Instrumentalness • 46% Positiveness
31% Popularity • 33% Danceability • 24% Energy • 19% Liveness
65% Instrumentalness • 46% Positiveness
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Linda Perhacs
Dolphin
73 bpm • G Maj • 02:53 • -20.97db
39% Popularity • 32% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
39% Popularity • 32% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Jake Xerxes Fussell
16–20
84 bpm • C Maj • 04:09 • -15.88db
23% Popularity • 30% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
23% Popularity • 30% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
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Sun Ra
Tapestry from an Asteroid
72 bpm • G# Maj • 02:07 • -16db
49% Popularity • 37% Danceability • 11% Energy • 17% Liveness
76% Instrumentalness • 35% Positiveness
49% Popularity • 37% Danceability • 11% Energy • 17% Liveness
76% Instrumentalness • 35% Positiveness
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Emahoy Tsege Mariam Gebru
Mother's Love
72 bpm • G Maj • 03:39 • -25db
44% Popularity • 42% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 28% Positiveness
44% Popularity • 42% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 28% Positiveness
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John Fahey
Stomping Tonight On The Pennsylvania /Al...
85 bpm • F# min • 06:58 • -14.95db
21% Popularity • 39% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
21% Popularity • 39% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Jim Ford
It's My Life
85 bpm • A# min • 02:51 • -5.49db
36% Popularity • 57% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 57% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Kacy & Clayton
Devil's Daughter
71 bpm • D Maj • 02:13 • -10.23db
29% Popularity • 64% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 64% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The Books
The Lemon of Pink I
86 bpm • C Maj • 04:40 • -13db
36% Popularity • 63% Danceability • 31% Energy • 18% Liveness
6% Instrumentalness • 26% Positiveness
36% Popularity • 63% Danceability • 31% Energy • 18% Liveness
6% Instrumentalness • 26% Positiveness
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Robert Lester Folsom
Written in Your Hair
86 bpm • G Maj • 02:46 • -6.26db
26% Popularity • 56% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 83% Positiveness
26% Popularity • 56% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 83% Positiveness
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Harold Budd
Afar
71 bpm • C# Maj • 02:34 • -26db
30% Popularity • 14% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
30% Popularity • 14% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Yo La Tengo
Leaving Home
86 bpm • E Maj • 02:46 • -15db
40% Popularity • 55% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
40% Popularity • 55% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Jack Kerouac
October in the Railroad Earth
71 bpm • C# Maj • 07:07 • -18db
27% Popularity • 57% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 57% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Emahoy Tsege Mariam Gebru
The Story of the Wind
70 bpm • G# Maj • 02:46 • -19.54db
39% Popularity • 24% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
39% Popularity • 24% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Frantz Casseus
Lullaby
70 bpm • E Maj • 03:28 • -32db
34% Popularity • 48% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
34% Popularity • 48% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Alabaster DePlume
If You're Sure You Want To
70 bpm • A min • 03:49 • -13db
32% Popularity • 24% Danceability • 19% Energy • 12% Liveness
63% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 19% Energy • 12% Liveness
63% Instrumentalness • 6% Positiveness
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Bert Jansch
East Wind (2015 Remaster)
87 bpm • A Maj • 01:28 • -14.07db
28% Popularity • 39% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 39% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Gábor Szabó
Song of Injured Love - 2022 Remastered V...
87 bpm • C Maj • 04:05 • -13db
28% Popularity • 43% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
28% Popularity • 43% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Bruce Langhorne
Opening
70 bpm • A Maj • 03:39 • -15.49db
18% Popularity • 30% Danceability • 20% Energy • 5% Liveness
26% Instrumentalness • 9% Positiveness
18% Popularity • 30% Danceability • 20% Energy • 5% Liveness
26% Instrumentalness • 9% Positiveness
► Preview
Amanaz
Khala My Friend
88 bpm • C# Maj • 03:23 • -14.17db
55% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
55% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
► Preview
John Fahey
Dance Of The Inhabitants Of The Invisibl...
88 bpm • C Maj • 04:10 • -20.05db
12% Popularity • 20% Danceability • 18% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 18% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Robbie Basho
Eagle Sails The Blue Diamond Waters
88 bpm • D Maj • 06:49 • -15.08db
22% Popularity • 22% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
22% Popularity • 22% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Parsley Sound
Ease Yourself and Glide
88 bpm • G# Maj • 03:19 • -8.57db
39% Popularity • 50% Danceability • 60% Energy • 9% Liveness
63% Instrumentalness • 69% Positiveness
39% Popularity • 50% Danceability • 60% Energy • 9% Liveness
63% Instrumentalness • 69% Positiveness
► Preview
Bill MacKay
Aster
69 bpm • C Maj • 01:30 • -13.31db
32% Popularity • 34% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 15% Positiveness
32% Popularity • 34% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 15% Positiveness
► Preview
Emahoy Tsege Mariam Gebru
Tenkou Why Feel Sorry
69 bpm • G Maj • 02:03 • -22.43db
42% Popularity • 41% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
42% Popularity • 41% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
► Preview
Nora Brown
Bertie Mae's Chilly Winds
88 bpm • F Maj • 01:21 • -24.8db
38% Popularity • 50% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 78% Positiveness
38% Popularity • 50% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 78% Positiveness
► Preview
John Fahey
Jesus Is A Dying Bedmaker
89 bpm • G Maj • 04:19 • -15.77db
26% Popularity • 21% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 14% Positiveness
26% Popularity • 21% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 14% Positiveness
► Preview
Nathan Salsburg
Impossible Air
90 bpm • G# Maj • 04:48 • -14db
36% Popularity • 56% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
36% Popularity • 56% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
► Preview
Ali Farka Touré
Cinquante six
90 bpm • G# Maj • 05:31 • -18.12db
28% Popularity • 30% Danceability • 18% Energy • 7% Liveness
96% Instrumentalness • 18% Positiveness
28% Popularity • 30% Danceability • 18% Energy • 7% Liveness
96% Instrumentalness • 18% Positiveness
► Preview
Bill MacKay
Pretty Weeds Revisited
89 bpm • A Maj • 05:12 • -14.48db
17% Popularity • 47% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
17% Popularity • 47% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
► Preview
Emahoy Tsege Mariam Gebru
The Homeless Wanderer
89 bpm • F min • 07:04 • -20db
39% Popularity • 35% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
39% Popularity • 35% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
Link Wray
Morning
67 bpm • G Maj • 02:02 • -23.59db
34% Popularity • 58% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 33% Positiveness
34% Popularity • 58% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 33% Positiveness
► Preview
John Fahey
Orinda-Moraga
90 bpm • D# Maj • 03:55 • -10.72db
17% Popularity • 29% Danceability • 41% Energy • 13% Liveness
90% Instrumentalness • 36% Positiveness
17% Popularity • 29% Danceability • 41% Energy • 13% Liveness
90% Instrumentalness • 36% Positiveness
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Penguin Cafe Orchestra
The Ecstasy Of Dancing Fleas - Remastere...
91 bpm • D Maj • 04:00 • -14db
39% Popularity • 72% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
39% Popularity • 72% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
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Robert Lester Folsom
Situations
91 bpm • A Maj • 03:03 • -5.01db
14% Popularity • 45% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 45% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Sandy Bull
Little Maggie
92 bpm • B Maj • 04:09 • -18.76db
12% Popularity • 39% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 64% Positiveness
12% Popularity • 39% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 64% Positiveness
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Emahoy Tsege Mariam Gebru
Evening Breeze
67 bpm • A Maj • 02:51 • -20.64db
43% Popularity • 29% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
43% Popularity • 29% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
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Allman Brothers Band
Little Martha
92 bpm • B Maj • 02:07 • -21.64db
57% Popularity • 49% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
57% Popularity • 49% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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John Fahey
Daisy (aka A Bicycle Built For Two) - Bo...
91 bpm • C Maj • 01:16 • -9.7db
14% Popularity • 59% Danceability • 52% Energy • 28% Liveness
82% Instrumentalness • 97% Positiveness
14% Popularity • 59% Danceability • 52% Energy • 28% Liveness
82% Instrumentalness • 97% Positiveness
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Kikagaku Moyo
Cardigan Song
92 bpm • G Maj • 04:49 • -25.62db
43% Popularity • 47% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
43% Popularity • 47% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Chayns
Live with the Moon
93 bpm • A Maj • 03:06 • -8db
29% Popularity • 48% Danceability • 53% Energy • 12% Liveness
72% Instrumentalness • 25% Positiveness
29% Popularity • 48% Danceability • 53% Energy • 12% Liveness
72% Instrumentalness • 25% Positiveness
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Scrapper Blackwell
Nobody Knows You When You're Down And Ou...
93 bpm • F# min • 04:58 • -8.75db
35% Popularity • 72% Danceability • 34% Energy • 17% Liveness
1% Instrumentalness • 34% Positiveness
35% Popularity • 72% Danceability • 34% Energy • 17% Liveness
1% Instrumentalness • 34% Positiveness
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Emahoy Tsege Mariam Gebru
Homesickness, Pt. 2
67 bpm • G# Maj • 03:13 • -17.94db
48% Popularity • 35% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
48% Popularity • 35% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
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Frantz Casseus
Etude
93 bpm • A Maj • 02:06 • -29.58db
33% Popularity • 30% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 80% Positiveness
33% Popularity • 30% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 80% Positiveness
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John Fahey
Sunflower River Blues - Re-Recorded Vers...
92 bpm • F Maj • 03:20 • -20.67db
44% Popularity • 32% Danceability • 20% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
44% Popularity • 32% Danceability • 20% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
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Jackson C. Frank
Don't Look Back
93 bpm • G# Maj • 02:57 • -9.08db
30% Popularity • 29% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 29% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Felt
Ferdinand Magellan
94 bpm • E Maj • 01:56 • -15.08db
28% Popularity • 43% Danceability • 16% Energy • 14% Liveness
82% Instrumentalness • 31% Positiveness
28% Popularity • 43% Danceability • 16% Energy • 14% Liveness
82% Instrumentalness • 31% Positiveness
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Mimi And Richard Farina
Tommy Makem Fantasy - Instrumental
94 bpm • C# min • 01:33 • -13.66db
24% Popularity • 31% Danceability • 59% Energy • 7% Liveness
70% Instrumentalness • 80% Positiveness
24% Popularity • 31% Danceability • 59% Energy • 7% Liveness
70% Instrumentalness • 80% Positiveness
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Emahoy Tsege Mariam Gebru
Homesickness, Pt. 1
66 bpm • D Maj • 03:51 • -27.54db
42% Popularity • 22% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
42% Popularity • 22% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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John Martyn
Over The Hill
94 bpm • A min • 02:52 • -13.01db
51% Popularity • 61% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 61% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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John Fahey
When The Springtime Comes Again
92 bpm • D# Maj • 03:50 • -18db
26% Popularity • 48% Danceability • 15% Energy • 26% Liveness
83% Instrumentalness • 10% Positiveness
26% Popularity • 48% Danceability • 15% Energy • 26% Liveness
83% Instrumentalness • 10% Positiveness
