Songs like Slinky Swing by Brad Hatfield
Based on a tempo of (+/- 10%) and a similar genre
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Lori Mechem
Once I Loved
103 bpm • F# min • 05:14 • -16.18db
34% Popularity • 62% Danceability • 27% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
34% Popularity • 62% Danceability • 27% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
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Paul Callander
Singin' a Melody
103 bpm • G# Maj • 03:44 • -11.45db
21% Popularity • 61% Danceability • 33% Energy • 18% Liveness
90% Instrumentalness • 59% Positiveness
21% Popularity • 61% Danceability • 33% Energy • 18% Liveness
90% Instrumentalness • 59% Positiveness
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Brad Hatfield
Slinky Swing
103 bpm • C min • 02:12 • -20.53db
41% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
41% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
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Hara Noda
Field
102 bpm • G min • 02:17 • -8.18db
45% Popularity • 50% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 30% Positiveness
45% Popularity • 50% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 30% Positiveness
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Branford Marsalis Quartet
Dinner for One Please, James
102 bpm • G# Maj • 08:02 • -16.99db
22% Popularity • 45% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 14% Positiveness
22% Popularity • 45% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 14% Positiveness
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Sonny Clark
I Can't Give You Anything But Love
102 bpm • F min • 03:49 • -16.18db
39% Popularity • 75% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 29% Positiveness
39% Popularity • 75% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 29% Positiveness
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Lori Mechem
How Insensitive
103 bpm • G Maj • 03:59 • -16.73db
39% Popularity • 60% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
39% Popularity • 60% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Westwood Joys
Speak of Stars
102 bpm • A min • 01:09 • -16.84db
45% Popularity • 57% Danceability • 19% Energy • 14% Liveness
91% Instrumentalness • 65% Positiveness
45% Popularity • 57% Danceability • 19% Energy • 14% Liveness
91% Instrumentalness • 65% Positiveness
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Brad Hatfield
September Memories
103 bpm • D# Maj • 05:28 • -14.69db
3% Popularity • 42% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
3% Popularity • 42% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Russell Malone
Do I Love You
104 bpm • D Maj • 03:16 • -21.12db
33% Popularity • 56% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
33% Popularity • 56% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Trio X of Sweden
Vid Frösö kyrka
102 bpm • A# min • 04:57 • -18.99db
42% Popularity • 54% Danceability • 11% Energy • 10% Liveness
65% Instrumentalness • 16% Positiveness
42% Popularity • 54% Danceability • 11% Energy • 10% Liveness
65% Instrumentalness • 16% Positiveness
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Aaron Goldberg
Perhaps
102 bpm • C Maj • 05:17 • -18.07db
37% Popularity • 49% Danceability • 34% Energy • 12% Liveness
77% Instrumentalness • 48% Positiveness
37% Popularity • 49% Danceability • 34% Energy • 12% Liveness
77% Instrumentalness • 48% Positiveness
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Bobby Gordon
Poor Butterfly
104 bpm • G# Maj • 05:04 • -17db
29% Popularity • 68% Danceability • 10% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
29% Popularity • 68% Danceability • 10% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
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Alan Pasqua
Smile
102 bpm • G Maj • 05:33 • -25db
39% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
39% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Brad Hatfield
Wonderland
102 bpm • D# Maj • 02:45 • -19.2db
28% Popularity • 48% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
28% Popularity • 48% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Carl Bagge Trio
Fotografia
102 bpm • C Maj • 03:50 • -18.02db
48% Popularity • 70% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
48% Popularity • 70% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
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Grove Street Quartet
April In Paris
102 bpm • C Maj • 03:59 • -21.06db
33% Popularity • 50% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
33% Popularity • 50% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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New York Trio
How High The Moon
102 bpm • G Maj • 07:50 • -12.9db
12% Popularity • 54% Danceability • 44% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
12% Popularity • 54% Danceability • 44% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
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Triosence
Leave Me Here
104 bpm • A# min • 04:03 • -16.88db
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
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John Engels
The Peacocks - Single Edit
102 bpm • A# min • 03:09 • -16.72db
44% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Eli Starr Trio
I Mean You
105 bpm • C Maj • 03:29 • -16.12db
28% Popularity • 77% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
28% Popularity • 77% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
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Joe Henderson
Felicidade
101 bpm • A min • 04:44 • -16.49db
42% Popularity • 68% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 61% Positiveness
42% Popularity • 68% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 61% Positiveness
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Coleman Hawkins Quartet
Put On Your Old Grey Bonnet
101 bpm • D# Maj • 09:50 • -12.48db
26% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
26% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Lauren Richardson
Isfahan
105 bpm • G# Maj • 03:42 • -12.88db
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
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Ray Bryant Trio
Misty
105 bpm • E min • 04:04 • -16.29db
17% Popularity • 57% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
17% Popularity • 57% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
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Brad Hatfield
Back Alley Blues
101 bpm • D min • 03:52 • -11.07db
3% Popularity • 60% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 36% Positiveness
3% Popularity • 60% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 36% Positiveness
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Trio X of Sweden
Sound the Trumpet, Beat the Drum - Welco...
105 bpm • C Maj • 06:23 • -15.05db
23% Popularity • 52% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
23% Popularity • 52% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
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Tommy Flanagan Trio
Delarna
101 bpm • D Maj • 04:43 • -14.83db
32% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
32% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
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Karl-Martin Almqvist
OD
105 bpm • C# Maj • 06:58 • -11.51db
40% Popularity • 52% Danceability • 22% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
40% Popularity • 52% Danceability • 22% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
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Steve Kuhn
Wisteria
101 bpm • A# Maj • 05:47 • -26.79db
43% Popularity • 38% Danceability • 4% Energy • 13% Liveness
46% Instrumentalness • 16% Positiveness
43% Popularity • 38% Danceability • 4% Energy • 13% Liveness
46% Instrumentalness • 16% Positiveness
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MauColi
More Than Anything
105 bpm • C Maj • 04:10 • -6.99db
33% Popularity • 56% Danceability • 93% Energy • 27% Liveness
90% Instrumentalness • 76% Positiveness
33% Popularity • 56% Danceability • 93% Energy • 27% Liveness
90% Instrumentalness • 76% Positiveness
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Vernon Sanders
Everytime around
105 bpm • F min • 05:25 • -19.39db
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
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Blue Mitchell
I'll Close My Eyes
105 bpm • F Maj • 05:53 • -13.08db
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Gabriel Latchin Trio
Arthur Go
106 bpm • F min • 04:27 • -13.75db
33% Popularity • 56% Danceability • 38% Energy • 27% Liveness
55% Instrumentalness • 66% Positiveness
33% Popularity • 56% Danceability • 38% Energy • 27% Liveness
55% Instrumentalness • 66% Positiveness
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Junior Mance
Jubilation
100 bpm • C Maj • 03:29 • -18.09db
40% Popularity • 63% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
40% Popularity • 63% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
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Jerry Bergonzi
I Will Never Stop Loving You
100 bpm • A# Maj • 02:53 • -12.19db
36% Popularity • 53% Danceability • 24% Energy • 20% Liveness
52% Instrumentalness • 34% Positiveness
36% Popularity • 53% Danceability • 24% Energy • 20% Liveness
52% Instrumentalness • 34% Positiveness
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Stephen Kummer
An Affair To Remember
100 bpm • G Maj • 03:48 • -19db
34% Popularity • 67% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 45% Positiveness
34% Popularity • 67% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 45% Positiveness
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Old Town Trio
Day by Day
106 bpm • E min • 03:50 • -18.44db
32% Popularity • 56% Danceability • 20% Energy • 17% Liveness
85% Instrumentalness • 37% Positiveness
32% Popularity • 56% Danceability • 20% Energy • 17% Liveness
85% Instrumentalness • 37% Positiveness
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Hudson Harris & Haim
Who Is It?
100 bpm • D min • 03:04 • -23.18db
24% Popularity • 51% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
24% Popularity • 51% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Bobby Gordon
You'Re Driving Me Crazy
100 bpm • D# Maj • 03:59 • -14.42db
16% Popularity • 55% Danceability • 27% Energy • 12% Liveness
63% Instrumentalness • 65% Positiveness
16% Popularity • 55% Danceability • 27% Energy • 12% Liveness
63% Instrumentalness • 65% Positiveness
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Branford Marsalis Quartet
Cianna
100 bpm • D# Maj • 07:32 • -9.44db
25% Popularity • 56% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 47% Positiveness
25% Popularity • 56% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 47% Positiveness
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Oakwood Station
Camper's Day
106 bpm • F Maj • 04:00 • -16.06db
38% Popularity • 76% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
38% Popularity • 76% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Faraò/Durham/Zunino
A Summer Place
106 bpm • G min • 04:59 • -20.03db
19% Popularity • 71% Danceability • 12% Energy • 11% Liveness
18% Instrumentalness • 36% Positiveness
19% Popularity • 71% Danceability • 12% Energy • 11% Liveness
18% Instrumentalness • 36% Positiveness
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Charlie James-Walker
At Charlie's
100 bpm • G# Maj • 02:18 • -9.38db
43% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
43% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
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Benny Green
Summer Nights
107 bpm • A min • 05:00 • -32.69db
31% Popularity • 47% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
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Søren Bebe Trio
Tangeri
107 bpm • G Maj • 04:44 • -20.59db
46% Popularity • 60% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
46% Popularity • 60% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
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Stephen Kummer
The Summer Wind
107 bpm • D# Maj • 04:07 • -14.56db
33% Popularity • 74% Danceability • 19% Energy • 9% Liveness
55% Instrumentalness • 40% Positiveness
33% Popularity • 74% Danceability • 19% Energy • 9% Liveness
55% Instrumentalness • 40% Positiveness
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MauColi
I Left My Heart in San Francisco
107 bpm • C Maj • 02:52 • -15.84db
36% Popularity • 43% Danceability • 6% Energy • 29% Liveness
76% Instrumentalness • 14% Positiveness
36% Popularity • 43% Danceability • 6% Energy • 29% Liveness
76% Instrumentalness • 14% Positiveness
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Ali Ryerson
Zingaro
107 bpm • B min • 06:57 • -18.14db
10% Popularity • 60% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
10% Popularity • 60% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Goblin Quartet
Carnival
107 bpm • C Maj • 03:06 • -17.66db
43% Popularity • 67% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 70% Positiveness
43% Popularity • 67% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 70% Positiveness
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Sonny Knight
Billie's Bounce
107 bpm • A# Maj • 02:41 • -14db
32% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
32% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
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Tom Lewis Band
Dream A Little Dream
107 bpm • G Maj • 03:44 • -14.2db
35% Popularity • 71% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
35% Popularity • 71% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
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Stanley Turrentine
Journey Into The Melody
98 bpm • F Maj • 04:58 • -21db
39% Popularity • 43% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 19% Positiveness
39% Popularity • 43% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 19% Positiveness
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Danny Mandalay
Mandalay Bay
99 bpm • C Maj • 02:37 • -14db
31% Popularity • 50% Danceability • 52% Energy • 14% Liveness
89% Instrumentalness • 49% Positiveness
31% Popularity • 50% Danceability • 52% Energy • 14% Liveness
89% Instrumentalness • 49% Positiveness
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Brad Hatfield
The Count
98 bpm • D min • 02:01 • -21.26db
24% Popularity • 44% Danceability • 26% Energy • 20% Liveness
83% Instrumentalness • 59% Positiveness
24% Popularity • 44% Danceability • 26% Energy • 20% Liveness
83% Instrumentalness • 59% Positiveness
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New York Trio
Cheek To Cheek
108 bpm • G Maj • 05:46 • -10db
17% Popularity • 56% Danceability • 62% Energy • 14% Liveness
76% Instrumentalness • 57% Positiveness
17% Popularity • 56% Danceability • 62% Energy • 14% Liveness
76% Instrumentalness • 57% Positiveness
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Marc Copland
Spartacus Love Theme
98 bpm • A min • 07:53 • -25db
33% Popularity • 38% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
33% Popularity • 38% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
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Connie Han
Captain’s Song
108 bpm • G# min • 05:22 • -15.77db
42% Popularity • 50% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
42% Popularity • 50% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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Brandon Sanders
Body and Soul
98 bpm • A# min • 04:54 • -16.83db
54% Popularity • 42% Danceability • 10% Energy • 9% Liveness
51% Instrumentalness • 19% Positiveness
54% Popularity • 42% Danceability • 10% Energy • 9% Liveness
51% Instrumentalness • 19% Positiveness
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Fredrik Kronkvist
Theme For Leon
108 bpm • F min • 06:08 • -13.44db
27% Popularity • 45% Danceability • 28% Energy • 5% Liveness
3% Instrumentalness • 19% Positiveness
27% Popularity • 45% Danceability • 28% Energy • 5% Liveness
3% Instrumentalness • 19% Positiveness
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Brad Hatfield
Elegant Dining
98 bpm • C Maj • 02:13 • -25db
38% Popularity • 55% Danceability • 8% Energy • 10% Liveness
69% Instrumentalness • 36% Positiveness
38% Popularity • 55% Danceability • 8% Energy • 10% Liveness
69% Instrumentalness • 36% Positiveness
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Brad Mehldau Trio
Where Do You Start
98 bpm • C# Maj • 04:06 • -23db
46% Popularity • 41% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
46% Popularity • 41% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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SE-Quartet
Song for Paris
98 bpm • G Maj • 05:12 • -18.28db
34% Popularity • 39% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
34% Popularity • 39% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
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Ray Bryant
Misty
98 bpm • D Maj • 03:03 • -32.68db
27% Popularity • 49% Danceability • 1% Energy • 15% Liveness
75% Instrumentalness • 21% Positiveness
27% Popularity • 49% Danceability • 1% Energy • 15% Liveness
75% Instrumentalness • 21% Positiveness
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James Jackson Jazz Trio
On a Clear Day (You Can See Forever)
109 bpm • G Maj • 03:25 • -15.68db
39% Popularity • 69% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
39% Popularity • 69% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Stephan Noel Lang
16-Bar-Blues
109 bpm • C Maj • 02:38 • -13.7db
39% Popularity • 71% Danceability • 34% Energy • 19% Liveness
93% Instrumentalness • 63% Positiveness
39% Popularity • 71% Danceability • 34% Energy • 19% Liveness
93% Instrumentalness • 63% Positiveness
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Stephen Kummer
That's All
109 bpm • D# Maj • 04:45 • -19.24db
23% Popularity • 55% Danceability • 18% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
23% Popularity • 55% Danceability • 18% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
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CMC 3
Star Eyes
109 bpm • C Maj • 05:18 • -15db
21% Popularity • 32% Danceability • 44% Energy • 15% Liveness
74% Instrumentalness • 58% Positiveness
21% Popularity • 32% Danceability • 44% Energy • 15% Liveness
74% Instrumentalness • 58% Positiveness
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David Ake
But Beautiful
98 bpm • G Maj • 05:17 • -18.45db
49% Popularity • 38% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
49% Popularity • 38% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
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Chad Lefkowitz-Brown
Mack the Knife
97 bpm • G# Maj • 05:31 • -11.26db
23% Popularity • 63% Danceability • 51% Energy • 20% Liveness
1% Instrumentalness • 84% Positiveness
23% Popularity • 63% Danceability • 51% Energy • 20% Liveness
1% Instrumentalness • 84% Positiveness
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Donald Byrd
Hello Bright Sunflower - Rudy Van Gelder...
109 bpm • G# Maj • 07:33 • -8.12db
43% Popularity • 66% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 66% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Larry Goldings
Blueberry Hill
110 bpm • F Maj • 03:51 • -14.37db
36% Popularity • 66% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
36% Popularity • 66% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
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Brad Hatfield
Strollin' With My Baby
110 bpm • F min • 02:38 • -18.89db
29% Popularity • 69% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
29% Popularity • 69% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
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Christian McBride Trio
I Have Dreamed
97 bpm • F Maj • 08:27 • -21.2db
36% Popularity • 30% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
36% Popularity • 30% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Tiny Stills Quartet
St. Thomas
110 bpm • C Maj • 02:10 • -12.61db
32% Popularity • 68% Danceability • 38% Energy • 9% Liveness
91% Instrumentalness • 79% Positiveness
32% Popularity • 68% Danceability • 38% Energy • 9% Liveness
91% Instrumentalness • 79% Positiveness
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Joachim Kühn
Love and Peace
110 bpm • G# Maj • 01:59 • -14.71db
32% Popularity • 44% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 44% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
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Simon Schott
Summertime
96 bpm • A min • 01:04 • -23.71db
32% Popularity • 48% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
32% Popularity • 48% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Carl Bagge Trio
Con Alma
96 bpm • F# Maj • 05:30 • -18.5db
26% Popularity • 53% Danceability • 30% Energy • 6% Liveness
88% Instrumentalness • 58% Positiveness
26% Popularity • 53% Danceability • 30% Energy • 6% Liveness
88% Instrumentalness • 58% Positiveness
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Lori Mechem
Corcovado - Instrumental
110 bpm • F Maj • 04:59 • -18.4db
40% Popularity • 61% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 32% Positiveness
40% Popularity • 61% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 32% Positiveness
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Carsten Dahl
Somewhere over the Rainbow
96 bpm • G# Maj • 04:36 • -16.83db
43% Popularity • 49% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 36% Positiveness
43% Popularity • 49% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 36% Positiveness
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Soho Quartet
Moontrane
96 bpm • A# Maj • 02:22 • -12db
21% Popularity • 53% Danceability • 36% Energy • 16% Liveness
82% Instrumentalness • 40% Positiveness
21% Popularity • 53% Danceability • 36% Energy • 16% Liveness
82% Instrumentalness • 40% Positiveness
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New York Trio
I Could Have Danced All Night
96 bpm • G Maj • 06:40 • -14db
22% Popularity • 61% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 45% Positiveness
22% Popularity • 61% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 45% Positiveness
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Buddy Greco
So Danco Samba
96 bpm • F min • 02:59 • -22.79db
42% Popularity • 54% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
42% Popularity • 54% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
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Johnny Griffin
Lover Man - Remastered 2006/Rudy Van Gel...
96 bpm • D min • 07:53 • -8.93db
43% Popularity • 54% Danceability • 33% Energy • 12% Liveness
36% Instrumentalness • 36% Positiveness
43% Popularity • 54% Danceability • 33% Energy • 12% Liveness
36% Instrumentalness • 36% Positiveness
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Todd Strait
Skylark
110 bpm • C Maj • 05:43 • -14.85db
4% Popularity • 29% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 10% Positiveness
4% Popularity • 29% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 10% Positiveness
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Brad Hatfield
Fred and Ginger
110 bpm • F Maj • 02:05 • -22db
38% Popularity • 73% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 34% Positiveness
38% Popularity • 73% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 34% Positiveness
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Bobby Katz Quartet
When I Fall in Love
110 bpm • D# Maj • 03:50 • -12.03db
39% Popularity • 39% Danceability • 12% Energy • 13% Liveness
54% Instrumentalness • 26% Positiveness
39% Popularity • 39% Danceability • 12% Energy • 13% Liveness
54% Instrumentalness • 26% Positiveness
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Stephen Kummer
Because Of You
96 bpm • G Maj • 03:09 • -16.86db
31% Popularity • 72% Danceability • 16% Energy • 11% Liveness
64% Instrumentalness • 32% Positiveness
31% Popularity • 72% Danceability • 16% Energy • 11% Liveness
64% Instrumentalness • 32% Positiveness
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Gene Ammons
Here's That Rainy Day
96 bpm • F Maj • 06:07 • -15db
42% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
42% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
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Cory Weeds
Thedia
96 bpm • D Maj • 05:03 • -10.77db
19% Popularity • 60% Danceability • 39% Energy • 13% Liveness
54% Instrumentalness • 52% Positiveness
19% Popularity • 60% Danceability • 39% Energy • 13% Liveness
54% Instrumentalness • 52% Positiveness
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Magnus Ringblom Quartet
As Life Turns Around
111 bpm • C Maj • 03:08 • -9.8db
30% Popularity • 51% Danceability • 26% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
30% Popularity • 51% Danceability • 26% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
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Martin Sasse Trio
Search for Love
96 bpm • A# min • 07:22 • -18.03db
17% Popularity • 37% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
17% Popularity • 37% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
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Peter Bernstein
Newark News
96 bpm • G Maj • 05:08 • -11.77db
32% Popularity • 49% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 74% Positiveness
32% Popularity • 49% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 74% Positiveness
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New York Trio
過ぎし夏の想い出
111 bpm • C Maj • 06:38 • -11db
16% Popularity • 58% Danceability • 41% Energy • 3% Liveness
83% Instrumentalness • 30% Positiveness
16% Popularity • 58% Danceability • 41% Energy • 3% Liveness
83% Instrumentalness • 30% Positiveness
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Sonny Clark
Dancing In The Dark
96 bpm • D# Maj • 03:29 • -14db
39% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Steve Luke & Holloway
Once Forgotten
111 bpm • A# Maj • 04:07 • -18.89db
44% Popularity • 68% Danceability • 24% Energy • 18% Liveness
89% Instrumentalness • 53% Positiveness
44% Popularity • 68% Danceability • 24% Energy • 18% Liveness
89% Instrumentalness • 53% Positiveness
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Oakwood Station
For Better Times
111 bpm • A min • 03:51 • -13.53db
36% Popularity • 49% Danceability • 15% Energy • 30% Liveness
3% Instrumentalness • 11% Positiveness
36% Popularity • 49% Danceability • 15% Energy • 30% Liveness
3% Instrumentalness • 11% Positiveness
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David Kates
My Angel
111 bpm • C Maj • 03:57 • -14.1db
36% Popularity • 88% Danceability • 44% Energy • 11% Liveness
70% Instrumentalness • 78% Positiveness
36% Popularity • 88% Danceability • 44% Energy • 11% Liveness
70% Instrumentalness • 78% Positiveness
