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Slomo
Songs like
Slomo
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Slowdive
Based on a tempo of (+/- 10%) and a similar genre
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Slowdive
Slomo
108 bpm • G Maj • 06:53 • -7.22db
52% Popularity • 19% Danceability • 70% Energy • 13% Liveness
3% Instrumentalness • 35% Positiveness
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Chromatics
Cherry
108 bpm • G min • 04:31 • -6.39db
58% Popularity • 66% Danceability • 78% Energy • 18% Liveness
23% Instrumentalness • 81% Positiveness
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Ariel Pink
Another Weekend
109 bpm • F# min • 04:14 • -5.38db
45% Popularity • 38% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Interpol
Leif Erikson
109 bpm • G Maj • 04:00 • -8db
53% Popularity • 52% Danceability • 74% Energy • 9% Liveness
58% Instrumentalness • 65% Positiveness
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Lush
Light From A Dead Star
109 bpm • A min • 03:17 • -7db
36% Popularity • 51% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Ride
Vapour Trail - 2001 Remaster
108 bpm • E Maj • 04:17 • -5.68db
49% Popularity • 43% Danceability • 80% Energy • 9% Liveness
78% Instrumentalness • 43% Positiveness
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Slowdive
In Mind - Single Version
107 bpm • B Maj • 03:46 • -12.53db
36% Popularity • 38% Danceability • 92% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Chad VanGaalen
Peace on the Rise
107 bpm • F min • 04:28 • -6db
36% Popularity • 65% Danceability • 61% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Song Sung
Telling Tales
109 bpm • C Maj • 04:12 • -12db
20% Popularity • 42% Danceability • 56% Energy • 21% Liveness
28% Instrumentalness • 25% Positiveness
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The Radio Dept.
Sleeping in
109 bpm • E Maj • 03:31 • -8.72db
42% Popularity • 48% Danceability • 80% Energy • 22% Liveness
83% Instrumentalness • 86% Positiveness
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The Sundays
Here's Where the Story Ends
109 bpm • G Maj • 03:50 • -8.62db
57% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Slowdive
No Longer Making Time
107 bpm • F# Maj • 05:48 • -7.6db
50% Popularity • 56% Danceability • 50% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
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Swallow
Tastes Like Honey
107 bpm • C Maj • 04:41 • -14db
40% Popularity • 52% Danceability • 72% Energy • 7% Liveness
67% Instrumentalness • 63% Positiveness
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Elliott Smith
Ballad Of Big Nothing
109 bpm • C Maj • 02:48 • -10.24db
52% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Dirty Beaches
True Blue
107 bpm • C Maj • 02:51 • -10.31db
43% Popularity • 64% Danceability • 59% Energy • 10% Liveness
96% Instrumentalness • 98% Positiveness
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The Meeting Places
Now I Know You Could Never Be The One
107 bpm • B min • 04:02 • -5db
35% Popularity • 39% Danceability • 76% Energy • 15% Liveness
88% Instrumentalness • 46% Positiveness
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Big Thief
Mythological Beauty
107 bpm • A# Maj • 05:06 • -9db
57% Popularity • 63% Danceability • 58% Energy • 12% Liveness
21% Instrumentalness • 47% Positiveness
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Pixies
The Thing
110 bpm • C min • 01:58 • -9.05db
65% Popularity • 73% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Lush
Sweetness and Light
110 bpm • E Maj • 05:17 • -8db
45% Popularity • 46% Danceability • 88% Energy • 10% Liveness
81% Instrumentalness • 34% Positiveness
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John Maus
Sensitive Recollections
110 bpm • C min • 02:46 • -12.27db
36% Popularity • 65% Danceability • 37% Energy • 9% Liveness
95% Instrumentalness • 81% Positiveness
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Car Seat Headrest
High to Death
106 bpm • C Maj • 07:39 • -11db
53% Popularity • 50% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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Slint
Washer
110 bpm • E min • 08:50 • -24.13db
45% Popularity • 43% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
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Papercuts
Sing to Me Candy
110 bpm • G Maj • 05:44 • -5.38db
28% Popularity • 45% Danceability • 80% Energy • 11% Liveness
60% Instrumentalness • 43% Positiveness
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Ariel Pink
Round and Round
110 bpm • C# min • 05:08 • -7db
45% Popularity • 66% Danceability • 59% Energy • 56% Liveness
62% Instrumentalness • 57% Positiveness
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Lush
Nothing Natural
106 bpm • B min • 05:54 • -12.17db
41% Popularity • 45% Danceability • 80% Energy • 6% Liveness
81% Instrumentalness • 91% Positiveness
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The Jesus and Mary Chain
About You
106 bpm • A Maj • 02:34 • -9db
40% Popularity • 58% Danceability • 41% Energy • 13% Liveness
54% Instrumentalness • 25% Positiveness
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Pixies
Ana
106 bpm • G# min • 02:09 • -14.32db
59% Popularity • 66% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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Galaxie 500
Ceremony
110 bpm • C Maj • 05:56 • -8db
15% Popularity • 24% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Planning For Burial
Warmth of You
105 bpm • A Maj • 03:33 • -6.51db
42% Popularity • 45% Danceability • 71% Energy • 11% Liveness
79% Instrumentalness • 16% Positiveness
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Film School
Crushin
105 bpm • F Maj • 03:50 • -6.8db
33% Popularity • 41% Danceability • 71% Energy • 17% Liveness
94% Instrumentalness • 25% Positiveness
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Lush
Thoughtforms - 2nd Version
105 bpm • B min • 02:47 • -9.1db
36% Popularity • 36% Danceability • 87% Energy • 23% Liveness
93% Instrumentalness • 24% Positiveness
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Airiel
In Your Room
105 bpm • B Maj • 09:26 • -6.35db
46% Popularity • 44% Danceability • 94% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
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Duster
Gold Dust
111 bpm • D# Maj • 02:05 • -11.92db
60% Popularity • 58% Danceability • 47% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
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Radiohead
House Of Cards
112 bpm • F Maj • 05:28 • -9.64db
67% Popularity • 71% Danceability • 50% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
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Cocteau Twins
Know Who You Are At Every Age - Remaster...
112 bpm • E min • 03:37 • -7.75db
47% Popularity • 58% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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John Maus
Do Your Best
112 bpm • C# min • 02:47 • -11.31db
42% Popularity • 59% Danceability • 51% Energy • 14% Liveness
95% Instrumentalness • 52% Positiveness
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Suicide
Surrender ('88 Version) (2023 Remaster)
112 bpm • F# min • 03:47 • -6.96db
47% Popularity • 28% Danceability • 59% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
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Jerkcurb
Night on Earth
103 bpm • E Maj • 05:40 • -7.22db
41% Popularity • 27% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Slowdive
Crazy for You - Alternative Version (Dem...
103 bpm • C Maj • 04:40 • -12.56db
36% Popularity • 43% Danceability • 49% Energy • 12% Liveness
94% Instrumentalness • 45% Positiveness
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Radiohead
Reckoner
104 bpm • E min • 04:50 • -7.44db
67% Popularity • 52% Danceability • 66% Energy • 7% Liveness
16% Instrumentalness • 21% Positiveness
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Sonic Youth
I Love You Golden Blue
113 bpm • B Maj • 07:02 • -10db
44% Popularity • 47% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
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The Radio Dept.
Pet Grief
103 bpm • E Maj • 03:10 • -8.23db
39% Popularity • 50% Danceability • 90% Energy • 66% Liveness
39% Instrumentalness • 68% Positiveness
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Holy Motors
Honeymooning
103 bpm • A Maj • 03:39 • -7.38db
38% Popularity • 56% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 66% Positiveness
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Broadcast
Come On Let's Go
113 bpm • A min • 03:23 • -8db
39% Popularity • 51% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Elliott Smith
Speed Trials
103 bpm • C Maj • 03:02 • -13.14db
48% Popularity • 64% Danceability • 37% Energy • 11% Liveness
63% Instrumentalness • 31% Positiveness
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The Clientele
Reflections After Jane
103 bpm • A# Maj • 03:21 • -16db
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
12% Instrumentalness • 62% Positiveness
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Drop Nineteens
Kick The Tragedy
103 bpm • F Maj • 08:55 • -14.68db
52% Popularity • 41% Danceability • 40% Energy • 12% Liveness
43% Instrumentalness • 16% Positiveness
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Mojave 3
Tomorrow's Taken
103 bpm • D# Maj • 05:37 • -18.17db
41% Popularity • 39% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Radiohead
Separator
114 bpm • D# Maj • 05:19 • -9.8db
50% Popularity • 69% Danceability • 78% Energy • 9% Liveness
74% Instrumentalness • 63% Positiveness
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Tanukichan
Lazy Love
102 bpm • C# Maj • 03:02 • -5.53db
37% Popularity • 45% Danceability • 46% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
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Duster
Earth Moon Transit
102 bpm • G Maj • 04:23 • -5.74db
47% Popularity • 35% Danceability • 89% Energy • 17% Liveness
75% Instrumentalness • 26% Positiveness
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Blouse
Into Black
114 bpm • A Maj • 03:28 • -8.28db
51% Popularity • 70% Danceability • 68% Energy • 12% Liveness
84% Instrumentalness • 71% Positiveness
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Horse Jumper of Love
Orange Peeler
114 bpm • D Maj • 06:28 • -10.64db
44% Popularity • 34% Danceability • 54% Energy • 15% Liveness
77% Instrumentalness • 14% Positiveness
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Mojave 3
My Life in Art
103 bpm • G Maj • 07:21 • -15db
48% Popularity • 48% Danceability • 24% Energy • 11% Liveness
62% Instrumentalness • 12% Positiveness
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Dean Blunt
100
102 bpm • A# min • 03:20 • -6.47db
62% Popularity • 61% Danceability • 81% Energy • 27% Liveness
6% Instrumentalness • 48% Positiveness
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Radiohead
How to Disappear Completely
102 bpm • F# min • 05:56 • -11.64db
69% Popularity • 17% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 19% Positiveness
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LSD and the Search for God
Starting Over
114 bpm • E Maj • 05:04 • -9.32db
61% Popularity • 22% Danceability • 51% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Chapterhouse
Falling Down
102 bpm • A Maj • 03:56 • -7.64db
33% Popularity • 46% Danceability • 84% Energy • 15% Liveness
46% Instrumentalness • 55% Positiveness
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Slowdive
Crazy for You
102 bpm • E min • 06:01 • -7db
43% Popularity • 15% Danceability • 54% Energy • 31% Liveness
21% Instrumentalness • 4% Positiveness
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Pale Saints
Fine Friend
115 bpm • G Maj • 04:06 • -12.27db
32% Popularity • 52% Danceability • 53% Energy • 7% Liveness
97% Instrumentalness • 36% Positiveness
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Broadcast
Come On Let's Go
115 bpm • D Maj • 03:17 • -10db
53% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
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The Radio Dept.
I Wanted You to Feel the Same
115 bpm • C Maj • 02:31 • -12.46db
44% Popularity • 63% Danceability • 44% Energy • 29% Liveness
31% Instrumentalness • 28% Positiveness
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Choir Boy
Leave Me Be
115 bpm • F# min • 03:49 • -9.08db
34% Popularity • 68% Danceability • 68% Energy • 11% Liveness
24% Instrumentalness • 57% Positiveness
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Galaxie 500
Flowers
115 bpm • G Maj • 04:28 • -9db
13% Popularity • 45% Danceability • 70% Energy • 13% Liveness
85% Instrumentalness • 23% Positiveness
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Slowdive
Alison
102 bpm • E Maj • 03:50 • -11.43db
63% Popularity • 28% Danceability • 45% Energy • 11% Liveness
78% Instrumentalness • 28% Positiveness
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Cat Power
Metal Heart
115 bpm • F# Maj • 04:02 • -11.21db
45% Popularity • 44% Danceability • 34% Energy • 11% Liveness
9% Instrumentalness • 5% Positiveness
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Melody's Echo Chamber
Shirim
101 bpm • C Maj • 04:46 • -10.99db
48% Popularity • 65% Danceability • 71% Energy • 25% Liveness
44% Instrumentalness • 53% Positiveness
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John Maus
Just Wait Til Next Year
101 bpm • C Maj • 02:26 • -6.78db
48% Popularity • 60% Danceability • 73% Energy • 55% Liveness
8% Instrumentalness • 78% Positiveness
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Thom Yorke
Black Swan
101 bpm • C Maj • 04:49 • -7.29db
55% Popularity • 62% Danceability • 80% Energy • 12% Liveness
76% Instrumentalness • 53% Positiveness
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Galaxie 500
Tugboat
115 bpm • G Maj • 03:54 • -8.16db
26% Popularity • 28% Danceability • 88% Energy • 16% Liveness
59% Instrumentalness • 39% Positiveness
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Blonde Redhead
Girl Boy
116 bpm • A# min • 01:48 • -22.41db
56% Popularity • 81% Danceability • 17% Energy • 11% Liveness
71% Instrumentalness • 48% Positiveness
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Chapterhouse
Pearl
100 bpm • G Maj • 05:14 • -5.87db
41% Popularity • 40% Danceability • 90% Energy • 22% Liveness
90% Instrumentalness • 63% Positiveness
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Bauhaus
All We Ever Wanted Was Everything
116 bpm • C Maj • 03:52 • -17.63db
53% Popularity • 60% Danceability • 25% Energy • 12% Liveness
10% Instrumentalness • 27% Positiveness
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Spiritualized
Ladies and gentlemen we are floating in ...
100 bpm • D Maj • 03:54 • -11.45db
54% Popularity • 38% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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The Radio Dept.
The Worst Taste in Music
100 bpm • E Maj • 03:21 • -8db
40% Popularity • 44% Danceability • 78% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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Eiafuawn
No More Like That
100 bpm • G Maj • 02:05 • -12db
62% Popularity • 83% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 87% Positiveness
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The Twilight Sad
There's a Girl in the Corner
100 bpm • D min • 03:50 • -6.39db
40% Popularity • 51% Danceability • 67% Energy • 8% Liveness
93% Instrumentalness • 32% Positiveness
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Chapterhouse
Pearl - Edit
100 bpm • D Maj • 04:50 • -7.04db
35% Popularity • 41% Danceability • 88% Energy • 31% Liveness
82% Instrumentalness • 62% Positiveness
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Grimes
Rosa
100 bpm • A min • 03:12 • -8.35db
50% Popularity • 76% Danceability • 44% Energy • 12% Liveness
4% Instrumentalness • 39% Positiveness
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Have A Nice Life
I Don't Love
100 bpm • F Maj • 06:06 • -7.46db
52% Popularity • 37% Danceability • 48% Energy • 50% Liveness
89% Instrumentalness • 12% Positiveness
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Glare
Into Me
117 bpm • B Maj • 02:03 • -8db
56% Popularity • 35% Danceability • 40% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
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Cranes
Everywhere
117 bpm • G# min • 03:41 • -12.16db
38% Popularity • 68% Danceability • 52% Energy • 10% Liveness
54% Instrumentalness • 84% Positiveness
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Broadcast
The Book Lovers
117 bpm • A Maj • 04:49 • -12db
48% Popularity • 19% Danceability • 41% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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The Radio Dept.
Someone Else
117 bpm • D Maj • 02:18 • -8.02db
47% Popularity • 63% Danceability • 59% Energy • 12% Liveness
18% Instrumentalness • 57% Positiveness
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Tamaryn
Dawning
118 bpm • G Maj • 04:36 • -4.72db
28% Popularity • 40% Danceability • 82% Energy • 16% Liveness
48% Instrumentalness • 25% Positiveness
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Dean Blunt
LUSH
118 bpm • G# Maj • 01:58 • -9db
50% Popularity • 51% Danceability • 88% Energy • 10% Liveness
12% Instrumentalness • 70% Positiveness
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Slowdive
Slowdive
99 bpm • D Maj • 05:17 • -8.88db
45% Popularity • 13% Danceability • 69% Energy • 7% Liveness
95% Instrumentalness • 9% Positiveness
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Cranes
Jewel
118 bpm • D# min • 03:05 • -13.44db
44% Popularity • 71% Danceability • 66% Energy • 9% Liveness
54% Instrumentalness • 96% Positiveness
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Drop Nineteens
Delaware
119 bpm • B min • 05:02 • -11db
40% Popularity • 27% Danceability • 78% Energy • 32% Liveness
93% Instrumentalness • 29% Positiveness
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Duster
Chocolate And Mint
118 bpm • F# min • 04:52 • -10.22db
55% Popularity • 59% Danceability • 34% Energy • 15% Liveness
67% Instrumentalness • 17% Positiveness
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Tamaryn
Love Fade
118 bpm • G Maj • 03:40 • -4.59db
49% Popularity • 43% Danceability • 91% Energy • 36% Liveness
90% Instrumentalness • 19% Positiveness
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Ringo Deathstarr
Stare at the Sun
98 bpm • B min • 04:19 • -5.92db
35% Popularity • 42% Danceability • 96% Energy • 12% Liveness
12% Instrumentalness • 18% Positiveness
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Slowdive
skin in the game
98 bpm • F# Maj • 03:52 • -7.38db
50% Popularity • 53% Danceability • 65% Energy • 10% Liveness
84% Instrumentalness • 37% Positiveness
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Strawberry Switchblade
Trees and Flowers
119 bpm • G Maj • 03:14 • -5.82db
60% Popularity • 43% Danceability • 73% Energy • 9% Liveness
29% Instrumentalness • 80% Positiveness
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Broadcast
I Found The F
98 bpm • A min • 02:21 • -6db
55% Popularity • 60% Danceability • 72% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
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The Sundays
You're Not The Only One I Know
98 bpm • C Maj • 03:51 • -12.23db
56% Popularity • 56% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Sun Kil Moon
Carry Me Ohio
97 bpm • F# Maj • 06:21 • -9db
47% Popularity • 59% Danceability • 51% Energy • 11% Liveness
10% Instrumentalness • 52% Positiveness
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Ringo Deathstarr
Summer Time
119 bpm • D Maj • 04:04 • -9.99db
24% Popularity • 34% Danceability • 61% Energy • 5% Liveness
94% Instrumentalness • 10% Positiveness
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Mild Orange
One
120 bpm • A Maj • 04:11 • -9.24db
38% Popularity • 51% Danceability • 39% Energy • 7% Liveness
73% Instrumentalness • 11% Positiveness
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