Songs like Slow Dancing in a Burning Room by Jamie Harrison Guitar
Based on a tempo of (+/- 10%) and a similar genre
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Cody Francis
Western Call
134 bpm • C Maj • 03:17 • -10.27db
30% Popularity • 55% Danceability • 46% Energy • 8% Liveness
80% Instrumentalness • 16% Positiveness
30% Popularity • 55% Danceability • 46% Energy • 8% Liveness
80% Instrumentalness • 16% Positiveness
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Snowy White
Terpisah
134 bpm • E min • 02:20 • -20.8db
16% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
16% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Antoine Dufour
Star Trails, Pt. 1 - Polaris
134 bpm • F# min • 03:48 • -13.67db
14% Popularity • 59% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
14% Popularity • 59% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Jamie Harrison Guitar
Slow Dancing in a Burning Room
134 bpm • C# min • 04:51 • -7.84db
30% Popularity • 73% Danceability • 23% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
30% Popularity • 73% Danceability • 23% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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Maneli Jamal
Settle In
134 bpm • C# min • 03:39 • -9.09db
21% Popularity • 46% Danceability • 65% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
21% Popularity • 46% Danceability • 65% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
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Daniel Kaede
Sanctuary Sola
134 bpm • A Maj • 02:34 • -8.9db
17% Popularity • 64% Danceability • 28% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
17% Popularity • 64% Danceability • 28% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Alan Gogoll
Porcupine Summer
134 bpm • E Maj • 01:37 • -18.42db
10% Popularity • 57% Danceability • 33% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
10% Popularity • 57% Danceability • 33% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
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Tobias Rauscher
Tale of Time
134 bpm • F# Maj • 05:40 • -13.85db
16% Popularity • 43% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
16% Popularity • 43% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 34% Positiveness
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Luca Mantovanelli
Misty (Guitar arrangement)
133 bpm • C min • 02:06 • -24.66db
30% Popularity • 44% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
30% Popularity • 44% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Nick Johnson
Buy the Ticket, Take the Ride
135 bpm • F# min • 03:58 • -9db
11% Popularity • 64% Danceability • 57% Energy • 10% Liveness
84% Instrumentalness • 52% Positiveness
11% Popularity • 64% Danceability • 57% Energy • 10% Liveness
84% Instrumentalness • 52% Positiveness
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Spencer Elliott
The Tournament
135 bpm • C Maj • 04:06 • -13.21db
20% Popularity • 45% Danceability • 63% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
20% Popularity • 45% Danceability • 63% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Lost Horse Mine
Canyons
135 bpm • A Maj • 02:25 • -11.36db
15% Popularity • 53% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 21% Positiveness
15% Popularity • 53% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 21% Positiveness
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Alan Gogoll
Sunday's Melody
134 bpm • C# Maj • 03:35 • -14.83db
15% Popularity • 53% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
15% Popularity • 53% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
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Steph Strings
Chai Tea
133 bpm • E Maj • 02:49 • -15.68db
32% Popularity • 40% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 39% Positiveness
32% Popularity • 40% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 39% Positiveness
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Tobias Rauscher
HBD
132 bpm • C Maj • 01:12 • -15.1db
22% Popularity • 47% Danceability • 16% Energy • 18% Liveness
81% Instrumentalness • 42% Positiveness
22% Popularity • 47% Danceability • 16% Energy • 18% Liveness
81% Instrumentalness • 42% Positiveness
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Bangulo
We Will See
136 bpm • G Maj • 05:49 • -6.78db
11% Popularity • 52% Danceability • 65% Energy • 30% Liveness
80% Instrumentalness • 31% Positiveness
11% Popularity • 52% Danceability • 65% Energy • 30% Liveness
80% Instrumentalness • 31% Positiveness
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Jamie Harrison Guitar
Ain't No Sunshine
136 bpm • C Maj • 04:14 • -9.94db
25% Popularity • 87% Danceability • 39% Energy • 32% Liveness
92% Instrumentalness • 47% Positiveness
25% Popularity • 87% Danceability • 39% Energy • 32% Liveness
92% Instrumentalness • 47% Positiveness
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Sean Mann
Old Love
132 bpm • A min • 07:01 • -9.7db
20% Popularity • 67% Danceability • 49% Energy • 6% Liveness
74% Instrumentalness • 63% Positiveness
20% Popularity • 67% Danceability • 49% Energy • 6% Liveness
74% Instrumentalness • 63% Positiveness
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Alan Gogoll
Paper Whales
135 bpm • A# Maj • 03:25 • -18.1db
20% Popularity • 39% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
20% Popularity • 39% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
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Tomo Fujita
People Get Ready
136 bpm • D Maj • 03:23 • -10.06db
19% Popularity • 59% Danceability • 37% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
19% Popularity • 59% Danceability • 37% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Steph Strings
San Remo
136 bpm • E Maj • 05:29 • -10db
37% Popularity • 38% Danceability • 63% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
37% Popularity • 38% Danceability • 63% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
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Bo Ramsey
Blue Earth
136 bpm • D Maj • 03:23 • -16.94db
24% Popularity • 29% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
24% Popularity • 29% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
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Guthrie Trapp
Pick Peace
137 bpm • E Maj • 04:21 • -12.81db
16% Popularity • 40% Danceability • 40% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
16% Popularity • 40% Danceability • 40% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
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Isato Nakagawa
Chotto Tropical
131 bpm • D Maj • 03:14 • -12.37db
32% Popularity • 56% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
32% Popularity • 56% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
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Sean Angus Watson
Wherever You Are
137 bpm • D# Maj • 04:05 • -16.91db
31% Popularity • 62% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
31% Popularity • 62% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
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Maneli Jamal
Javun
130 bpm • C Maj • 03:49 • -11.56db
19% Popularity • 36% Danceability • 51% Energy • 12% Liveness
80% Instrumentalness • 32% Positiveness
19% Popularity • 36% Danceability • 51% Energy • 12% Liveness
80% Instrumentalness • 32% Positiveness
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Eric Johnson
S.R.V.
131 bpm • E Maj • 03:03 • -12db
39% Popularity • 60% Danceability • 64% Energy • 9% Liveness
50% Instrumentalness • 63% Positiveness
39% Popularity • 60% Danceability • 64% Energy • 9% Liveness
50% Instrumentalness • 63% Positiveness
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Gareth Pearson
Mr. Spontaneous
138 bpm • C min • 02:45 • -12db
19% Popularity • 50% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 96% Positiveness
19% Popularity • 50% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 96% Positiveness
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Joe Satriani
Teardrops
138 bpm • A# min • 04:08 • -9.14db
30% Popularity • 59% Danceability • 36% Energy • 10% Liveness
62% Instrumentalness • 30% Positiveness
30% Popularity • 59% Danceability • 36% Energy • 10% Liveness
62% Instrumentalness • 30% Positiveness
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Sean Mann
Covered in Rain
138 bpm • A# Maj • 09:40 • -8.75db
20% Popularity • 57% Danceability • 54% Energy • 10% Liveness
60% Instrumentalness • 57% Positiveness
20% Popularity • 57% Danceability • 54% Energy • 10% Liveness
60% Instrumentalness • 57% Positiveness
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Sean Angus Watson
Lately I've Been Wondering
138 bpm • A Maj • 04:02 • -18.97db
41% Popularity • 41% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
41% Popularity • 41% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
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Antoine Dufour
Talk
130 bpm • G min • 04:42 • -14.24db
8% Popularity • 54% Danceability • 56% Energy • 13% Liveness
88% Instrumentalness • 51% Positiveness
8% Popularity • 54% Danceability • 56% Energy • 13% Liveness
88% Instrumentalness • 51% Positiveness
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Marco Cirillo
Sad Chord Progression
130 bpm • G Maj • 00:48 • -18.09db
21% Popularity • 59% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 63% Positiveness
21% Popularity • 59% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 63% Positiveness
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Paul Davids
IO (Looping #1)
130 bpm • E Maj • 06:01 • -7.57db
8% Popularity • 53% Danceability • 62% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
8% Popularity • 53% Danceability • 62% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Bass Guitar Instrumentals
Nobody Told Me
130 bpm • A min • 02:59 • -17.97db
21% Popularity • 75% Danceability • 42% Energy • 10% Liveness
96% Instrumentalness • 61% Positiveness
21% Popularity • 75% Danceability • 42% Energy • 10% Liveness
96% Instrumentalness • 61% Positiveness
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Clive Carroll
Bad Cat
130 bpm • D# min • 03:06 • -13db
21% Popularity • 52% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 25% Positiveness
21% Popularity • 52% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 25% Positiveness
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Maneli Jamal
Disco Monkey Blender
138 bpm • D min • 03:03 • -7.47db
24% Popularity • 52% Danceability • 59% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
24% Popularity • 52% Danceability • 59% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
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Antoine Dufour
1979
130 bpm • D# Maj • 04:24 • -11db
28% Popularity • 67% Danceability • 65% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
28% Popularity • 67% Danceability • 65% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
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Marco Cirillo
Sentimental Chords on Guitar
130 bpm • D Maj • 00:51 • -14.37db
29% Popularity • 56% Danceability • 24% Energy • 12% Liveness
79% Instrumentalness • 41% Positiveness
29% Popularity • 56% Danceability • 24% Energy • 12% Liveness
79% Instrumentalness • 41% Positiveness
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Paul Audia
Dirty Roots
130 bpm • A# min • 04:38 • -12.41db
14% Popularity • 50% Danceability • 41% Energy • 8% Liveness
79% Instrumentalness • 36% Positiveness
14% Popularity • 50% Danceability • 41% Energy • 8% Liveness
79% Instrumentalness • 36% Positiveness
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Paul Davids
The Middle (Looping #7)
130 bpm • B Maj • 04:16 • -10.85db
16% Popularity • 62% Danceability • 41% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
16% Popularity • 62% Danceability • 41% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Tobias Rauscher
Boogie Jam
130 bpm • E min • 03:07 • -12.18db
10% Popularity • 47% Danceability • 57% Energy • 17% Liveness
82% Instrumentalness • 67% Positiveness
10% Popularity • 47% Danceability • 57% Energy • 17% Liveness
82% Instrumentalness • 67% Positiveness
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Nathaniel Murphy
Tell Me Lies
130 bpm • D Maj • 03:52 • -16.21db
14% Popularity • 55% Danceability • 34% Energy • 14% Liveness
91% Instrumentalness • 30% Positiveness
14% Popularity • 55% Danceability • 34% Energy • 14% Liveness
91% Instrumentalness • 30% Positiveness
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Antoine Dufour
1979
130 bpm • D# Maj • 04:24 • -13.59db
8% Popularity • 66% Danceability • 55% Energy • 10% Liveness
68% Instrumentalness • 69% Positiveness
8% Popularity • 66% Danceability • 55% Energy • 10% Liveness
68% Instrumentalness • 69% Positiveness
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Vinai Trinateepakdee
Back at One
130 bpm • C# min • 04:13 • -12.35db
14% Popularity • 70% Danceability • 34% Energy • 11% Liveness
80% Instrumentalness • 31% Positiveness
14% Popularity • 70% Danceability • 34% Energy • 11% Liveness
80% Instrumentalness • 31% Positiveness
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Spencer Elliott
Yin
138 bpm • C# min • 04:25 • -12.95db
13% Popularity • 46% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
13% Popularity • 46% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Dylan Ryche
All Dead, All Dead
139 bpm • G Maj • 03:16 • -16.63db
24% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Serenity State of Mind
Don't Be Late
129 bpm • E min • 02:46 • -18.04db
28% Popularity • 55% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
28% Popularity • 55% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
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Jason Becker
Blue
139 bpm • E Maj • 04:46 • -12.6db
32% Popularity • 54% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
32% Popularity • 54% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
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Chris Petronzio
Alignment
129 bpm • A Maj • 03:43 • -6.98db
8% Popularity • 61% Danceability • 49% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
8% Popularity • 61% Danceability • 49% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Rabea Massaad
Asylum
140 bpm • F min • 03:20 • -18.11db
24% Popularity • 32% Danceability • 11% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
24% Popularity • 32% Danceability • 11% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Domino Anthony
Peaches (Acoustic) - Instrumental
140 bpm • C Maj • 03:45 • -18.32db
36% Popularity • 66% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
36% Popularity • 66% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
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Wood and Strings
Laguna Bacalar
140 bpm • B Maj • 02:12 • -15.82db
27% Popularity • 66% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
27% Popularity • 66% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Lari Basilio
Your Love
140 bpm • B min • 03:40 • -4.48db
33% Popularity • 55% Danceability • 78% Energy • 13% Liveness
94% Instrumentalness • 36% Positiveness
33% Popularity • 55% Danceability • 78% Energy • 13% Liveness
94% Instrumentalness • 36% Positiveness
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Buckethead
Big D's Touch
140 bpm • G min • 04:09 • -12.97db
28% Popularity • 73% Danceability • 28% Energy • 11% Liveness
63% Instrumentalness • 6% Positiveness
28% Popularity • 73% Danceability • 28% Energy • 11% Liveness
63% Instrumentalness • 6% Positiveness
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Jack Thammarat
Never Again
140 bpm • D Maj • 04:20 • -6.24db
31% Popularity • 24% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
31% Popularity • 24% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Claes Nilsson
A Blues for the Worried Minds
140 bpm • E min • 02:44 • -9.46db
28% Popularity • 62% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 31% Positiveness
28% Popularity • 62% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 31% Positiveness
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The String Revolution
Rocket Man
140 bpm • G Maj • 03:59 • -6.38db
25% Popularity • 73% Danceability • 49% Energy • 9% Liveness
79% Instrumentalness • 26% Positiveness
25% Popularity • 73% Danceability • 49% Energy • 9% Liveness
79% Instrumentalness • 26% Positiveness
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Danny James
Mystic
140 bpm • A Maj • 03:03 • -16.69db
20% Popularity • 61% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 11% Positiveness
20% Popularity • 61% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 11% Positiveness
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Jamie Harrison Guitar
Life Without You
128 bpm • B min • 05:31 • -11.22db
16% Popularity • 58% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
16% Popularity • 58% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Tom Bailey Backing Tracks
Blues & Soul Guitar Backing Track In E M...
140 bpm • E min • 05:36 • -11.31db
19% Popularity • 80% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
19% Popularity • 80% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Blackstratblues
North Star
128 bpm • G# min • 08:05 • -9.1db
25% Popularity • 43% Danceability • 59% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
25% Popularity • 43% Danceability • 59% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
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River Foxcroft
Excelsior
128 bpm • F Maj • 03:26 • -14.34db
21% Popularity • 51% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
21% Popularity • 51% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Erick Turnbull
A.D.D.
127 bpm • E Maj • 01:43 • -13.73db
21% Popularity • 47% Danceability • 47% Energy • 11% Liveness
79% Instrumentalness • 76% Positiveness
21% Popularity • 47% Danceability • 47% Energy • 11% Liveness
79% Instrumentalness • 76% Positiveness
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Dust Follows
Condor
128 bpm • F min • 03:08 • -5.04db
19% Popularity • 71% Danceability • 59% Energy • 23% Liveness
72% Instrumentalness • 40% Positiveness
19% Popularity • 71% Danceability • 59% Energy • 23% Liveness
72% Instrumentalness • 40% Positiveness
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Chasing Reverbs
I See Fire - Electric Echo
127 bpm • G# min • 03:00 • -15.41db
35% Popularity • 40% Danceability • 10% Energy • 12% Liveness
10% Instrumentalness • 22% Positiveness
35% Popularity • 40% Danceability • 10% Energy • 12% Liveness
10% Instrumentalness • 22% Positiveness
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Jimmy Wahlsteen
12 Rooms
127 bpm • C# Maj • 02:46 • -9db
15% Popularity • 54% Danceability • 57% Energy • 7% Liveness
89% Instrumentalness • 72% Positiveness
15% Popularity • 54% Danceability • 57% Energy • 7% Liveness
89% Instrumentalness • 72% Positiveness
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Brent Mason
My Little Ballerina
141 bpm • D Maj • 03:37 • -16.85db
18% Popularity • 63% Danceability • 21% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
18% Popularity • 63% Danceability • 21% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
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Andy Timmons
Valse Morrendo - Single Version
127 bpm • F Maj • 02:52 • -13.34db
17% Popularity • 45% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 25% Positiveness
17% Popularity • 45% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 25% Positiveness
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Will Harrison
Sundown Drifter
127 bpm • G# min • 02:54 • -6.03db
13% Popularity • 72% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
13% Popularity • 72% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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Marco Tansini
Blues Garage
142 bpm • D Maj • 04:40 • -12.52db
40% Popularity • 74% Danceability • 21% Energy • 91% Liveness
88% Instrumentalness • 9% Positiveness
40% Popularity • 74% Danceability • 21% Energy • 91% Liveness
88% Instrumentalness • 9% Positiveness
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Rick Graham
I Can Feel You Breathe
127 bpm • C# Maj • 03:44 • -11.56db
11% Popularity • 37% Danceability • 32% Energy • 15% Liveness
93% Instrumentalness • 26% Positiveness
11% Popularity • 37% Danceability • 32% Energy • 15% Liveness
93% Instrumentalness • 26% Positiveness
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Tobias Rauscher
Perspectives
142 bpm • E min • 03:59 • -13.17db
9% Popularity • 62% Danceability • 41% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
9% Popularity • 62% Danceability • 41% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
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Tommy Lee Depp
Canon in D
142 bpm • D Maj • 01:42 • -19.78db
21% Popularity • 64% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 55% Positiveness
21% Popularity • 64% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 55% Positiveness
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Buddy Whittington
Greenwood
126 bpm • E min • 04:09 • -5.99db
34% Popularity • 68% Danceability • 49% Energy • 10% Liveness
53% Instrumentalness • 20% Positiveness
34% Popularity • 68% Danceability • 49% Energy • 10% Liveness
53% Instrumentalness • 20% Positiveness
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Vinai Trinateepakdee
Always
142 bpm • E Maj • 05:58 • -3.3db
13% Popularity • 25% Danceability • 69% Energy • 8% Liveness
82% Instrumentalness • 28% Positiveness
13% Popularity • 25% Danceability • 69% Energy • 8% Liveness
82% Instrumentalness • 28% Positiveness
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Joe Satriani
Tears in the Rain
126 bpm • A min • 01:21 • -18.66db
39% Popularity • 33% Danceability • 40% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
39% Popularity • 33% Danceability • 40% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Aram Bedrosian
Almost Home
126 bpm • C Maj • 02:54 • -12db
17% Popularity • 74% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
17% Popularity • 74% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Tobias Rauscher
Acousticore
142 bpm • C min • 03:21 • -10.76db
21% Popularity • 42% Danceability • 55% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
21% Popularity • 42% Danceability • 55% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
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Philip Sayce
Once
126 bpm • G Maj • 02:23 • -6db
34% Popularity • 41% Danceability • 61% Energy • 16% Liveness
36% Instrumentalness • 29% Positiveness
34% Popularity • 41% Danceability • 61% Energy • 16% Liveness
36% Instrumentalness • 29% Positiveness
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Steph Strings
Wally
126 bpm • E Maj • 02:50 • -9db
22% Popularity • 44% Danceability • 52% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
22% Popularity • 44% Danceability • 52% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Antoine Dufour
Glimmer of Hope
126 bpm • C min • 04:20 • -16.68db
7% Popularity • 39% Danceability • 35% Energy • 12% Liveness
81% Instrumentalness • 53% Positiveness
7% Popularity • 39% Danceability • 35% Energy • 12% Liveness
81% Instrumentalness • 53% Positiveness
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Jacob Raagaard
Steel Blues
125 bpm • C# Maj • 02:57 • -11.09db
10% Popularity • 41% Danceability • 40% Energy • 37% Liveness
95% Instrumentalness • 47% Positiveness
10% Popularity • 41% Danceability • 40% Energy • 37% Liveness
95% Instrumentalness • 47% Positiveness
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Dovydas
Improvisation For One
144 bpm • G Maj • 08:33 • -6.77db
11% Popularity • 57% Danceability • 55% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
11% Popularity • 57% Danceability • 55% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Tobias Rauscher
Off the Path
143 bpm • G min • 03:25 • -13.47db
14% Popularity • 46% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
14% Popularity • 46% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
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Roy Ziv
Nostalgic Dreams
125 bpm • G Maj • 02:57 • -6.37db
18% Popularity • 60% Danceability • 73% Energy • 12% Liveness
60% Instrumentalness • 51% Positiveness
18% Popularity • 60% Danceability • 73% Energy • 12% Liveness
60% Instrumentalness • 51% Positiveness
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Sean Mann
Knockin' on Heavens Door
125 bpm • F# Maj • 07:52 • -7.85db
23% Popularity • 50% Danceability • 61% Energy • 19% Liveness
80% Instrumentalness • 33% Positiveness
23% Popularity • 50% Danceability • 61% Energy • 19% Liveness
80% Instrumentalness • 33% Positiveness
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Jon Hart
Learn to Fly
144 bpm • E Maj • 03:36 • -21.24db
18% Popularity • 40% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
18% Popularity • 40% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Isato Nakagawa
Kintoun
125 bpm • G Maj • 02:22 • -15db
28% Popularity • 66% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 63% Positiveness
28% Popularity • 66% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 63% Positiveness
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Franco Morone
Miles and Miles
144 bpm • B min • 04:33 • -10.29db
19% Popularity • 52% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 38% Positiveness
19% Popularity • 52% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 38% Positiveness
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Jan Cyrka
Heart of Mine
144 bpm • G Maj • 01:56 • -7db
35% Popularity • 60% Danceability • 50% Energy • 10% Liveness
71% Instrumentalness • 61% Positiveness
35% Popularity • 60% Danceability • 50% Energy • 10% Liveness
71% Instrumentalness • 61% Positiveness
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Ivo Vollering
Feels like May
144 bpm • D# Maj • 03:03 • -13.62db
24% Popularity • 55% Danceability • 40% Energy • 11% Liveness
74% Instrumentalness • 54% Positiveness
24% Popularity • 55% Danceability • 40% Energy • 11% Liveness
74% Instrumentalness • 54% Positiveness
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Roy Ziv
Showtime
145 bpm • C# min • 02:13 • -6.98db
17% Popularity • 28% Danceability • 61% Energy • 55% Liveness
61% Instrumentalness • 62% Positiveness
17% Popularity • 28% Danceability • 61% Energy • 55% Liveness
61% Instrumentalness • 62% Positiveness
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Arpwatch
Wagonside
144 bpm • A Maj • 03:18 • -18.22db
22% Popularity • 42% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 42% Positiveness
22% Popularity • 42% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 42% Positiveness
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Andy Timmons
Across the Universe
145 bpm • D Maj • 04:08 • -9.59db
24% Popularity • 51% Danceability • 43% Energy • 9% Liveness
76% Instrumentalness • 28% Positiveness
24% Popularity • 51% Danceability • 43% Energy • 9% Liveness
76% Instrumentalness • 28% Positiveness
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Thomas Oliver
The Moment
124 bpm • C# Maj • 04:51 • -12.4db
14% Popularity • 71% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
14% Popularity • 71% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
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Paul Davids
hopin'
124 bpm • C min • 05:36 • -13.1db
30% Popularity • 55% Danceability • 29% Energy • 11% Liveness
55% Instrumentalness • 22% Positiveness
30% Popularity • 55% Danceability • 29% Energy • 11% Liveness
55% Instrumentalness • 22% Positiveness
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Marco Cirillo
Slow Melody on Electric Guitar
124 bpm • E Maj • 00:57 • -13.31db
8% Popularity • 78% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 48% Positiveness
8% Popularity • 78% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 48% Positiveness
