Songs like Slow Down by Private Collection
Based on a tempo of (+/- 10%) and a similar genre
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Winston Reedy
Baby Love
148 bpm • A Maj • 04:04 • -7.06db
14% Popularity • 71% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 71% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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John McLean
And Now You're Gone
148 bpm • D Maj • 05:32 • -11.27db
9% Popularity • 72% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 72% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Private Collection
Slow Down
148 bpm • C min • 03:50 • -10.82db
17% Popularity • 77% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 77% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Ambelique
She's Mine
148 bpm • F Maj • 03:33 • -5.62db
18% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Anthony Malvo
Can't You Stop The Rain
148 bpm • C Maj • 03:37 • -13.92db
8% Popularity • 86% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 86% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Phil Francis
Laugh It Off
148 bpm • D Maj • 03:04 • -8.57db
8% Popularity • 68% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
8% Popularity • 68% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Bitty McLean
Tell Me
149 bpm • B Maj • 04:18 • -7.58db
26% Popularity • 60% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 60% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Benjy Myaz
Don't Ask My Neighbor
149 bpm • G Maj • 03:58 • -7.43db
8% Popularity • 69% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 69% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Jamelody
Can't Take My Eyes Off Of You
147 bpm • C Maj • 03:54 • -2.39db
13% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Junior Tucker
Love Of A Lifetime
147 bpm • A Maj • 03:36 • -15.4db
34% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Tinga Stewart
Dream Of Me
147 bpm • G Maj • 03:24 • -5.92db
11% Popularity • 82% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 82% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Ginger Williams
I'll Still Love You
146 bpm • C# Maj • 03:39 • -12.5db
26% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Mighty Diamonds
Identity
146 bpm • B min • 03:18 • -5.63db
14% Popularity • 77% Danceability • 77% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
14% Popularity • 77% Danceability • 77% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Michael Gordon
Turn Out the Lights
146 bpm • A# Maj • 05:30 • -6.21db
17% Popularity • 81% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 81% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Peter Spence
Baby I
146 bpm • G# Maj • 04:40 • -9.38db
16% Popularity • 75% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 75% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Private Collection
Praising
146 bpm • E min • 04:32 • -8.57db
0% Popularity • 80% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 80% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Vivian Jones
Extra Classic S.F
146 bpm • C# min • 04:00 • -10.21db
11% Popularity • 73% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 73% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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John McLean
Black Is Our Colour
146 bpm • F min • 02:50 • -10.01db
15% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Sylvia Tella
Happy Home
151 bpm • A Maj • 03:48 • -6db
17% Popularity • 79% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 79% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Bitty McLean
One of a kind
151 bpm • G Maj • 03:49 • -9.73db
20% Popularity • 76% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 76% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Errol Dunkley
Three in One
145 bpm • A# Maj • 03:20 • -6.96db
12% Popularity • 82% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 90% Positiveness
12% Popularity • 82% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 90% Positiveness
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Bunny Maloney
Baby I've Been Missing You
151 bpm • F Maj • 04:15 • -7db
22% Popularity • 73% Danceability • 64% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
22% Popularity • 73% Danceability • 64% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
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Barry Biggs
Goodnight My Love
145 bpm • F min • 03:32 • -6.69db
14% Popularity • 78% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 78% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Wendy Walker
Gone He Gone
152 bpm • G# min • 02:59 • -10.21db
10% Popularity • 74% Danceability • 64% Energy • 8% Liveness
3% Instrumentalness • 96% Positiveness
10% Popularity • 74% Danceability • 64% Energy • 8% Liveness
3% Instrumentalness • 96% Positiveness
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Janet Lee Davis
Good Good Loving
152 bpm • C# Maj • 03:25 • -9.3db
24% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Stevie Face
As Long as Yu Bless Me
144 bpm • F min • 04:19 • -3.06db
12% Popularity • 75% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 75% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Mighty Diamonds
Just Can't Figure Out
152 bpm • G Maj • 03:11 • -9db
17% Popularity • 70% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 70% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Bushman
ARMS OF A WOMAN
152 bpm • E min • 03:39 • -6.18db
25% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
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Yami Bolo
Curly Locks
144 bpm • G# Maj • 03:52 • -7.21db
23% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Ambelique
Sharing The Night
152 bpm • F Maj • 03:54 • -9.21db
11% Popularity • 71% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
11% Popularity • 71% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
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Ruddy Thomas
When I Think Of You
144 bpm • G min • 06:54 • -9.19db
23% Popularity • 71% Danceability • 45% Energy • 7% Liveness
10% Instrumentalness • 54% Positiveness
23% Popularity • 71% Danceability • 45% Energy • 7% Liveness
10% Instrumentalness • 54% Positiveness
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Beres Hammond & U Roy
Ain't That Loving You
144 bpm • A# Maj • 03:48 • -5db
25% Popularity • 65% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 65% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Tyrone Taylor
Cottage In Negril
153 bpm • D Maj • 03:55 • -5db
31% Popularity • 76% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 76% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Mykal Rose
One a Wee Two a Wi
153 bpm • C# Maj • 03:33 • -11.9db
8% Popularity • 90% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 90% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Louisa Mark
Reunited
153 bpm • G# Maj • 04:28 • -17db
17% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Wayne Wonder
Heal Massa God World
143 bpm • A Maj • 03:52 • -6.38db
10% Popularity • 78% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 78% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Sandra Cross
Gonna Take A Miracle
143 bpm • C Maj • 03:26 • -6.91db
9% Popularity • 74% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 74% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Bitty McLean
Till My Days Are Gone
143 bpm • E Maj • 04:33 • -8.18db
15% Popularity • 79% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 79% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Benjy Myaz
Give It Up
154 bpm • F min • 03:54 • -8db
10% Popularity • 74% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 74% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Jamelody
Love Crazy
154 bpm • F min • 03:54 • -5.64db
23% Popularity • 60% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 60% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Ambelique
New Sheriff
154 bpm • A Maj • 04:01 • -4.83db
18% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Vivian Jones
Strong Love
154 bpm • F Maj • 04:21 • -10db
27% Popularity • 78% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 78% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Tony Curtis
Jah I Thank You
154 bpm • A Maj • 04:00 • -5.11db
27% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Thriller U
Smile
154 bpm • C# Maj • 03:38 • -17db
14% Popularity • 79% Danceability • 10% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 79% Danceability • 10% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Barry Boom
His Love
142 bpm • B min • 04:31 • -8.31db
12% Popularity • 71% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 71% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Christopher Ellis
Inseparable
154 bpm • F min • 04:05 • -5.21db
20% Popularity • 50% Danceability • 82% Energy • 71% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 50% Danceability • 82% Energy • 71% Liveness
0% Instrumentalness • 71% Positiveness
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Leroy Mafia
You Lie
142 bpm • E Maj • 03:47 • -8.05db
17% Popularity • 68% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 68% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Janet Lee Davis
Key To Your Heart
142 bpm • D Maj • 02:56 • -10.9db
17% Popularity • 76% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 76% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Tony Curtis
Hold Me Darling
154 bpm • F Maj • 03:26 • -11db
19% Popularity • 74% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 74% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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![Avalanche [ASOT 086] - Original Mix cover art](https://i.scdn.co/image/ab67616d00001e026fd947723138d834f5a32e8b)
Private Collection
Avalanche [ASOT 086] - Original Mix
141 bpm • C Maj • 07:42 • -14.27db
0% Popularity • 61% Danceability • 75% Energy • 8% Liveness
54% Instrumentalness • 44% Positiveness
0% Popularity • 61% Danceability • 75% Energy • 8% Liveness
54% Instrumentalness • 44% Positiveness
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Barry Boom
Dial My Number
142 bpm • G min • 03:39 • -9.1db
21% Popularity • 75% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 75% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Keith Douglas
Cool Down Amina
155 bpm • D Maj • 04:21 • -7.49db
11% Popularity • 70% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
11% Popularity • 70% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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Intense
The Very Best
142 bpm • F# min • 03:13 • -8.1db
14% Popularity • 83% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 83% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Sister Love
Every Bit of My Heart
141 bpm • G Maj • 07:31 • -5.8db
9% Popularity • 83% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 83% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Tetrack
Let's Get Started
141 bpm • C# min • 03:43 • -8.57db
14% Popularity • 68% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 68% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Leroy Gibbons
Lovers Question
155 bpm • A# Maj • 02:53 • -10db
27% Popularity • 87% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 87% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Pam Hall
Time For Love
141 bpm • F Maj • 03:44 • -8db
14% Popularity • 73% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 73% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Super Black
Deh Wid You
156 bpm • G min • 03:31 • -5db
0% Popularity • 75% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 75% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Intense
On My Mind
141 bpm • E Maj • 03:42 • -13.63db
16% Popularity • 82% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 82% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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John McLean
Truly Bowled Over
156 bpm • C# Maj • 05:26 • -11.19db
20% Popularity • 76% Danceability • 42% Energy • 6% Liveness
5% Instrumentalness • 69% Positiveness
20% Popularity • 76% Danceability • 42% Energy • 6% Liveness
5% Instrumentalness • 69% Positiveness
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Sandra Cross
Can I Be Your Girl
140 bpm • C Maj • 03:20 • -9.44db
23% Popularity • 85% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 85% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The In Crowd
His Majesty Is Coming
140 bpm • G Maj • 03:16 • -7.53db
22% Popularity • 70% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 70% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Peter Spence
Things in Life
140 bpm • A# min • 03:46 • -7.13db
25% Popularity • 73% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 73% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Marie Pierre
Choose Me
140 bpm • F# min • 04:14 • -7.58db
13% Popularity • 68% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 68% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Louisa Mark
Hello There
140 bpm • A Maj • 04:16 • -10.54db
18% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Fred Locks
True Rastaman
140 bpm • F# min • 03:37 • -5.33db
26% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Sandra Cross
Hello There
140 bpm • G Maj • 03:42 • -8.67db
24% Popularity • 85% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
24% Popularity • 85% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Anthony Pure Silk Brightly
Your Love
140 bpm • G Maj • 04:40 • -11.98db
21% Popularity • 77% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 77% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Sammy Levi
Hurting on the Inside
157 bpm • C# Maj • 03:02 • -11.24db
18% Popularity • 75% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 75% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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The Heptones
Meaning of Life
139 bpm • G Maj • 03:17 • -6.41db
24% Popularity • 84% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 84% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Various Artists
Mellow - Intense
139 bpm • G Maj • 04:07 • -9.67db
18% Popularity • 70% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 70% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Nerious Joseph
Guidance
138 bpm • C Maj • 03:52 • -15.09db
34% Popularity • 88% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 88% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Bob Andy
Feeling Soul - '75 Cut
138 bpm • C Maj • 04:06 • -16.38db
13% Popularity • 80% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 80% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Clem Bushay
Never Lose Never Win
138 bpm • G Maj • 03:15 • -10.89db
12% Popularity • 78% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 78% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Mighty Diamonds
The Last Dance (Last Waltz)
159 bpm • C# Maj • 03:32 • -7.04db
16% Popularity • 64% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 64% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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John McLean
Starliner
138 bpm • G Maj • 03:32 • -14.81db
18% Popularity • 83% Danceability • 35% Energy • 7% Liveness
22% Instrumentalness • 76% Positiveness
18% Popularity • 83% Danceability • 35% Energy • 7% Liveness
22% Instrumentalness • 76% Positiveness
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Sister Love
Goodbye Little Man
137 bpm • B min • 06:47 • -11.3db
14% Popularity • 76% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 76% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Deborahe Glasgow
The First
160 bpm • E Maj • 04:14 • -13.07db
31% Popularity • 76% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 76% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Sandra Cross
Put It On
137 bpm • C Maj • 04:47 • -13.08db
23% Popularity • 86% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 86% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Pam Hall
I Will Always Love You
160 bpm • A Maj • 03:35 • -14.01db
1% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
1% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Mighty Diamonds
Just Like A River
137 bpm • G# min • 02:58 • -7.81db
14% Popularity • 84% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 84% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Meditations
Something Looking Good
136 bpm • A Maj • 03:56 • -7.95db
15% Popularity • 86% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 86% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Alpha
Cant Get Over You
135 bpm • G Maj • 05:05 • -7.6db
18% Popularity • 78% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 78% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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The Sadonians
Goodbye My Love
135 bpm • F min • 05:20 • -8.02db
20% Popularity • 69% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 69% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Ambelique
Get You Off My Mind
134 bpm • B Maj • 03:05 • -13.23db
12% Popularity • 89% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 89% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Pam Hall
Truly
162 bpm • C Maj • 03:31 • -15.19db
17% Popularity • 64% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 64% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Eargasm
This Is Lovers Rock
134 bpm • G Maj • 07:07 • -23.88db
15% Popularity • 56% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 56% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Sandra Cross
I Adore You
134 bpm • F Maj • 03:59 • -8.78db
26% Popularity • 81% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 81% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Donna Rhoden
Its True
135 bpm • C Maj • 04:29 • -9.18db
25% Popularity • 73% Danceability • 60% Energy • 13% Liveness
4% Instrumentalness • 77% Positiveness
25% Popularity • 73% Danceability • 60% Energy • 13% Liveness
4% Instrumentalness • 77% Positiveness
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Legato
Fool for Your Love
134 bpm • C# Maj • 04:13 • -7.28db
14% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Leroy Mafia
There She Goes Again
164 bpm • F# Maj • 03:02 • -14.14db
20% Popularity • 76% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 76% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Barry Boom
Making Love
164 bpm • B Maj • 04:06 • -15.84db
33% Popularity • 81% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 81% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Peter Spence
How High
164 bpm • C# min • 03:56 • -14.88db
12% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Janet Lee Davis
Walk On By
164 bpm • A min • 03:23 • -7.85db
30% Popularity • 72% Danceability • 66% Energy • 4% Liveness
2% Instrumentalness • 94% Positiveness
30% Popularity • 72% Danceability • 66% Energy • 4% Liveness
2% Instrumentalness • 94% Positiveness
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Beres Hammond & Marcia Griffiths
Live On
165 bpm • D Maj • 03:08 • -4.54db
24% Popularity • 73% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 73% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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TonyJ
Telephone Line
133 bpm • C Maj • 05:52 • -8.4db
9% Popularity • 83% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 83% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Ambelique
Picking up Packing Up
133 bpm • G# Maj • 04:04 • -6.19db
11% Popularity • 89% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 89% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Ronnie Davis
My World
133 bpm • C Maj • 02:27 • -8db
16% Popularity • 72% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 72% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
