Songs like Slow Motion by Hello
Based on a tempo of (+/- 10%) and a similar genre
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Mott The Hoople
Honaloochie Boogie
120 bpm • C Maj • 02:43 • -9.33db
28% Popularity • 52% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 52% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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The Osmonds
Crazy Horses
120 bpm • D Maj • 02:33 • -4.51db
41% Popularity • 51% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 51% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Hello
Slow Motion
120 bpm • B min • 03:11 • -4.83db
5% Popularity • 69% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
5% Popularity • 69% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Medicine Head
Rising Sun - Live
120 bpm • D Maj • 04:19 • -9.63db
10% Popularity • 59% Danceability • 82% Energy • 96% Liveness
10% Instrumentalness • 64% Positiveness
10% Popularity • 59% Danceability • 82% Energy • 96% Liveness
10% Instrumentalness • 64% Positiveness
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John Kongos
Tokolshe Man - 2014 Remastered Version
120 bpm • F Maj • 05:12 • -10.59db
21% Popularity • 49% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
21% Popularity • 49% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Billy Bremner
Loud Music In Cars
120 bpm • C Maj • 02:55 • -11.4db
11% Popularity • 60% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 60% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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The Troggs
I Can't Control Myself
120 bpm • F Maj • 03:05 • -13.51db
32% Popularity • 69% Danceability • 61% Energy • 62% Liveness
6% Instrumentalness • 84% Positiveness
32% Popularity • 69% Danceability • 61% Energy • 62% Liveness
6% Instrumentalness • 84% Positiveness
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Bryan Ferry
This Is Tomorrow
119 bpm • G# Maj • 03:40 • -8.11db
34% Popularity • 42% Danceability • 66% Energy • 9% Liveness
44% Instrumentalness • 51% Positiveness
34% Popularity • 42% Danceability • 66% Energy • 9% Liveness
44% Instrumentalness • 51% Positiveness
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Cozy Powell
Dance with the Devil
119 bpm • E Maj • 03:33 • -10.13db
34% Popularity • 58% Danceability • 94% Energy • 8% Liveness
81% Instrumentalness • 72% Positiveness
34% Popularity • 58% Danceability • 94% Energy • 8% Liveness
81% Instrumentalness • 72% Positiveness
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Medicine Head
Rising Sun - Live at Radio 1
120 bpm • D Maj • 04:23 • -10.69db
13% Popularity • 59% Danceability • 80% Energy • 96% Liveness
20% Instrumentalness • 54% Positiveness
13% Popularity • 59% Danceability • 80% Energy • 96% Liveness
20% Instrumentalness • 54% Positiveness
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Stars On 45
The Greatest Rock'n Roll Band In The Wor...
121 bpm • A min • 05:14 • -4.16db
27% Popularity • 62% Danceability • 88% Energy • 28% Liveness
1% Instrumentalness • 67% Positiveness
27% Popularity • 62% Danceability • 88% Energy • 28% Liveness
1% Instrumentalness • 67% Positiveness
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Racey
Rest of My Life
119 bpm • B min • 03:30 • -5.94db
6% Popularity • 58% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
6% Popularity • 58% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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James K Brown
Follow You
121 bpm • D Maj • 02:59 • -8.24db
11% Popularity • 36% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 36% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Manfred Mann
Ragamuffin Man
121 bpm • A Maj • 03:10 • -3.25db
22% Popularity • 54% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 54% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Cozy Powell
The Man In Black
119 bpm • G Maj • 02:42 • -11.29db
11% Popularity • 53% Danceability • 78% Energy • 5% Liveness
87% Instrumentalness • 27% Positiveness
11% Popularity • 53% Danceability • 78% Energy • 5% Liveness
87% Instrumentalness • 27% Positiveness
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Mott The Hoople
Foxy Foxy
121 bpm • F# Maj • 03:30 • -7.99db
14% Popularity • 56% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 56% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Katrina & The Waves
Red Wine And Whisky
118 bpm • E Maj • 03:44 • -10.53db
20% Popularity • 58% Danceability • 87% Energy • 42% Liveness
60% Instrumentalness • 45% Positiveness
20% Popularity • 58% Danceability • 87% Energy • 42% Liveness
60% Instrumentalness • 45% Positiveness
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BA Robertson
To Be or Not to Be
122 bpm • A Maj • 03:21 • -7.86db
21% Popularity • 68% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 68% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Grapefruit
Deep Water
118 bpm • D# Maj • 02:16 • -8.41db
22% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Jonathan King
Loop Di Love
118 bpm • G# Maj • 02:42 • -12.14db
15% Popularity • 64% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 64% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Marc Bolan
Truck On (Tyke) (Extended Play)
122 bpm • E min • 03:09 • -7db
12% Popularity • 43% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 43% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Hello
Starlight
122 bpm • C# Maj • 02:51 • -2.09db
1% Popularity • 60% Danceability • 90% Energy • 3% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 60% Danceability • 90% Energy • 3% Liveness
0% Instrumentalness • 59% Positiveness
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Kenny
Baby I Love You, Ok!
122 bpm • C Maj • 03:49 • -12.5db
7% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Ron Grainer Orchestra
A Touch Of Velvet - A Sting Of Brass
122 bpm • C# min • 03:48 • -5.96db
14% Popularity • 52% Danceability • 81% Energy • 30% Liveness
48% Instrumentalness • 21% Positiveness
14% Popularity • 52% Danceability • 81% Energy • 30% Liveness
48% Instrumentalness • 21% Positiveness
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Shocking Blue
Blossom Lady
123 bpm • A min • 03:34 • -6db
24% Popularity • 72% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 72% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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C.C.S.
Walking
117 bpm • C Maj • 03:11 • -11.26db
20% Popularity • 62% Danceability • 63% Energy • 9% Liveness
25% Instrumentalness • 74% Positiveness
20% Popularity • 62% Danceability • 63% Energy • 9% Liveness
25% Instrumentalness • 74% Positiveness
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Mouth & MacNeal
Do You Wanna Do It
123 bpm • A Maj • 03:58 • -8.99db
12% Popularity • 58% Danceability • 50% Energy • 66% Liveness
3% Instrumentalness • 81% Positiveness
12% Popularity • 58% Danceability • 50% Energy • 66% Liveness
3% Instrumentalness • 81% Positiveness
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Hello
One by One
118 bpm • A min • 04:55 • -5.78db
0% Popularity • 70% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 70% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Del Shannon
Are You Lovin' Me Too
123 bpm • A Maj • 03:16 • -8.76db
12% Popularity • 60% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 60% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Okay
123 bpm • D Maj • 02:40 • -11.01db
23% Popularity • 76% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 76% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Kenny
Heart of Stone
123 bpm • C Maj • 02:57 • -11.87db
11% Popularity • 63% Danceability • 51% Energy • 14% Liveness
14% Instrumentalness • 82% Positiveness
11% Popularity • 63% Danceability • 51% Energy • 14% Liveness
14% Instrumentalness • 82% Positiveness
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Golden Earring
Back Home
123 bpm • D Maj • 03:51 • -6.36db
33% Popularity • 47% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 47% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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David & Jonathan
Lovers of the World Unite
123 bpm • F Maj • 02:36 • -7.57db
24% Popularity • 48% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 48% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Hello
Gotta Lotta Soul
118 bpm • E Maj • 03:03 • -4.22db
1% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Don Fardon
Indian Reservation
123 bpm • A# Maj • 03:23 • -16.83db
26% Popularity • 79% Danceability • 20% Energy • 29% Liveness
49% Instrumentalness • 49% Positiveness
26% Popularity • 79% Danceability • 20% Energy • 29% Liveness
49% Instrumentalness • 49% Positiveness
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Mungo Jerry
Open Up
123 bpm • E Maj • 03:27 • -12.5db
14% Popularity • 56% Danceability • 65% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
14% Popularity • 56% Danceability • 65% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
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Darts
Who's That Knocking
117 bpm • D Maj • 02:00 • -5.41db
13% Popularity • 72% Danceability • 85% Energy • 65% Liveness
1% Instrumentalness • 90% Positiveness
13% Popularity • 72% Danceability • 85% Energy • 65% Liveness
1% Instrumentalness • 90% Positiveness
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Mike Leander
Another School Day
124 bpm • E Maj • 02:52 • -9.05db
7% Popularity • 52% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 52% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Harpo
In the Zum-Zum-Zummernight
124 bpm • D Maj • 02:56 • -10db
27% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Hello
Gotta Lotta Soul
117 bpm • E Maj • 02:46 • -11.88db
1% Popularity • 67% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 67% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Matchbox
Buzz Buzz a Diddle It
116 bpm • G Maj • 02:54 • -4.5db
35% Popularity • 69% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 69% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 90% Positiveness
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The Fortunes
Caroline
124 bpm • E min • 01:59 • -9.38db
34% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Showaddywaddy
Ally-Oop
124 bpm • D Maj • 03:37 • -10.35db
6% Popularity • 65% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
6% Popularity • 65% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Shocking Blue
Mighty Joe
116 bpm • G Maj • 03:15 • -10db
23% Popularity • 55% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 55% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Tracey Ullman
Sunglasses
124 bpm • C# Maj • 02:59 • -10db
31% Popularity • 50% Danceability • 82% Energy • 26% Liveness
56% Instrumentalness • 80% Positiveness
31% Popularity • 50% Danceability • 82% Energy • 26% Liveness
56% Instrumentalness • 80% Positiveness
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Hello
Good Old U.S.A
117 bpm • B Maj • 03:03 • -3.1db
2% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Paper Lace
The Black Eyed Boys
124 bpm • D Maj • 03:48 • -11.29db
16% Popularity • 75% Danceability • 62% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 75% Danceability • 62% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
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City Boy
5.7.0.5
124 bpm • A min • 03:13 • -10db
32% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Barry Blue
(Dancin’) On A Saturday Night
124 bpm • A Maj • 03:12 • -9db
38% Popularity • 71% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 71% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Jonathan King
I Can't Get No Satisfaction
124 bpm • D# Maj • 03:31 • -11.53db
8% Popularity • 64% Danceability • 66% Energy • 6% Liveness
92% Instrumentalness • 80% Positiveness
8% Popularity • 64% Danceability • 66% Energy • 6% Liveness
92% Instrumentalness • 80% Positiveness
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Mike Leander
Star Studded Sham
124 bpm • E Maj • 03:03 • -8.12db
8% Popularity • 53% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 53% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Hello
Keep Us Off The Streets
124 bpm • A Maj • 02:58 • -13.5db
1% Popularity • 73% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 73% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Ian Hunter
Once Bitten, Twice Shy
125 bpm • C Maj • 04:44 • -8.39db
34% Popularity • 76% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 76% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Mott The Hoople
Roll Away the Stone
125 bpm • C# Maj • 03:08 • -7.63db
40% Popularity • 56% Danceability • 90% Energy • 73% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 56% Danceability • 90% Energy • 73% Liveness
0% Instrumentalness • 70% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Hard To Love You
125 bpm • E min • 02:30 • -3.49db
14% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Manfred Mann
Just Like a Woman
115 bpm • G Maj • 02:53 • -2.05db
19% Popularity • 34% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 34% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
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Tom Robinson Band
2-4-6-8 Motorway
125 bpm • A Maj • 03:17 • -5.55db
49% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Hello
Keeps Us Off the Streets
124 bpm • A Maj • 02:58 • -6.46db
4% Popularity • 69% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
4% Popularity • 69% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Ian Hunter
Once Bitten, Twice Shy
125 bpm • F Maj • 03:52 • -8.38db
15% Popularity • 80% Danceability • 70% Energy • 69% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 80% Danceability • 70% Energy • 69% Liveness
0% Instrumentalness • 88% Positiveness
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Roy Wood
Oh What a Shame (Rough Monitor Mix)
115 bpm • G# Maj • 03:46 • -5.84db
8% Popularity • 77% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 77% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Darts
Duke of Earl
115 bpm • B min • 03:43 • -9db
32% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Equals
Laurel and Hardy
115 bpm • B Maj • 02:20 • -15.81db
13% Popularity • 63% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 63% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Sean Tyla
Breakfast In Marin
115 bpm • C Maj • 03:29 • -8db
11% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Hello
Seven Rainy Days
116 bpm • D Maj • 03:11 • -4.3db
2% Popularity • 62% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
2% Popularity • 62% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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The Boomtown Rats
Back To Boomtown
115 bpm • D Maj • 04:54 • -6.51db
7% Popularity • 61% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
7% Popularity • 61% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Pilot
January
125 bpm • F Maj • 03:31 • -5.68db
42% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Clout
Since You've Been Gone
125 bpm • G Maj • 03:02 • -5.93db
28% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Bryan Ferry
A Hard Rain's A-Gonna Fall
125 bpm • G# Maj • 05:19 • -6.93db
32% Popularity • 68% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 68% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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The Fools
Running Scared
125 bpm • A Maj • 02:26 • -7.25db
9% Popularity • 50% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 50% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Hello
Star Studded Sham
125 bpm • E Maj • 02:56 • -11.38db
11% Popularity • 58% Danceability • 75% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 58% Danceability • 75% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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Phil Everly
She Means Nothing To Me
126 bpm • B Maj • 03:27 • -11.26db
25% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Darts
Zing Went the Strings of My Heart
126 bpm • E Maj • 03:04 • -9.7db
20% Popularity • 60% Danceability • 67% Energy • 19% Liveness
11% Instrumentalness • 78% Positiveness
20% Popularity • 60% Danceability • 67% Energy • 19% Liveness
11% Instrumentalness • 78% Positiveness
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Clout
Since You've Been Gone
126 bpm • G Maj • 03:00 • -8.62db
17% Popularity • 57% Danceability • 78% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
17% Popularity • 57% Danceability • 78% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
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Shocking Blue
Inkpot
126 bpm • E Maj • 02:39 • -8.71db
30% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Del Shannon
Walk Away
114 bpm • A Maj • 03:39 • -7.78db
13% Popularity • 73% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 73% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Hello
That's the Time
125 bpm • G Maj • 03:20 • -6.24db
2% Popularity • 82% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 82% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Flash and the Pan
Where Were You
126 bpm • C Maj • 03:23 • -7.04db
3% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
3% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Darts
Runaround
126 bpm • G Maj • 02:49 • -6.36db
8% Popularity • 52% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 52% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Mouth & MacNeal
Minnie, Minnie
127 bpm • D Maj • 03:45 • -9db
20% Popularity • 64% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 64% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Shocking Blue
Out Of Sight Out Of Mind
126 bpm • F Maj • 02:45 • -9.45db
11% Popularity • 56% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 56% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
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T. Rex
Get It On - early version
127 bpm • E Maj • 04:59 • -4.76db
28% Popularity • 67% Danceability • 93% Energy • 14% Liveness
95% Instrumentalness • 97% Positiveness
28% Popularity • 67% Danceability • 93% Energy • 14% Liveness
95% Instrumentalness • 97% Positiveness
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Hello
Elenore
126 bpm • E Maj • 02:55 • -5.65db
1% Popularity • 64% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 64% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
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Manfred Mann
Semi-Detached, Suburban Mr. James - Mono...
127 bpm • D Maj • 02:38 • -3db
29% Popularity • 57% Danceability • 92% Energy • 71% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 57% Danceability • 92% Energy • 71% Liveness
0% Instrumentalness • 85% Positiveness
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Clout
You've Got All Of Me
127 bpm • F min • 03:31 • -7.39db
20% Popularity • 57% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 57% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Lieutenant Pigeon
Desperate Dan
113 bpm • C Maj • 02:49 • -9.79db
10% Popularity • 89% Danceability • 69% Energy • 10% Liveness
83% Instrumentalness • 98% Positiveness
10% Popularity • 89% Danceability • 69% Energy • 10% Liveness
83% Instrumentalness • 98% Positiveness
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Dr. Feelgood
Back in the Night
127 bpm • E Maj • 03:18 • -14db
36% Popularity • 75% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 75% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Roy Orbison
Heartbreak Radio
127 bpm • D Maj • 02:57 • -9.46db
23% Popularity • 60% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 60% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Hello
Voodoo Eyes
126 bpm • A Maj • 05:38 • -12.66db
0% Popularity • 53% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 53% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Manfred Mann
Semi-detached Suburban Mr James
127 bpm • D Maj • 02:38 • -2.76db
22% Popularity • 56% Danceability • 93% Energy • 72% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 56% Danceability • 93% Energy • 72% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Spedding
Jump in My Car
113 bpm • D Maj • 03:21 • -5db
15% Popularity • 73% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 73% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Blue Mink
Randy
127 bpm • B min • 03:12 • -6.61db
31% Popularity • 66% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 66% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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C.C.S.
The Band Played the Boogie
127 bpm • F# Maj • 03:37 • -11.27db
19% Popularity • 61% Danceability • 86% Energy • 11% Liveness
31% Instrumentalness • 70% Positiveness
19% Popularity • 61% Danceability • 86% Energy • 11% Liveness
31% Instrumentalness • 70% Positiveness
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Showaddywaddy
Three Steps to Heaven
128 bpm • A Maj • 02:59 • -9db
35% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Hello
Voodoo Eyes
126 bpm • A Maj • 03:23 • -4.65db
1% Popularity • 58% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
1% Popularity • 58% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Manfred Mann
Pretty Flamingo
113 bpm • G Maj • 02:29 • -8db
45% Popularity • 55% Danceability • 60% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 55% Danceability • 60% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Save Me
128 bpm • A Maj • 02:58 • -12.72db
12% Popularity • 57% Danceability • 68% Energy • 34% Liveness
2% Instrumentalness • 79% Positiveness
12% Popularity • 57% Danceability • 68% Energy • 34% Liveness
2% Instrumentalness • 79% Positiveness
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Barry Blue
Do You Wanna Dance?
128 bpm • B min • 03:56 • -6.61db
25% Popularity • 56% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 56% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Inmates
Three Time Loser
128 bpm • C# min • 02:38 • -10.75db
21% Popularity • 72% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 75% Positiveness
21% Popularity • 72% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 75% Positiveness
