Songs like Slow Wake Up Sunday Morning by Mountain Man
Based on a tempo of (+/- 10%) and a similar genre
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Erin Rae
Can't Cut Loose
110 bpm • C# Maj • 03:13 • -12.51db
22% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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River Whyless
Life Crisis
110 bpm • C Maj • 04:06 • -9db
51% Popularity • 80% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
51% Popularity • 80% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
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Jamie Drake
When the Tide Comes In
110 bpm • G# Maj • 04:28 • -9.77db
12% Popularity • 50% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 50% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Mountain Man
Bird Song
110 bpm • E min • 02:20 • -15.7db
18% Popularity • 81% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 81% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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The A's
Lonesome L.A. Cowboy
110 bpm • G Maj • 04:19 • -11.93db
17% Popularity • 69% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 69% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Tomberlin
You Are Here
110 bpm • A# Maj • 03:44 • -13.93db
29% Popularity • 35% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
29% Popularity • 35% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
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Sabine McCalla
Save My Soul
111 bpm • A min • 02:23 • -19.05db
38% Popularity • 49% Danceability • 3% Energy • 9% Liveness
26% Instrumentalness • 8% Positiveness
38% Popularity • 49% Danceability • 3% Energy • 9% Liveness
26% Instrumentalness • 8% Positiveness
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Mariee Sioux
Love Like Water
111 bpm • C Maj • 02:55 • -13.83db
13% Popularity • 40% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 40% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Hurray For The Riff Raff
Cuckoo
111 bpm • D Maj • 03:34 • -14.06db
22% Popularity • 50% Danceability • 12% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
22% Popularity • 50% Danceability • 12% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
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Mountain Man
Slow Wake Up Sunday Morning
110 bpm • C Maj • 04:10 • -19.06db
25% Popularity • 60% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 60% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Erin Rae
Pretend
109 bpm • D Maj • 02:27 • -20.18db
11% Popularity • 31% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
11% Popularity • 31% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Nadia Reid
Hanson St, Pt. 2 (A River)
111 bpm • C# Maj • 04:23 • -13db
26% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Ethan Gruska
On the Outside
109 bpm • G Maj • 03:09 • -10.96db
33% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Andrew Bird
Cracking Codes
109 bpm • G Maj • 03:12 • -11.04db
44% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Aaron Embry
Moon of the Daylit Sky
109 bpm • D Maj • 03:28 • -9.19db
15% Popularity • 43% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 43% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Mountain Man
Moon
111 bpm • E Maj • 03:53 • -14db
28% Popularity • 48% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 48% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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The A's
Go To Sleep My Darling Baby
108 bpm • E Maj • 03:07 • -16.23db
15% Popularity • 63% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 63% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Chris Kasper
Somewhere
108 bpm • F Maj • 03:14 • -12.28db
34% Popularity • 68% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 46% Positiveness
34% Popularity • 68% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 46% Positiveness
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Daughter of Swords
Fellows
108 bpm • G min • 03:51 • -15.61db
10% Popularity • 49% Danceability • 9% Energy • 44% Liveness
2% Instrumentalness • 17% Positiveness
10% Popularity • 49% Danceability • 9% Energy • 44% Liveness
2% Instrumentalness • 17% Positiveness
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Jealous of the Birds
Goji Berry Sunset
112 bpm • A# min • 02:17 • -13.62db
37% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Sadurn
Dirt May
112 bpm • D# Maj • 02:47 • -9.22db
29% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Mountain Man
Animal Tracks - Greenwall Session
111 bpm • E min • 02:17 • -9.15db
9% Popularity • 54% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 54% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Valley Queen
Hold on You
112 bpm • E Maj • 04:57 • -7.81db
36% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Lomelda
Out There
112 bpm • G# Maj • 04:01 • -13db
27% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Nadia Reid
Just to Feel Alive
108 bpm • G# min • 03:53 • -10.98db
30% Popularity • 44% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 44% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Waxahatchee
Slow You Down
108 bpm • F Maj • 01:48 • -13.93db
51% Popularity • 55% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 18% Positiveness
51% Popularity • 55% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 18% Positiveness
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Joan Shelley
Where I’ll Find You
108 bpm • B Maj • 03:14 • -13db
43% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Mountain Man
Blue Mountain
112 bpm • B min • 02:22 • -15.26db
19% Popularity • 39% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 39% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
49% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
49% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Lomelda
Hannah Happiest
108 bpm • D Maj • 03:46 • -15.9db
32% Popularity • 68% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 28% Positiveness
32% Popularity • 68% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 28% Positiveness
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Nadia Reid
Reach My Destination
108 bpm • D# Maj • 03:04 • -15.17db
29% Popularity • 43% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 43% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Fruit Bats
I Must Be in a Good Place Now - Live at ...
113 bpm • F Maj • 04:13 • -9db
30% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Molly Sarlé
Human
107 bpm • C Maj • 03:54 • -8.76db
39% Popularity • 56% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 72% Positiveness
39% Popularity • 56% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 72% Positiveness
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Ye Vagabonds
Half Blind
107 bpm • A Maj • 04:07 • -15.84db
39% Popularity • 57% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 57% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Mountain Man
Sewee Sewee - Greenwall Session
113 bpm • A min • 02:24 • -13.03db
4% Popularity • 49% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 49% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Hannah Cohen
What's This All About
113 bpm • C Maj • 03:22 • -15.26db
17% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Max GarcÃa Conover
mary died a lover
113 bpm • G Maj • 02:27 • -12db
30% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Tanya Davis
Art
113 bpm • A# Maj • 02:52 • -12.29db
22% Popularity • 73% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
22% Popularity • 73% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
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Julie Byrne
Follow My Voice
107 bpm • D Maj • 04:02 • -14.63db
49% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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The Dove & the Wolf
Free Around You
107 bpm • G Maj • 03:40 • -14.79db
26% Popularity • 33% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
26% Popularity • 33% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
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Nadia Reid
Some Are Lucky
107 bpm • F Maj • 05:31 • -15.49db
22% Popularity • 42% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 42% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Mountain Man
Mouthwings
113 bpm • F# min • 02:20 • -13.51db
2% Popularity • 39% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 39% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Angelo De Augustine
I Hope That All of Your Dreams Come True
113 bpm • E Maj • 02:24 • -11.64db
17% Popularity • 68% Danceability • 21% Energy • 11% Liveness
36% Instrumentalness • 29% Positiveness
17% Popularity • 68% Danceability • 21% Energy • 11% Liveness
36% Instrumentalness • 29% Positiveness
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Tom Brosseau
On a Gravel Road
106 bpm • F Maj • 03:00 • -10.02db
21% Popularity • 63% Danceability • 26% Energy • 23% Liveness
2% Instrumentalness • 24% Positiveness
21% Popularity • 63% Danceability • 26% Energy • 23% Liveness
2% Instrumentalness • 24% Positiveness
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Esther Rose
Don't Blame It on the Moon
107 bpm • E min • 02:57 • -10.96db
17% Popularity • 60% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 60% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Jolie Holland
Damn Shame
114 bpm • D Maj • 04:50 • -18.36db
30% Popularity • 48% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
30% Popularity • 48% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Konradsen
Baby Hallelujah
114 bpm • G Maj • 02:48 • -16.17db
21% Popularity • 46% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 46% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Mountain Man
Hot Knife
106 bpm • A Maj • 02:23 • -15.23db
18% Popularity • 85% Danceability • 14% Energy • 57% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 85% Danceability • 14% Energy • 57% Liveness
0% Instrumentalness • 63% Positiveness
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Valley Queen
Puritan
115 bpm • A Maj • 03:54 • -6.48db
22% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Angelo De Augustine
Fade
106 bpm • E Maj • 03:34 • -10.15db
15% Popularity • 59% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
15% Popularity • 59% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Cicada Rhythm
Round Yellow Suitcase
115 bpm • G Maj • 05:24 • -13.85db
8% Popularity • 56% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 19% Positiveness
8% Popularity • 56% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 19% Positiveness
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Reverend Baron
Waiting On You
105 bpm • C Maj • 04:38 • -17.11db
29% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Erin Rae
Love Like Before
115 bpm • C Maj • 03:28 • -12.19db
32% Popularity • 84% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 84% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Dani Larkin
Love Part Three
105 bpm • A# Maj • 04:27 • -11.51db
19% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Fionn Regan
Head Swim
105 bpm • E Maj • 02:54 • -14.59db
23% Popularity • 61% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 39% Positiveness
23% Popularity • 61% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 39% Positiveness
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Angelo De Augustine
Kaitlin
105 bpm • D Maj • 03:51 • -13.35db
24% Popularity • 66% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 66% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Joan Shelley
Cycle
116 bpm • E Maj • 03:50 • -13.57db
28% Popularity • 40% Danceability • 21% Energy • 10% Liveness
41% Instrumentalness • 25% Positiveness
28% Popularity • 40% Danceability • 21% Energy • 10% Liveness
41% Instrumentalness • 25% Positiveness
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Humbird
Eve Boards a Train
115 bpm • A Maj • 04:13 • -16.55db
17% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lomelda
Nervous Driver
116 bpm • A# Maj • 02:24 • -20db
48% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Shannon Lay
Coast
116 bpm • E min • 03:16 • -13.69db
14% Popularity • 40% Danceability • 19% Energy • 11% Liveness
19% Instrumentalness • 24% Positiveness
14% Popularity • 40% Danceability • 19% Energy • 11% Liveness
19% Instrumentalness • 24% Positiveness
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This Is The Kit
Creeping Up Our Shins
105 bpm • F Maj • 02:43 • -10db
40% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Mountain Man
Buffalo - Greenwall Session
116 bpm • E min • 01:56 • -15.02db
6% Popularity • 49% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 49% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Bermuda Triangle
Till the End of Days
104 bpm • E Maj • 03:33 • -13.51db
32% Popularity • 62% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 62% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Dan Reeder
A Place on the River
104 bpm • A# Maj • 02:14 • -10.29db
25% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Lomelda
Spiritual Health
104 bpm • D min • 02:40 • -14.07db
17% Popularity • 58% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 58% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Haley Heynderickx
Mother
104 bpm • D min • 03:12 • -13.86db
32% Popularity • 59% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 59% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Widowspeak
Harvest Moon
117 bpm • D Maj • 05:15 • -16.69db
37% Popularity • 32% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
37% Popularity • 32% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Angelo De Augustine
I Spend Days
117 bpm • F Maj • 02:45 • -16.44db
26% Popularity • 50% Danceability • 16% Energy • 11% Liveness
59% Instrumentalness • 35% Positiveness
26% Popularity • 50% Danceability • 16% Energy • 11% Liveness
59% Instrumentalness • 35% Positiveness
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Feist
Homage
104 bpm • A min • 04:09 • -10.08db
33% Popularity • 51% Danceability • 33% Energy • 31% Liveness
52% Instrumentalness • 33% Positiveness
33% Popularity • 51% Danceability • 33% Energy • 31% Liveness
52% Instrumentalness • 33% Positiveness
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Shannon Lay
Sea Came to Shore
104 bpm • D Maj • 02:04 • -11.9db
12% Popularity • 47% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 47% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Mountain Man
Simple Gifts
117 bpm • B Maj • 01:12 • -24db
21% Popularity • 91% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 91% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Lomelda
Kisses
103 bpm • C Maj • 03:44 • -16db
35% Popularity • 49% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
35% Popularity • 49% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Aaron Embry
When All Is Gone...
118 bpm • G Maj • 02:58 • -8.92db
8% Popularity • 37% Danceability • 38% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
8% Popularity • 37% Danceability • 38% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
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Josephine Foster
Where There Are Trees
103 bpm • B Maj • 01:22 • -17.4db
34% Popularity • 55% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 55% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Anna Mieke
Arbour
118 bpm • D# Maj • 04:23 • -12.31db
16% Popularity • 47% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 47% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Sam Evian
Cactus
118 bpm • B Maj • 03:30 • -10db
34% Popularity • 50% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 33% Positiveness
34% Popularity • 50% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 33% Positiveness
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Shannon Lay
Orange Tree
103 bpm • F# min • 01:53 • -18.7db
16% Popularity • 55% Danceability • 3% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
16% Popularity • 55% Danceability • 3% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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Luke De-Sciscio
I'm A Dream Fighting Out Of A Man
118 bpm • E Maj • 02:46 • -10.64db
22% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Tanya Davis
Please Bless
118 bpm • C Maj • 02:45 • -9.31db
28% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Waxahatchee
Light of a Clear Blue Morning
118 bpm • G Maj • 04:38 • -10db
41% Popularity • 66% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 66% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Lady Lamb
We Are Nobody Else
103 bpm • A Maj • 06:02 • -7.18db
16% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Ora Cogan
Ruler of My Heart
118 bpm • B Maj • 03:02 • -9.99db
30% Popularity • 50% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
30% Popularity • 50% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Joshua Burnside
Holllllogram
118 bpm • F Maj • 03:38 • -12db
38% Popularity • 68% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 68% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mountain Man
Bright Morning Stars
102 bpm • A Maj • 02:41 • -16.88db
18% Popularity • 40% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 40% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Mariee Sioux
Old Magic
102 bpm • D Maj • 05:09 • -13.65db
17% Popularity • 34% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 34% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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S.G. Goodman
Red Bird Morning
102 bpm • A# Maj • 03:13 • -10.76db
28% Popularity • 60% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 60% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Erin Rae
Putting On Airs
119 bpm • E Maj • 04:40 • -11.36db
28% Popularity • 61% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 61% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Johanna Warren
Pin Oaks
119 bpm • C# min • 02:52 • -11.95db
9% Popularity • 59% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 59% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Fionn Regan
Riverside Heights
102 bpm • B Maj • 02:34 • -15.59db
28% Popularity • 62% Danceability • 15% Energy • 12% Liveness
26% Instrumentalness • 41% Positiveness
28% Popularity • 62% Danceability • 15% Energy • 12% Liveness
26% Instrumentalness • 41% Positiveness
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Mountain Man
White Heron - Greenwall Session
118 bpm • G Maj • 02:45 • -14.18db
3% Popularity • 43% Danceability • 5% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 43% Danceability • 5% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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Lowland Hum
I'll Be Your Mirror
102 bpm • A Maj • 02:20 • -14.05db
35% Popularity • 69% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 69% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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My Bubba
You're Gonna Make Me Lonesome When You G...
102 bpm • A# Maj • 05:03 • -24.05db
22% Popularity • 60% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 60% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The A's
When The Bloom Is On the Sage
119 bpm • A# Maj • 02:34 • -14.62db
17% Popularity • 68% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 68% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Joan Shelley
Time Has Told Me
119 bpm • F Maj • 03:50 • -12.48db
28% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Nadia Reid
Preservation
119 bpm • A Maj • 04:22 • -13.59db
30% Popularity • 31% Danceability • 22% Energy • 10% Liveness
10% Instrumentalness • 7% Positiveness
30% Popularity • 31% Danceability • 22% Energy • 10% Liveness
10% Instrumentalness • 7% Positiveness
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Mountain Man
AGT
118 bpm • E Maj • 02:17 • -17.26db
27% Popularity • 65% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 65% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Erin Rae
Bad Mind
119 bpm • B Maj • 05:14 • -16.06db
25% Popularity • 68% Danceability • 30% Energy • 9% Liveness
18% Instrumentalness • 17% Positiveness
25% Popularity • 68% Danceability • 30% Energy • 9% Liveness
18% Instrumentalness • 17% Positiveness
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Shannon Lay
Come Together
101 bpm • D# Maj • 02:39 • -18.02db
14% Popularity • 56% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 21% Positiveness
14% Popularity • 56% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 21% Positiveness
