Songs like Slowly But Surely by Randy Hobbs
Based on a tempo of (+/- 10%) and a similar genre
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Randy Hobbs
Slowly But Surely
177 bpm • D# Maj • 02:34 • -7.68db
2% Popularity • 43% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 43% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Magic Sam
Keep Loving Me Baby
178 bpm • C Maj • 03:54 • -8.96db
8% Popularity • 48% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 48% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Amos Milburn
One Hour Past Midnight
176 bpm • G Maj • 03:37 • -13.62db
8% Popularity • 46% Danceability • 39% Energy • 17% Liveness
46% Instrumentalness • 66% Positiveness
8% Popularity • 46% Danceability • 39% Energy • 17% Liveness
46% Instrumentalness • 66% Positiveness
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Lady Margo
This Is My Prayer
178 bpm • C Maj • 02:45 • -7.92db
8% Popularity • 42% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 42% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
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Johnny "Guitar" Watson
Embraceable You
176 bpm • F Maj • 02:40 • -8.34db
9% Popularity • 28% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 28% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Frankie Miller
I'll Take a Melody
176 bpm • A Maj • 04:36 • -8.81db
13% Popularity • 51% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 51% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Mable John
Running Out
175 bpm • C Maj • 02:08 • -9.46db
38% Popularity • 56% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 56% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 81% Positiveness
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Barbara & The Browns
It Hurts Me So Much (To Be Able to Look ...
175 bpm • A# min • 02:22 • -9.99db
13% Popularity • 36% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 36% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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James Carr
I'm Going for Myself
180 bpm • C# Maj • 02:24 • -8.02db
19% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Erma Franklin
Can't See My Way
174 bpm • G# Maj • 02:20 • -6.24db
8% Popularity • 50% Danceability • 70% Energy • 29% Liveness
7% Instrumentalness • 49% Positiveness
8% Popularity • 50% Danceability • 70% Energy • 29% Liveness
7% Instrumentalness • 49% Positiveness
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Freddie King
Look Ma, I‘m Cryin‘
174 bpm • D Maj • 03:11 • -10.79db
8% Popularity • 36% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 36% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Irma Thomas
She'll Never Be Your Wife
173 bpm • C Maj • 02:54 • -11.38db
13% Popularity • 44% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 44% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Allen Toussaint
Star Revue - Remastered
173 bpm • G# Maj • 02:59 • -3db
9% Popularity • 48% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 48% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Joe Swift's Internationals
Bell Bottoms
173 bpm • E min • 02:12 • -6db
12% Popularity • 52% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 52% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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James Carr
Love Attack
174 bpm • A# Maj • 02:54 • -8db
23% Popularity • 43% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 43% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jessie Mae Hemphill
I'm So Glad You Don't Know What's On My ...
172 bpm • A min • 04:19 • -14.13db
23% Popularity • 59% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
23% Popularity • 59% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Clarence Reid
Gotta Take It Home to Mother
172 bpm • F min • 02:30 • -6db
8% Popularity • 56% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 56% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 89% Positiveness
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Ricky Allen
No Better Time Than Now
172 bpm • D min • 02:23 • -5.73db
14% Popularity • 60% Danceability • 80% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 60% Danceability • 80% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny "Guitar" Watson
Those Lonely, Lonely Feelings
183 bpm • E Maj • 02:46 • -8.63db
13% Popularity • 53% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 53% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Magic Sam
Call Me If You Need Me
183 bpm • G# min • 02:12 • -13.9db
14% Popularity • 44% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 44% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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NDOG Band
Ready Ta Go
170 bpm • E Maj • 03:07 • -11.55db
8% Popularity • 60% Danceability • 44% Energy • 11% Liveness
26% Instrumentalness • 42% Positiveness
8% Popularity • 60% Danceability • 44% Energy • 11% Liveness
26% Instrumentalness • 42% Positiveness
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Bobby Parker
Steal Your Heart Away - Original V-Tone ...
171 bpm • D# min • 02:24 • -5.61db
8% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Spencer Wiggins
Soul City USA
170 bpm • C Maj • 02:02 • -7.62db
13% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Irma Thomas
Cry On
184 bpm • A# Maj • 02:33 • -12.27db
19% Popularity • 31% Danceability • 28% Energy • 38% Liveness
1% Instrumentalness • 32% Positiveness
19% Popularity • 31% Danceability • 28% Energy • 38% Liveness
1% Instrumentalness • 32% Positiveness
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George Jackson
Getting The Bills (But No Merchandise)
184 bpm • D Maj • 02:48 • -5.47db
9% Popularity • 48% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 48% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Magic Sam
You Don't Love Me Baby
170 bpm • F min • 03:32 • -10.81db
11% Popularity • 47% Danceability • 49% Energy • 7% Liveness
8% Instrumentalness • 84% Positiveness
11% Popularity • 47% Danceability • 49% Energy • 7% Liveness
8% Instrumentalness • 84% Positiveness
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Andrew Brown
You Made Me Suffer
170 bpm • A# min • 03:39 • -6.89db
15% Popularity • 74% Danceability • 82% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
15% Popularity • 74% Danceability • 82% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
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The Dixie Cups
All Grown Up - Mono / Remastered 2022
169 bpm • D# Maj • 01:58 • -5.08db
8% Popularity • 46% Danceability • 61% Energy • 21% Liveness
62% Instrumentalness • 97% Positiveness
8% Popularity • 46% Danceability • 61% Energy • 21% Liveness
62% Instrumentalness • 97% Positiveness
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Al Green
Ride, Sally Ride - Extended Version
187 bpm • E Maj • 03:59 • -12.2db
7% Popularity • 70% Danceability • 49% Energy • 5% Liveness
2% Instrumentalness • 95% Positiveness
7% Popularity • 70% Danceability • 49% Energy • 5% Liveness
2% Instrumentalness • 95% Positiveness
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Lightnin' Hopkins
A Man Like Me is Hard to Find
187 bpm • A Maj • 04:41 • -11db
2% Popularity • 43% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 59% Positiveness
2% Popularity • 43% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 59% Positiveness
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Amos Milburn
C.C. Ryder
168 bpm • F Maj • 02:40 • -14.88db
10% Popularity • 62% Danceability • 40% Energy • 12% Liveness
84% Instrumentalness • 78% Positiveness
10% Popularity • 62% Danceability • 40% Energy • 12% Liveness
84% Instrumentalness • 78% Positiveness
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James Carr
You Got My Mind Messed Up
186 bpm • C# Maj • 03:24 • -9.37db
8% Popularity • 39% Danceability • 52% Energy • 97% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 39% Danceability • 52% Energy • 97% Liveness
0% Instrumentalness • 61% Positiveness
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Laura Lee
Dirty Man
168 bpm • D Maj • 02:51 • -15db
32% Popularity • 50% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 50% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby Rush
Bowlegged Woman
168 bpm • G Maj • 03:57 • -11.17db
10% Popularity • 80% Danceability • 59% Energy • 14% Liveness
62% Instrumentalness • 90% Positiveness
10% Popularity • 80% Danceability • 59% Energy • 14% Liveness
62% Instrumentalness • 90% Positiveness
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Magic Sam
J.T. Shuffle
187 bpm • F# Maj • 02:29 • -8.45db
11% Popularity • 33% Danceability • 86% Energy • 8% Liveness
87% Instrumentalness • 51% Positiveness
11% Popularity • 33% Danceability • 86% Energy • 8% Liveness
87% Instrumentalness • 51% Positiveness
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Eddie & Ernie
Time Waits For No One
189 bpm • D Maj • 02:23 • -12db
13% Popularity • 39% Danceability • 42% Energy • 23% Liveness
7% Instrumentalness • 76% Positiveness
13% Popularity • 39% Danceability • 42% Energy • 23% Liveness
7% Instrumentalness • 76% Positiveness
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Junior Parker
Funny How Time Slips Away
190 bpm • G Maj • 08:08 • -23.8db
12% Popularity • 37% Danceability • 15% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
12% Popularity • 37% Danceability • 15% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Elizabeth King
Anything That I Could Ever Want
164 bpm • A# min • 03:22 • -7.5db
13% Popularity • 45% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 45% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jessie Mae Hemphill
Bullyin' Well
162 bpm • G Maj • 02:21 • -14.82db
10% Popularity • 69% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 69% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Arlean Brown
I'm a Streaker Baby
167 bpm • B min • 03:55 • -8db
13% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Al Green
Eli's Game
161 bpm • A# min • 04:57 • -14.92db
7% Popularity • 64% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
7% Popularity • 64% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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Pee Wee Crayton
Every Night
159 bpm • G# Maj • 02:50 • -14db
23% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
23% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
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The Hi-Stakes
The Talker
159 bpm • C Maj • 02:49 • -8.78db
7% Popularity • 75% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 75% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Ingrid Geordie
I Can't Wait for You
158 bpm • D Maj • 03:42 • -7.89db
26% Popularity • 45% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 45% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Jessie Mae Hemphill
She-Wolf
160 bpm • G Maj • 04:41 • -15.22db
20% Popularity • 62% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 62% Positiveness
20% Popularity • 62% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 62% Positiveness
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Irma Thomas
You're the Dog (I Do the Barking Myself)
198 bpm • F Maj • 02:58 • -11.97db
11% Popularity • 52% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 52% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy "Preacher" Ellis
Since I Fell for You
158 bpm • D Maj • 01:59 • -5.67db
16% Popularity • 51% Danceability • 89% Energy • 15% Liveness
65% Instrumentalness • 89% Positiveness
16% Popularity • 51% Danceability • 89% Energy • 15% Liveness
65% Instrumentalness • 89% Positiveness
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Harvey Scales
(It's Too Good) Too Good To Be True
157 bpm • D# Maj • 02:54 • -5.88db
11% Popularity • 47% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 47% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Allen Toussaint
The Book - Remastered
156 bpm • A Maj • 03:30 • -5.92db
21% Popularity • 58% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 58% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Adams
I Can't Be All Bad
201 bpm • A# Maj • 03:03 • -12.31db
14% Popularity • 42% Danceability • 44% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 42% Danceability • 44% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
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Jessie Mae Hemphill
Shame on You
157 bpm • F# Maj • 03:14 • -8.46db
11% Popularity • 56% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 56% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Magic Sam
Every Night and Every Day
201 bpm • F# Maj • 03:10 • -9.99db
14% Popularity • 46% Danceability • 38% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 46% Danceability • 38% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
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Love
You Gotta Feel It - Outtake
155 bpm • G Maj • 03:37 • -12.26db
11% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Ohio Players
Tell Me Why
155 bpm • A Maj • 02:21 • -9.33db
9% Popularity • 39% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 39% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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WITCH
Feeling High (Private Press Version)
155 bpm • G Maj • 03:41 • -8.82db
8% Popularity • 49% Danceability • 27% Energy • 10% Liveness
47% Instrumentalness • 40% Positiveness
8% Popularity • 49% Danceability • 27% Energy • 10% Liveness
47% Instrumentalness • 40% Positiveness
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Johnny Adams
Living on Your Love
202 bpm • C# min • 01:39 • -12.6db
25% Popularity • 42% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 42% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 89% Positiveness
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George Jackson
Ain't That Some Good Loving
155 bpm • F min • 02:43 • -8.22db
8% Popularity • 70% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 70% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Screamin' Jay Hawkins
Talk About Me
155 bpm • F# Maj • 02:34 • -11.1db
9% Popularity • 56% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 56% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Boy Arnold
Left My Happy Home
155 bpm • F Maj • 02:34 • -9.66db
32% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Thunder
Make Love to Me
202 bpm • D Maj • 02:23 • -11.87db
19% Popularity • 34% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 34% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Paolo Mizzau & the Doctor Love Band
Headache Man
154 bpm • F Maj • 04:17 • -8.02db
1% Popularity • 70% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
1% Popularity • 70% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Bobby "Blue" Bland
Little Boy Blue
204 bpm • D# Maj • 02:36 • -9.84db
12% Popularity • 31% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 31% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Willie Hightower
It's Too Late
153 bpm • A# min • 02:48 • -16.76db
22% Popularity • 27% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 27% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Ruby Winters
Make Love to Me
204 bpm • D Maj • 02:27 • -7.68db
12% Popularity • 38% Danceability • 57% Energy • 63% Liveness
1% Instrumentalness • 95% Positiveness
12% Popularity • 38% Danceability • 57% Energy • 63% Liveness
1% Instrumentalness • 95% Positiveness
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The Kolettes
Who's That Guy
153 bpm • F min • 02:54 • -4db
13% Popularity • 71% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 71% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Don Covay
The Boomerang
153 bpm • A# Maj • 02:03 • -11.75db
10% Popularity • 56% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 56% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Carol Fran
I'm Gonna Try
152 bpm • D# min • 02:31 • -3.24db
10% Popularity • 50% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 50% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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The "5" Royales
The Slummer the Slum
152 bpm • G# Maj • 02:14 • -9db
14% Popularity • 49% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 96% Positiveness
14% Popularity • 49% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 96% Positiveness
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Jessie Mae Hemphill
Baby, Please Don't Go
152 bpm • G Maj • 03:05 • -12.8db
9% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Banny Price
You Love Me Pretty Baby
151 bpm • G min • 02:01 • -8.06db
14% Popularity • 56% Danceability • 59% Energy • 15% Liveness
3% Instrumentalness • 96% Positiveness
14% Popularity • 56% Danceability • 59% Energy • 15% Liveness
3% Instrumentalness • 96% Positiveness
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Junior Parker
Love Ain't Nothing but a Business Goin' ...
151 bpm • C Maj • 03:22 • -19db
19% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Freddie King
Texas Oil
151 bpm • A# Maj • 02:25 • -5.57db
17% Popularity • 63% Danceability • 84% Energy • 21% Liveness
83% Instrumentalness • 96% Positiveness
17% Popularity • 63% Danceability • 84% Energy • 21% Liveness
83% Instrumentalness • 96% Positiveness
