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Small Axe Version 2 (aka Shocks '71)
Songs like
Small Axe Version 2 (aka Shocks '71)
by
Dave Barker
Based on a tempo of (+/- 10%) and a similar genre
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Dave Barker
Shocks '71
99 bpm • A# Maj • 04:15 • -13.37db
3% Popularity • 92% Danceability • 44% Energy • 7% Liveness
16% Instrumentalness • 84% Positiveness
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Roy Shirley
Hold Them
99 bpm • D# Maj • 02:47 • -6db
32% Popularity • 74% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Hippy Boys
Mad Movie
100 bpm • F min • 03:26 • -14.47db
17% Popularity • 86% Danceability • 30% Energy • 10% Liveness
87% Instrumentalness • 75% Positiveness
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The Pioneers
Black Bud
98 bpm • A# Maj • 02:16 • -7.97db
30% Popularity • 82% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Dandy Livingstone
Big City
98 bpm • C Maj • 02:39 • -10.7db
28% Popularity • 88% Danceability • 46% Energy • 14% Liveness
3% Instrumentalness • 72% Positiveness
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The Gaylads
My Jamaican Girl
97 bpm • G# Maj • 02:35 • -15db
34% Popularity • 83% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Lynn Taitt & The Jets
To Sir With Love
97 bpm • A# Maj • 02:41 • -15.59db
18% Popularity • 87% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
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The Jamaicans
Dedicated to You
101 bpm • C Maj • 02:32 • -15db
19% Popularity • 66% Danceability • 16% Energy • 15% Liveness
91% Instrumentalness • 80% Positiveness
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Larry Marshall
It Makes Me Feel
97 bpm • F Maj • 03:15 • -9.23db
9% Popularity • 76% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
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Ansell Collins
Holly Holy - Live: FM Radio, London 3rd ...
97 bpm • A# Maj • 03:07 • -11.68db
0% Popularity • 63% Danceability • 36% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
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Alberto Tarin
If I Could Rule
97 bpm • C Maj • 03:28 • -9.56db
0% Popularity • 80% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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The Gaylads
My Jamaican Girl
97 bpm • D# Maj • 02:34 • -13.27db
19% Popularity • 78% Danceability • 34% Energy • 5% Liveness
2% Instrumentalness • 86% Positiveness
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The Sensations
Born To Love You
97 bpm • A min • 03:12 • -4.22db
18% Popularity • 82% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Jamaicans
Dedicate My Song to You (aka Dedicated t...
101 bpm • C Maj • 02:47 • -9.02db
15% Popularity • 68% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 67% Positiveness
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Dandy
Jungle Walk
97 bpm • F min • 03:27 • -8.51db
14% Popularity • 66% Danceability • 46% Energy • 10% Liveness
8% Instrumentalness • 86% Positiveness
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Roy Shirley
Hold Them
101 bpm • D# Maj • 02:47 • -8.88db
24% Popularity • 74% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
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Freddie McKay
(I'm) a Free Man
96 bpm • A min • 02:36 • -8.34db
24% Popularity • 89% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Derrick Morgan
Tougher Than Tough (Rudie in Court)
96 bpm • G Maj • 02:23 • -9.49db
33% Popularity • 83% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Hopeton Lewis
This Music Got Soul
102 bpm • C Maj • 02:57 • -17.06db
24% Popularity • 88% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Justin Hinds & The Dominoes
Carry Go Bring Come
96 bpm • A# Maj • 03:41 • -10.96db
10% Popularity • 89% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Harry J Allstars
Tons of Gold
96 bpm • C# Maj • 02:50 • -8.68db
11% Popularity • 76% Danceability • 60% Energy • 17% Liveness
86% Instrumentalness • 89% Positiveness
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Roy Shirley
Get on the Ball
97 bpm • C# Maj • 03:24 • -11.3db
7% Popularity • 74% Danceability • 39% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
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Dave Barker
Can U Hear
96 bpm • E Maj • 03:40 • -6.56db
0% Popularity • 80% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 82% Positiveness
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The Melodians
I'll Get Along Without You
95 bpm • G Maj • 03:03 • -10.75db
35% Popularity • 73% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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Hopeton Lewis
Sound and Pressure
95 bpm • A# Maj • 03:19 • -13.21db
34% Popularity • 82% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Jackie Mittoo
Jericho Skank
95 bpm • A min • 02:57 • -6.89db
31% Popularity • 89% Danceability • 70% Energy • 27% Liveness
91% Instrumentalness • 86% Positiveness
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Duke Reid
Carry Go Bring Come
95 bpm • A# Maj • 03:18 • -13.13db
10% Popularity • 90% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 97% Positiveness
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Alberto Tarin
Moon River
94 bpm • C Maj • 04:54 • -11.58db
1% Popularity • 68% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Tommy McCook & The Supersonics
Liquidator
95 bpm • F Maj • 02:41 • -10.47db
25% Popularity • 80% Danceability • 65% Energy • 8% Liveness
72% Instrumentalness • 96% Positiveness
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Joe Higgs
Let us do Something
104 bpm • E min • 03:40 • -10.66db
22% Popularity • 89% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 80% Positiveness
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Hopeton Lewis
This Poor Boy
95 bpm • A min • 03:33 • -15.9db
16% Popularity • 89% Danceability • 27% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
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Jackie Mittoo
Sniper
104 bpm • G Maj • 03:43 • -8.94db
13% Popularity • 74% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 42% Positiveness
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Hortense Ellis
Play It Cool
104 bpm • D Maj • 02:41 • -8.01db
26% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Bruce Ruffin
Ooh Child
94 bpm • A# min • 02:48 • -5.92db
14% Popularity • 79% Danceability • 68% Energy • 14% Liveness
9% Instrumentalness • 69% Positiveness
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Ansell Collins
My Love - Live: FM Radio, London 3rd May...
104 bpm • B min • 02:52 • -11.8db
0% Popularity • 71% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Dave Barker
Peace Of Mind
104 bpm • C# Maj • 03:22 • -6.3db
0% Popularity • 82% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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The Jamaicans
Things You Say You Love
94 bpm • C Maj • 02:49 • -13db
31% Popularity • 79% Danceability • 33% Energy • 9% Liveness
55% Instrumentalness • 77% Positiveness
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Honey Boy Martin
Dreader Than Dread
94 bpm • C# Maj • 02:33 • -6.09db
25% Popularity • 88% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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The Ethiopians
What A Fire
104 bpm • G Maj • 02:43 • -9db
25% Popularity • 86% Danceability • 50% Energy • 24% Liveness
7% Instrumentalness • 91% Positiveness
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Soul Vendors
Ringo Rock
94 bpm • B Maj • 03:08 • -5.61db
26% Popularity • 78% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Gaylads
It's All in the Game
105 bpm • A Maj • 02:30 • -13.93db
24% Popularity • 80% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Jackie Mittoo
Big Bad Organ
94 bpm • A# Maj • 03:24 • -13.29db
26% Popularity • 78% Danceability • 46% Energy • 5% Liveness
81% Instrumentalness • 36% Positiveness
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Dave Barker
What a Confusion
94 bpm • F min • 03:24 • -5.72db
13% Popularity • 89% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Larry Marshall
I've Got to Make It
105 bpm • D min • 02:55 • -7.65db
20% Popularity • 65% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Busty Brown
I Love You Madly
93 bpm • C min • 03:23 • -9.59db
24% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Owen Gray
Give Me a Little Sign
93 bpm • D# min • 03:07 • -10.16db
36% Popularity • 84% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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The Gaylads
It's All in the Game
105 bpm • A Maj • 02:29 • -11.87db
32% Popularity • 80% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Lynn Taitt
Puppet On A String
92 bpm • G Maj • 03:00 • -6.2db
8% Popularity • 85% Danceability • 60% Energy • 5% Liveness
83% Instrumentalness • 86% Positiveness
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Hortense Ellis
Woman of the Ghetto
92 bpm • G# Maj • 03:05 • -10db
21% Popularity • 81% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Tennors
Pressure and Slide
92 bpm • A Maj • 03:01 • -11.19db
30% Popularity • 86% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Dave Barker
I've Gotta Get a Message to You
93 bpm • G# Maj • 02:54 • -12.22db
1% Popularity • 71% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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The Clarendonians
Bye, Bye, Bye
92 bpm • A# Maj • 02:47 • -15.62db
32% Popularity • 79% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Gaylads
Africa
105 bpm • A# min • 03:26 • -6.58db
15% Popularity • 78% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Justin Hinds
Mighty Redeemer
92 bpm • G Maj • 02:29 • -11.95db
16% Popularity • 87% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Dandy
East of Suez
107 bpm • F min • 02:21 • -10.23db
21% Popularity • 77% Danceability • 63% Energy • 22% Liveness
92% Instrumentalness • 96% Positiveness
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The Three Tops
Do It Right
91 bpm • A# Maj • 02:28 • -13.36db
26% Popularity • 84% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Dave Barker
Cactus Rock
92 bpm • G Maj • 03:59 • -8.69db
0% Popularity • 75% Danceability • 65% Energy • 12% Liveness
80% Instrumentalness • 57% Positiveness
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Justin Hinds & The Dominoes
No Good Rudie (aka No Good Rudy)
108 bpm • A# Maj • 03:09 • -8.65db
22% Popularity • 84% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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The Gaylads
Africa
105 bpm • A# min • 03:17 • -10.24db
19% Popularity • 72% Danceability • 64% Energy • 21% Liveness
83% Instrumentalness • 93% Positiveness
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Hopeton Lewis
Cool Cool Collie
91 bpm • D Maj • 03:02 • -16db
27% Popularity • 88% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Rudy Mills
Place Called Happiness
90 bpm • G# Maj • 03:20 • -7.07db
9% Popularity • 87% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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The Ethiopians
Free Man
108 bpm • G Maj • 02:36 • -4.88db
26% Popularity • 68% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Dave Barker
Life of a Millionaire
92 bpm • D# min • 02:07 • -6.49db
1% Popularity • 67% Danceability • 71% Energy • 74% Liveness
0% Instrumentalness • 81% Positiveness
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The Pioneers
Shake It Up
90 bpm • C# Maj • 02:12 • -8.86db
23% Popularity • 79% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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The Gaylads
Slipping & Sliding
106 bpm • C min • 02:10 • -8.44db
21% Popularity • 75% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Clancy Eccles
The Revenge
90 bpm • F# Maj • 03:39 • -13.1db
12% Popularity • 80% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Rudy Mills
A Place Called Happiness
91 bpm • G# Maj • 02:36 • -8.5db
19% Popularity • 83% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Hopeton Lewis
People Get Ready (This Is Rock Steady)
90 bpm • G Maj • 02:43 • -17db
27% Popularity • 88% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Dave Barker
What a Confusion
92 bpm • C Maj • 04:42 • -6.25db
0% Popularity • 76% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Hortense Ellis
Just One Look
90 bpm • A min • 02:23 • -6.18db
19% Popularity • 76% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Lloyd Charmers
Dollars And Bonds
109 bpm • D Maj • 02:45 • -6.94db
16% Popularity • 68% Danceability • 72% Energy • 19% Liveness
36% Instrumentalness • 69% Positiveness
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The Clarendonians
Baby Baby
90 bpm • A# Maj • 03:08 • -15.51db
13% Popularity • 70% Danceability • 32% Energy • 18% Liveness
4% Instrumentalness • 77% Positiveness
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The Dynamites
Phantom (Live It Up)
89 bpm • C Maj • 02:40 • -12.1db
7% Popularity • 85% Danceability • 38% Energy • 12% Liveness
87% Instrumentalness • 83% Positiveness
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Cynthia Richards
Johnny Darling
89 bpm • C Maj • 03:22 • -13.07db
8% Popularity • 76% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Dave Barker
You Get Left and Gone aka Roll It on Me
107 bpm • D Maj • 03:11 • -9.64db
0% Popularity • 80% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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The Ethiopians
Good Ambition
110 bpm • C Maj • 02:46 • -8.86db
46% Popularity • 92% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 94% Positiveness
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Justin Hinds
Here I Stand
110 bpm • A# Maj • 02:27 • -9.74db
17% Popularity • 84% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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The Pioneers
Money Day
89 bpm • G# Maj • 02:23 • -11.35db
32% Popularity • 86% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Maytones
Loving Reggae (aka My Love and I)
89 bpm • D# Maj • 02:57 • -7.85db
24% Popularity • 63% Danceability • 75% Energy • 8% Liveness
20% Instrumentalness • 97% Positiveness
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Val Bennett
Val Is Back
89 bpm • G Maj • 03:18 • -11.88db
21% Popularity • 83% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 66% Positiveness
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Dave Barker
Do Your Thing
91 bpm • G# min • 03:48 • -9.77db
26% Popularity • 80% Danceability • 64% Energy • 10% Liveness
3% Instrumentalness • 89% Positiveness
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Justin Hinds & The Dominoes
Here I Stand
110 bpm • A# Maj • 02:27 • -8.3db
28% Popularity • 83% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Ansel Collins
Conqueror Version 3 (A.k.A. Upsetting St...
89 bpm • C# Maj • 03:49 • -10.49db
11% Popularity • 88% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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I-Roy
Noisy Place
89 bpm • C# Maj • 02:15 • -8db
26% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Busty Brown
My Girl
89 bpm • A# Maj • 03:21 • -5.86db
11% Popularity • 65% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
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Lord Creator
Come Down (69 Version)
89 bpm • D# Maj • 02:18 • -10.48db
30% Popularity • 81% Danceability • 41% Energy • 14% Liveness
64% Instrumentalness • 95% Positiveness
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Dave Barker
My Best Girl
90 bpm • F# min • 02:22 • -12.05db
26% Popularity • 77% Danceability • 31% Energy • 22% Liveness
1% Instrumentalness • 91% Positiveness
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Clancy Eccles
Fattie Fattie
89 bpm • G# min • 02:42 • -9.56db
27% Popularity • 73% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Desmond Dekker
Licking Stick
111 bpm • C min • 02:15 • -10.62db
33% Popularity • 95% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Pioneers
Simmer Down Quashie
111 bpm • A# Maj • 01:57 • -12.77db
31% Popularity • 88% Danceability • 46% Energy • 7% Liveness
4% Instrumentalness • 98% Positiveness
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Bruce Ruffin
Dry Up Your Tears
111 bpm • C Maj • 02:13 • -13.53db
29% Popularity • 86% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Val Bennett
Reggae City
88 bpm • F# Maj • 02:04 • -9.09db
25% Popularity • 82% Danceability • 51% Energy • 34% Liveness
90% Instrumentalness • 87% Positiveness
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Dave Barker
That Girl (Groovy Situation)
90 bpm • G# Maj • 03:17 • -14.25db
8% Popularity • 83% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 56% Positiveness
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The Shades
Who You Gonna Run To?
112 bpm • F Maj • 02:35 • -3.83db
16% Popularity • 88% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Rupie Edwards
Leggo Skanga
88 bpm • G# Maj • 02:50 • -9.56db
21% Popularity • 83% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
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Ken Boothe
Rasta Never Fails
88 bpm • G Maj • 03:23 • -10.69db
9% Popularity • 77% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Ken Parker
Help Me Make It Through the Night (Shake...
88 bpm • G Maj • 02:31 • -12.03db
21% Popularity • 70% Danceability • 50% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Val Bennett
Reggae City
88 bpm • B Maj • 02:04 • -5.47db
22% Popularity • 71% Danceability • 70% Energy • 20% Liveness
91% Instrumentalness • 96% Positiveness
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Dave Barker
Better Must Come
88 bpm • D Maj • 04:13 • -5.88db
0% Popularity • 78% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Carlton & The Shoes
You and Me
88 bpm • A# Maj • 03:06 • -11.25db
17% Popularity • 75% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Small Axe Version 2 (aka Shocks '71)