Songs like Small Hands by Radical Face
Based on a tempo of (+/- 10%) and a similar genre
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Cavetown
Trying
125 bpm • A Maj • 04:19 • -13db
49% Popularity • 67% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 67% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Radical Face
Small Hands
125 bpm • D# Maj • 03:08 • -13db
37% Popularity • 59% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 59% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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The Gromble
You Don't Know
125 bpm • D Maj • 05:35 • -7db
24% Popularity • 39% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
24% Popularity • 39% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
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Hannah Telle
More Like Her
125 bpm • E Maj • 03:07 • -11.81db
10% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Blind Pilot
I Buried a Bone
125 bpm • F Maj • 02:39 • -12.04db
52% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Domini Forster
Little Dreamer
124 bpm • F Maj • 03:29 • -8.63db
24% Popularity • 48% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 48% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Besides Daniel
Learn How to Fight (Acoustic)
126 bpm • F# Maj • 05:15 • -15db
24% Popularity • 56% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 56% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Brittain Ashford
Please Leave a Light on When You Go
124 bpm • C Maj • 02:26 • -10db
27% Popularity • 33% Danceability • 23% Energy • 11% Liveness
60% Instrumentalness • 41% Positiveness
27% Popularity • 33% Danceability • 23% Energy • 11% Liveness
60% Instrumentalness • 41% Positiveness
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The Crane Wives
Keep You Safe
124 bpm • A# Maj • 04:11 • -9.45db
45% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Said The Whale
Curse Of The Currents
124 bpm • D# Maj • 05:11 • -13.51db
22% Popularity • 72% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 72% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Lumineers
Sick In The Head
124 bpm • G Maj • 02:31 • -11.79db
45% Popularity • 60% Danceability • 36% Energy • 34% Liveness
7% Instrumentalness • 40% Positiveness
45% Popularity • 60% Danceability • 36% Energy • 34% Liveness
7% Instrumentalness • 40% Positiveness
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Of Monsters and Men
Human
126 bpm • E min • 03:57 • -5.41db
51% Popularity • 52% Danceability • 73% Energy • 16% Liveness
57% Instrumentalness • 18% Positiveness
51% Popularity • 52% Danceability • 73% Energy • 16% Liveness
57% Instrumentalness • 18% Positiveness
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aeseaes
Mahogany
126 bpm • C# Maj • 04:07 • -9.36db
27% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Hannah Telle
Obstacles
126 bpm • D# Maj • 03:23 • -17.95db
25% Popularity • 61% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
25% Popularity • 61% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
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Covey
Fractured Brain
124 bpm • B Maj • 04:12 • -9.57db
20% Popularity • 37% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 37% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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The Hush Sound
That's Okay
124 bpm • C Maj • 03:16 • -7.02db
31% Popularity • 60% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 60% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Right Away, Great Captain!
Right Ahead, You Sailor!
124 bpm • A# min • 01:54 • -16.61db
33% Popularity • 71% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 71% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Manchester Orchestra
Allentown
126 bpm • C Maj • 03:13 • -10.58db
30% Popularity • 40% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 40% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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aeseaes
Bloodlust
124 bpm • A# Maj • 03:01 • -8.49db
40% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Blind Pilot
Poor Boy
126 bpm • C# Maj • 04:06 • -14.27db
37% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
37% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Of Monsters and Men
King And Lionheart
127 bpm • D# Maj • 04:33 • -6.52db
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Isobel Knight
Up There
127 bpm • E Maj • 04:22 • -16db
21% Popularity • 51% Danceability • 14% Energy • 9% Liveness
9% Instrumentalness • 11% Positiveness
21% Popularity • 51% Danceability • 14% Energy • 9% Liveness
9% Instrumentalness • 11% Positiveness
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The Greeting Committee
Elise
123 bpm • C Maj • 04:14 • -13.16db
43% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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LJ Mercer
home in a life.
123 bpm • A Maj • 02:44 • -16.17db
30% Popularity • 59% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 59% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jhameel
Soldier's Daughter
123 bpm • G# Maj • 03:02 • -7.92db
21% Popularity • 85% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 85% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Radical Face
Nightclothes
127 bpm • C# Maj • 06:54 • -12db
24% Popularity • 53% Danceability • 26% Energy • 36% Liveness
7% Instrumentalness • 5% Positiveness
24% Popularity • 53% Danceability • 26% Energy • 36% Liveness
7% Instrumentalness • 5% Positiveness
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Of Monsters and Men
King And Lionheart - 2011 Iceland Releas...
127 bpm • D# Maj • 04:44 • -6.44db
29% Popularity • 53% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 53% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jukebox The Ghost
Hold It In (Acoustic)
127 bpm • F Maj • 03:28 • -7.53db
13% Popularity • 77% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 77% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Charlie Allen
Eulogy
127 bpm • F Maj • 04:53 • -15db
25% Popularity • 53% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 53% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Saintseneca
Pillar of Na
128 bpm • G min • 08:42 • -7.55db
31% Popularity • 36% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 36% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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The Amazing Devil
Shower Day
128 bpm • F min • 04:27 • -13db
38% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Run River North
Foxbeard
128 bpm • C Maj • 04:23 • -8.61db
25% Popularity • 53% Danceability • 44% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
25% Popularity • 53% Danceability • 44% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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The Last Bison
She Always Waves at the Gate
128 bpm • G Maj • 03:32 • -16.14db
9% Popularity • 54% Danceability • 19% Energy • 13% Liveness
38% Instrumentalness • 21% Positiveness
9% Popularity • 54% Danceability • 19% Energy • 13% Liveness
38% Instrumentalness • 21% Positiveness
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Vienna Teng
Stray Italian Greyhound
122 bpm • B Maj • 04:06 • -9.02db
33% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Regina Spektor
Call Them Brothers
128 bpm • G# min • 03:07 • -8.25db
39% Popularity • 44% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 44% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Brolly
They Run, They Hide
122 bpm • C min • 04:32 • -8db
20% Popularity • 51% Danceability • 67% Energy • 37% Liveness
3% Instrumentalness • 30% Positiveness
20% Popularity • 51% Danceability • 67% Energy • 37% Liveness
3% Instrumentalness • 30% Positiveness
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Roo Panes
Land Of The Living
122 bpm • F Maj • 04:24 • -8.8db
46% Popularity • 51% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 51% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jealous of the Birds
Miss Misanthrope
122 bpm • B Maj • 03:55 • -14db
28% Popularity • 51% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
28% Popularity • 51% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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Margot & The Nuclear So And So's
Talking In Code
128 bpm • C Maj • 03:44 • -5.96db
18% Popularity • 33% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 33% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Blind Pilot
Always
122 bpm • F Maj • 02:26 • -9.93db
43% Popularity • 66% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 91% Positiveness
43% Popularity • 66% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 91% Positiveness
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Radical Face
Letters Home (Aftermath)
129 bpm • F# Maj • 01:17 • -19.45db
26% Popularity • 47% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 14% Positiveness
26% Popularity • 47% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 14% Positiveness
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Jayne Trimble
Meet You At The Gate
122 bpm • D Maj • 03:47 • -12.4db
16% Popularity • 60% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
16% Popularity • 60% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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Annalise Emerick
Twinkling Lights
129 bpm • B Maj • 04:18 • -8.23db
39% Popularity • 62% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 62% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Right Away, Great Captain!
Barely Bit Me
129 bpm • E min • 03:00 • -13.31db
25% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Margot & The Nuclear So And So's
Broadripple Is Burning
129 bpm • A min • 04:23 • -6.37db
25% Popularity • 57% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 57% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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The Hunts
Ages
121 bpm • G Maj • 03:10 • -6db
27% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Vian Izak
Things Will Get Better
121 bpm • D Maj • 01:53 • -10.25db
51% Popularity • 77% Danceability • 40% Energy • 7% Liveness
48% Instrumentalness • 76% Positiveness
51% Popularity • 77% Danceability • 40% Energy • 7% Liveness
48% Instrumentalness • 76% Positiveness
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My Name Is Ian
In the Best Case Scenario We'd Die at th...
129 bpm • D Maj • 03:57 • -9.83db
33% Popularity • 54% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 54% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Amazing Devil
Elsa’s Song
121 bpm • C# min • 02:41 • -22.19db
43% Popularity • 60% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 60% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Stars
Personal
130 bpm • G# Maj • 04:07 • -18.39db
28% Popularity • 58% Danceability • 18% Energy • 23% Liveness
7% Instrumentalness • 14% Positiveness
28% Popularity • 58% Danceability • 18% Energy • 23% Liveness
7% Instrumentalness • 14% Positiveness
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Mega Mango
You Spent All Your Love
130 bpm • D# Maj • 04:54 • -15.11db
35% Popularity • 39% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 39% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Keaton Henson
Milk Teeth
120 bpm • C# min • 03:51 • -13.36db
24% Popularity • 40% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 40% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Radical Face
Bad Blood
130 bpm • F# Maj • 04:50 • -11.9db
21% Popularity • 41% Danceability • 19% Energy • 6% Liveness
3% Instrumentalness • 17% Positiveness
21% Popularity • 41% Danceability • 19% Energy • 6% Liveness
3% Instrumentalness • 17% Positiveness
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Cloud Cult
No Hell
130 bpm • D Maj • 04:36 • -13.55db
29% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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War Is Over
Angelica's Room
130 bpm • C Maj • 04:04 • -12.62db
22% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Tom Rosenthal
Forests on the Way There
130 bpm • D# Maj • 01:57 • -9.78db
32% Popularity • 66% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
32% Popularity • 66% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Juniper Vale
Will I Find My Home - Acoustic Version
120 bpm • C Maj • 03:33 • -6.8db
44% Popularity • 65% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 65% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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The Paper Kites
Willow Tree March
120 bpm • E min • 04:36 • -9.23db
43% Popularity • 60% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 60% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Radical Face
Dreamless Sleep
120 bpm • G Maj • 03:19 • -15.46db
25% Popularity • 46% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 46% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Bronze Radio Return
Everything Moves
130 bpm • G min • 03:23 • -4.78db
48% Popularity • 63% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 63% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Cloud Cult
Come Home
130 bpm • G Maj • 03:29 • -15.34db
24% Popularity • 57% Danceability • 20% Energy • 36% Liveness
1% Instrumentalness • 18% Positiveness
24% Popularity • 57% Danceability • 20% Energy • 36% Liveness
1% Instrumentalness • 18% Positiveness
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The Amazing Devil
Inkpot Gods
120 bpm • G# Maj • 04:58 • -9.49db
50% Popularity • 55% Danceability • 61% Energy • 32% Liveness
5% Instrumentalness • 33% Positiveness
50% Popularity • 55% Danceability • 61% Energy • 32% Liveness
5% Instrumentalness • 33% Positiveness
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Sufjan Stevens
John My Beloved
120 bpm • G Maj • 05:04 • -23.02db
50% Popularity • 58% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 58% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Zucchini Drive
Come Hungry
120 bpm • A min • 04:03 • -8.76db
3% Popularity • 39% Danceability • 38% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
3% Popularity • 39% Danceability • 38% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
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Birdtalker
Better in the Morning
130 bpm • A# Maj • 02:44 • -13.87db
46% Popularity • 47% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
46% Popularity • 47% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Covey
Bows
120 bpm • C Maj • 03:40 • -9.95db
40% Popularity • 48% Danceability • 42% Energy • 10% Liveness
66% Instrumentalness • 11% Positiveness
40% Popularity • 48% Danceability • 42% Energy • 10% Liveness
66% Instrumentalness • 11% Positiveness
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Flower Face
Honey and Milk
120 bpm • C Maj • 03:43 • -12db
38% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Amazing Devil
Ruin
120 bpm • C Maj • 04:47 • -18.29db
39% Popularity • 61% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 61% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Bendigo Fletcher
Wonderfully Bizarre
131 bpm • E Maj • 05:20 • -10.5db
39% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Keaton Henson
On the News
131 bpm • E Maj • 03:22 • -14.02db
20% Popularity • 35% Danceability • 26% Energy • 13% Liveness
72% Instrumentalness • 21% Positiveness
20% Popularity • 35% Danceability • 26% Energy • 13% Liveness
72% Instrumentalness • 21% Positiveness
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Tom Rosenthal
All of Them Dreams
131 bpm • D min • 02:32 • -14.68db
39% Popularity • 45% Danceability • 18% Energy • 13% Liveness
22% Instrumentalness • 25% Positiveness
39% Popularity • 45% Danceability • 18% Energy • 13% Liveness
22% Instrumentalness • 25% Positiveness
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Kevin Atwater
my blood is your blood
119 bpm • C# Maj • 03:01 • -12.8db
36% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Vian Izak
Witchcraft
131 bpm • D Maj • 01:49 • -11db
48% Popularity • 42% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 42% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Citrus Trees
Hestia
131 bpm • D Maj • 03:47 • -19.11db
31% Popularity • 65% Danceability • 18% Energy • 11% Liveness
29% Instrumentalness • 8% Positiveness
31% Popularity • 65% Danceability • 18% Energy • 11% Liveness
29% Instrumentalness • 8% Positiveness
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The Buddy System
Platonic Pairs
119 bpm • E Maj • 02:24 • -13.27db
27% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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An Atlas to Follow
If Only You Knew
131 bpm • F# Maj • 03:54 • -10.24db
9% Popularity • 65% Danceability • 52% Energy • 10% Liveness
44% Instrumentalness • 69% Positiveness
9% Popularity • 65% Danceability • 52% Energy • 10% Liveness
44% Instrumentalness • 69% Positiveness
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Hozier
In A Week
131 bpm • C Maj • 05:18 • -12db
54% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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The Yellow Dress
A Complete List of Fears Ages 5-28 (Apro...
131 bpm • C# Maj • 04:21 • -6db
37% Popularity • 43% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 43% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Vian Izak
Marble Floors
118 bpm • D# Maj • 03:57 • -8.81db
29% Popularity • 36% Danceability • 33% Energy • 9% Liveness
10% Instrumentalness • 13% Positiveness
29% Popularity • 36% Danceability • 33% Energy • 9% Liveness
10% Instrumentalness • 13% Positiveness
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Right Away, Great Captain!
Sacred Heart (A Sailors Drunken Eulogy)
132 bpm • C# Maj • 02:21 • -23.27db
25% Popularity • 72% Danceability • 22% Energy • 11% Liveness
15% Instrumentalness • 43% Positiveness
25% Popularity • 72% Danceability • 22% Energy • 11% Liveness
15% Instrumentalness • 43% Positiveness
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BL
Garden in the Backyard
132 bpm • E Maj • 03:48 • -12.95db
33% Popularity • 59% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 59% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Sea Wolf
Bergamot Morning
132 bpm • E min • 03:28 • -11.12db
30% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Roland Faunte
Anchor
132 bpm • C Maj • 04:14 • -11.71db
27% Popularity • 63% Danceability • 15% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
27% Popularity • 63% Danceability • 15% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
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Bug Hunter
Take It Back
132 bpm • E Maj • 05:00 • -9db
30% Popularity • 77% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 77% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Keaton Henson
Flesh And Bone
132 bpm • A Maj • 04:32 • -10.4db
35% Popularity • 52% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 52% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Right Away, Great Captain!
Like Lions Do
118 bpm • D min • 04:02 • -22.08db
23% Popularity • 74% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 74% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Yellow Dress
Tummy in the Blood
132 bpm • A# Maj • 04:38 • -5.75db
22% Popularity • 51% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 51% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Tommy Bravos
Parking Garage
132 bpm • E Maj • 04:30 • -6.45db
27% Popularity • 30% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 30% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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The Amazing Devil
Welly Boots
133 bpm • E min • 05:23 • -11.09db
45% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Crane Wives
Nothing at All
118 bpm • C Maj • 03:47 • -9.18db
40% Popularity • 36% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 36% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Anjimile
Maker - Acoustic Version
118 bpm • A Maj • 05:01 • -12.51db
24% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Right Away, Great Captain!
I Was a Cage
118 bpm • D# Maj • 04:29 • -8.34db
27% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Run River North
The Girl
117 bpm • A Maj • 04:19 • -4.72db
20% Popularity • 37% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 37% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Silences
Emma
133 bpm • C min • 03:24 • -10.14db
24% Popularity • 37% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 37% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Tall Heights
To Be Young
117 bpm • D Maj • 04:27 • -11.43db
29% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Winter Aid
The Night Is an Ocean
117 bpm • G Maj • 04:03 • -13.1db
44% Popularity • 57% Danceability • 22% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
44% Popularity • 57% Danceability • 22% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
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Nik Ammar
Glass Walls
117 bpm • C Maj • 03:19 • -7.23db
36% Popularity • 58% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 58% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
