Songs like Small Steps by Somniacs
Based on a tempo of (+/- 10%) and a similar genre
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John Hayes
Carry
119 bpm • G# min • 03:40 • -30.17db
23% Popularity • 34% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
23% Popularity • 34% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Jackson Love
Somewhere In Time Var. 2
119 bpm • A min • 04:24 • -24.26db
22% Popularity • 37% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
22% Popularity • 37% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Somniacs
Small Steps
119 bpm • G Maj • 01:57 • -25db
15% Popularity • 53% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
15% Popularity • 53% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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Jon Winterstein
Amber Eyes
120 bpm • F min • 02:51 • -30db
28% Popularity • 53% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 37% Positiveness
28% Popularity • 53% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 37% Positiveness
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Mino Monterosso
All that Glitters
118 bpm • G# Maj • 02:41 • -32.34db
33% Popularity • 40% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
33% Popularity • 40% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Daniel Feinberg
The One with the Tickets - Bzur Remix
120 bpm • C Maj • 02:53 • -11.31db
0% Popularity • 67% Danceability • 58% Energy • 26% Liveness
3% Instrumentalness • 50% Positiveness
0% Popularity • 67% Danceability • 58% Energy • 26% Liveness
3% Instrumentalness • 50% Positiveness
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Zygmunt Czarnecki
Kazimierz Dolny
118 bpm • G min • 01:47 • -21.15db
29% Popularity • 33% Danceability • 14% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
29% Popularity • 33% Danceability • 14% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
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Jef Martens
Wolf and Her
120 bpm • G# Maj • 02:07 • -31db
33% Popularity • 49% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
33% Popularity • 49% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Somniacs
Wave After Wave
120 bpm • F Maj • 02:03 • -22.69db
23% Popularity • 44% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
23% Popularity • 44% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
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Jon Winterstein
Butterflies
120 bpm • G Maj • 02:57 • -22.65db
18% Popularity • 53% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 57% Positiveness
18% Popularity • 53% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 57% Positiveness
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Ever So Blue
Traces
118 bpm • F Maj • 02:01 • -26.29db
43% Popularity • 44% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
43% Popularity • 44% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Judson Hurd
Silent Spring
120 bpm • C Maj • 01:44 • -23db
18% Popularity • 79% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 43% Positiveness
18% Popularity • 79% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 43% Positiveness
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Mewael Yemane
Wishes
118 bpm • A min • 01:38 • -27.06db
44% Popularity • 47% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
44% Popularity • 47% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Jonas Holmes
Flying South
120 bpm • D# Maj • 02:02 • -28db
35% Popularity • 40% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
35% Popularity • 40% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Michael Ottosson
A Place To Call Home
118 bpm • F Maj • 03:08 • -25.49db
34% Popularity • 44% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
34% Popularity • 44% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Somniacs
By Noon
121 bpm • G min • 02:20 • -22.57db
18% Popularity • 56% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
18% Popularity • 56% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Stephan Neudorf
Palmaille
116 bpm • C Maj • 01:37 • -22.18db
19% Popularity • 35% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
19% Popularity • 35% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
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GÃ…EL
I Remember
116 bpm • C# Maj • 02:22 • -26.18db
38% Popularity • 45% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
38% Popularity • 45% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Mewael Yemane
In your eyes
117 bpm • D# min • 02:16 • -25.46db
30% Popularity • 29% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
30% Popularity • 29% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Ever So Blue
At Dawn
116 bpm • D Maj • 02:16 • -25db
52% Popularity • 62% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
52% Popularity • 62% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Andy Salvanos
Song for Ulrike and Hubert
116 bpm • A# min • 02:47 • -17.25db
21% Popularity • 51% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
21% Popularity • 51% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Pontiver Bogross
Die Blaue Blume
122 bpm • C Maj • 03:14 • -25db
4% Popularity • 38% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
4% Popularity • 38% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Alstad
When the Party's Over
122 bpm • A Maj • 02:45 • -27.94db
20% Popularity • 37% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
20% Popularity • 37% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Thomas Andersen
She Found the Portal
122 bpm • C Maj • 02:03 • -16.49db
15% Popularity • 69% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
15% Popularity • 69% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
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Jenny Lange
Wheels in Motion
116 bpm • G# Maj • 03:08 • -32.04db
39% Popularity • 31% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
39% Popularity • 31% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Amalgamare
Spain
123 bpm • B min • 02:43 • -22.55db
23% Popularity • 45% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
23% Popularity • 45% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Daniel Ketchum
Chante Ishta
122 bpm • A# Maj • 03:38 • -32.25db
15% Popularity • 30% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
15% Popularity • 30% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Jonas Oskar
Drifting
123 bpm • D# Maj • 02:38 • -30.84db
32% Popularity • 50% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
32% Popularity • 50% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
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Atoka
Sanctuary
115 bpm • F Maj • 01:58 • -28.51db
22% Popularity • 37% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
22% Popularity • 37% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
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Thomas Andersen
We Should Clean Up Before Bed
115 bpm • G min • 02:28 • -19.58db
19% Popularity • 52% Danceability • 14% Energy • 15% Liveness
91% Instrumentalness • 40% Positiveness
19% Popularity • 52% Danceability • 14% Energy • 15% Liveness
91% Instrumentalness • 40% Positiveness
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Jacob David
By the Swings
124 bpm • F# Maj • 03:38 • -27.92db
20% Popularity • 41% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 40% Positiveness
20% Popularity • 41% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 40% Positiveness
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Amalgamare
Lofoten Islands
115 bpm • A# Maj • 03:38 • -24.51db
25% Popularity • 33% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 33% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Somniacs
A Quiet Place
124 bpm • C# Maj • 02:16 • -25.61db
14% Popularity • 52% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
14% Popularity • 52% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
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Anna Yarbrough
How Things Used To Be
114 bpm • F# Maj • 02:18 • -27.33db
21% Popularity • 59% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
21% Popularity • 59% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Michi Oskah
Climb
124 bpm • A Maj • 01:47 • -23.99db
26% Popularity • 46% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
26% Popularity • 46% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Pieter Savenberg
Fragile Oasis
124 bpm • G# Maj • 03:14 • -23.29db
22% Popularity • 39% Danceability • 2% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
22% Popularity • 39% Danceability • 2% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
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Thomas Andersen
Fog
114 bpm • A min • 02:25 • -21.89db
17% Popularity • 59% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
17% Popularity • 59% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Pied-Ã -Terre
Memoir
124 bpm • C Maj • 03:22 • -22.99db
37% Popularity • 54% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 29% Positiveness
37% Popularity • 54% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 29% Positiveness
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Somniacs
Mellow Summer
124 bpm • E Maj • 01:57 • -15.05db
31% Popularity • 68% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
31% Popularity • 68% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
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Arelius
20/20
114 bpm • D# Maj • 01:46 • -24.84db
35% Popularity • 39% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
35% Popularity • 39% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
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Doris Casella
Anwyll
125 bpm • G min • 02:28 • -25.1db
31% Popularity • 41% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
31% Popularity • 41% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Muriël Bostdorp
Inside
113 bpm • G min • 02:18 • -30.02db
23% Popularity • 44% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 27% Positiveness
23% Popularity • 44% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 27% Positiveness
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Thomas Andersen
Moon Over Lake Baikal
125 bpm • D min • 02:47 • -28db
35% Popularity • 46% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
35% Popularity • 46% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Manuel Zito
Rose
113 bpm • B Maj • 03:20 • -25.96db
20% Popularity • 48% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
20% Popularity • 48% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Ixonia
Almost There
113 bpm • G# Maj • 01:41 • -24.22db
17% Popularity • 50% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
17% Popularity • 50% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Francie Stooge
Unity
113 bpm • F Maj • 02:18 • -23.25db
17% Popularity • 49% Danceability • 3% Energy • 15% Liveness
96% Instrumentalness • 38% Positiveness
17% Popularity • 49% Danceability • 3% Energy • 15% Liveness
96% Instrumentalness • 38% Positiveness
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Piotr Miteska
A Drift in Time
125 bpm • G Maj • 02:40 • -26.63db
35% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
35% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Muriël Bostdorp
Lost In The Right Direction
113 bpm • B min • 02:55 • -27.02db
32% Popularity • 38% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
32% Popularity • 38% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Leroy Bolander
That day
113 bpm • E Maj • 01:58 • -25.71db
31% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Karim Blau
Answers
125 bpm • D Maj • 03:43 • -25.97db
11% Popularity • 45% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
11% Popularity • 45% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Somniacs
First Ballet Class
126 bpm • G Maj • 02:19 • -17.35db
15% Popularity • 57% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
15% Popularity • 57% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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MettaForm
The Heart has its Reasons
126 bpm • G# Maj • 02:05 • -30.78db
44% Popularity • 57% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
44% Popularity • 57% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
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Milana Zilnik
8PM: Shadows
113 bpm • C min • 04:07 • -27.33db
14% Popularity • 44% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
14% Popularity • 44% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Francesca Caroléo
Valerian
113 bpm • A# Maj • 02:49 • -27.81db
42% Popularity • 42% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 12% Positiveness
42% Popularity • 42% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 12% Positiveness
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Thomas Andersen
Beginnings
126 bpm • G min • 01:55 • -22.6db
34% Popularity • 68% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
34% Popularity • 68% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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The Piano Lover
La terrasse
126 bpm • D Maj • 02:30 • -19.24db
21% Popularity • 51% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
21% Popularity • 51% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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Falerina Paquet
Fin de l'été
112 bpm • D# min • 01:53 • -24.29db
38% Popularity • 31% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
38% Popularity • 31% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
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bzur
L'immensità di un atomo
112 bpm • C min • 03:25 • -26.82db
6% Popularity • 46% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
6% Popularity • 46% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Jef Martens
When She Flows
126 bpm • D# min • 02:10 • -27.25db
42% Popularity • 36% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
42% Popularity • 36% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Léon Branche
Maestro Dell'Invisibile
126 bpm • D# min • 02:29 • -20.55db
30% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
30% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Thomas Andersen
We Live Here
112 bpm • A min • 01:34 • -20.78db
25% Popularity • 65% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
25% Popularity • 65% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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Lea Lewis
Time Will Tell
126 bpm • G# Maj • 02:07 • -28.21db
36% Popularity • 42% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
36% Popularity • 42% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Robin Bennich
Free Fall
126 bpm • B Maj • 01:41 • -19.22db
49% Popularity • 30% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
49% Popularity • 30% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Megan Wofford
Dear Mama
112 bpm • C# Maj • 03:16 • -17.21db
33% Popularity • 65% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
33% Popularity • 65% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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Shaunta Coburn
Grateful
112 bpm • C Maj • 02:25 • -26db
34% Popularity • 56% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
34% Popularity • 56% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Amity Fall
Duende
112 bpm • G Maj • 02:31 • -27.84db
45% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
45% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Thomas Andersen
Andes
112 bpm • A min • 02:04 • -25.37db
33% Popularity • 58% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
33% Popularity • 58% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Frantz Langdon
Sapiens
127 bpm • G# Maj • 03:05 • -20.68db
25% Popularity • 52% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
25% Popularity • 52% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
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Jacco Wynia
Fleur février
111 bpm • D# Maj • 04:13 • -21.74db
13% Popularity • 43% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
13% Popularity • 43% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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William Ogmundson
Passage of Time
111 bpm • A min • 04:07 • -23.4db
17% Popularity • 62% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
17% Popularity • 62% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Day Blue
To Be Loved
111 bpm • D# Maj • 02:32 • -26.8db
47% Popularity • 55% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
47% Popularity • 55% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Brightsand
Black Picket Fence
111 bpm • A min • 02:42 • -17.36db
21% Popularity • 59% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 59% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Wilmer Norman
Age Of The Farmer
128 bpm • C Maj • 03:28 • -27.98db
9% Popularity • 51% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
9% Popularity • 51% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Louise Lennehan
The Sacred Self
111 bpm • G Maj • 04:40 • -24db
17% Popularity • 40% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
17% Popularity • 40% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
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Amalgamare
Abyss
110 bpm • A min • 02:03 • -22db
24% Popularity • 55% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
24% Popularity • 55% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
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Jacob David
Judith
111 bpm • G min • 02:55 • -26db
40% Popularity • 42% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
40% Popularity • 42% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
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Rich Batsford
Ephemeral
110 bpm • A min • 02:26 • -25db
37% Popularity • 58% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
37% Popularity • 58% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
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Vail Bizier
Ce n’est pas la mer à boire
110 bpm • D Maj • 02:31 • -22.47db
27% Popularity • 47% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
27% Popularity • 47% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Richard Hellgren
Surfacing
110 bpm • C Maj • 02:08 • -25db
35% Popularity • 44% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 45% Positiveness
35% Popularity • 44% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 45% Positiveness
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Laurence Ipsum
Not Dark Yet
110 bpm • A# Maj • 02:40 • -28.31db
25% Popularity • 56% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
25% Popularity • 56% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
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Arelius
Winter
129 bpm • C min • 01:32 • -20.95db
39% Popularity • 34% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
39% Popularity • 34% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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MettaForm
Warm Embrace
109 bpm • A Maj • 01:50 • -29.19db
54% Popularity • 67% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 51% Positiveness
54% Popularity • 67% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 51% Positiveness
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Antarctic Wastelands
Falling Upwards
129 bpm • D# Maj • 01:41 • -25.02db
21% Popularity • 19% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
21% Popularity • 19% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Amalgamare
Ghost Train
109 bpm • C Maj • 02:08 • -21.69db
30% Popularity • 52% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
30% Popularity • 52% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
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Hayden Cargile
Scarlet Macaw
130 bpm • E Maj • 02:22 • -27.83db
35% Popularity • 28% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 45% Positiveness
35% Popularity • 28% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 45% Positiveness
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Felix Martinz
Sunne
109 bpm • G Maj • 03:57 • -28.69db
11% Popularity • 31% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
11% Popularity • 31% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
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Hiroko Murakami
Everlasting Oath
130 bpm • F min • 02:50 • -29.63db
28% Popularity • 43% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
28% Popularity • 43% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
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Christopher Dicker
A Time For Conscience
130 bpm • A min • 04:03 • -26.99db
33% Popularity • 27% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
33% Popularity • 27% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Norman Dueck
Forever
109 bpm • F min • 02:10 • -29.6db
19% Popularity • 47% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 64% Positiveness
19% Popularity • 47% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 64% Positiveness
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Andrea Carri
Kenopsia
131 bpm • G min • 03:38 • -14.15db
1% Popularity • 34% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
1% Popularity • 34% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Alstad
When We Were Younger
131 bpm • G min • 02:57 • -30.19db
13% Popularity • 27% Danceability • 5% Energy • 17% Liveness
86% Instrumentalness • 11% Positiveness
13% Popularity • 27% Danceability • 5% Energy • 17% Liveness
86% Instrumentalness • 11% Positiveness
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Xrisma
There Is a Hope
131 bpm • G# min • 01:50 • -24.08db
34% Popularity • 39% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 39% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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evighet.
andance
108 bpm • A Maj • 02:45 • -20.72db
25% Popularity • 40% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
25% Popularity • 40% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Josh Kramer
Akogare
131 bpm • D# Maj • 04:13 • -21.36db
13% Popularity • 43% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
13% Popularity • 43% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Pataki Gisella
Zala
131 bpm • F Maj • 01:53 • -23.42db
33% Popularity • 33% Danceability • 23% Energy • 9% Liveness
96% Instrumentalness • 27% Positiveness
33% Popularity • 33% Danceability • 23% Energy • 9% Liveness
96% Instrumentalness • 27% Positiveness
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Julian Ellwood
Heart Questions
108 bpm • F# Maj • 02:21 • -29db
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
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bzur
Reversed Logic II
132 bpm • C Maj • 03:07 • -23.38db
11% Popularity • 72% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
11% Popularity • 72% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
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Chad Lawson
The Waning Moon
107 bpm • F# Maj • 02:56 • -29.2db
33% Popularity • 35% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
33% Popularity • 35% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
