Songs like Smalltown Boy - Reprise 2014 by Bronski Beat
Based on a tempo of (+/- 10%) and a similar genre
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It's Immaterial
Driving Away From Home (Jim's Tune)
112 bpm • G Maj • 04:13 • -14.23db
36% Popularity • 59% Danceability • 74% Energy • 34% Liveness
26% Instrumentalness • 90% Positiveness
36% Popularity • 59% Danceability • 74% Energy • 34% Liveness
26% Instrumentalness • 90% Positiveness
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Black
Wicked Game
112 bpm • B min • 04:49 • -9.03db
11% Popularity • 60% Danceability • 68% Energy • 20% Liveness
37% Instrumentalness • 43% Positiveness
11% Popularity • 60% Danceability • 68% Energy • 20% Liveness
37% Instrumentalness • 43% Positiveness
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Bronski Beat
Smalltown Boy - Reprise 2014
112 bpm • A# Maj • 02:45 • -8db
40% Popularity • 66% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
40% Popularity • 66% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Talk Talk
Such a Shame
112 bpm • D# min • 04:17 • -11.43db
57% Popularity • 60% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
57% Popularity • 60% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Mike Scott
Bring 'Em All In
112 bpm • E min • 03:58 • -15db
40% Popularity • 55% Danceability • 26% Energy • 8% Liveness
39% Instrumentalness • 54% Positiveness
40% Popularity • 55% Danceability • 26% Energy • 8% Liveness
39% Instrumentalness • 54% Positiveness
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The Communards
You Are My World
112 bpm • G Maj • 04:27 • -7.04db
40% Popularity • 53% Danceability • 80% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 53% Danceability • 80% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
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Sophie Zelmani
How It Feels
112 bpm • B min • 03:55 • -14db
38% Popularity • 94% Danceability • 31% Energy • 11% Liveness
72% Instrumentalness • 72% Positiveness
38% Popularity • 94% Danceability • 31% Energy • 11% Liveness
72% Instrumentalness • 72% Positiveness
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Nits
Three Sisters
111 bpm • A min • 04:17 • -10.77db
18% Popularity • 69% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 69% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Visage
Fade To Grey - Extended Version
113 bpm • A min • 08:37 • -7db
40% Popularity • 67% Danceability • 68% Energy • 14% Liveness
25% Instrumentalness • 81% Positiveness
40% Popularity • 67% Danceability • 68% Energy • 14% Liveness
25% Instrumentalness • 81% Positiveness
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Paul Weller
Black Is The Colour
113 bpm • C# min • 03:29 • -10db
33% Popularity • 55% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 55% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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a-ha
The Living Daylights - MTV Unplugged
111 bpm • G min • 05:49 • -8.54db
31% Popularity • 58% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 58% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Sananda Maitreya
Delicate
113 bpm • F min • 04:16 • -7.91db
44% Popularity • 58% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 58% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Talk Talk
Living in Another World - 1997 Remaster
111 bpm • A min • 06:58 • -8.45db
50% Popularity • 56% Danceability • 86% Energy • 22% Liveness
18% Instrumentalness • 94% Positiveness
50% Popularity • 56% Danceability • 86% Energy • 22% Liveness
18% Instrumentalness • 94% Positiveness
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Cult With No Name
Swept Away
111 bpm • G# min • 03:40 • -10.91db
18% Popularity • 57% Danceability • 30% Energy • 9% Liveness
80% Instrumentalness • 7% Positiveness
18% Popularity • 57% Danceability • 30% Energy • 9% Liveness
80% Instrumentalness • 7% Positiveness
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Visage
Fade To Grey
112 bpm • D min • 03:59 • -17.15db
64% Popularity • 60% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
64% Popularity • 60% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
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Fine Young Cannibals
I'm Not the Man I Used to Be
110 bpm • G min • 04:18 • -12.57db
49% Popularity • 81% Danceability • 63% Energy • 6% Liveness
16% Instrumentalness • 87% Positiveness
49% Popularity • 81% Danceability • 63% Energy • 6% Liveness
16% Instrumentalness • 87% Positiveness
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Archive
End of Our Days
114 bpm • A# min • 04:52 • -11.84db
38% Popularity • 39% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 39% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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The Communards
Breadline Britain
114 bpm • C min • 02:31 • -11.25db
24% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Associates
Breakfast
110 bpm • A min • 05:34 • -13.06db
21% Popularity • 57% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 57% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Talk Talk
Living in Another World - Single Version
110 bpm • A min • 04:14 • -8.11db
30% Popularity • 58% Danceability • 89% Energy • 57% Liveness
20% Instrumentalness • 92% Positiveness
30% Popularity • 58% Danceability • 89% Energy • 57% Liveness
20% Instrumentalness • 92% Positiveness
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Visage
Fade To Grey - Orchestral Version
113 bpm • A min • 05:52 • -8.41db
15% Popularity • 45% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 45% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Moby
Natural Blues - Reprise Version
114 bpm • B min • 04:30 • -6.76db
40% Popularity • 51% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 51% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Marianne Faithfull
Working Class Hero
110 bpm • F Maj • 04:41 • -17.06db
35% Popularity • 56% Danceability • 20% Energy • 17% Liveness
19% Instrumentalness • 21% Positiveness
35% Popularity • 56% Danceability • 20% Energy • 17% Liveness
19% Instrumentalness • 21% Positiveness
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Shindig Society
Philadelphia
114 bpm • F Maj • 04:08 • -11db
30% Popularity • 59% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
30% Popularity • 59% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Michael Hutchence
Slide Away
110 bpm • C Maj • 04:22 • -9.26db
31% Popularity • 67% Danceability • 61% Energy • 9% Liveness
32% Instrumentalness • 17% Positiveness
31% Popularity • 67% Danceability • 61% Energy • 9% Liveness
32% Instrumentalness • 17% Positiveness
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Talk Talk
Such a Shame - 1997 Remaster
114 bpm • D Maj • 05:35 • -8db
47% Popularity • 64% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 10% Positiveness
47% Popularity • 64% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 10% Positiveness
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The Walkabouts
The Light Will Stay On
110 bpm • G# Maj • 05:26 • -10.09db
36% Popularity • 33% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
36% Popularity • 33% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
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Japan
Nightporter - Remastered 2003
110 bpm • A min • 06:59 • -15.39db
39% Popularity • 52% Danceability • 14% Energy • 12% Liveness
30% Instrumentalness • 9% Positiveness
39% Popularity • 52% Danceability • 14% Energy • 12% Liveness
30% Instrumentalness • 9% Positiveness
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Thomas Dolby
I Scare Myself
109 bpm • C# Maj • 05:36 • -9.19db
39% Popularity • 76% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
39% Popularity • 76% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
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Antony and the Johnsons
Crazy In Love
109 bpm • C min • 04:47 • -12.75db
28% Popularity • 33% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 33% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Stuart A. Staples
That Leaving Feeling
109 bpm • F# min • 04:02 • -9db
35% Popularity • 36% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 36% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Cock Robin
Just Around The Corner - Live acoustique...
115 bpm • D Maj • 04:10 • -11.08db
29% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Muki
I Don't Want To Know
109 bpm • D min • 04:03 • -9.84db
19% Popularity • 74% Danceability • 40% Energy • 79% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 74% Danceability • 40% Energy • 79% Liveness
0% Instrumentalness • 68% Positiveness
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Skye
Solitary
109 bpm • D Maj • 04:15 • -10.14db
22% Popularity • 68% Danceability • 47% Energy • 10% Liveness
17% Instrumentalness • 28% Positiveness
22% Popularity • 68% Danceability • 47% Energy • 10% Liveness
17% Instrumentalness • 28% Positiveness
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Kate Bush
Running Up That Hill (A Deal With God) -...
109 bpm • A min • 05:31 • -15db
35% Popularity • 60% Danceability • 52% Energy • 10% Liveness
78% Instrumentalness • 15% Positiveness
35% Popularity • 60% Danceability • 52% Energy • 10% Liveness
78% Instrumentalness • 15% Positiveness
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Bronski Beat
Love and Money
109 bpm • A# Maj • 05:11 • -9.32db
32% Popularity • 59% Danceability • 59% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
32% Popularity • 59% Danceability • 59% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
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Blancmange
The Day Before You Came - Extended
116 bpm • C min • 07:59 • -14db
25% Popularity • 75% Danceability • 57% Energy • 8% Liveness
23% Instrumentalness • 85% Positiveness
25% Popularity • 75% Danceability • 57% Energy • 8% Liveness
23% Instrumentalness • 85% Positiveness
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Cock Robin
The promise you made
115 bpm • C Maj • 05:41 • -8.28db
36% Popularity • 58% Danceability • 68% Energy • 78% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 58% Danceability • 68% Energy • 78% Liveness
0% Instrumentalness • 25% Positiveness
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Slow Train Soul
Twisted Cupid
116 bpm • C min • 05:16 • -10db
31% Popularity • 77% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 77% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Morcheeba
Wonders Never Cease
108 bpm • E min • 04:13 • -5.18db
40% Popularity • 63% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 63% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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The The
Slow Emotion Replay
108 bpm • B min • 03:56 • -12.3db
7% Popularity • 49% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 49% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Bronski Beat
Infatuation / Memories - 2008 Remastered...
116 bpm • C Maj • 07:09 • -17.53db
17% Popularity • 62% Danceability • 37% Energy • 19% Liveness
18% Instrumentalness • 11% Positiveness
17% Popularity • 62% Danceability • 37% Energy • 19% Liveness
18% Instrumentalness • 11% Positiveness
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Terry Hall
Ballad of a Landlord
108 bpm • A min • 03:53 • -7db
11% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Simply Red
Picture Book - 2008 Remaster
108 bpm • B min • 05:52 • -7.45db
33% Popularity • 69% Danceability • 46% Energy • 9% Liveness
16% Instrumentalness • 34% Positiveness
33% Popularity • 69% Danceability • 46% Energy • 9% Liveness
16% Instrumentalness • 34% Positiveness
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Simone White
The Beep Beep Song
116 bpm • D Maj • 01:39 • -17db
29% Popularity • 66% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 66% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Black
Wonderful Life
108 bpm • G Maj • 05:03 • -14.04db
22% Popularity • 70% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 70% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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Sinéad O'Connor
Troy
116 bpm • A# Maj • 06:31 • -9db
53% Popularity • 32% Danceability • 31% Energy • 44% Liveness
0% Instrumentalness • 18% Positiveness
53% Popularity • 32% Danceability • 31% Energy • 44% Liveness
0% Instrumentalness • 18% Positiveness
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The The
December Sunlight
116 bpm • F Maj • 03:48 • -14.36db
9% Popularity • 61% Danceability • 36% Energy • 52% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 61% Danceability • 36% Energy • 52% Liveness
0% Instrumentalness • 15% Positiveness
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Propaganda
p:Machinery
108 bpm • A# min • 03:48 • -8db
48% Popularity • 63% Danceability • 81% Energy • 28% Liveness
40% Instrumentalness • 74% Positiveness
48% Popularity • 63% Danceability • 81% Energy • 28% Liveness
40% Instrumentalness • 74% Positiveness
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Lloyd Cole
Half Of Everything
108 bpm • D min • 07:03 • -12.53db
18% Popularity • 65% Danceability • 58% Energy • 11% Liveness
21% Instrumentalness • 32% Positiveness
18% Popularity • 65% Danceability • 58% Energy • 11% Liveness
21% Instrumentalness • 32% Positiveness
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Karen Elson
Wonder Blind
108 bpm • D Maj • 03:52 • -11.17db
26% Popularity • 42% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 42% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gloria
This Must Be the Place (Naive Melody)
107 bpm • C Maj • 04:14 • -9.1db
33% Popularity • 80% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 80% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Sinéad O'Connor
Jealous
117 bpm • G# Maj • 04:15 • -12db
39% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Faithless
Crazy English Summer
107 bpm • C# min • 02:43 • -13.61db
41% Popularity • 55% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 55% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Grace Jones
Victor Should Have Been A Jazz Musician
107 bpm • G# min • 04:43 • -13db
38% Popularity • 75% Danceability • 41% Energy • 5% Liveness
3% Instrumentalness • 55% Positiveness
38% Popularity • 75% Danceability • 41% Energy • 5% Liveness
3% Instrumentalness • 55% Positiveness
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Talk Talk
Happiness Is Easy - 1997 Remaster
107 bpm • F min • 06:30 • -13db
44% Popularity • 70% Danceability • 41% Energy • 4% Liveness
7% Instrumentalness • 92% Positiveness
44% Popularity • 70% Danceability • 41% Energy • 4% Liveness
7% Instrumentalness • 92% Positiveness
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Cock Robin
When your heart is weak
107 bpm • B Maj • 05:46 • -9.62db
37% Popularity • 64% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
37% Popularity • 64% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
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Kate Bush
How To Be Invisible
106 bpm • D min • 05:32 • -15db
38% Popularity • 79% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
38% Popularity • 79% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Moby
Slipping Away
118 bpm • B min • 03:39 • -7.98db
49% Popularity • 59% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 59% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Sinéad O'Connor
You Made Me The Thief Of Your Heart
106 bpm • A# min • 06:21 • -13.34db
19% Popularity • 69% Danceability • 68% Energy • 8% Liveness
23% Instrumentalness • 57% Positiveness
19% Popularity • 69% Danceability • 68% Energy • 8% Liveness
23% Instrumentalness • 57% Positiveness
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Seal
Killer - 2022 Remaster
118 bpm • A# min • 06:22 • -7.56db
31% Popularity • 75% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 75% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Slow Show
Dresden
118 bpm • C Maj • 05:03 • -8.25db
35% Popularity • 54% Danceability • 68% Energy • 36% Liveness
78% Instrumentalness • 12% Positiveness
35% Popularity • 54% Danceability • 68% Energy • 36% Liveness
78% Instrumentalness • 12% Positiveness
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Tiwayo
California Dreamin
118 bpm • C min • 04:04 • -6.81db
15% Popularity • 45% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 45% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Nits
Two Skaters
118 bpm • F Maj • 06:51 • -20db
23% Popularity • 69% Danceability • 13% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
23% Popularity • 69% Danceability • 13% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
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Moby
Dream About Me
118 bpm • F Maj • 03:21 • -9.38db
51% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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a-ha
I've Been Losing You - MTV Unplugged
106 bpm • C Maj • 05:04 • -7.79db
37% Popularity • 48% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 48% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Cock Robin
When Your Heart Is Weak
106 bpm • B Maj • 04:40 • -12.02db
54% Popularity • 75% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 75% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Mick Jagger
Angel In My Heart
106 bpm • G min • 03:27 • -7db
33% Popularity • 47% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 47% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Nina Persson
The Legacy (Theme Song)
119 bpm • A min • 03:20 • -11.96db
14% Popularity • 51% Danceability • 40% Energy • 5% Liveness
12% Instrumentalness • 17% Positiveness
14% Popularity • 51% Danceability • 40% Energy • 5% Liveness
12% Instrumentalness • 17% Positiveness
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dEUS
Nothing Really Ends
119 bpm • D min • 05:36 • -10.47db
48% Popularity • 63% Danceability • 53% Energy • 13% Liveness
4% Instrumentalness • 50% Positiveness
48% Popularity • 63% Danceability • 53% Energy • 13% Liveness
4% Instrumentalness • 50% Positiveness
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Toni Childs
Dreamer
105 bpm • A min • 05:00 • -26.96db
23% Popularity • 54% Danceability • 4% Energy • 5% Liveness
2% Instrumentalness • 34% Positiveness
23% Popularity • 54% Danceability • 4% Energy • 5% Liveness
2% Instrumentalness • 34% Positiveness
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Black
Womanly Panther
105 bpm • E min • 03:07 • -8.52db
19% Popularity • 63% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 78% Positiveness
19% Popularity • 63% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 78% Positiveness
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Cock Robin
Worlds Apart
105 bpm • G Maj • 06:04 • -14.1db
27% Popularity • 64% Danceability • 47% Energy • 21% Liveness
1% Instrumentalness • 60% Positiveness
27% Popularity • 64% Danceability • 47% Energy • 21% Liveness
1% Instrumentalness • 60% Positiveness
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Lisa Bassenge
Riders on the Storm
105 bpm • D Maj • 05:07 • -11db
33% Popularity • 54% Danceability • 44% Energy • 37% Liveness
50% Instrumentalness • 53% Positiveness
33% Popularity • 54% Danceability • 44% Energy • 37% Liveness
50% Instrumentalness • 53% Positiveness
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a-ha
The Sun Always Shines On TV - MTV Unplug...
120 bpm • A min • 04:27 • -7.97db
44% Popularity • 58% Danceability • 47% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 58% Danceability • 47% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
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Roxy Music
My Only Love
120 bpm • D# min • 05:19 • -8db
43% Popularity • 61% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
43% Popularity • 61% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
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The Silencers
Scottish Rain
105 bpm • E Maj • 07:10 • -16.75db
23% Popularity • 66% Danceability • 32% Energy • 12% Liveness
63% Instrumentalness • 63% Positiveness
23% Popularity • 66% Danceability • 32% Energy • 12% Liveness
63% Instrumentalness • 63% Positiveness
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Flash and the Pan
Midnight Man
120 bpm • F min • 04:56 • -9.54db
18% Popularity • 76% Danceability • 50% Energy • 2% Liveness
52% Instrumentalness • 84% Positiveness
18% Popularity • 76% Danceability • 50% Energy • 2% Liveness
52% Instrumentalness • 84% Positiveness
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Moby
Lift Me Up - Reprise Version
120 bpm • E min • 05:22 • -11.02db
28% Popularity • 43% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
28% Popularity • 43% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Cock Robin
Worlds apart
105 bpm • A min • 05:31 • -7.11db
15% Popularity • 36% Danceability • 69% Energy • 51% Liveness
1% Instrumentalness • 16% Positiveness
15% Popularity • 36% Danceability • 69% Energy • 51% Liveness
1% Instrumentalness • 16% Positiveness
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Bronski Beat
We Know How It Feels
120 bpm • C Maj • 04:13 • -16.41db
16% Popularity • 58% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 58% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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a-ha
Hunting High And Low - MTV Unplugged
120 bpm • A min • 05:56 • -10.53db
37% Popularity • 34% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
37% Popularity • 34% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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Lou Doillon
ICU
120 bpm • F Maj • 04:02 • -8.99db
42% Popularity • 66% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 66% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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John Grant
Marz
120 bpm • A# Maj • 03:58 • -10.86db
46% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Elbow
Gentle Storm
120 bpm • F Maj • 03:39 • -10db
41% Popularity • 79% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 79% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Talk Talk
For What It's Worth
120 bpm • D Maj • 05:17 • -15.64db
29% Popularity • 77% Danceability • 42% Energy • 27% Liveness
84% Instrumentalness • 88% Positiveness
29% Popularity • 77% Danceability • 42% Energy • 27% Liveness
84% Instrumentalness • 88% Positiveness
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Bronski Beat
In My Dreams
120 bpm • A Maj • 04:21 • -17.18db
20% Popularity • 64% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 64% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Latin Quarter
Cora
104 bpm • C Maj • 02:59 • -25.82db
14% Popularity • 48% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 48% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Sade
Why Can't We Live Together
104 bpm • A# Maj • 05:28 • -10db
54% Popularity • 84% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 96% Positiveness
54% Popularity • 84% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 96% Positiveness
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Sinéad O'Connor
Troy - 2009 Remaster
121 bpm • A# Maj • 06:41 • -8db
20% Popularity • 41% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 41% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 16% Positiveness
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Chris Rea
Giverny
120 bpm • F Maj • 05:38 • -18.98db
27% Popularity • 60% Danceability • 30% Energy • 9% Liveness
14% Instrumentalness • 22% Positiveness
27% Popularity • 60% Danceability • 30% Energy • 9% Liveness
14% Instrumentalness • 22% Positiveness
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Camille
Seeds
104 bpm • G Maj • 02:50 • -15.11db
45% Popularity • 66% Danceability • 45% Energy • 11% Liveness
15% Instrumentalness • 26% Positiveness
45% Popularity • 66% Danceability • 45% Energy • 11% Liveness
15% Instrumentalness • 26% Positiveness
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Bronski Beat
Why? - Wax Wings Remix
120 bpm • F min • 05:30 • -10.12db
9% Popularity • 78% Danceability • 64% Energy • 13% Liveness
75% Instrumentalness • 49% Positiveness
9% Popularity • 78% Danceability • 64% Energy • 13% Liveness
75% Instrumentalness • 49% Positiveness
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Marc Almond
A Lover Spurned - Full Length Version
121 bpm • E min • 05:37 • -15.6db
26% Popularity • 66% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 66% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Lloyd Cole
No Blue Skies
104 bpm • A Maj • 04:08 • -12db
32% Popularity • 57% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 57% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Sinéad O'Connor
Three Babies
104 bpm • C Maj • 04:43 • -12.9db
44% Popularity • 43% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
44% Popularity • 43% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Grace Jones
Williams Blood
104 bpm • F# min • 05:59 • -8db
33% Popularity • 70% Danceability • 69% Energy • 61% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 70% Danceability • 69% Energy • 61% Liveness
0% Instrumentalness • 36% Positiveness
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3-11 Porter
Surround Me with Your Love - Remastered
104 bpm • F Maj • 04:22 • -11db
47% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
