Songs like Smalltown Boy - Spotify Singles by Orville Peck
Based on a tempo of (+/- 10%) and a similar genre
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the bird and the bee
Ain't Talking 'bout Love
130 bpm • F# Maj • 04:11 • -5.66db
17% Popularity • 71% Danceability • 94% Energy • 11% Liveness
43% Instrumentalness • 45% Positiveness
17% Popularity • 71% Danceability • 94% Energy • 11% Liveness
43% Instrumentalness • 45% Positiveness
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Angie McMahon
Total Eclipse of the Heart
130 bpm • G Maj • 05:18 • -13.65db
35% Popularity • 70% Danceability • 26% Energy • 10% Liveness
55% Instrumentalness • 28% Positiveness
35% Popularity • 70% Danceability • 26% Energy • 10% Liveness
55% Instrumentalness • 28% Positiveness
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Zella Day
Crazy Train
130 bpm • A Maj • 04:12 • -8.79db
29% Popularity • 74% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 74% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Future Islands
Moonlight
130 bpm • C Maj • 03:38 • -12.55db
45% Popularity • 72% Danceability • 56% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
45% Popularity • 72% Danceability • 56% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
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Honey Harper
Tomorrow Never Comes
130 bpm • A Maj • 03:37 • -6.57db
6% Popularity • 64% Danceability • 66% Energy • 22% Liveness
1% Instrumentalness • 48% Positiveness
6% Popularity • 64% Danceability • 66% Energy • 22% Liveness
1% Instrumentalness • 48% Positiveness
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Sufjan Stevens
Video Game
130 bpm • A min • 04:15 • -8.13db
38% Popularity • 67% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
38% Popularity • 67% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Orville Peck
Smalltown Boy - Spotify Singles
130 bpm • C min • 05:17 • -7.5db
43% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Fruit Bats
The Balcony
130 bpm • D# Maj • 04:08 • -8db
44% Popularity • 65% Danceability • 84% Energy • 12% Liveness
35% Instrumentalness • 78% Positiveness
44% Popularity • 65% Danceability • 84% Energy • 12% Liveness
35% Instrumentalness • 78% Positiveness
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The Mountain Goats
As Many Candles As Possible
130 bpm • A min • 03:24 • -9db
24% Popularity • 62% Danceability • 64% Energy • 12% Liveness
32% Instrumentalness • 41% Positiveness
24% Popularity • 62% Danceability • 64% Energy • 12% Liveness
32% Instrumentalness • 41% Positiveness
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Esther Rose
Only Loving You
130 bpm • A Maj • 03:06 • -6.8db
27% Popularity • 46% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 46% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Lavender Country
I Can't Shake the Stranger Out of You
131 bpm • A Maj • 02:39 • -9db
25% Popularity • 34% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 34% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Erin Rae
Modern Woman
131 bpm • C Maj • 03:24 • -7.56db
22% Popularity • 68% Danceability • 67% Energy • 26% Liveness
1% Instrumentalness • 65% Positiveness
22% Popularity • 68% Danceability • 67% Energy • 26% Liveness
1% Instrumentalness • 65% Positiveness
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Trixie Mattel
Jackson
131 bpm • E Maj • 02:37 • -8.58db
45% Popularity • 67% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 67% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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![Lemon [Feat. Sharon Van Etten] cover art](https://i.scdn.co/image/ab67616d00001e027e03f3c0ed84e9db3e6e645b)
Local Natives
Lemon [Sharon Van Etten]
131 bpm • D# Maj • 03:17 • -8.74db
40% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Weather Station
Tried to Tell You
131 bpm • C Maj • 03:38 • -8.77db
31% Popularity • 78% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 78% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Florence + The Machine
Cornflake Girl - Recorded At RAK Studios...
131 bpm • A min • 04:41 • -6db
37% Popularity • 54% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 54% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Jess Williamson
Sorceress
132 bpm • A Maj • 04:37 • -10.91db
7% Popularity • 44% Danceability • 41% Energy • 42% Liveness
1% Instrumentalness • 19% Positiveness
7% Popularity • 44% Danceability • 41% Energy • 42% Liveness
1% Instrumentalness • 19% Positiveness
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Allison Russell
Hy-Brasil
128 bpm • C Maj • 05:35 • -11db
40% Popularity • 44% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 44% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Orville Peck
Mona Lisas and Mad Hatters
132 bpm • C Maj • 03:38 • -8.05db
36% Popularity • 51% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 51% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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The Cactus Blossoms
Boomerang
128 bpm • D min • 04:54 • -9.31db
22% Popularity • 45% Danceability • 42% Energy • 14% Liveness
3% Instrumentalness • 34% Positiveness
22% Popularity • 45% Danceability • 42% Energy • 14% Liveness
3% Instrumentalness • 34% Positiveness
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Japanese Breakfast
Dreams - Recorded at Spotify Studios NYC
128 bpm • E Maj • 04:39 • -9db
41% Popularity • 52% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
41% Popularity • 52% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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S.G. Goodman
Old Time Feeling
128 bpm • B min • 03:51 • -6db
24% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Vagabon
Reason to Believe
132 bpm • G Maj • 02:29 • -11db
29% Popularity • 56% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 56% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Margo Price
That's How Rumors Get Started
128 bpm • C Maj • 04:10 • -5.46db
18% Popularity • 56% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 56% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Kishi Bashi
Laughing With
127 bpm • A# min • 03:55 • -16.37db
13% Popularity • 60% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
13% Popularity • 60% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Dale Hollow
Would That It Were so Simple
127 bpm • E Maj • 03:27 • -14.26db
22% Popularity • 55% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 55% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Neko Case
This Tornado Loves You
133 bpm • G Maj • 03:19 • -5db
42% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Paul Cauthen
I'll Be the One
133 bpm • C min • 04:21 • -6.42db
37% Popularity • 63% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 63% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Highwomen
Highway Unicorn (Road To Love)
127 bpm • A min • 03:35 • -5.41db
27% Popularity • 72% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 72% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Margo Price
Gone To Stay
132 bpm • A# Maj • 03:01 • -5.15db
10% Popularity • 59% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 59% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Lauren Morrow
Nobody but Me
133 bpm • G Maj • 03:23 • -7db
20% Popularity • 57% Danceability • 80% Energy • 8% Liveness
5% Instrumentalness • 35% Positiveness
20% Popularity • 57% Danceability • 80% Energy • 8% Liveness
5% Instrumentalness • 35% Positiveness
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Sarah Shook & the Disarmers
Fuck Up
133 bpm • A Maj • 03:21 • -5.34db
42% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Dale Hollow
Sooner Than Later
127 bpm • D Maj • 04:14 • -14.79db
13% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Sego
Where Have All the Cowboys Gone?
127 bpm • C# Maj • 03:45 • -5.72db
19% Popularity • 73% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 73% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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HAIM
Gasoline
133 bpm • C# min • 03:13 • -4.56db
40% Popularity • 68% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 68% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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John Cameron Mitchell
Moonage Daydream
127 bpm • C Maj • 03:15 • -9.28db
11% Popularity • 44% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 44% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Stephanie Lambring
Joy of Jesus
126 bpm • A min • 03:59 • -11.83db
8% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Perfume Genius
Without You
134 bpm • A Maj • 02:35 • -5.33db
35% Popularity • 65% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 83% Positiveness
35% Popularity • 65% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 83% Positiveness
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Kacy & Clayton
In A Time Of Doubt
126 bpm • D Maj • 02:50 • -4.48db
21% Popularity • 59% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 59% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Tim Heidecker
Oh How We Drift Away
134 bpm • C# Maj • 05:34 • -6db
32% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Dale Hollow
I'm Not a Smart Man
126 bpm • A Maj • 03:23 • -6.19db
19% Popularity • 60% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 60% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jade Bird
American Pie
134 bpm • F# Maj • 04:14 • -7.62db
29% Popularity • 49% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 49% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Orville Peck
Legends Never Die - with Shania Twain
134 bpm • G Maj • 03:52 • -3.94db
46% Popularity • 43% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 43% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Ruen Brothers
San Diego Nights
134 bpm • E min • 03:54 • -5.89db
17% Popularity • 72% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 72% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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The Mountain Goats
Get Famous
126 bpm • F# Maj • 03:19 • -7db
27% Popularity • 68% Danceability • 72% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
27% Popularity • 68% Danceability • 72% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
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Nikki Lane
Send The Sun
126 bpm • G# Maj • 02:57 • -6.12db
50% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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This Is The Kit
This Is What You Did
135 bpm • G Maj • 03:12 • -9db
34% Popularity • 62% Danceability • 81% Energy • 10% Liveness
53% Instrumentalness • 43% Positiveness
34% Popularity • 62% Danceability • 81% Energy • 10% Liveness
53% Instrumentalness • 43% Positiveness
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The Cactus Blossoms
Hey Baby
135 bpm • E Maj • 02:50 • -9db
47% Popularity • 89% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
47% Popularity • 89% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Sarah Harmer
St. Peter's Bay
125 bpm • B min • 03:14 • -9db
30% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ruen Brothers
A Million Things
134 bpm • F Maj • 03:11 • -3.65db
15% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Allison Russell
Persephone
125 bpm • D Maj • 04:22 • -8db
44% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Nikki Lane
Muddy Waters
135 bpm • B Maj • 03:11 • -7.11db
32% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Future Islands
For Sure - Dan Deacon Remix
135 bpm • A# Maj • 09:14 • -8db
20% Popularity • 49% Danceability • 71% Energy • 10% Liveness
11% Instrumentalness • 22% Positiveness
20% Popularity • 49% Danceability • 71% Energy • 10% Liveness
11% Instrumentalness • 22% Positiveness
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Adia Victoria
The Needle's Eye
135 bpm • G# Maj • 03:33 • -8.34db
10% Popularity • 42% Danceability • 68% Energy • 10% Liveness
78% Instrumentalness • 53% Positiveness
10% Popularity • 42% Danceability • 68% Energy • 10% Liveness
78% Instrumentalness • 53% Positiveness
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Zella Day
Purple Haze
125 bpm • B min • 03:18 • -7.96db
34% Popularity • 65% Danceability • 67% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
34% Popularity • 65% Danceability • 67% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
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Paul Cauthen
Angel
125 bpm • C Maj • 04:18 • -9.69db
41% Popularity • 70% Danceability • 54% Energy • 11% Liveness
3% Instrumentalness • 49% Positiveness
41% Popularity • 70% Danceability • 54% Energy • 11% Liveness
3% Instrumentalness • 49% Positiveness
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Sturgill Simpson
Mercury in Retrograde
125 bpm • E Maj • 04:31 • -5.28db
46% Popularity • 71% Danceability • 74% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
46% Popularity • 71% Danceability • 74% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
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St. Vincent
Pay Your Way In Pain
125 bpm • A Maj • 03:03 • -6.8db
42% Popularity • 68% Danceability • 83% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 68% Danceability • 83% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
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Allison Russell
The Runner
125 bpm • A# Maj • 04:09 • -9db
29% Popularity • 62% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 62% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Humbird
Lincoln, Nebraska
135 bpm • D Maj • 02:23 • -9.75db
31% Popularity • 70% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 70% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Perfume Genius
Describe - Edit
136 bpm • D# Maj • 02:43 • -7.3db
21% Popularity • 20% Danceability • 62% Energy • 11% Liveness
81% Instrumentalness • 25% Positiveness
21% Popularity • 20% Danceability • 62% Energy • 11% Liveness
81% Instrumentalness • 25% Positiveness
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Angel Olsen
Forever Young
136 bpm • C Maj • 05:37 • -7.28db
23% Popularity • 33% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
23% Popularity • 33% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Lilly Hiatt
Some Kind of Drug
136 bpm • D Maj • 04:06 • -10.47db
15% Popularity • 62% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 62% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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TORRES
Don't Go Puttin Wishes in My Head
136 bpm • C Maj • 04:21 • -8.22db
37% Popularity • 46% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 46% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Deep Sea Diver
Impossible Weight - Sharon Van Etten
124 bpm • G# Maj • 03:22 • -5.79db
41% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Father John Misty
Main Man
124 bpm • C Maj • 03:22 • -7.51db
27% Popularity • 72% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 72% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Adia Victoria
Different Kind Of Love
124 bpm • B min • 03:24 • -5.17db
31% Popularity • 57% Danceability • 88% Energy • 7% Liveness
7% Instrumentalness • 74% Positiveness
31% Popularity • 57% Danceability • 88% Energy • 7% Liveness
7% Instrumentalness • 74% Positiveness
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Black Pumas
Strangers
124 bpm • C Maj • 03:12 • -5.67db
37% Popularity • 61% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 61% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Allie Crow Buckley
Hanging Tough
124 bpm • C Maj • 04:00 • -11.38db
10% Popularity • 51% Danceability • 62% Energy • 6% Liveness
23% Instrumentalness • 38% Positiveness
10% Popularity • 51% Danceability • 62% Energy • 6% Liveness
23% Instrumentalness • 38% Positiveness
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Yola
Whatever You Want
124 bpm • E Maj • 03:51 • -5.66db
25% Popularity • 60% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 60% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Zella Day
My Game
124 bpm • D min • 03:30 • -6.75db
30% Popularity • 70% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 70% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Brent Cobb
Feet Off The Ground
137 bpm • A Maj • 04:18 • -6.5db
44% Popularity • 46% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 46% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Dream Wife
Hasta La Vista
123 bpm • E Maj • 03:42 • -6db
10% Popularity • 93% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 93% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Lillie Mae
You've Got Other Girls for That
137 bpm • E min • 04:03 • -5.75db
16% Popularity • 34% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 34% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Leanne Betasamosake Simpson
I Pity the Country
123 bpm • C# Maj • 04:54 • -7.69db
22% Popularity • 41% Danceability • 53% Energy • 10% Liveness
81% Instrumentalness • 26% Positiveness
22% Popularity • 41% Danceability • 53% Energy • 10% Liveness
81% Instrumentalness • 26% Positiveness
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Jillette Johnson
I Shouldn't Go Anywhere
123 bpm • A Maj • 03:43 • -8db
12% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Gaelynn Lea
Lost in the Woods
138 bpm • A Maj • 02:06 • -8.75db
7% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dwayne Gretzky
S.O.S.
138 bpm • F Maj • 03:13 • -6.93db
15% Popularity • 67% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 67% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Ruen Brothers
Summer Sun
122 bpm • G min • 03:21 • -2.62db
40% Popularity • 48% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 48% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Elizabeth Cook
Perfect Girls of Pop
138 bpm • B min • 03:27 • -3.59db
14% Popularity • 48% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 48% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Yola
It Ain't Easier
122 bpm • G Maj • 04:23 • -6.83db
27% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Cassandra Lewis
Beautiful
122 bpm • A min • 04:43 • -9.73db
14% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Lillie Mae
Terlingua Girl
138 bpm • D Maj • 04:14 • -7.88db
19% Popularity • 26% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
19% Popularity • 26% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Lydia Loveless
Love Is Not Enough
122 bpm • C Maj • 03:20 • -7.26db
18% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Amanda Shires
Deciphering Dreams
138 bpm • F Maj • 03:20 • -6.26db
10% Popularity • 46% Danceability • 93% Energy • 35% Liveness
73% Instrumentalness • 86% Positiveness
10% Popularity • 46% Danceability • 93% Energy • 35% Liveness
73% Instrumentalness • 86% Positiveness
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Teddy and The Rough Riders
How Dare You
138 bpm • C Maj • 02:49 • -8.09db
25% Popularity • 41% Danceability • 90% Energy • 10% Liveness
29% Instrumentalness • 60% Positiveness
25% Popularity • 41% Danceability • 90% Energy • 10% Liveness
29% Instrumentalness • 60% Positiveness
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Tune-Yards
Sweet Dreams (Are Made of This) - Record...
122 bpm • C# Maj • 04:17 • -9.84db
26% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Miya Folick
Stop Talking
122 bpm • C Maj • 02:45 • -2db
32% Popularity • 83% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 83% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Cactus Blossoms
Change Your Ways or Die
139 bpm • A Maj • 03:25 • -7db
34% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kacy & Clayton
The Forty-Ninth Parallel
122 bpm • D# Maj • 02:26 • -5.27db
36% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Aaron Lee Tasjan
Computer of Love
122 bpm • F min • 03:39 • -8.2db
19% Popularity • 65% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 65% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Jillette Johnson
Annie
122 bpm • F# Maj • 02:43 • -8db
20% Popularity • 60% Danceability • 50% Energy • 10% Liveness
4% Instrumentalness • 47% Positiveness
20% Popularity • 60% Danceability • 50% Energy • 10% Liveness
4% Instrumentalness • 47% Positiveness
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Phranc
Bulldagger Swagger
139 bpm • A min • 02:49 • -10.08db
10% Popularity • 71% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 71% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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King Princess
I Know - RISE Recording
140 bpm • C Maj • 04:59 • -12.41db
41% Popularity • 52% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 52% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Cactus Blossoms
Please Don't Call Me Crazy
139 bpm • C Maj • 03:06 • -7.66db
28% Popularity • 44% Danceability • 56% Energy • 13% Liveness
5% Instrumentalness • 49% Positiveness
28% Popularity • 44% Danceability • 56% Energy • 13% Liveness
5% Instrumentalness • 49% Positiveness
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Sharon Van Etten
Seventeen - Norah Jones
121 bpm • A# Maj • 04:53 • -6db
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Orville Peck
This Is Nowhere (Long Version)
121 bpm • G Maj • 01:56 • -22.77db
32% Popularity • 39% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 15% Positiveness
32% Popularity • 39% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 15% Positiveness
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of Montreal
You’ve Had Me Everywhere
121 bpm • F# Maj • 04:46 • -7.37db
20% Popularity • 63% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 63% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
