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Smash Into You
Songs like
Smash Into You
by
Hey Violet
Based on a tempo of (+/- 10%) and a similar genre
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Xana
My Therapist Told Me
160 bpm • G# Maj • 02:58 • -3.81db
42% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Hey Violet
Smash Into You
159 bpm • B min • 03:00 • -4db
31% Popularity • 57% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Makeout
Ride It Out
160 bpm • C# Maj • 03:44 • -3.55db
27% Popularity • 38% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Danger Radio
Slow Dance with a Stranger
158 bpm • E min • 03:27 • -3.17db
30% Popularity • 57% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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We Are The In Crowd
The Best Thing (That Never Happened)
160 bpm • G min • 02:51 • -5.07db
52% Popularity • 52% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Shannon Taylor
Pushing Daisies
160 bpm • C# Maj • 03:00 • -4.49db
17% Popularity • 41% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Allstar Weekend
Hey, Princess
160 bpm • G# Maj • 03:18 • -3db
39% Popularity • 51% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Car Astor
Green Line Killer
160 bpm • F Maj • 03:52 • -3.82db
11% Popularity • 42% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Make Out Monday
Sunset Blvd.
158 bpm • D Maj • 03:47 • -3.3db
12% Popularity • 40% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Hot Chelle Rae
Problematique
160 bpm • E min • 03:08 • -3.21db
15% Popularity • 54% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Hey Violet
Never Settling Again
158 bpm • F Maj • 03:02 • -4.78db
23% Popularity • 59% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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DYLYN
American Nightmare
160 bpm • D# min • 03:05 • -4.87db
16% Popularity • 61% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Simon Curtis
How To Start A War
160 bpm • A min • 03:48 • -4.23db
32% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Halocene
...Ready For It?
160 bpm • E min • 03:29 • -8.5db
28% Popularity • 58% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Artist Vs Poet
Awake
160 bpm • D Maj • 03:37 • -13.65db
22% Popularity • 66% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Charlotte Sands
Want You Like That
158 bpm • G# Maj • 02:54 • -4.72db
49% Popularity • 47% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Hey Violet
Best Imposter
158 bpm • D Maj • 03:07 • -7.12db
0% Popularity • 55% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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McBusted
23:59
160 bpm • C# min • 03:07 • -3db
29% Popularity • 51% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Make Out Monday
Twixter
158 bpm • D Maj • 02:52 • -3db
15% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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MOTHICA
upside
160 bpm • D Maj • 02:31 • -7.74db
42% Popularity • 56% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Lola Blanc
Angry Too
160 bpm • G# Maj • 03:24 • -5.22db
63% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Cher Lloyd
Behind The Music
158 bpm • F Maj • 03:42 • -4.16db
24% Popularity • 60% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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We Are The In Crowd
Manners
158 bpm • E Maj • 03:05 • -4.59db
30% Popularity • 41% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Andy Black
Paint It Black
160 bpm • D Maj • 04:12 • -4.96db
38% Popularity • 41% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Honor Society
See U in the Dark
157 bpm • C Maj • 03:30 • -7.83db
17% Popularity • 53% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Lights
Kicks
157 bpm • C Maj • 03:17 • 0.23db
27% Popularity • 68% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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William Beckett
Stuck in Love
157 bpm • A min • 02:57 • -4db
29% Popularity • 56% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Alli Fitz
Fill the Void
157 bpm • D# min • 03:20 • -3db
17% Popularity • 67% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Sarah Barrios
IH8EVERY1
161 bpm • G# Maj • 02:47 • -4db
34% Popularity • 59% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Marisa Maino
BITTER
156 bpm • E Maj • 03:05 • -5.63db
30% Popularity • 70% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Transviolet
Astronaut
157 bpm • E Maj • 03:25 • -5.4db
21% Popularity • 50% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Panic! At The Disco
The Good, the Bad and the Dirty
156 bpm • G min • 02:51 • -5.33db
58% Popularity • 53% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Runner Runner
She's My Kinda Girl
162 bpm • D Maj • 03:50 • -6db
32% Popularity • 50% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Cherri Bomb
Raw. Real.
156 bpm • G Maj • 02:37 • -3.2db
18% Popularity • 47% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Hey Violet
Unholy
162 bpm • F min • 03:57 • -5.99db
50% Popularity • 51% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Hot Chelle Rae
Alright
156 bpm • C# min • 02:55 • -3.31db
24% Popularity • 51% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Troye Sivan
Fun
156 bpm • C Maj • 03:27 • -6.68db
39% Popularity • 64% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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SAINTE
White Lies
156 bpm • G# Maj • 03:12 • -4.38db
17% Popularity • 44% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Make Out Monday
Fear and Loathing (In the Valley)
156 bpm • A Maj • 03:42 • -2.95db
14% Popularity • 46% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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girli
Pink
156 bpm • E min • 03:11 • -4db
35% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Matt Fishel
LGBTQIA (A New Generation)
163 bpm • G# Maj • 03:57 • -2.48db
21% Popularity • 47% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Push Play
Watch It Burn
163 bpm • C# min • 03:21 • -4.55db
9% Popularity • 51% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Kailee Morgue
This Is Why I'm Hot
163 bpm • G# Maj • 02:07 • -3.27db
47% Popularity • 53% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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We Are The In Crowd
Remember (To Forget You)
155 bpm • C# min • 03:04 • -5.75db
23% Popularity • 46% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Make Out Monday
Blue Romance
156 bpm • C# min • 03:27 • -3db
26% Popularity • 52% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Cherri Bomb
Already Dead
163 bpm • D min • 03:11 • -3.59db
13% Popularity • 56% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Hey Violet
Dear Love
155 bpm • D# Maj • 03:04 • -6.55db
26% Popularity • 65% Danceability • 64% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
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Artist Vs Poet
Car Crash
155 bpm • G# Maj • 03:15 • -4db
20% Popularity • 51% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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TRAMP STAMPS
Sad! Hot! Girls!
155 bpm • F# Maj • 02:42 • -4.7db
31% Popularity • 67% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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We Are The In Crowd
Dreaming Out Loud
163 bpm • A Maj • 03:06 • -5db
28% Popularity • 46% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Lesley Roy
I'm Gone, I'm Going
155 bpm • C# Maj • 03:25 • -2db
24% Popularity • 49% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Kelsy Karter & The Heroines
Catch Me If You Can
155 bpm • A min • 03:08 • -5.2db
32% Popularity • 54% Danceability • 84% Energy • 33% Liveness
4% Instrumentalness • 74% Positiveness
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Shane Harte
Let You Know
164 bpm • F Maj • 03:28 • -1.95db
20% Popularity • 48% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Lights
Moonshine
164 bpm • E min • 03:13 • -5.03db
25% Popularity • 57% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Hey Violet
I Can Feel It
164 bpm • G Maj • 03:17 • -3.62db
35% Popularity • 58% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Crimson Apple
Who Knows
164 bpm • F Maj • 03:01 • -3.87db
18% Popularity • 56% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Cherri Bomb
Let It Go
164 bpm • B min • 03:39 • -2.73db
16% Popularity • 41% Danceability • 98% Energy • 5% Liveness
1% Instrumentalness • 36% Positiveness
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Radnor
New Perspective
164 bpm • G Maj • 03:43 • -5.71db
36% Popularity • 48% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Kailee Morgue
Unfortunate Soul
164 bpm • F# min • 03:07 • -6db
34% Popularity • 67% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Dylan Gardner
I Want It Like That
154 bpm • A min • 03:15 • -5.27db
17% Popularity • 61% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Hey Violet
O.D.D.
154 bpm • F# Maj • 03:42 • -6.47db
54% Popularity • 55% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Cher Lloyd
Human
154 bpm • F# Maj • 03:29 • -4.59db
35% Popularity • 50% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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We Are The In Crowd
Long Live The Kids
154 bpm • A min • 04:11 • -6db
25% Popularity • 24% Danceability • 81% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Make Out Monday
Desirae
165 bpm • C Maj • 03:15 • -3db
19% Popularity • 46% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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Makeout
Clockwork
165 bpm • C# Maj • 03:25 • -3.13db
22% Popularity • 44% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Beautiful Bodies
Capture & Release
165 bpm • D min • 03:16 • -5.8db
21% Popularity • 50% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Stereo Skyline
Kiss Me In The Morning
165 bpm • A# Maj • 03:24 • -3.95db
30% Popularity • 52% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Zolita
Single In September
153 bpm • G Maj • 03:15 • -5.77db
43% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Andy Black
The Void
165 bpm • D Maj • 04:50 • -6db
36% Popularity • 22% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Artist Vs Poet
Somewhere Else
166 bpm • C# Maj • 03:17 • -8.93db
23% Popularity • 59% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Kelsy Karter & The Heroines
Love Me or Hate Me
166 bpm • G# Maj • 03:16 • -5.27db
39% Popularity • 48% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Hey Violet
Party Girl
152 bpm • C Maj • 03:31 • -5.49db
24% Popularity • 59% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Runner Runner
So Obvious
152 bpm • E Maj • 03:58 • -5.74db
32% Popularity • 41% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Cherri Bomb
Too Many Faces
152 bpm • B min • 04:44 • -5.16db
31% Popularity • 42% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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HOLYCHILD
Barbie Nation
166 bpm • F Maj • 03:20 • -6db
18% Popularity • 53% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Allison Iraheta
Friday I'll Be Over U
151 bpm • G min • 03:16 • -1.91db
36% Popularity • 52% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Crimson Apple
Somebody
168 bpm • E min • 03:06 • -2.51db
22% Popularity • 54% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Fall Out Boy
American Beauty/American Psycho
151 bpm • D Maj • 03:15 • -2db
54% Popularity • 49% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Shannon Taylor
Emergency Alert
168 bpm • G min • 03:48 • -4.88db
10% Popularity • 45% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Maty Noyes
New Friends
168 bpm • C# min • 03:10 • -4.77db
56% Popularity • 68% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 59% Positiveness
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Hey Violet
This Is Me Breaking Up With You
168 bpm • G Maj • 02:13 • -3.79db
28% Popularity • 50% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Beautiful Bodies
War Inside Your Heart
150 bpm • G Maj • 03:06 • -5.58db
12% Popularity • 50% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Elliot Lee
Queen of Nothing
150 bpm • A Maj • 03:02 • -6db
32% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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The Girl and The Dreamcatcher
Cry Wolf
150 bpm • D min • 02:39 • -5.39db
34% Popularity • 60% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 79% Positiveness
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Maggie Lindemann
Knife Under My Pillow
150 bpm • C Maj • 02:02 • -4.26db
53% Popularity • 56% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Forever The Sickest Kids
Chin Up Kid
150 bpm • D Maj • 04:24 • -4.75db
26% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Andy Black
Homecoming King
150 bpm • C Maj • 04:55 • -5.55db
41% Popularity • 42% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Jordan Sweeto
Forever to Me
150 bpm • E min • 03:23 • -3.1db
16% Popularity • 47% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Megan McCauley
Tap That
150 bpm • G Maj • 03:22 • -3db
28% Popularity • 57% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 88% Positiveness
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LØLØ
junkie
150 bpm • D Maj • 02:39 • -3.69db
37% Popularity • 55% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Hey Violet
Friends Like This
150 bpm • A Maj • 02:50 • -6.14db
24% Popularity • 68% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Charlotte Sands
Nothing's Even Wrong
150 bpm • G# Maj • 02:49 • -4.93db
32% Popularity • 73% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Stereo Skyline
Sorry I Stole Your Girlfriend
150 bpm • G Maj • 02:25 • -4db
28% Popularity • 62% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Adam Hicks
Here We Go
150 bpm • D Maj • 02:52 • -1.64db
47% Popularity • 55% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 60% Positiveness
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Andy Black
Put The Gun Down
150 bpm • C Maj • 03:45 • -5db
39% Popularity • 56% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Zolita
Fight Like A Girl
150 bpm • A# min • 03:40 • -5db
39% Popularity • 52% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Masketta Fall
Do You Wanna Dance
170 bpm • D Maj • 03:44 • -4.66db
14% Popularity • 42% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 51% Positiveness
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New Politics
Pretend We're in a Movie
170 bpm • D Maj • 03:15 • -3.25db
22% Popularity • 41% Danceability • 95% Energy • 45% Liveness
0% Instrumentalness • 58% Positiveness
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Maggie Lindemann
Knocking on Your Heart
150 bpm • D min • 03:40 • -7.16db
39% Popularity • 47% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Shannon Taylor
Two-Faced
170 bpm • B Maj • 02:53 • -5db
27% Popularity • 48% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Smash Into You